Genz-Benz Shenandoah Stereo Delux 200 User manual

Brand: Genz-Benz

Model: Shenandoah Stereo Delux 200

Category: Musical Instrument Amplifier

Type: User manual

This manual is also suitable for

PRODUCT DESCRIPTION – The Shenandoah Stereo Delux 200™ is a 2 channel – 4 input, 200 watt true

Each channel is equipped with both a ¼” unbalanced line input and an XLR balanced microphone input (with

phantom power). The 2 inputs on each channel are summed (mixed) together at a 1:1 ratio. Each channel then

passes through independent 4 band equalizers with 2 sweep-able midrange frequency bands. This powerful

shaping.

Each channel also contains 2 individual send controls to the dual on-board Alesisä 16 program digital effects circuit.

Flexible signal routing allows full exploitation of the lush stereo programs. The channel signals are then summed

The back panel contains 4 direct balanced outputs with ground lift switch, 4 unbalanced line outputs, 2 effects loops,

tuner out, effects cancel jack, and 4-1/4” speaker jacks.

OWNERS MANUAL

INPUTS – The Shenandoah™ 200 is equipped with 2 types of input jacks. The ¼” input is unbalanced and “line/

instrument level” with a useable sensitivity from 50 mV to 1 volt. The input impedance is 150 k ohms. The ¼” input

will also accept most active balanced line sources, automatically unbalancing them by recognizing the tip portion of

interference) to eliminate unwanted noise. The XLR input jack is balanced and “microphone level”, with a useable

sensitivity from –60dBv to –30 dBv. It contains a precision full range differential microphone preamp with phantom

power. For use with higher level sources (such as the balanced line level output from a keyboard), a balanced pad

network will be necessary to use the balanced input. Phantom power is 13.6 volts, compatible with virtually all

commonly used condenser microphones. Dynamic microphones can be used with no ill effect.

PREAMP GAIN CONTROL – This level control sets the amount of gain at the Input of the Preamp. Use this

control to set the input level in conjunction with the overload LED indicator.

INPUT O/L LED – The Red Overload LED senses the input signal to the preamp section and warns of input

sensitivity with the input gain control.

PHASE SWITCH – Each input is provided with a phase reverse switch. By reversing the phase of the input

signal, feedback tendencies can be reduced if caused by sympathetic vibrations between the speaker and the

can improve the playability of some instruments.

PAN CONTROL – Each input channel is provided with a pan control, which adjusts the balance of the input

signals.

COMBINING XLR & ¼” INPUTS – A unique feature of the Shenandoah™ 200 is the ability to mix the XLR

using the XLR microphone input and then adjusting the level control on the instrument itself (assuming that it has

one) to blend levels between the 2 inputs. Equalization will be common to both inputs on the channel.

ON-BOARD ALESIS™ STEREO DIGITAL EFFECTS – The Shenandoah™ 200 contains 2 genuine

we chose to use an industry leader in processing with an undisputed reputation for realistic, high quality stereo

effects algorithms. Not all effects will be suitable for all types of instruments or playing styles, but everyone should

quick acoustic guitar or mandolin work (long lush reverbs for example) may be the perfect program for jazz guitar,

effects volume differences are normal when switching between different effects programs. Adjust the effects send

and master levels accordingly.

One of the most powerful features of the Alesis™ DSP engine is its ability to process a large amount of audio data

in real-time. This allows us to take advantage of several important concepts in generating a believable stereo image.

summing it back with the original signal and returning the mix to the program bus, the resulting stereo image is big,

lush and exceptionally stable.

The “Effects Send A” control on each channel adjusts the send level to digital effects processor “A” and the “Effects

Send B” control on each channel adjusts the send level to digital effects processor “B”. The “Digital Effects Level”

control in the master section adjusts the effects return level from the corresponding processor. The effects return

A ¼” TRS effects cancel jack is provided on the back panel to mute the internal effects via footswitch. Any standard 2

button latching footswitch may be used. Ring controls Effects Return A and Tip controls Effects Return B. The effects

signal is muted when the switch is open. LED’s show when the effects are active.

ACTIVE 4 BAND EQUALIZATION – Each channel of the Shenandoah 200 contains a separate 4 band (with

2 sweepable mids) active equalizer. These equalizers, similar to those found on professional sound consoles, are

very useful tools when used correctly.

LOW FREQUENCY EQ - The corner frequency of the low frequency section is 85 Hz, with a shelving curve

type. This frequency is particularly handy when dealing with low frequency feedback from a big dreadnaught guitar,

cello or upright bass. With a “boomy” instrument on a small stage, a combination of volume reduction and turning

down the low frequency control will generally get good results. The low frequency control is also handy for adding

some “bottom” to a baritone sax and “chunk” to many stringed instruments.

HIGH FREQUENCY EQ - The corner frequency of the high frequency section is 8 kHz, shelving curve type.

This frequency is especially useful for taming the bright harshness of some mandolins, violins, brass and reeds. It

drums are present.

MIDRANGE EQ - The “sweep mid” section features 2 independent midrange equalizers, peaking curve type, with

over 12 dB of cut or boost and a bandwidth approximately 1 octave wide. The center frequencies of these

offending frequencies in the instrument’s pick-up response. Removing only the minimum amount necessary will yield

the most acoustically rewarding results. The easiest and most repeatable way to determine the offending frequency

range is to boost the mid level somewhat (but not to the point of feedback) and while playing, sweep the frequency

just how quick it can be. You will hear a clear and obvious accentuation of the “ugliness” you wish to remove. Then,

reduce the gain control until the sound you desire is attained. The ear is a most sensitive and discriminating piece of

test equipment when used in this manner, another good reason to protect them! This is the way many touring sound

in “boost” mode, particularly common when adding higher midrange (bite) to an otherwise dull instrument, or adding

low mid “body” to an otherwise thin sound. Spend some time experimenting so that the process becomes creative as

well as corrective.

AUXILUARY INPUT LEVEL CONTROL – The Shenandoah™ 200 is equipped with both ¼” and dual RCA

aux input jacks and aux level control. These rear panel jacks are internally summed, and feed the stereo mix via the

aux level control. Both aux inputs are line level, for use with drum machines, CD, MP3 and tape players.

MASTER VOLUME – The stereo master volume control adjusts the overall volume of the mix of channel 1,

channel 2, effects return 1 and effects return 2. Typically, best results are obtained when this control is operated

between the 9:00 and 3:00 positions.

MASTER STATUS LED INDICATORS - Output status LED’s are provided to indicate Signal present and

Clipping. The Green LED monitors the pre Master Volume output signal from the preamp before the power amp

section. The Red LED indicates Clip/Limit and indicates that the maximum power threshold has been crossed and

the internal “soft-clip” limiter is active. Driving the amp 6db beyond this point will cause gradual clipping.

CHANNEL INSERTS / EFFECTS LOOP – The Shenandoah™ 200 is equipped with insert points on each

channel AND on the left and right main signal paths. These points are handy for inserting compressors and

dedicated digital effects processors. Signal is line level and unbalanced.

DIRECT OUTPUTS – The Shenandoah™ 200 contains the most comprehensive direct output section

sense” when connecting with other equipment. The ¼” unbalanced outputs are true professional line level (+4 dbv)

long cable lengths (250+ feet) without problems or added noise and is compatible with all commonly encountered

mixing consoles. The XLR balanced direct outputs can be “ground lifted” with the global ground lift switch. This

switch lifts pin 1 on all of the XLR balanced outputs to break ground any loops between the Shenandoah™ 200 and

a PA system (or recording) console Direct outputs are provided for each channel, pre eq, pre effects, post channel

volume (to take advantage of the dual summing inputs on each channel), and for left and right mixed outputs, post

POWER AMPLIFIER

circuits that are completely protected against overloads, short circuits and thermal faults. Output is rated at 100 watts

a very cool feature that increases product reliability 10-fold over conventional designs. An internal cooling fan is

provided for maximum heat exhaust through the front panel vents.

TUNER OUT – This jack is provided for use with all tuners that accept a ¼” input. The signal from this jack is

always present and works well with all known tuners.

EFFECTS JACK – This jack is provided for use with the 2 button DSP footswitch with comes standard with the

Shenandoah™ 200. This footswitch turns both DSP A and B programs ON and OFF. This is a useful tool for pre-

selecting programs and then turning them on or off when desired.

SPEAKER OUTPUT JACKS – The Shenandoah 200 provides 2 sets of parallel ¼” speaker output jacks.

Minimum total load is 4 ohms (2 x 8 ohm loudspeakers) on each output channel. The combo is equipped with a 10”

- 8 ohm loudspeaker and compression tweeter per side and may drive an additional 8 ohm extension speaker

cabinet per side. We offer the Shen-200 EXT L/R speaker enclosures that are a matched pair of Left and Right

imaged extension speakers that offer the same compliment of 10” woofer and compression tweeters like those in the

Shenandoah™ 200.

POWER INPUT – The Shenandoah™ 200 is shipped from the factory with a standard IEC type power inlet

universal input (115/230 volt, 50/60 Hz) with a voltage selector switch located above the inlet connector. Be sure that

this switch is in the correct position (matching your local power system) BEFORE connecting the Shenandoah™ to

the power source. There is an AC mains fuse (with a spare fuse included!) located in the small slide out tray on the

IEC power inlet connector. Always replace with the correct value fuse as indicated on the fuse chart located on the

TWEETER LEVEL CONTROLS – A Tweeter Level Control is provided on each side of the speaker enclosure

SHENANDOAH™ STEREO DELUX 200

ENGINEERING SPECIFICATIONS

INPUTS

XLR Balanced channel input impedance: 2.2 k ohms

XLR Balanced channel input sensitivity: -60 to –30 dBV

¼” Unbalanced channel input impedance: 150 k ohms

¼” Unbalanced channel input sensitivity: 30 to +4 dBV

¼” Unbalanced aux input impedance: 10 k ohms

¼” Unbalanced aux input sensitivity: -20 to +4 dBV

Phantom power (XLR Inputs) +13.6V

AMPLIFIER OUTPUT (each channel)

Power at 8 ohm load: 70 watts RMS

Power at 4 ohm load: 100 watts RMS

THD + N (preamp): <0.02% typ.

THD + N (power amp): <0.05% typ.

Frequency response: 20 Hz – 20 kHz +/- 1dB

CHANNEL EQUALIZATION

Low frequency: 85 Hz shelving, +/-15dB

Low-Mid frequency (sweep): 100 Hz – 1.8 kHz , peaking, +/-12dB

High-Mid frequency (sweep): 350 Hz – 5 kHz , peaking, +/-12dB

High frequency: 8 kHz shelving, +/-15dB

DIRECT OUTPUTS

XLR balanced output level: -30 dBV nominal

XLR balanced output impedance: 150 ohms

¼” unbalanced output level: +4 dBv nominal

¼” unbalanced output impedance: 1 k ohm

EFFECTS LOOP

¼” unbalanced output level: -10 dBV

¼” unbalanced output impedance: 1 k ohm

¼” unbalanced input level: -10 dBV

¼” unbalanced input impedance: 47 k ohm

¼” effects cancel jack: short T-S or R-S cancels returns

DIGITAL EFFECTS

Processor type: Alesis® DSP engine (twin stereo processors)

Internal processing: 24 bit

A/D converter: 24 bit – 64X over-sampling

D/A converter: 24 bit – 128X over-sampling

Dynamic Range: 80 dB

THD + N (1 kHz): <0.01%

Sampling rate: 48 kHz

INTERNAL PRESET STEREO EFFECTS PROGRAMS:

3 – Plate Reverbs 1 – Chorus/Plate

3 – Room Reverbs 1 – Chorus

2 – Hall Reverbs 1 – Flange

1 – Rotary Effect 2 – Delays (long and short)

1 – Chorus/Room 1 – Reverse Scoop

CAUTION!

WARNING!

• The use and operation of this device constitutes an agreement of full release of any and all liability

connected with its use. Only persons familiar with the operation of high powered audio equipment should

attempt to operate this device.

• In addition, by use of this device, the user agrees to hold Genz Benz Enclosures, Inc. and its designers,

or loss resulting from such use.

normal operating conditions for a period of 3 years.

WARRANTY:

• Genz Benz Enclosures, Inc. warrants the model Shenandoah 200 to be free from defects in materials and

workmanship for a period of 3 years from the date of purchase, when purchased from an authorized Genz

Benz dealer.

• This warranty does not cover normal wear and tear incurred from the normally designed use of the product.

• This warranty is effective only if a copy of the original sales receipt is presented at the time of warranty

service.

• This limited warranty is completely transferable to any subsequent buyer as long as the original sales

receipt is also transferred to such subsequent buyer.

• All warranty service must be performed by a Genz Benz authorized service center.

• Before returning any unit for service, a returned merchandise authorization number (RMA#) must be

obtained by calling 480-941-0705.

Declaration of Conformity

(89/336 EEC-EMC Directive)

Manufacturer’s Name: Genz Benz, a division of Kaman Music

Manufacturer’s Address: 7811 East Pierce Street

Scottsdale, AZ 85287, U.S.A.

Model Number: Shenandoah Stereo Delux 200™

Operating Power Condition: 115/230 V, 50/60 Hz

Effective Date: 01-01-2006

Conforms to the Following Standards: [X] EN 55013: 2001 + A1: 2003

[X] EN 55020: 2002 + A1: 2003

[X] EN 60065

[X] IEC 61000-3.3: 1994 + A1: 2001

[X] IEC 61000-4.2

[X] IEC 61000-4.3

[X] IEC 61000-4.4

[X] FCC 47CFR Part 15-B, Class B

[ ] RoHS Directive 2002/95/EC

[X] WEEE Directive 2002/96/EC

[X] CE Mark LV Directive 73/23 EEC

7811 E. Pierce St. Scottsdale, AZ 85257

PH: 480-941-0705 FAX: 480-946-2412

www.genzbenz.com

REV 4

Genz-Benz Shenandoah Stereo Delux 200 User manual

Brand: Genz-Benz

Model: Shenandoah Stereo Delux 200

Category: Musical Instrument Amplifier

Type: User manual

This manual is also suitable for

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