s e C T i o n 2 . 1 - no T e s o n P r o P e r u s e o f T h e Te s T C D
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Wilson Audio Specialties
1. 1 kHz tone at -20dB [:45]
2. Pink noise at -20dB [:45]
3. Left channel BLN at -20dB [:45]
4. Mono BLN at -20dB [:15]
5. Right channel BLN at -20dB [:15]
Tracks 6-16 are 1.3 octave BNL from 200 Hz to 20 Hz, 30 seconds each:
6. 200 Hz
7. 160 Hz
8. 125 Hz
9. 100 Hz
10. 80 Hz
11. 63 Hz
12. 50 Hz
13. 40 Hz
14. 31.5 Hz
15. 25 Hz
16. 20 Hz
Tracks 17-27 are SWT at -20dB, 30 seconds each:
17. 200 Hz
18. 160 Hz
19. 125 Hz
20. 100 Hz
21. 80 Hz
22. 63 Hz
23. 50 Hz
24. 40 Hz
25. 31.5 Hz
26. 25 Hz
27. 20 Hz
28. Drum and Guitar Track
29. Mickey Hart
30. Organ Test
31. Verdi Requiem Excerpt
32-39. Bonus Music Test Tracks
Track Listing:
s e C T i o n 2 . 1 - no T e s o n P r o P e r u s e o f T h e Te s T C D
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and facilitate movement, keep the subwoofer out of the listening area during
the two-channel setup phase.
The ActivXo CD contains a variety of test tones to aid you with the setup
of your ActivXo.
1. If your playback electronics have signal level metering facil-
ities, use track 1 (1 kHz tone) to assure equal signal levels to
both left and right loudspeakers. The ActivXo’s output level
should be turned all the way down.
2. Before you adjust the subwoofer, ensure that the left and right
main loudspeakers are in phase by using track 4, (BLN—band-
width limited noise). The noise should appear to come from
exactly between your left and right loudspeakers.
3. If you have either a spectrum analyzer or a sound pressure
level (SPL) meter, you should measure and document the in-
room response of your L & R loudspeakers, running full-range,
without subwoofer contribution. This will give you a baseline
measurement. While you can measure each channel individual-
ly, it is more expedient to measure both simultaneously using
the test signals, which are recorded in mono. Measurement lo-
cations for the microphone should include one at ear height at
the main listening location. Additional locations could include:
two meters on either side of the primary listening position;
Wilson Audio Specialties
s e C T i o n 2 . 1 - no T e s o n P r o P e r u s e o f T h e Te s T C D
17
Wilson Audio Specialties
s e C T i o n 2 . 1 - no T e s o n P r o P e r u s e o f T h e Te s T C D
17
Wilson Audio Specialties