Tascam US-428 Quick start guide

USB Interface

ÿ 16 MIDI channels

(1 MIDI input and 1

MIDI output)

ÿ 2 XLR mic inputs

with phantom power

ÿ 2 W" inserts

ÿ 2 W" line/guitar

level inputs

ÿ RCA analog line out-

puts with level control

ÿ Headphone output

with level control

ÿ Adjustable zero

latency direct

monitoring

FW-1884

The FW-1884 is

a professional DAW

control surface and

audio/MIDI interface

that uses FireWire’s

high-bandwidth capa-

bilities to provide

audio and MIDI inter-

facing to computers.

And it offers control

of DAW parameters

via eight 100mm

motorized touch-sen-

sitive channel faders,

one motorized mas-

ter fader, and controls

for pan, solo, mute

and select functions

on each channel…as

well as tactile con-

trol for four bands of

parametric EQ, a jog/

shuttle wheel and a

variety of shortcut

keys for various popu-

lar software applica-

tions.

Co-designed by

TASCAM and Frontier

Design Group, the

new FW-1884’s DAW

US-224

US-224 US-428

FW-1884

FireWire

Audio / MIDI Interface

and DAW Controller

ÿ Dual FireWire ports

ÿ 24-bit/96kHz A/D/D/A

ÿ 96kHz operation on all

analog I/O channels

(with compatible DAW

software)

ÿ 64 MIDI channels

(4 MIDI inputs and 4

MIDI outputs)

US-122

surround produc-

tion as well as stan-

dard stereo mixing,

the FW-1884 provides

eight analog outputs

for simultaneous con-

nection to L/R and 5.1

surround matrices. A

headphone output is

also provided.

Four MIDI inputs

and four MIDI outputs

on the FW-1884 allow

users to connect with

a wide variety of MIDI

sound generation

and timing tools. Its

FE-8 “sidecar” to

expand the FW-1884

with eight more chan-

nel control strips

(100mm motorized

faders and dedicated

control buttons). Up to

15 FE-8’s may be added

to an FW-1884 as

needed for big console

functionality. ó

US-428

By providing both

audio/MIDI interfac-

ing and control sur-

face capabilities, the

US-428 provides two

distinct ways of help-

ing you work.

First, it allows you

to get four channels

of audio in and two

out along with 32

channels of MIDI I/O

— simultaneously via

USB. You get two mic

preamps for vocals

and four line inputs

DAW software), plus

four virtual aux sends

and a panpot. The US-

428 also provides con-

trol of many virtual

plug-in synths. ó

US-224

The US-224 is an

even more affordable

desktop solution for

computer interfac-

ing and control. Its

small footprint and

ultra-light design

make it the perfect

companion for com-

puter recordists on

the move. Since it’s

powered via USB, a

US-224 and a laptop

ÿ 8 XLR mic inputs with

phantom power

ÿ 8 W" TRS balanced

line inputs

ÿ 8 W" TRS balanced

line outputs

ÿ Guitar/Line level switch on

Channel 8

ÿ 8 W" TRS inserts

ÿ Stereo S/PDIF

digital I/O

ÿ 8-channel ADAT® Optical

Digital I/O

ÿ Footswitch jack

ÿ Headphone jack with

level control

ÿ Word Clock in/out

ÿ 100mm motorized

touch-sensitive faders

ÿ Dedicated controls for

pan, solo, mute and

select functions, tactile

control for 4-band

parametric EQ

ÿ Mappable shortcut

keys for popular DAW

programs

ÿ EXPANDABLE! FE-8

sidecar expands

FW-1884 system up to

128 channel strips

control capabilities

include comprehen-

sive mixing, automa-

tion, editing and navi-

gation tools. Along

with eight balanced

XLR analog mic/line

inputs with high-

quality mic preamps

and phantom power,

the new

FW-1884 gives you

eight channels of

ADAT® lightpipe and

stereo S/PDIF inputs

and outputs. Perfect

for multi-channel

Cubasis VST software,

making it the perfect

all-in-one setup for

anyone getting into

the world of computer

audio recording. ó

US-122

Our smallest USB

interface is a real

powerhouse in dis-

guise. Co-designed

with Frontier Design

Group, the US-122

features two XLR-

based, phantom-pow-

ered mic inputs with

inserts and two line-

level inputs on bal-

anced W" TRS jacks,

switchable to guitar

level.

One of the only

small computer inter-

faces with analog

inserts, the US-122 lets

you place hardware

devices (compressors,

etc.) into the record-

ing signal chain. The

US-122 also provides

a dedicated control for

adjustable zero-laten-

cy direct monitoring,

providing a sonically

pure reference point

before entering DAW

processing. Its two

line-level outputs pro-

vide control for levels,

and a dedicated head-

phone output is also

included.

In addition to

audio interfacing,

the US-122 gives you

16 channels of MIDI

I/O for use with syn-

thesizers and other

sound generating

equipment. The MIDI

I/O is also handy for

synchronization and

automation with

external devices.

The US-122

excels at comput-

er compatibility.

It includes drivers

for ASIO, WDM,

GSIF and Apple

Core Audio (OS X)

software systems,

so you can turn

nearly any USB-

equipped comput-

er into a powerful

audio recording

system. Plus, the

US-122 repre-

sents an excellent

mobile recording

solution since it’s

powered via USB…

just plug in a cou-

ple of condenser

mics and go! ó

Word Clock in and out

jacks allow computer

systems to maintain

accurate clock syn-

chronization in digital

recording environ-

ments. Also, its assign-

able footswitch jack

can be used for tasks

such as hands-free

punching or MIDI

control. In use, the

FW-1884 allows up to

18 audio inputs to be

accessed at once.

Want more hands-

on faders? Use the

USB / MIDI

Interface and

DAW Controller

ÿ 16 MIDI channels

(1 MIDI input and 1

MIDI output)

ÿ 2 XLR mic inputs

ÿ 2 W" unbalanced

line inputs

ÿ 2 aux send

controllers

ÿ S/PDIF digital I/O

ÿ 4 faders support

unlimited banks

ÿ Transport, mute/

solo, locate keys

ÿ Mappable shortcut

keys for popular

DAW programs

can constitute one

of the most compact,

powerful record-any-

where systems you

can imagine. Inputs

include two XLR mic

preamps and two line

level inputs plus

S/PDIF digital.

Like the US-428, the

US-224 offers faders,

knobs and buttons to

adjust the controls of

your computer audio

software. It provides

unlimited banks of

four faders, two chan-

nels of audio I/O in

16- or 24-bit quality,

as well as 16 channels

of MIDI I/O. It also

includes Steinberg

USB / MIDI

Interface and

DAW Controller

ÿ 32 MIDI channels

(2 MIDI inputs and 2

MIDI outputs)

ÿ 2 XLR mic inputs

ÿ4 W" line inputs

(2 TRS bal., 2 TS

unbal.)

ÿ RCA analog outputs

ÿ 4 aux send

controllers

ÿ headphone output

ÿ S/PDIF digital I/O

ÿ 8 faders support

unlimited banks

ÿ4-band parametric

EQ controller

ÿ Transport, mute/

solo, locate keys

ÿ Mappable shortcut

keys for popular

DAW programs

for instruments, etc.

Second, you get real

tactile controls for the

most-used functions

in your DAW applica-

tions, including trans-

port, mute/solo and

locate keys, unlimited

banks of eight faders,

an EQ module that

supports control of

up to four bands of

fully parametric EQ (if

implemented by your

NEW!

US-2400

ow you can use your mouse for what it’s

good at and use a control surface for what

it’s good at: hands-on mixing with lots of real

faders, knobs & buttons.

The TASCAM US-2400 is the first DAW fader

controller with enough faders to handle a typi-

cal recording session — and feel like a

real mixing console — without lots of

bank switching.

The US-2400 features 25 touch-sen-

sitive moving channel faders and a

touch-sensitive motorized master fader,

each with 10-bit resolution for precise level con-

trol. Each channel has dedicated select, solo and

mute controls.

Twenty-four rotary encoders are provided,

selectable to control pan or up to 8 aux sends.

Plus, all 24 encoders can also be employed as

one large channel strip for four-band EQ, aux

and pan control. Each encoder has a ring of LEDs

that can display the current setting or double as

channel meters during recording and playback.

A set of solid-feeling transport buttons are

also provided, as well as a shuttle wheel and a

joystick for surround panning.

Compare it to any other controller on the

market today (and the extra expanders you’d

have to buy to get 24 motorized faders) and

you’ll discover that the US-2400 gives you more

control for the money.

Digital Audio Workstation

Controller with 25 motorized,

touch-sensitive 100mm faders

˘ Fully-mapped control for

any DAW that supports

HUI™ or Mackie® Control

protocols

˘ Twenty-five touch sen-

sitive 100mm moving

faders, each with 10-bit

resolution

˘ Select, Solo and Mute keys

˘ 24 encoders control pan,

aux level or channel strip

functions like EQ & Aux

˘ LED ring displays around

encoders display param-

eters or channel meters

˘ Footswitch jack for

punch-ins

˘ Fader bank switching and

In/Out point buttons

˘ Assignable Function keys

can be set to Autopunch,

Record arming, Undo, etc.

˘ Solid-feeling transport

controls

˘ Smooth Jog/Shuttle wheel

˘ Joystick for surround

panning

˘ Mac® OSX and Windows®

XP compatible

Twenty-ve touch-sensitive motorized faders in one integrated DAW controller!

CO-DEVELOPED WITH

Computer Recording Solutions

Computer

Recording

Computer Recording Solutions

www.tascam.com

7733 Telegraph Road • Montebello

CA • USA • phone 323.726.0303

For complete specifications, visit www.tascam.com

*TASCAM GigaStudio Solo, slated for spring 2004 release, current products ship with GigaStudio 24. Windows® only. All specifications measured at standard

44.1/48kHz sampling frequencies. All specifications are subject to change without notice. Visit www.tascam.com for the most up-to-date information. All

FW-1884

US-122

US-224

US-428

The FW-1884, US-428, US-224 & US-122 are co-developed with

hands-on

mixing and

control

of digital

audio work-

stations

audio and

MIDI to

and from

your com-

puter

simul-

taneous

analog

audio

recording

inputs

US-2400

25 motorized

faders

Ô Ô

FW-1884

9 motorized

faders

18/18 audio

4/4 MIDI

US-428

9 manual

faders

4/2 audio

1/1 MIDI

US-224

5 manual

faders

2/2 audio

1/1 MIDI

US-122

2/2 audio

1/1 MIDI

Five ways to turn

your Mac

or PC into a

serious recording and

production tool.

From compact interfaces

to studio control surfaces,

there’s a TASCAM

for you.

ut TASCAM’s solid, thirty-

year reputation for sound

quality and professional record-

ing features to work for you

and your computer.

Each of our four audio/MIDI

interfaces has studio-grade mic

preamps — even the portable

and ultra-compact US-122.

Our DAW controller/interfaces

and awesome new

US-2400 mega-

controller (with

no less than

twenty-five touch-sen-

sitive motorized faders)

let you reach in and get your

hands on real faders and knobs

so you can use your mouse and

keyboard for other uses*.

Read on to discover which

TASCAM computer recording

solution best fits your budget

and applications.

typing file names, drawing EQ and waveform

curves, surfing the web and of course writing or

e-mailing your mom.

The new US-2400,

FW-1884, US-428

and US-224 can be

mapped for tactile

control of popular

software programs

such as Logic

™

Digital Performer

™

Sonar

™

, Cubase

™

Cool Edit Pro

™

, Pro

Tools

and Nuendo

™

For a complete

compatability

listing, log onto

www.tascam.com.

US-428

FW-1884

US-224

US-122

US-2400

FW-1884 US-428 US-224 US-122 US-2400

Frequency Response

(20Hz-20kHz)

+0.5 dB / –0.1 dB +0.5 dB / –0.3 dB +0.5 dB / –0.3 dB +0.5 dB / –0.3 dB

Signal Processing Delay less than 1.5 ms less than 2 ms less than 2 ms less than 2 ms

THD Less than 0.005% Within 0.07% Better than 0.01% Better than 0.01%

Crosstalk (@ 1kHz) Better than –8o dB Better than –8o dB Better than –85 dB Better than –85 dB

Gain attenuation (@ 1kHz) Better than –90 dB Better than –90 dB Better than –90 dB Better than –90 dB

D/A Converter 24-bit / 64x

oversampling 24-bit /1 28x oversampling 24-bit / 64x oversampling 24-bit / 64x oversampling

A/D Converter 24-bit / 64x oversampling 24-bit / 64x oversampling 24-bit / 64x oversampling

24-bit / 64x oversampling

Computer Interface FireWire™ 400 x 2 USB 1.0 x 1 USB 1.0 x 1 USB 1.0 x 1

XLR inputs 8 mic with phantom

power

2 mic/line 2 mic/line 2 mic/line w/phantom

power

W" TRS Inputs / Outputs 8 inputs / 8 outputs 2 bal. / 2 unbalanced

inputs

2 unbalanced inputs 2 bal. / unbalanced

inputs

Inserts 8 W" TRS • • 2 W" TRS

MIDI In / Out 4 / 4 2 / 2 1 / 1 1 / 1

S/PDIF Digital In S/PDIF RCA S/PDIF RCA S/PDIF RCA •

Analog Output 8 W" TRS Stereo RCA Stereo RCA Stereo RCA

Headphone Output W" TRS W" TRS W" TRS W" TRS

Bundled Software GigaStudio Solo* Cubasis VST /

GigaStudio Solo*

Cubasis VST /

GigaStudio Solo*

Cubasis VST /

GigaStudio Solo*

Dimensions (W x H x D) 22.9" x 5.4" x 18.8" 14" x 3.25" x 11.5" 12" x 2.4" x 8.3" 5.9" x 2.4" x 7.7" 0.0" x 0.0" x 0.0"

Weight 22.7 lbs ( 10.3 kg) 4.5 lbs (2.05 kg) 1.9 lbs (0.85 kg) 2 lbs (0.925 kg) 00 lbs (000 kg)

The US-2400

is a totally dif-

ferent animal

— it’s purely

a controller

— so it doesn’t

have audio

specs. But hey,

we gotta put

it on our chart

because it’s

definitely a

TASCAM com-

puter recording

product.

Basically it

hooks to your

computer and

has a foot-

switch jack

for controlling

punch-ins.

Move on.

Nothing more

to see here.

Tascam US-428 Quick start guide

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