User Guide (
Scarlett 3rd Gen. Edition
)
focusrite.com
Version 2
2
TABLE OF CONTENTS
INTRODUCTION ................................................................ 3
System Requirements .........................................................4
Software Installation ..........................................................4
The Scarlett Mixer – basic principles.............................................5
OUTPUT ROUTING PAGE ......................................................... 6
Conguring and controlling the mixer ............................................7
The Output section............................................................8
The Mixer section............................................................10
Hardware Inputs available on Scarlett devices ......................................13
Using Output Presets ........................................................15
Direct Routing.................................................................15
2 Channel Analogue ............................................................19
8 Channel Analogue ............................................................20
Digital .......................................................................21
Empty .......................................................................21
Examples of Use ............................................................22
Recording and Tracking .........................................................22
Stand-alone mixer (8i6, 18i8 and 18i20 interfaces only)................................23
Using the Loopback feature......................................................24
Snapshots ....................................................................25
INPUT SETTINGS ..............................................................27
Inst/Line ...................................................................27
Pad .......................................................................28
Air ........................................................................28
DEVICE SETTINGS .............................................................29
Monitor Controls ............................................................29
Speaker Switching ...........................................................30
Sample Rate................................................................30
Clock Source ..................................................................31
Digital Inputs ...............................................................31
TROUBLESHOOTING ...........................................................32
COPYRIGHT AND LEGAL NOTICES ...............................................32
3
INTRODUCTION
This is the User Guide for Focusrite Control, the software application developed for use with the
Focusrite Scarlett 3rd Generation range of USB audio interfaces.
If you’ve just become the owner of a Scarlett 3rd Generation interface, you’ll need both this User
Guide and the User Guide for your hardware. You can download the hardware User Guide from
focusrite.com/downloads.
The combination of the Scarlett’s excellent audio performance and professional build quality with
Focusrite Control’s simple and intuitive interface will, in conjunction with the Digital Audio Workstation
(DAW) of your preference, provide you with a versatile computer recording system.
While we have designed Focusrite Control to be as intuitive and task-oriented as possible, all users
will benet from reading through this Guide, as a full understanding of the software’s features can
only be gained by considering it in partnership with the connected hardware.
IMPORTANT
The Scarlett range of interfaces consists of several different models, all of which use
Focusrite Control. The fundamental difference between these models is the number
of inputs and outputs each has, plus the number of features controlled directly from
Focusrite Control.
Focusrite Control will recognise the particular Scarlett hardware to which your computer
is connected, and congure itself accordingly. Therefore you will only see on-screen
references to the inputs and outputs your hardware actually supports.
Because of this automatic conguration, this User Guide is applicable to all the models in
the Scarlett range, though its primary application is with the larger models in the Scarlett
range, i.e., Scarlett 4i4 and above (also see NOTE below). We felt it would be confusing
to illustrate the Guide with screenshots from more than one model, therefore we have
settled to use the Scarlett 18i20 as the “reference” model. If your Scarlett is an 18i20, the
screenshots in this Guide will match what you see on your screen. If you’ve got a different
model, the only signicant differences in screen appearance will be in the numbers of
available inputs and outputs, and software-controlled features.
NOTE: Scarlett 2i2 and Solo Users only
Although software control is limited in these models, it is still necessary to install
Focusrite Control to enable full device functionality at sample rates higher than 48 kHz,
and for rmware updates. However, for general operation, you do not need have Focusrite
Control running on your computer to use the hardware interface.
4
System Requirements
IMPORTANT
The easiest way to check your computer’s operating system (OS) is compatible with your
Scarlett is to use our Help Centre’s compatibility articles:
support.focusrite.com/hc/categories/200693655
As new OS versions become available over time, you can continue to check for further
compatibility information by searching our Help Centre at support.focusrite.com.
Software Installation
All software required by the Scarlett is available to download from the Focusrite website (focusrite.
com/register and focusrite.com/downloads). Focusrite Control can be downloaded as part of the
Easy Start process, and found on the downloads page.
Installation during online setup process
When you rst connect your Scarlett, it will initially be in Easy Start mode and will guide you
through the online setup process.
1. Double click on the ‘Scarlett’ device displayed when you connect your Scarlett to your
computer, and select Click here to get started.
2. You will then begin the interactive online setup process.
3. On the Ok, Let’s install the essential software page download Focusrite Control.
4. Install the version of Focusrite Control (Mac or Windows) for your computer. Follow the on-
screen instructions to install the software.
5. On Windows, restart your computer following installation.
6. Following this, you should see the message below appear:
Your Scarlett is currently in Easy Start mode (Quick Start). Please click OK to
restart your Scarlett and complete the online setup process. (Cancel/OK)
This will take the device out of Easy Start mode and update the rmware if necessary.
7. Once back to the online setup web page, please complete the Scarlett setup procedure.
Installation independent of online setup process
1. Go to focusrite.com/downloads.
2. From here select your product from the drop down list (all 3rd Generation Scarletts use
Focusrite Control).
3. Download and install the version of Focusrite Control (Mac or Windows) appropriate for your
computer. Follow all on-screen instructions to install the software.
4. Once your computer has restarted, Focusrite Control should identify your Scarlett model,
allowing you to control the internal settings of the device.
This information is accurate as of September 2021, however we are striving to improve the customer experience and as a result this process
is subject to change. If anything appears to have changed please refer to focusrite.com/get-started for the latest info.
5
The Scarlett Mixer – basic principles
Your Scarlett interface contains an internal audio mixer which allows you to create one or more
mixes of the various audio sources in your system, and send them to the physical outputs of your
interface. These sources include tracks you have recorded on your DAW as well as the sources
connected to the Scarlett’s various physical inputs. Before starting to use Focusrite Control, it is a
good idea to gain an understanding of the basic principle of this mixer.
IMPORTANT
The Maximum simultaneous mixing capacity for the Scarlett 18i20 is:
24 mono inputs to 12 mono outputs. This varies by interface, to nd out the maximum
mixing capacity for your interface, please see the specication table in its user guide.
NOTE: This mixer capacity allows a maximum of 6 custom mixes in mono or stereo
MON 1 & 2
LINE 3-10
S/PDIF 1 & 2
ADAT 1-8
VIRTUAL MIX BUSES
Any combination of inputs
can be mixed together and
the sum routed to any of the
mix buses.
SCARLETT 18i20
INTERNAL MIXER
RECORDING
INPUTS TO DAW
USB
interface
USB
interface
Monitor outputs
S/PDIF outputs
Line outputs
ADAT outputs
Analogue inputs 1-8
DAW tracks
S/PDIF inputs
ADAT inputs
6
OUTPUT ROUTING PAGE
Installing Focusrite Control on your computer will place the Focusrite Control icon on the
desktop (Windows) or in the Applications folder (macOS).
Click the icon to launch Focusrite Control. You will see a screen similar to below:
NOTE
If you get a No Hardware Connected warning message, this means the computer has
been unable to communicate with the Scarlett hardware.
Please check:
• The USB cable is correctly plugged in at both ends, and the cable or connectors are
not damaged in any way,
• The Scarlett interface is turned on.
If you continue to see this error message, please click the question mark in the
bottom left corner of Focusrite Control.
The green Sync ‘LED’ at the screen top left should be illuminated; this conrms the Scarlett device
is locked to a valid clock source. See page 31 for further information.
7
Configuring and controlling the mixer
NOTE
To help you use the software, Focusrite Control provides a set of tool tips; when you hover
the cursor over any of the controls, a description of what the control does appears in the
status bar at the bottom of the window.
Click File > Presets > Empty. Other Presets are available which load up pre-congured mixer
settings – these are often useful starting points for the task you’re performing. But Empty loads a
“blank” template, with no input channels visible.
Focusrite Control only has two pages – Input Settings and Output Routing. These are selected
by the tabs at the top of the window. The Device Settings pane opens when you click the “cog” icon
at the top of the window – this is covered later in the manual.
The Output Routing page is divided into three areas:
• OUTPUTS arranged vertically to the left.
• HARDWARE INPUTS to the right, occupying the upper half of the page.
• SOFTWARE (DAW) PLAYBACK to the right, occupying the lower half of the page.
8
The Output section
Let’s look at the Output section rst, as this is always visible while the Output Routing page is selected.
OUTPUTS has a vertical scroll bar; if your hardware interface has more outputs than can be tted on
the screen, scroll down to see the rest. Each output (or pair of outputs if in stereo mode) has its own
tab, each of which has the following features:
Stereo Output Mono Outputs
1
4
5
732
6
1. Output identier (e.g., Line Outputs 3-4) and icon – in addition to the name of the output,
icons are used to aid identication: you’ll notice speaker and headphone symbols as well as
jack plug, phono plug and TOSLINK symbols.
2. Custom name – you can click this eld and enter a name of up to 11 characters.
3. Current source – this eld displays the name of the signal currently feeding the output. In
many setups, particularly when using Focusrite Control’s presets, this will be by default, one
input or a stereo pair of inputs. Clicking on the eld opens a drop-down list letting you select:
• Playback (DAW) – lets you route any of the DAW tracks to the output (in pairs when the output
is stereo). Playback (DAW) 1-2 is the main output of most DAWs and software applications,
e.g., your web browser and media applications.
• Custom Mix – lets you create a mix of all available inputs (both hardware and those from the
DAW) to the selected output. If all your custom mixes have already been assigned this option
is not available.
• Hardware Input – this lets you specify a hardware input to route directly to this output.
• Custom Mix + Talkback (Scarlett 18i20 only) - this is the same as Custom Mix, but also
routes the device’s internal mic is to this output when TALKBACK is activated.
9
As you change the source selection for an output, the right hand side of the window displays a
graphic to illustrate the routing. For one-to-one routings, the graphic looks like this:
4. Fader – use this to adjust the signal level at the output. Note that all output levels are set
to maximum as a default (unity gain). If the fader “knob” is green, it means control of the
output level is assigned to the physical MONITOR control on the Scarlett’s front panel. This
assignment is made on the Device Settings page; see page 29. Note that digital outputs
do not have faders.
5. MUTE – click this button to mute/unmute the output.
6. STEREO – assigns the output to be either one of a stereo pair or an individual mono output. In
stereo mode, all output functions apply to both outputs forming the stereo pair.
7. Meters – a bargraph meter (two if congured for stereo operation) indicates the audio level
at the output. A red audio overload icon appears when the output level clips. This icon can be
cleared by clicking anywhere in the meter bar.
The Monitor Outputs have one additional control, a DIM button - this is only applicable to outputs
assigned to the Monitor control on the 18i8 and 18i20. This button becomes available only if control
of the Monitor Outputs is assigned to the front panel hardware controls in Device Settings. When
active, DIM reduces the level in the monitors (the reduction depends on the Scarlett connected).
10
The Mixer section
The Input section is divided into two: HARDWARE INPUTS and SOFTWARE (DAW) PLAYBACK. The two
halves of the Input area are where you control the inputs to your mix for the selected output.
It is important to remember you can create a different mix for each output, and you can have as many
mixes as your Scarlett’s internal mixer allows. This is useful when recording a group of musicians,
as it means each musician can have their own mix, personalised to their requirements. To see the
mix sent to each output, click the output tab on the left and the mixer will appear on the right side
of Focusrite Control.
IMPORTANT
It is not possible for the mixes for each output to be made up of a different set of inputs. The
set of input channels is ‘global’. They will appear across all outputs. However, individual
mixes, with individual levels, are possible as you can mute unwanted channels.
For some situations a one-to-one direct routing Focusrite Control sets up (as in the previous example)
will work. Outputs of your DAW are directly routed to the hardware outputs on your Scarlett interface
(i.e., no internal mixing within the unit). But in many cases, you will want to set up the mix yourself.
To create a new mix, click the current source button in the Output tab for the output you want the
mix to be fed to, and select Custom Mix. This will clear the current xed routing for the output and
display the Input mix area (this area will be empty if the Empty preset was selected earlier):
11
You can now “build” the mixer to feed the Output by clicking on the two ‘+’ tabs. Each will open a
selection box: the HARDWARE INPUTS half lists all the Scarlett’s physical inputs (see page 13 for
details of hardware inputs), while in the SOFTWARE (DAW) PLAYBACK area, the box lists available
DAW tracks. You can add channels up to the maximum capacity of your Scarlett hardware. You may
need to resize the window or use the horizontal scroll bar when the number of channels starts to
exceed the window size.
In both boxes, each input is listed twice: individually (mono) and as half of a stereo pair. Selecting a
stereo pair of inputs creates a stereo input channel.
This example shows an overdub: several DAW tracks have already been recorded, two additional
tracks are going to be recorded and we wish to create a stereo foldback mix for one of the musicians.
12
Each input channel has the following features:
1
9
2
3
4
7
10
8
5
6
1. Input identier – this is the actual physical input to the channel.
2. Custom name – you can click this eld and enter a name – e.g., the instrument in question –
of up to 11 characters.
3. Fader – use this to adjust the level of the signal in the mix. Note that the default setting for all
faders is 0 dB, while “fader max” is at +6 dB. Double-clicking in the fader “slot” will set the
fader at 0 dB.
4. Fader value – a numeric readout of the current fader position.
5. M – click this button to mute/unmute the channel.
6. S – Solo button. Clicking this will let you hear only this channel, replacing the mix there
previously. This is useful function during recording as it allows the engineer to check the
instrument being recorded without the distraction of the rest of the tracks. The Solo function
does not alter any other signal routings, and does not interrupt the signal being recorded into
the DAW.
7. Pan slider. This control is only available when the mix is being routed to a stereo output. Its
default position is central, and the signal in the channel is sent at equal levels to both outputs
of the stereo pair. Moving the slider either way sends a higher signal level to one output than
the other, thus making it possible to “position” individual instruments at particular place
in the stereo image. Double-clicking in the slider “slot” will set the control in the central
position.
8. Signal level meter. This indicates the signal level coming into the channel, i.e., pre-fade. It
is scaled in dBFS units, with 0 dBFS at the top of the scale. 0 dBFS corresponds to digital
clipping, which sounds unpleasant; levels should always be adjusted to avoid this situation.
Stereo channels have two meters, one either side of the fader.
9. Peak level display – a numerical readout of the maximum signal level reached. Stereo
channels have two displays. If a signal reaches clip level, CLIP is displayed in red; this may be
cleared by clicking on it, or by selecting Clear all meters from the File menu.
10. Close – click on the cross to remove the signal from the mix and the channel from the screen.
13
Hardware Inputs available on Scarlett devices
Your Scarlett interface provides a wide range of audio inputs, however the number available depends
on what sample rate it is set to (see page 30 for further details). Doubling the sample rate halves
the number of ADAT channels available. The tables below provide details of what inputs are available
to you when operating at different sample rates.
44.1 kHz - 48 kHz
Input Scarlett 18i20 Scarlett 18i8 Scarlett 8i6 Scarlett 4i4
1 Input 1 Input 1 Input 1 Input 1
2 Input 2 Input 2 Input 2 Input 2
3 Input 3 Input 3 Input 3 Input 3
4 Input 4 Input 4 Input 4 Input 4
5 Input 5 Input 5 Input 5 Loopback 1
6 Input 6 Input 6 Input 6 Loopback 2
7 Input 7 Input 7 S/PDIF In 1
8 Input 8 Input 8 S/PDIF In 2
9Loopback 1 S/PDIF In 1 Loopback 1
10 Loopback 2 S/PDIF In 2 Loopback 2
11 S/PDIF In 1 Loopback 1
12 S/PDIF In 2 Loopback 2
13 ADAT In 1.1 ADAT In 1.1
14 ADAT In 1.2 ADAT In 1.2
15 ADAT In 1.3 ADAT In 1.3
16 ADAT In 1.4 ADAT In 1.4
17 ADAT In 1.5 ADAT In 1.5
18 ADAT In 1.6 ADAT In 1.6
19 ADAT In 1.7 ADAT In 1.7
20 ADAT In 1.8 ADAT In 1.8
14
88.2 kHz - 96 kHz
Input Scarlett 18i20 Scarlett 18i8 Scarlett 8i6 Scarlett 4i4
ADAT mode S/PDIF mode
1 Input 1 Input 1 Input 1 Input 1 Input 1
2 Input 2 Input 2 Input 2 Input 2 Input 2
3 Input 3 Input 3 Input 3 Input 3 Input 3
4 Input 4 Input 4 Input 4 Input 4 Input 4
5 Input 5 Input 5 Input 5 Input 5 Loopback 1
6 Input 6 Input 6 Input 6 Input 6 Loopback 2
7 Input 7 Input 7 Input 7 S/PDIF In 1
8 Input 8 Input 8 Input 8 S/PDIF In 2
9Loopback 1 Loopback 1 S/PDIF In 1 Loopback 1
10 Loopback 2 Loopback 2 S/PDIF In 2 Loopback 2
11 ADAT In 1.1 S/PDIF In 1 Loopback 1
12 ADAT In 1.2 S/PDIF In 2 Loopback 2
13 ADAT In 1.3 ADAT In 1.1 ADAT In 1.1
14 ADAT In 1.4 ADAT In 1.2 ADAT In 1.2
15 ADAT In 2.1 ADAT In 1.3 ADAT In 1.3
16 ADAT In 2.2 ADAT In 1.4 ADAT In 1.4
17 ADAT In 2.3
18 ADAT In 2.4
176.4 kHz - 192 kHz
Input Scarlett 18i20 Scarlett 18i8 Scarlett 8i6 Scarlett 4i4
1 Input 1 Input 1 Input 1 Input 1
2 Input 2 Input 2 Input 2 Input 2
3 Input 3 Input 3 Input 3 Input 3
4 Input 4 Input 4 Input 4 Input 4
5 Input 5 Input 5 Input 5
6 Input 6 Input 6 Input 6
7 Input 7 Input 7 S/PDIF In 1
8 Input 8 Input 8 S/PDIF In 2
9S/PDIF In 1 S/PDIF In 1
10 S/PDIF In 2 S/PDIF In 2
15
Using Output Presets
Focusrite Control comes with some useful Output Presets, which have been designed to get you
started on a recording task quickly. Selecting an Output Preset automatically congures output
routing and the mixer for you, setting up various useful combinations of input channels.
Output Presets are selected from the File menu; select Output Presets from the drop-down list.
The Output Presets available with the Scarlett 18i20 are shown below:
Direct Routing
With complex mixing sessions, it is sometimes desirable to perform the nal mix in a separate,
physical mixing console. The Direct Routing Output Preset congures the Scarlett for this task, as
it routes DAW playback tracks in numerical order to all the available Scarlett outputs.
16
Direct routing connections for the Scarlett range are as follows:
44.1 kHz - 48 kHz
DAW
track
Scarlett 18i20
Scarlett 18i8 Scarlett 8i6 Scarlett 4i4
S/PDIF Optical
S/PDIF Dual ADAT
1 Output 1 Output 1 Output 1 Output 1
(S/PDIF L)
Output 1
(HP 1L) Output 1
2 Output 2 Output 2 Output 2 Output 2
(S/PDIF R)
Output 2
(HP 1R) Output 2
3 Output 3 Output 3 Output 3 Output 3 Output 3
(HP 2L)
Output 3
(HP L)
4 Output 4 Output 4 Output 4 Output 4 Output 4
(HP 2R)
Output 4
(HP R)
5 Output 5 Output 5 Output 5 Headphones 1L S/PDIF Out 1
6 Output 6 Output 6 Output 6 Headphones 1R S/PDIF Out 2
7 Output 7 Output 7 Output 7 Headphones 2L
8 Output 8 Output 8 Output 8 Headphones 2R
9 Output 9 Output 9 Output 9
10 Output 10 Output 10 Output 10
11 S/PDIF Out 1 S/PDIF Out 1* S/PDIF Out 1
12 S/PDIF Out 2 S/PDIF Out 2* S/PDIF Out 2
13 ADAT Out 1.1 ADAT Out 1.1 ADAT Out 1.1
14 ADAT Out 1.2 ADAT Out 1.2 ADAT Out 1.2
15 ADAT Out 1.3 ADAT Out 1.3 ADAT Out 1.3
16 ADAT Out 1.4 ADAT Out 1.4 ADAT Out 1.4
17 ADAT Out 1.5 ADAT Out 1.5 ADAT Out 1.5
18 ADAT Out 1.6 ADAT Out 1.6 ADAT Out 1.6
19 ADAT Out 1.7 ADAT Out 1.7 ADAT Out 1.7
20 ADAT Out 1.8 ADAT Out 1.8 ADAT Out 1.8
*RCA and Optical
17
88.2 kHz – 96 kHz
DAW
track
Scarlett 18i20 Scarlett
18i8
Scarlett
8i6
Scarlett
4i4
S/PDIF Optical
S/PDIF Dual ADAT Dual ADAT
Output Preset
1 Output 1 Output 1 Output 1 Output 1 Output 1
(S/PDIF L)
Output 1
(HP 1L) Output 1
2 Output 2 Output 2 Output 2 Output 2 Output 2
(S/PDIF R)
Output 2
(HP 1R) Output 2
3 Output 3 Output 3 Output 3 Output 3 Output 3 Output 3
(HP 2L)
Output 3
(HP L)
4 Output 4 Output 4 Output 4 Output 4 Output 4 Output 4
(HP 2R)
Output 4
(HP R)
5 Output 5 Output 5 Output 5 Output 5 Headphones
1L
S/PDIF
Out 1
6 Output 6 Output 6 Output 6 Output 6 Headphones
1R
S/PDIF
Out 2
7 Output 7 Output 7 Output 7 Output 7 Headphones
2L
8 Output 8 Output 8 Output 8 Output 8 Headphones
2R
9 Output 9 Output 9 Output 9 Output 9
10 Output 10 Output 10 Output 10 Output 10
11 S/PDIF Out 1 S/PDIF Out 1* S/PDIF Out 1 ADAT Out 1.1
12 S/PDIF Out 2 S/PDIF Out 2* S/PDIF Out 2 ADAT Out 1.2
13 ADAT Out 1.1 ADAT Out 1.1 ADAT Out 1.1 ADAT Out 1.3
14 ADAT Out 1.2 ADAT Out 1.2 ADAT Out 1.2 ADAT Out 1.4
15 ADAT Out 1.3 ADAT Out 1.3 ADAT Out 1.3 ADAT Out 2.1
16 ADAT Out 1.4 ADAT Out 1.4 ADAT Out 1.4 ADAT Out 2.2
17 ADAT Out 2.1 ADAT Out 2.3
18 ADAT Out 2.2 ADAT Out 2.4
*RCA and Optical
18
176.4 kHz – 192 kHz
DAW
track
Scarlett 18i20
Scarlett 18i8 Scarlett 8i6 Scarlett
4i4
S/PDIF Optical
S/PDIF Dual ADAT
1 Output 1 Output 1 Output 1 Output 1
(S/PDIF L)
Output 1
(HP 1L) Output 1
2 Output 2 Output 2 Output 2 Output 2
(S/PDIF R)
Output 2
(HP 1R) Output 2
3 Output 3 Output 3 Output 3 Output 3 Output 3
(HP 2L)
Output 3
(HP L)
4 Output 4 Output 4 Output 4 Output 4 Output 4
(HP 2R)
Output 4
(HP R)
5 Output 5 Output 5 Output 5 Headphones 1L S/PDIF Out 1
6 Output 6 Output 6 Output 6 Headphones 1R S/PDIF Out 2
7 Output 7 Output 7 Output 7 Headphones 2L
8 Output 8 Output 8 Output 8 Headphones 2R
9 Output 9 Output 9 Output 9
10 Output 10 Output 10 Output 10
To use the Output Preset to its full extent with a traditional analogue console, a suitable ADAT-
equipped D-to-A converter and a two-channel D-to-A converter with an S/PDIF input would be
required. However, many modern digital mixers are able to accept ADAT and S/PDIF signals directly
as well as analogue.
19
2 Channel Analogue
This is the Output Preset to use when using the Scarlett as your analogue recording “front end”. The
Preset congures the Scarlett’s routing with Analogue Inputs 1 and 2 available as HARDWARE INPUTS
and DAW tracks 1 and 2 available as a stereo channel in the SOFTWARE (DAW) PLAYBACK section.
For example, on the Scarlett 18i20, the summed output of these input channels is routed to Monitor
Outputs 1 and 2, and also to Line Outputs 7 and 8, and 9 and 10, as a stereo pair in all cases. On this
model, Headphone Outputs 1 and 2 follow Line Outputs 7/8 and 9/10 respectively, with their own
front panel headphone levels controls. This setup is ideal for recording a guitarist and a vocalist to
a computer drum track, for example, as it enables each to have an individual mix of the drums and
each other.
As more tracks are recorded, add additional DAW playback tracks to the mix.
All other Scarlett outputs are sourced directly from the corresponding DAW playback tracks, as per
the Direct Routing table on page 16.
20
8 Channel Analogue
Use this Output Preset as a starting point when recording a band. On the Scarlett 18i20, this Preset
enables eight mixer channels, one for each of the hardware analogue inputs. DAW tracks 1 & 2 are
also enabled as a stereo channel.
As with the 2 Channel Analogue Preset, the summed output of the mixer is routed to
Monitor Out 1 and 2, and Line Outs 7 to 10 as a stereo pair.
All other Scarlett outputs are sourced directly from the corresponding DAW playback tracks, as per
the Direct Routing table on page 16.
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