Behringer XENYX QX1002USB Quick start guide

Category
Audio mixers
Type
Quick start guide

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XENYX
QX1202
/QX1002
Premium 12/10-Input 2-Bus Mixer with XENYX Mic Preamps &
Compressors, British EQs, KLARK TEKNIK Multi-FX Processor and
USB/Audio Interface
CLIP
SIG
2 XENY X QX1202USB/QX1002USB Quick Start Guide 3
This equipment is Class II compliant.
Terminals marked with this symbol carry
electrical current of su cient magnitude
to constitute risk of electric shock.
Use only high-quality professional speaker cables with
¼" TS or twist-locking plugs pre-installed. Allother
installation or modi cation should be performed only
by quali edpersonnel.
This symbol, wherever it appears,
alertsyou to the presence of uninsulated
dangerous voltage inside the
enclosure-voltage that may be su cient to constitute a
risk ofshock.
This symbol, wherever it appears,
alertsyou to important operating and
maintenance instructions in the
accompanying literature. Please read the manual.
Caution
To reduce the risk of electric shock, donot
remove the top cover (or the rear section).
No user serviceable parts inside. Refer servicing to
quali ed personnel.
Caution
To reduce the risk of  re or electric shock,
do not expose this appliance to rain and
moisture. The apparatus shall not be exposed to dripping
or splashing liquids and no objects  lled with liquids,
suchas vases, shall be placed on the apparatus.
Caution
These service instructions are for use
by quali ed service personnel only.
Toreduce the risk of electric shock do not perform any
servicing other than that contained in the operation
instructions. Repairs have to be performed by quali ed
servicepersonnel.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8. Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus
(including ampli ers) that produce heat.
9. Do not defeat the safety purpose of the polarized
or grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding-type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. Ifthe
provided plug does not  t into your outlet, consult an
electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.
11. Use only attachments/accessories speci ed by
themanufacturer.
12. Use only with the
cart, stand, tripod, bracket,
or table speci ed by the
manufacturer, orsold with
the apparatus. When a cart
is used, use caution when
moving the cart/apparatus
combination to avoid
injury from tip-over.
13. Unplug this apparatus during lightning storms or
when unused for long periods of time.
14. Refer all servicing to quali ed service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed
to rain or moisture, does not operate normally, or has
beendropped.
15. Where the MAINS plug is used as the disconnect
device, the disconnect device shall remain
readilyoperable.
TECHNICAL SPECIFICATIONS AND APPEARANCES
ARE SUBJECT TO CHANGE WITHOUT NOTICE AND
ACCURACY IS NOT GUARANTEED. BEHRINGER IS
PART OF THE MUSIC GROUP MUSICGROUP.COM.
ALL TRADEMARKS ARE THE PROPERTY OF THEIR
RESPECTIVE OWNERS. MUSICGROUP ACCEPTS NO
LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED
BY ANY PERSON WHO RELIES EITHER WHOLLY OR
IN PART UPON ANY DESCRIPTION, PHOTOGRAPH
OR STATEMENT CONTAINED HEREIN. COLORS AND
SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT.
MUSIC GROUP PRODUCTS ARE SOLD THROUGH
AUTHORIZED FULLFILLERS AND RESELLERS ONLY.
FULLFILLERSAND RESELLERS ARE NOT AGENTS OF
MUSICGROUP AND HAVE ABSOLUTELY NO AUTHORITY
TO BIND MUSICGROUP BY ANY EXPRESS OR IMPLIED
UNDERTAKING OR REPRESENTATION. THIS MANUAL
IS COPYRIGHTED. NO PART OF THIS MANUAL MAY
BE REPRODUCED OR TRANSMITTED IN ANY FORM
OR BY ANY MEANS, ELECTRONIC OR MECHANICAL,
INCLUDING PHOTOCOPYING AND RECORDING OF ANY
KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS
WRITTEN PERMISSION OF MUSICGROUPIPLTD.
ALL RIGHTS RESERVED.
© 2012 MUSICGroupIPLtd.
Trident Chambers, Wickhams Cay, P.O. Box 146,
Road Town, Tortola, British Virgin Islands
§ 1 Warranty
(1) This limited warranty is valid only if you purchased
the product from a MUSIC Group Authorized Reseller in
the country of purchase. A list of authorized resellers can
be found on BEHRINGER’s website behringer. com under
“Where to Buy”, or you can contact the MUSIC Group o
ce
closest to you.
(2) MUSICGroup* warrants the mechanical and
electronic components of this product to be free of defects
in material and workmanship if used under normal
operating conditions for a period of one (1) year from
the original date of purchase (see the Limited Warranty
terms in §4 below), unless a longer minimum warranty
period is mandated by applicable local laws. If the product
shows any defects within the speci ed warranty period
and that defect is not excluded under §4, MUSICGroup
shall, at its discretion, either replace or repair the product
using suitable new or reconditioned product or parts.
Incase MUSICGroup decides to replace the entire product,
thislimited warranty shall apply to the replacement
product for the remaining initial warranty period, i.e.,
one (1) year (or otherwise applicable minimum warranty
period) from the date of purchase of the original product.
(3) Upon validation of the warranty claim, the repaired
or replacement product will be returned to the user
freight prepaid by MUSICGroup.
(4) Warranty claims other than those indicated above
are expressly excluded.
PLEASE RETAIN YOUR SALES RECEIPT. IT IS YOUR PROOF
OF PURCHASE COVERING YOUR LIMITED WARRANTY.
THIS LIMITED WARRANTY IS VOID WITHOUT SUCH PROOF
OFPURCHASE.
§ 2 Online registration
Please do remember to register your new BEHRINGER
equipment right after your purchase at behringer. com
under “Support” and kindly read the terms and conditions
of our limited warranty carefully. Registeringyour
purchase and equipment with us helps us process
your repair claims quicker and more e ciently.
Thankyouforyour cooperation!
§ 3 Return materials authorization
(1) To obtain warranty service, please contact the
retailer from whom the equipment was purchased.
Should your MUSIC Group Authorized Reseller not be
located in your vicinity, you may contact the MUSICGroup
Authorized Ful ller for your country listed under
“Support at behringer. com. Ifyour country is not
listed, please check if your problem can be dealt with
by our “OnlineSupport which may also be found under
“Support at behringer. com. Alternatively,please submit
an online warranty claim at behringer. com BEFORE
returning the product. All inquiries must be accompanied
by a description of the problem and the serial number
of the product. Afterverifying the product’s warranty
eligibility with the original sales receipt, MUSICGroup
will then issue a ReturnMaterials Authorization
(“RMA”)number.
(2) Subsequently, the product must be returned in
its original shipping carton, together with the return
authorization number to the address indicated by
MUSICGroup.
(3) Shipments without freight prepaid will not
beaccepted.
§ 4 Warranty Exclusions
(1) This limited warranty does not cover consumable
parts including, but not limited to, fuses and batteries.
Where applicable, MUSICGroup warrants the valves or
meters contained in the product to be free from defects
in material and workmanship for a period of ninety (90)
days from date of purchase.
(2) This limited warranty does not cover the product
if it has been electronically or mechanically modi ed
in any way. If the product needs to be modi ed or
adapted in order to comply with applicable technical
or safety standards on a national or local level, inany
country which is not the country for which the
product was originally developed and manufactured,
thismodi cation/adaptation shall not be considered a
defect in materials or workmanship. Thislimited warranty
does not cover any such modi cation/adaptation,
regardless of whether it was carried out properly or not.
Under the terms of this limited warranty, MUSICGroup
shall not be held responsible for any cost resulting from
such a modi cation/adaptation.
(3) This limited warranty covers only the product
hardware. It does not cover technical assistance for
hardware or software usage and it does not cover
any software products whether or not contained in
the product. Any such software is provided AS IS”
unless expressly provided for in any enclosed software
limitedwarranty.
(4) This limited warranty is invalid if the
factory- appliedserial number has been altered or
removed from theproduct.
(5) Free inspections and maintenance/repair work
are expressly excluded from this limited warranty,
inparticular, if caused by improper handling of the
product by the user. This also applies to defects caused
by normal wear and tear, in particular, of faders,
crossfaders, potentiometers, keys/buttons, guitar strings,
illuminantsand similar parts.
(6) Damage/defects caused by the following conditions
are not covered by this limited warranty:
improper handling, neglect or failure to operate the
unit in compliance with the instructions given in
BEHRINGER user or service manuals;
connection or operation of the unit in any way
that does not comply with the technical or safety
regulations applicable in the country where the
product is used;
damage/defects caused by acts of God/Nature
(accident,  re,  ood, etc) or any other condition that
is beyond the control of MUSICGroup.
(7) Any repair or opening of the unit carried out by
unauthorized personnel (user included) will void the
limitedwarranty.
(8) If an inspection of the product by MUSICGroup
shows that the defect in question is not covered by the
limited warranty, the inspection costs are payable by
thecustomer.
(9) Products which do not meet the terms of this
limited warranty will be repaired exclusively at the buyer’s
expense. MUSICGroup or its authorized service center will
inform the buyer of any such circumstance. If the buyer
fails to submit a written repair order within 6 weeks after
noti cation, MUSICGroup will return the unit C.O.D. with
a separate invoice for freight and packing. Such costs will
also be invoiced separately when the buyer has sent in a
written repair order.
(10) MUSIC Group Authorized Resellers do not sell new
products directly in online auctions. Purchasesmade
through an online auction are on a “buyer beware basis.
Online auction con rmations or sales receipts are not
accepted for warranty veri cation and MUSICGroup will
not repair or replace any product purchased through an
online auction.
§ 5 Warranty transferability
This limited warranty is extended exclusively to the
original buyer (customer of authorized reseller) andis
not transferable to anyone who may subsequently
purchase this product. No other person (reseller,etc.)
shallbe entitled to give any warranty promise on behalf
of MUSICGroup.
§ 6 Claim for damage
Subject only to the operation of mandatory applicable
local laws, MUSICGroup shall have no liability to the buyer
under this warranty for any consequential or indirect
loss or damage of any kind. In no event shall the liability
of MUSICGroup under this limited warranty exceed the
invoiced value of the product.
§ 7 Limitation of liability
This limited warranty is the complete and exclusive
warranty between you and MUSICGroup. It supersedes
all other written or oral communications related to this
product. MUSICGroup provides no other warranties for
this product.
§ 8 Other warranty rights and
nationallaw
(1) This limited warranty does not exclude or limit the
buyer’s statutory rights as a consumer in any way.
(2) The limited warranty regulations mentioned herein
are applicable unless they constitute an infringement of
applicable mandatory local laws.
(3)
This warranty does not detract from the seller’s
obligations in regard to any lack of conformity of the
product and any hidden defect.
§ 9 Amendment
Warranty service conditions are subject to change without
notice. For the latest warranty terms and conditions
and additional information regarding MUSICGroups
limited warranty, please see complete details online at
behringer. com.
* MUSICGroup Macao Commercial O shore Limited of
RuedePequim No. 202-A, Macau Finance Centre 9/J, Macau,
including all MUSICGroup companies
Important Safety
Instructions
LIMITED WARRANTY
LEGAL DISCLAIMER
12 13XENY X QX1202USB/QX1002USB Quick Start Guide
XENYX QX1202USB/QX1002USB Hook-up
(EN) Step 1: Hook-Up
(ES) Paso 1: Conexión
(FR) Etape 1 : Connexions
(DE)
Schritt 1: Verkabelung
(PT) Passo 1: Conexões
L
R
XM8500
B215D Active Speakers
Bass Guitar
DI100
F1320D Active Monitors
MP3 Player
FX2000 Eects Processor
Portable
Digital
Recorder
Live Performance
V-AMP3
XM8500
C-1
B212D
HPS3000
Keyboard
B2031A
Home Studio
14 15XENYX QX1202USB/QX1002USB Quick Start Guide
XENYX QX1202USB/QX1002USB Controls
(EN) Step 2: Controls
(ES) Paso 2: Controles
(FR) Etape 2 : Réglages
(DE) Schritt 2: Regler
(PT) Passo 2: Controles
CLIP
SIG
(1)
(15)
(2)
(3)
(28)
(6)
(7)
(8)
(17)
(21)
(20)
(23)
(14)
(9) (11) (12) (16)(13)
(5)
(4)
(22)
(26)
(25)
(29)
(24)
(18)
(27)
(19)
(10)
(15)(10)
(1)
(2)
(3)
(28)
(4)
(6)
(7)
(8)
(5)
(9) (11) (12) (16)(13) (22)
(17)
(21)
(20)
(14)
(26)
(25)
(23)
(29)
(24)
(27)
(18)
(19)
(31) (30)
16 17XENYX QX1202USB/QX1002USB Quick Start Guide
XENYX QX1202USB/QX1002USB Controls
(EN) Step 2: Controls
This chapter describes the various control elements
of your mixing console. All controls, switches and
connectors will be discussed in detail.
(1) MIC – Each mono input channel oers a
balanced microphone input via the XLR
connector and also features switchable
+48V phantom power supply for condenser
microphones. The XENYX preamps provide
undistorted and noisefree gain as is typically
known only from costly outboard preamps.
(2) LINE IN – Each mono input also features
a balanced line input on a ¼" connector.
Unbalanced devices (mono jacks) can also be
connected to these inputs. Please remember
that you can only use either the microphone
or the line input of a channel at any one time.
You can never use both simultaneously!
(3) GAIN – Use the GAIN control to adjust the
input gain. This control should always be
turned fully counterclockwise whenever you
connect or disconnect a signal source to one
of the inputs.
(4) EQ – All mono input channels include a
3-band equalizer. All bands provide boost
or cut of up to 15 dB. In the central position,
theequalizer is inactive.
(5) LOW CUT – In addition, the mono channels
are equipped with a steep LOW CUT
lter designed to eliminate unwanted
low-frequency signalcomponents.
(6) FX – FX sends enable you to feed signals via
a variable control from one or more channels
and sum these signals to a bus. Thebus
appears at the console’s FX send output
and can be fed from there to an external
eects device. The return from the eects
unit is then brought back into the console
on the stereo channels. Each FX send is
mono and features up to +15 dB gain. In the
QX1002USB/QX1202USB, the FX send is routed
directly to the built-in eects processor.
Tomake sure that the eects processor
receives an input signal, youshouldn’t turn
this control all the way to the left (-∞).
(7) PAN – The PAN control determines the
position of the channel signal within
the stereo image. This control features a
constant-power characteristic, whichmeans
the signal is always maintained at a
constant level, irrespective of position in the
stereopanorama.
(8) LEVEL – The LEVEL control determines the
level of the channel signal in the main mix.
(9) CLIP – The CLIP LEDs of the mono channels
illuminate when the input signal is driven
too high, which could cause distortion. Ifthis
happens, use the GAIN control to reduce
the preamp level until the LED does not
lightanymore.
(10) LINE IN – Each stereo channel has two
balanced line level inputs on ¼" jacks for left
and right channels. If only the jack marked “L
(left) is used, the channel operates in mono.
The stereo channels are designed to handle
typical line level signals. Both inputs will also
accept unbalanced jacks.
(11) FX – The FX sends of the stereo channels
function similar to those of the mono
channels. However, since the FX send buses
are both mono, a mono sum is rst taken from
the stereo input before it is sent to the FX bus.
(12) BAL – The BAL(ANCE) control determines the
levels of left and right input signals relative
to each other before both signals are then
routed to the main stereo mix bus. If a channel
is operated in mono via the left line input,
this control has the same function as the PAN
control used in the mono channels.
(13) +4/-10 – The stereo inputs of the XENYX
QX1002USB and QX1202USB have an
input sensitivity switch which selects
between +4dBu and -10dBV. At -10 dBV
(home-recording level), the input is more
sensitive (requires less level to drive it) than at
+4 dBu (studio level).
(14) FX TO MAIN – The FX TO MAIN control feeds
the eects signal into the main mix. If the
control is turned all the way counterclockwise,
no eects signal is present in the sum signal of
the mixing console.
(15) FX SEND – The FX SEND connector outputs
the signal you picked up from the individual
channels using the FX controls. You can
connect this to the input of an external
eects device in order to process the FX bus’
master signal. Once an eects mix is created,
theprocessed signal can then be routed
from the eects device outputs back into a
stereoinput.
(16) PHONES/CONTROL ROOM – The stereo
PHONES jack (at the top of the connector
panel) is where you connect headphones.
Theunbalanced CTRL ROOM OUT jacks
carry the summed eects and main mix
signals, aswell as soloed channel signals.
ThePHONES/CONTROL ROOM control adjusts
the level of both headphones and main
monitor outputs.
(17) MAIN MIX – The MAIN OUT connectors are
unbalanced mono jacks. The main mix signal
appears here at a level of 0 dBu. The MAIN MIX
fader adjusts the volume of theseoutputs.
(18) CD/TAPE INPUT – The CD/TAPE INPUTs
are used to bring an external signal source
(e.g.CD player, tape deck, etc.) into the
console. Theycan also be used as a standard
stereo line input, so the output of a second
XENYX or BEHRINGER ULTRALINK PRO MX882
can be connected.
(19) CD/TAPE OUTPUT – These connectors are
wired in parallel with the MAIN OUT and carry
the main mix signal (unbalanced). Connectthe
CD/TAPE OUTPUT to the inputs of your
recording device. The output level is adjusted
via the high-precision MAIN MIX fader.
(20) USB ASSIGN – Press this button to route to
route the audio to and from the USB input to
either the main mix or FX bus.
(21) 2-TRACK ASSIGN – Press this button to send
the 2-TRACK input signal to the main mix or
control room outputs.
(22) FX TO CTRL ROOM – If you want to monitor
only the FX send signal in your headphones
or monitor speaker(s), press the FX TO CTRL
switch. This mutes the main mix signal while
routing the FX SEND output to the monitor(s).
(23) +48 V – The +48 V LED lights up when
phantom power is on. The PHANTOM switch
activates the phantom power supply on the
XLR connectors of all mono channels.
(24) POWER – The POWER LED indicates that the
console is powered on.
(25) LEVEL INDICATOR – The high-precision
4-segment display accurately displays the
relevant signal level.
(26) SIGNAL and CLIP LED – The SIGNAL LED on
the eects module shows the presence of a
signal whose level is high enough. This LED
should always be on. However, make sure
that the CLIP LED lights up only sporadically.
If it is lit constantly, you are overdriving the
eects processor, which leads to unpleasant
distortion. If this occurs, turn the FX controls
down somewhat.
(27) PROGRAM – The PROGRAM control has two
functions: by turning the PROGRAM control,
you dial the number of an eect. The number
of the preset you just dialed up blinks in the
display. To conrm your selection, press the
PROGRAM control; the blinking stops.
(28) COMP – This knob adjusts the amount of
compression eect on the channel.
(29) PHANTOM – Press this button to send +48V
of phantom power to the XLR inputs for use
with condenser microphones.
(30) USB INPUT – Connect your mixer to a
computer using a standard USB cable.
(31) AC POWER IN – Connect the included power
cable here.
!
The mixer cannot be bus powered via USB.
Alwaysuse the proper adapter cable to supply
powerto the mixer.
26 27XENYX QX1202USB/QX1002USB Quick Start Guide
XENYX QX1202USB/QX1002USB Getting started Presets List
(EN) To correctly set the gains of the channels,
rstset the LEVEL controls of the input channels
to their center positions (0 dB). Then use the GAIN
controls to increase the input amplication until
signal peaks show 0 dB on the level meter.
When recording to digital recorders, therecorders
peak meter should not go into overload.
Whileanalog recorders can be overloaded to
some extent, creating only a certain amount of
distortion (which is common and often desirable),
digitalrecorders distort quickly when overloaded.
Inaddition, digital distortion is not only undesirable,
but also renders your recording completely useless.
The peak meters of your XENYX display the level
virtually independent of frequency. A recording level
of 0 dB is recommended for all signal types.
(ES) Para ajustar el nivel debe posicionar el regulador
LEVEL de los canales de entrada en la posición
central (0 dB) y aumentar mediante el regulador
GAIN la amplicación de entrada a 0 dB.
En la grabación con grabadores digitales,
losmedidores punta del grabador no deben
superar los 0 dB. Esto se debe a que, al contrario
que en la grabación analógica, ya las más
pequeñas sobrealimentaciones (que también
surgen de forma muy repentina) conducen a
desagradables distorsiones digitales. Losmedidores
punta de su XENYX muestran el nivel más o
menos independientemente de la frecuencia.
Serecomienda un nivel de grabación de 0 dB para
todos los tipos de señal.
(FR) Reglage : Pour régler le niveau des
signaux, placez la commande de niveau LEVEL
de chaque canal en position neutre 0 dB et
ajustez lamplication dentrée sur 0 dB via le
potentiomètreGAIN.
Pour l’enregistrement en numérique, l’acheurde
crêtes de votre enregistreur ne doit pas excéder
0 dB. En eet, contrairement aux magnétos
analogiques, les enregistreurs numériques génèrent
des distorsions très désagréables dès le moindre
dépassement, même minime, du maximum
numérique. Les indicateurs de crêtes de votre XENYX
achent le niveau de façon quasiment indé-
pendante de la fréquence. Nous vous conseillons
un niveau d’enregistrement de 0 dB quel que soit
lesignal.
(DE) Aussteuerung: Zum Einpegeln sollten Sie den
LEVEL-Regler der Eingangskanäle in Mittelstellung
(0 dB) bringen und mit dem GAIN-Regler die
Eingangsverstärkung auf 0 dB anheben.
Bei der Aufnahme mit Digitalrekordern
sollten die Peak-Meter des Rekorders 0 dB
nicht übersteigen. Das hat den Grund, dass im
Gegensatz zur Analogaufnahme bereits kleinste
Übersteuerungen (die auch sehr plötzlich auftreten)
zu unangenehmen, digitalen Verzerrungen führen.
DiePeak-Meter Ihres XENYX zeigen den Pegel
nahezu frequenzunabhängig an. Empfehlenswert ist
ein Aufnahmepegel von 0 dB für alle Signalarten.
(PT) Modulação: Para a regulação do nível deverá
colocar o regulador LEVEL dos canais de entrada
na posição central (0 dB) e com o regulador GAIN
aumentar a amplicação de entrada para 0 dB.
Aquando da gravação com gravadores digitais,
os medidores de peak do gravador não
devem ultrapassar os 0 dB. O motivo é que,
contrariamente à gravação analógica, as mais
ínmas sobremodulações (que também surgem
muito repentinamente) podem originar distorções
digitais desagradáveis. Os medidores do peak
do seu XENYX indicam o nível de forma mais ou
menos independente da frequência. Recomenda-se
um nível de gravação de 0 dB para todos os tipos
desinais.
(EN) Step 3: Getting
started
(ES) Paso 3: Puesta en
marcha
(FR) Etape 3 : Mise en
oeuvre
(DE) Schritt 3: Erste
Schritte
(PT) Passo 3: Primeiros
Passos
Reverb
00 Small Chamber
01 Mid Chamber
02 Big Chamber
03 Theater
04 Small Room 1
05 Small Room 2
06 Mid Room 1
07 Mid Room 2
08 Large Room 2
09 Small Hall
10 Concert Hall
11 Mid Hall
12 Big Hall
13 Ambient Hall
14 Church
15 Short Plate
16 Mid Plate
17 Long Plate
18 Gold Plate
19 Vint250Verb 1
20 Vint250Verb 2
21 Mid Spring
22 Long Spring
23 Gated Reverb Short
24 Gated Reverb Mid
25 Gated Reverb Long
26 Gated Alive
27 Reverse Short
28 Reverse Mid
29 Reverse Long
Early Reections / Delay
30 Short Ambience
31 Mid Ambience
32 Live Ambience
33 Big Ambience
34 Stadium
35 Early Reections 1
36 Early Reections 2
37 Early Reections 3
38 Early Reections 4
39 Slap Delay
Early Reections / Delay
40 Short Delay 1
41 Short Delay 2
42 Mid Delay 1
43 Mid Delay 2
44 Mid Delay 3
45 Long Delay 1
46 Long Delay 2
47 Long Delay 3
48 Stereo Delay
49 Ping-Pong Delay
50 Short Echo
51 Mid Echo 1
52 Mid Echo 2
53 Long Echo 1
54 Long Echo 2
Modulation
55 Soft Chorus
56 Warm Chorus
57 Phat Chorus
58 Classic Flanger
59 Warm Flanger
60 Stereo Flanger
61 Classic Phaser
62 Warm Phaser
63 Heavy Phaser
64 Stereo Phaser
65 Slow Tremolo
66 Fast Tremolo
67 Panner 1
68 Panner 2
69 Detune 1
70 Detune 2
71 Minor Third Up
72 Major Third Up
73 Quint Up
74 Fourth Down
75 Octave Down
76 Minor Chord
77 Major Chord
78 Jazzy
Multi
79 Delay + Chorus 1
80 Delay + Chorus 2
81 Delay + Chorus 3
82 Delay + Flanger 1
83 Delay + Flanger 2
84 Delay + Pitch 1
85 Delay + Pitch 2
86 Delay + Reverb 1
87 Delay + Reverb 2
88 Delay + Reverb 3
89 Chorus + Reverb 1
90 Chorus + Reverb 2
91 Flanger + Reverb 1
92 Flanger + Reverb 2
93 Detune + Reverb
Special FX
94 LFO Filter 1
95 LFO Filter 2
96 Talkbox 1
97 Talkbox 2
98 Overdrive
99 Distortion
28 XENY X QX1202USB/QX1002USB Quick Start Guide 29
Specications Especicaciones técnicas
QX1202USB QX1002USB
Mono Inputs
Microphone Inputs (XENYX Mic Preamp)
Type
XLR connector, electronically balanced,
discrete input circuit
Mic E.I.N. (20 Hz - 20 kHz)
@ 0Ω source resistance -133 dB / 137 dB A-weighted
@ 50Ω source resistance -130 dB / 134 dB A-weighted
@ 150Ω source resistance -127 dB / 131 dB A-weighted
Frequency response
(-1 dB)
<10 Hz - 150 kHz (-1 dB)
Frequency response
(-3 dB)
<10 Hz - 200 kHz (-3 dB)
Gain range +10 dB to +60 dB
Max. input level +10.8 dBu @ +10 dB Gain
Impedance 1.9 kΩ balanced
Signal-to-noise ratio 107 dB / 110 dB A-weighted, 17.5 dB Gain
Distortion (THD + N) 0.006% / 0.005% A-weighted
Line Input
Type ¼" TRS jack, electronically balanced
Impedance 20 kΩ balanced, 10 kΩ unbalanced
Gain range -10 dB to +40 dB
Max. input level +18.5 dBu @ 0 dB Gain
Frequency Response (Mic In Main Out)
<10Hz - 80kHz +0 dB / -1.5 dB
<10Hz - 137kHz +0 dB / -3 dB
Stereo Inputs
Type 2 x ¼" TRS jack, balanced
Impedance
20 kΩ balanced, 10 kΩ unbalanced
(+4 dBu operating level)
20 kΩ balanced, 5 kΩ unbalanced (-10 dBV)
Gain range -20 dB to +20 dB
Max. input level +22 dBu
CD/Tape In
Type RCA connector
Impedance 19.5 kΩ
Max. input level 20 dBu
Equalizer
Low 80 Hz / ±15 dB
Mid 2.5 kHz / ±15 dB
High 12 kHz / ±15 dB
Aux Sends
Type ¼" TRS jack, unbalanced
Impedance 120 Ω
Max. output level +19.4 dBu
Aux Returns
Type ¼" TRS connector, balanced
Impedance 20 kΩ balanced, 10 kΩ unbalanced
Max. input level 19.8 dBu
Main Outputs
Type ¼" TRS jack, unbalanced
Impedance 120 Ω unbalanced
Max. output level 19.8 dBu
QX1202USB QX1002USB
Control Room Output
Type ¼" TRS connector, unbalanced
Impedance 120 Ω
Max. output level 19.8 dBu
Phones Output
Type ¼" TRS jack, unbalanced
Max. output level +19 dBu / 22.3 Ω (+25 dBm)
CD/Tape Out
Type RCA connector, unbalanced
Impedance 1 kΩ
Max. output level 19.8 dBu
Main Mix System Data (Noise)
Main mix @ -∞,
channel fader @ -∞
-105 dB / -108 dB A-weighted
Main mix @ 0dB,
channel fader @ -∞
-93 dB / -96 dB A-weighted
Main mix @ 0dB,
channel fader @ 0dB
-83 dB / -85 dB A-weighted
FX Section
Type KLARK TEKNIK
Converter 24-bit Sigma Delta
Sample rate 40 kHz
Power Supply
USA/Canada 120 V~, 60 Hz
Adapter MXUL6
Australia 230 - 240 V~, 50 Hz
Adapter MXSAA6
U.K./Europe 230 V~, 50 Hz
Adapter MXUK6 / MXEU6
China/Korea 220 V~, 50 Hz / 220 V~, 60 Hz
Adapter MXCCC6 / MXKR6
Japan 100 V~, 50/60 Hz
Adapter MXJP6
Output 2 x 14.8 V~, 2 x 500 mA
USB
Connecter Type B
Sample rate 48 kHz
Physical/Weight
Dimensions (H x W x D)
2.0 x 9.8 x 9.8"
50 x 250 x 248 mm
2.0 x 7.7 x 9.8"
50 x 195 x 248 mm
Weight 3.3 lbs / 1.5 kg 2.4 lbs / 1.1 kg
QX1202USB QX1002USB
Entradas Mono
Entradas de Micrófono (Previo de Micro XENYX)
Tipo
Conector XLR, balanceado electrzónicamente,
circuitode entrada discreto
E.I.N. Micro (20 Hz - 20 kHz)
@ 0Ω resistencia fuente -133 dB / 137 dB medición A
@ 50Ω resistencia fuente -130 dB / 134 dB medición A
@ 150Ω resistencia fuente -127 dB / 131 dB medición A
Respuesta de
frecuencia(-1 dB)
<10 Hz - 150 kHz (-1 dB)
Respuesta de
frecuencia(-3 dB)
<10 Hz - 200 kHz (-3 dB)
Rango de ganancia +10 a +60 dB
Nivel de entrada máximo +10.8 dBu @ +10 dB ganancia
Impedancia 1.9 kΩ balanceado
Relación señal-ruido 107 dB / 110 dB medición A, 17.5 dB ganancia
Distorsión (THD + N) 0.006% / 0.005% medición A
Entradas de Línea
Tipo
Conector TRS de 6,3 mm,
electrónicamentebalanceado
Impedancia 20 kΩ balanceado, 10 kΩ no balanceado
Rango de ganancia -10 a +40 dB
Nivel de entrada máximo +18.5 dBu @ 0 dB ganancia
Respuesta de Frecuencia (Entrada Micro Salida Principal)
<10Hz - 80kHz +0 dB / -1.5 dB
<10Hz - 137kHz +0 dB / -3 dB
Entradas Stereo
Tipo 2 x conector TRS de 6,3 mm, balanceado
Impedancia
20 kΩ balanceado, 10 kΩ no balanceado
(+4 dBu de nivel operativo)
20 kΩ balanceado, 5 kΩ no balanceado (-10 dBV)
Rango de ganancia 20 a +20 dB
Nivel de entrada máximo +22 dBu
Entradas de CD/Pletina
Tipo Conector RCA
Impedancia 19.5 kΩ
Nivel de entrada máximo 20 dBu
Ecualizador
Graves 80 Hz / ±15 dB
Medios 2.5 kHz / ±15 dB
Agudos 12 kHz / ±15 dB
Envíos Auxiliares
Tipo Conector TRS de 6,3 mm, no balanceado
Impedancia 120 Ω
Nivel de salida máximo +19.4 dBu
Retornos Auxiliares
Tipo Conector TRS de 6,3 mm, no balanceado
Impedancia 20 kΩ balanceado, 10 kΩ no balanceado
Nivel de entrada máximo 19.8 dBu
QX1202USB QX1002USB
Salidas Principales
Tipo Conector TRS de 6,3 mm, no balanceado
Impedancia 120 Ω no balanceado
Nivel de salida máximo 19.8 dBu
Salidas de Sala de Control
Tipo Conector TRS de 6,3 mm, no balanceado
Impedancia 120 Ω
Nivel de salida máximo 19.8 dBu
Salidas de Auriculares
Tipo Conector TRS de 6,3 mm, no balanceado
Nivel de salida máximo +19 dBu / 22.3 Ω (+25 dBm)
Salidas de CD/Pletina
Tipo Conector RCA, no balanceado
Impedancia 1 kΩ
Nivel de salida máximo 19.8 dBu
Datos de Sistema de Mezcla Principal (Ruido)
Mezcla principal @ -∞,
fader de canal @ -∞
-105 dB / -108 dB medición A
Mezcla principal @ 0dB,
fader de canal @ -∞
-93 dB / -96 dB medición A
Mezcla principal @ 0dB,
fader de canal @ 0dB
-83 dB / -85 dB medición A
Sección de Efectos (FX)
Tipo KLARK TEKNIK
Convertidor 24 bits Sigma Delta
Frecuencia de muestreo 40 kHz
Fuente de Alimentación
EE.UU./Canadá 120 V~, 60 Hz
Adaptador MXUL6
Australia 230 - 240 V~, 50 Hz
Adaptador MXSAA6
U.K./Europa 230 V~, 50 Hz
Adaptador MXUK6 / MXEU6
China/Corea 220 V~, 50 Hz / 220 V~, 60 Hz
Adaptador MXCCC6 / MXKR6
Japón 100 V~, 50/60 Hz
Adaptador MXJP6
Salida 2 x 14.8 V~, 2 x 500 mA
USB
Conector Tipo B
Frecuencia de muestreo 48 kHz
Dimensiones/Peso
Dimensiones (L x P x A)
2.0 x 9.8 x 9.8"
50 x 250 x 248 mm
2.0 x 7.7 x 9.8"
50 x 195 x 248 mm
Peso 3.3 lbs / 1.5 kg 2.4 lbs / 1.1 kg
32 XENY X QX1202USB/QX1002USB Quick Start Guide 33
Other important information
1. Register online. Please register your new
MUSIC Group equipment right after you purchase it by
visiting behringer. com. Registering your purchase using
our simple online form helps us to process your repair
claims more quickly and eciently. Also, read the terms
and conditions of our warranty, ifapplicable.
2. Malfunction. Should your MUSICGroup
Authorized Reseller not be located in your vicinity, you
may contact the MUSIC Group Authorized Fulller for
your country listed under “Support” at behringer. com.
Shouldyour country not be listed, please check if your
problem can be dealt with by our “OnlineSupport” which
may also be found under “Support” at behringer. com.
Alternatively, please submit an online warranty claim at
behringer. com BEFORE returning theproduct.
3. Power Connections. Before plugging the
unit into a power socket, please make sure you are using
the correct mains voltage for your particular model.
Faultyfuses must be replaced with fuses of the same
typeand rating without exception.
1. Registro online. Le recomendamos que
registre su nuevo aparato MUSIC Group justo después de
su compra accediendo a la página web behringer. com.
Elregistro de su compra a través de nuestro sencillo
sistema online nos ayudará a resolver cualquier
incidencia que se presente a la mayor brevedad posible.
Además,aproveche para leer los términos y condiciones de
nuestra garantía, si es aplicable en sucaso.
2. Averías. En el caso de que no exista un distribuidor
MUSIC Group en las inmediaciones, puede ponerse en
contacto con el distribuidor MUSIC Group de su país,
queencontrará dentro del apartado “Support” de nuestra
página web behringer. com. En caso de que su país no
aparezca en ese listado, acceda a la sección “Online Support”
(quetambiénencontrará dentro del apartado “Support” de
nuestra páginaweb) y compruebe si su problema aparece
descrito y solucionado allí. De forma alternativa, envíenos a
través de la página web una solicitud online de soporte en
periodo de garantía ANTES de devolvernos el aparato.
3. Conexiones de corriente. Antes de enchufar
este aparato a una salida de corriente, asegúrese de que dicha
salida sea del voltaje adecuado para su modelo concreto.
En caso de que deba sustituir un fusible quemado, deberá
hacerlo por otro de idénticas especicaciones, sinexcepción.
1. Enregistrez-vous en ligne. Prenez le
temps d’enregistrer votre produit MUSIC Group aussi vite
que possible sur le site Internet behringer. com. Le fait
d’enregistrer le produit en ligne nous permet de gérer
les réparations plus rapidement et plus ecacement.
Prenezégalement le temps de lire les termes et conditions
de notre garantie.
2. Dysfonctionnement. Si vous n’avez pas de
revendeur MUSIC Group près de chez vous, contactez le
distributeur MUSIC Group de votre pays: consultez la liste
des distributeurs de votre pays dans la page “Support” de
notre site Internet behringer. com. Si votre pays n’est pas
dans la liste, essayez de résoudre votre problème avec
notre “aideen ligne” que vous trouverez également dans
la section “Support” du site behringer. com. Vous pouvez
également nous faire parvenir directement votre demande
de réparation sous garantie par Internet sur le site
behringer. com AVANT de nous renvoyer le produit.
3. Raccordement au secteur. Avant de relier
cet équipement au secteur, assurez-vous que la tension
secteur de votre région soit compatible avec l’appareil.
Veillez à remplacer les fusibles uniquement par des
modèles exactement de même taille et de même valeur
électrique — sans aucune exception.
1. Online registrieren. Bitte registrieren Sie Ihr
neues MUSIC Group-Gerät direkt nach dem Kauf auf der
Website behringer. com. Wenn Sie Ihren Kauf mit unserem
einfachen online Formular registrieren, können wir Ihre
Reparaturansprüche schneller und ezienter bearbeiten.
Lesen Sie bitte auch unsere Garantiebedingungen,
fallszutreend.
2. Funktionsfehler. Sollte sich kein MUSICGroup
Händler in Ihrer Nähe benden, können Sie den
MUSICGroup Vertrieb Ihres Landes kontaktieren,
derauf behringer. com unter „Support“ aufgeführt ist.
Sollte Ihr Land nicht aufgelistet sein, prüfen Sie bitte,
ob Ihr Problem von unserem „Online Support“ gelöst
werden kann, den Sie ebenfalls auf behringer. com unter
„Support“ nden. Alternativ reichen Sie bitte Ihren
Garantieanspruch online auf behringer. com ein, BEVOR Sie
das Produktzurücksenden.
3. Stromanschluss. Bevor Sie das Gerät an
eine Netzsteckdose anschließen, prüfen Sie bitte, obSie
die korrekte Netzspannung für Ihr spezielles Modell
verwenden. Fehlerhafte Sicherungen müssen ausnahmslos
durch Sicherungen des gleichen Typs und Nennwerts
ersetztwerden.
1. Registre-se online. Por favor, registre seu
novo equipamento MUSIC Group logo após a compra
visitando o site behringer. com Registrar sua compra
usando nosso simples formulário online nos ajuda a
processar seus pedidos de reparos com maior rapidez e
eciência. Além disso, leia nossos termos e condições de
garantia, caso seja necessário.
2. Funcionamento Defeituoso.
Casoseufornecedor MUSIC Group não esteja localizado
nas proximidades, você pode contatar um distribuidor
MUSIC Group para o seu país listado abaixo de “Suporte”
embehringer. com. Se seu país não estiver na lista,
favorchecar se seu problema pode ser resolvido com o
nosso “Suporte Online” que também pode ser achado
abaixo de “Suporte”em behringer. com. Alternativamente,
favor enviar uma solicitação de garantia online em
behringer. com ANTES da devolução do produto.
3. Ligações. Antes de ligar a unidade à tomada,
assegure-se de que está a utilizar a voltagem correcta para
o modelo em questão. Os fusíveis com defeito terão de
ser substituídos, sem qualquer excepção, por fusíveis do
mesmo tipo e corrente nominal.
Important information
Aspectos importantes
Informations importantes
Wegitere wichtige
Informationen
Outras Informações
Importantes
Dados técnicos
QX1202USB QX1002USB
Entradas Mono
Entradas de Microfone (Pré Amplificador de Microfone XENYX)
Tipo
Conector XLR, eletronicamente balanceado,
circuitode entrada discreto
Mic E.I.N. (20 Hz - 20 kHz)
@ 0Ω resistência da fonte -133 dB / 137 dB A-ponderado
@ 50Ω resistência
dafonte
-130 dB / 134 dB A-ponderado
@ 150Ω resistência
dafonte
-127 dB / 131 dB A-ponderado
Resposta de
frequência(-1 dB)
<10 Hz - 150 kHz (-1 dB)
Resposta de
frequência(-3 dB)
<10 Hz - 200 kHz (-3 dB)
Alcance do Ganho +10 dB to +60 dB
Nível de entrada máx. +10.8 dBu @ +10 dB Ganho
Impedância 1.93 kΩ balanceado
Relação Sinal-ruído 107 db / 110 db A-ponderado, 17.5 dB Ganho
Distorção (THD + N) 0.006% / 0.005% A-ponderado
Entrada de Linha
Tipo Jack ¼" TRS, eletronicamente balanceado
Impedância 20 kΩ balanceado, 10 kΩ não balanceado
Alcance do Ganho -10 dB to +40 dB
Nível de entrada máx. +18.5 dBu @ 0 db Ganho
Resposta da Frequência (Mic In (Entrada) Main Out (Saída))
<10Hz - 80kHz +0 dB / -1.5 dB
<10Hz - 137kHz +0 dB / -3 dB
Entradas Estéreo
Tipo 2 x jack ¼" TRS, balanceado
Impedância
20 kΩ balanceado, 10 kΩ não balanceado
(+4 dBu nível de operação)
20 kΩ balanceado, 5 kΩ não balanceado (-10 dBV)
Alcance do Ganho -20 dB to +20 dB
Nível de entrada máx. +22 dBu
Entrada de CD/Fita
Tipo conector RCA
Impedância 19.5 kΩ
Nível de entrada máx. 20 dBu
Equalizador
Grave 80 Hz / ±15 dB
Médio 2.5 kHz / ±15 dB
Alto 12 kHz / ±15 dB
Aux Sends
Tipo jack ¼" TRS, não balanceado
Impedância 120 Ω
Nível de saída máx. +19,4 dBu
Aux Returns
Tipo conector ¼" TRS, balanceado
Impedância 20 kΩ balanceado, 10 kΩ não balanceado
Nível de entrada máx. 19,8 dBu
QX1202USB QX1002USB
Saídas Principais
Tipo jack ¼" TRS, não balanceado
Impedância 120 Ω não balanceado
Nível de saída máx. 19,8 dBu
Saídas de Sala de Controle
Tipo conector ¼" TRS, não balanceado
Impedância 120 Ω
Nível de saída máx. 19,8 dBu
Saída dos Fones
Tipo jack ¼" TRS, não balanceado
Nível de saída máx. +19 dBu / 22,3 Ω (+25 dBm)
Saída de CD/Fita
Tipo conector RCA, não balanceado
Impedância 1 kΩ
Nível de saída máx. 19,8 dBu
Dados do Sistema Main Mix (Ruído)
Main mix @ -∞,
fader de canal @ -∞
-105 dB / -108 dB A- ponderado
Main mix @ 0dB,
fader de canal @ -∞
-93 dB / -96 dB A- ponderado
Main mix @ 0dB,
fader de canal @ 0dB
-83 dB / -85 dB A- ponderado
Seção FX
Tipo KLARK TEKNIK
Conversor Sigma Delta 24-bit
Taxa de amostragem 40 kHz
Fonte de Alimentação
EUA/Canadá 120 V~, 60 Hz
Adaptador MXUL6
Austrália 230 - 240 V~, 50 Hz
Adaptador MXSAA6
U.K./Europa 230 V~, 50 Hz
Adaptador MXUK6 / MXEU6
China/Coréia 220 V~, 50 Hz / 220 V~, 60 Hz
Adaptador MXCCC6 / MXKR6
Japão 100 V~, 50/60 Hz
Adaptador MXJP6
Saída 2 x 14,8 V~, 2 x 500 mA
USB
Conector Tipo B
Taxa de amostragem 48 kHz
Dimensões/Peso
Dimensões
(Alt x Larg x Prof)
2,0 x 9,8 x 9,8 pol.
50 x 250 x 248 mm
2,0 x 7,7 x 9,8 pol.
50 x 195 x 248 mm
Peso 3,3 lbs / 1,5 kg 2,4 lbs / 1,1 kg
Quick Start Guide 3534 XENY X QX1202USB/QX1002USB
FEDERAL COMMUNICATIONS
COMMISSION COMPLIANCE
INFORMATION
Responsible Party Name: MUSIC Group Services US Inc.
Address: 18912 North Creek Parkway,
Suite 200 Bothell, WA 98011,
USA
Phone/Fax No.: Phone: +1 425 672 0816
Fax: +1 425 673 7647
XENYX QX1202USB/QX1002USB
complies with the FCC rules as mentioned in the followingparagraph:
This equipment has been tested and found to comply with the limits for a ClassB
digital device, pursuant to part 15 of the FCC Rules. These limits are designed
to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses and can radiate radio frequency
energy and, if not installed and used in accordance with the instructions, may cause
harmful interference to radio communications. However, there is no guarantee that
interference will not occur in a particular installation. If this equipment does cause
harmful interference to radio or television reception, which can be determined
by turning the equipment o and on, the user is encouraged to try to correct the
interference by one or more of the followingmeasures:
• Reorient or relocate the receiving antenna
• Increase the separation between the equipment and receiver
• Connect the equipment into an outlet on a circuit dierent from that to which the
receiver is connected
• Consult the dealer or an experienced radio/TV technician forhelp
This device complies with Part 15 of the FCC rules. Operation is subject to the
following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may
cause undesired operation.
Important information:
Changes or modications to the equipment not expressly approved by MUSIC Group
can void the user’s authority to use the equipment.
XENYX QX1202USB/QX1002USB
We Hear You
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Behringer XENYX QX1002USB Quick start guide

Category
Audio mixers
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Quick start guide
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