QuadraDrive
tm
Amplifier with
Digital Sound Processing
OWNER’S MANUAL
GT-80D QuadraDrive
tm
2
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER.
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
ATTENTION
RISQUE D'ELECTROCUTION
NE PAS OUVRIR
ATTENTION: POUR REDUIRE D'ELECTROCUTION NE PAS
ENLEVER LE COUVERCLE. AUCUNE PIECE INTERNE N'EST REPRABLE
PAR L'UTILISATEUR. POUR TOUTE REPARATION, S'ADRESSER A UN
TECHNICIEN QUALIFIE.
VORSICHT
ELEKTRISCHE SCHLAGGEFAHR
NICHT OFFENEN
VORSICHT: ZUR MINIMIERUNG ELEKTRISCHER SCHLAGGEFAHR NICHT
DEN DECKEL ABENHMEN. INTERNE TEILE KONNEN NICHT VOM
BENUTZER GEWARTET WERDEN. DIE WARTUNG IS QUALIFIZIERTEM
WARTUNGSPERSONAL ZU UBERLASSEN.
THIS EQUIPMENT HAS BEEN DESIGNED AND ENGINEERED TO PROVIDE SAFE AND RELIABLE OPERATION. IN ORDER TO PROLONG THE LIFE
OF THE UNIT AND PREVENT ACCIDENTAL DAMAGES OR INJURY, PLEASE FOLLOW THESE PRECAUTIONARY GUIDELINES:
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT OPEN CHASSIS; DO NOT DEFEAT OR REMOVE THE GROUND PIN OF THE
POWER CORD; CONNECT ONLY TO A PROPERLY GROUNDED AC POWER OUTLET.
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE.
CAUTION: NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
CAUTION: THIS UNIT IS CAPABLE OF PRODUCING HIGH SOUND PRESSURE LEVELS. CONTINUED EXPOSURE TO HIGH SOUND PRESSURE
LEVELS CAN CAUSE PERMANENT HEARING IMPAIRMENT OR LOSS. USER CAUTION IS ADVISED, AND EAR PROTECTION RECOMMENDED IF
UNIT IS OPERATED AT HIGH VOLUME. THE CHART BELOW SHOWS THE U.S. GOVERNMENT’S OCCUPATIONAL SAFETY AND HEALTH ADMINIS-
TRATION (OSHA) REGULATIONS WHICH WERE IN EFFECT AT THE TIME OF THIS PUBLICATION FOR PERMISSIBLE NOISE EXPOSURE, PER
29CFR1910.95, TABLE G-16:
ACCORDING TO OSHA, ANY EXPOSURE IN EXCESS TO THESE AMOUNTS LISTED ABOVE COULD RESULT IN SOME HEARING LOSS.
"IT IS NECESSARY FOR THE USER TO REFER TO THE INSTRUCTION MANUAL"
"REFERREZ-VOUS AU MANUAL D'UTILISATION"
"UNBEDINGT IN DER BEDIENUNGSANLEITUNG NACHSCHLAGEN"
EXPLANATION OF
GRAPHICAL SYMBOLS:
"DANGEROUS VOLTAGE"
"DANGER HAUTE TENSION"
"GEFAHLICHE SPANNUNG"
=
=
SOUND LEVEL DBA, DURATION PER DAY SOUND LEVEL DBA, DURATION PER DAY
SLOW RESPONSE IN HOURS SLOW RESPONSE IN HOURS
90 8 102 1 - 1 1/2
92 6 105 1
95 4 110 1/2
97 3 115 1/4 or less
100 2
Congratulations!
You are now the proud owner of one of the newest and most innovative guitar amplifiers available, the
Crate GT-80D QuadraDrive
tm
with Digital Sound Processing. This versatile and compact amplifier fea-
tures four separate, footswitchable Gain controls, with your choice of Tube or Solid State preamps for
either the Clean or the Overdrive channel. Discrete tones and Master Level controls for each channel,
along with Crate’s exclusive Tube Driven Mosfet power amp, add even more flexibility and control.
The easy to operate Digital Sound Processing section offers you a wide variety of effects, from some
of the finest reverb settings to the truly bizarre. A unique feature of the Digital Sound Processing is its abil-
ity to “remember” settings for each preamp and channel selection.
Like all Crate products, your GT-80D is proudly made in America, using only the best components.
Extensive testing at the hands (and ears) of skilled technicians and musicians insures you that this ampli-
fier is the absolute best it can be.
In order to get the most out of your new amplifier, we strongly urge you to go over the information con-
tained in this manual before you begin playing
And thank you
for choosing
TABLE OF CONTENTS:
About the GT-80D . . . . . . . . . . . . . . . . . . . . . . . . . . .3
The GT-80D Front Panel . . . . . . . . . . . . . . . . . . . . .4-6
The GT-80D Rear Panel . . . . . . . . . . . . . . . . . . . . . . .7
About the Digital Sound Processor:
Using the Mode Control . . . . . . . . . . . . . . . . . . . .8
Table of Settings . . . . . . . . . . . . . . . . . . . . . . . . . .9
Technical Description . . . . . . . . . . . . . . . . . . . . .10
Block Diagrams . . . . . . . . . . . . . . . . . . . . . . . . .11
Some Suggested Settings . . . . . . . . . . . . . . . . . .12-13
System Block Diagram . . . . . . . . . . . . . . . . . . . . . . .14
Technical Specifications . . . . . . . . . . . . . . . .back cover
GT-80D QuadraDrive
tm
GT-80D QuadraDrive
tm
3
ABOUT THE GT-80D:
The Crate GT-80D QuadraDrive
tm
with Digital Sound Processing is truly unique and versatile, offer-
ing you more performance and flexibility than any other compact amplifier.
Start with two completely separate preamp stages: Solid State and Tube. Then add the two channels:
Clean and Overdrive. Put them together and you have your choice of some of the hottest contemporary
sounds and the coolest vintage sounds available. For example, Solid State Clean gives you “today’s
sound:” crisp highs and an ultra-tight bass response, while Tube Clean offers you that vintage tube sound,
from ultra-clean to a bluesy crunch. Solid State Overdrive gives you all of the traditional Crate Mega-Gain
hard rock sizzle and fire, with lots of definition and compression, and Tube Overdrive starts with a bluesy
crunch and can deliver everything up to screaming, tube-driven lead distortion with plenty of sustain and
total tone control.
But that’
s not all. Now add Crate’s easy to operate Digital Sound Processing, with 31 preset effects
including a variety of delays, backwards sampling, gated outputs and reverbs. Select an effect for each of
the four preamp and channel combinations and the amplifier will “remember” each setting and recall it as
you switch between preamps and channels. Add a footswitch and you can preset TWO settings per pre-
amp/channel choice, for up to 8 instantly accessible effects. And the GT-80D’s memory is “non-volatile”
which means that once you enter your settings, they’re in the memory until you change them!
FEA
TURES OVERVIEW:
Given below is a quick overview of the GT-80DSP’s features and controls:
• Two Completely Separate Channels: Independent Gains, 3-band EQs, and Levels.
• Four Gain Controls:
Tube Overdrive, Solid State Overdrive, Tube Clean, Solid State Clean.
• Digital Sound Processing: A wide variety of digital reverbs and effects. The ability to store settings
for each of the four channel/preamp combinations. Footswitchable, with 2 settings per combinations.
• T
ube Driven Mosfet Power Amplifier: Crate exclusive. No traditional solid state output devices
means no chance of harsh “square wave” distortion.
• Total Footswitch Control:
Channel and Preamp selection. Digital effects control.
• External Speaker Jack:
Series connection means no chance of overloading the amplifier.
Standard 1/4” mono phone jack.
• Effects Loop:
1/4” Line Out/Line In jacks. Allows external signal processor connection. Allows
direct connection to external amplifier, mixer, recording console or whatever.
GT-80D QuadraDrive
tm
4
1: INPUT: Connect your guitar here using a shielded instrument cable.
OVERDRIVE Gains:
2: TUBE GAIN: This serves as the gain control for the Overdrive Channel’s Tube preamp section, giving you con-
trol over the compression and overdrive characteristics of the GT-80DSP’s input tubes. Use this control along with
the Overdrive Channel’s volume control (#15) to create a wide variety of sounds at any volume level. (Some sug-
gested settings can be found on page 12.) With the control to the full-left position, no signal passes through. As
you bring the control towards center you increase the signal level and the tube compression, with maximum tube
distortion towards the full-right position.
3: OVERDRIVE LED: This LED glows red when the Overdrive Channel is chosen, and along with LED #14 gives
you a visual sign that the Overdrive gains, tone controls and volume control are active.
4: SOLID STATE GAIN: This serves as the gain control for the Overdrive channel’s Solid Sate preamp section.
Use this control along with the Overdrive Channel’s volume control (#15) to create a wide variety of sounds at any
volume level. (Some suggested settings can be found on page 13.) With the control to the full-left position, no sig-
nal passes through. As you bring the control towards center you increase the signal level and compression, reach-
ing maximum distortion in the full-right position.
5: CHANNEL: Select either the Overdrive channel (switch in the IN position) or the Clean Channel (switch OUT)
with this pushbutton switch. The channel indicator LEDs (#3 and 14 for Overdrive, #9 and 19 for Clean) work with
this switch as a visual guide.
NOTE: When a footswitch is connected to the Channel Select footswitch jack (see #29, rear panel) the front-panel
switch will have no control over which channel is selected.
6: TUBE/SOLID STATE: Select either the Tube preamp (switch IN) or the Solid State preamp (switch OUT) for
either channel with this pushbutton switch. The Tube LED (#7) works with this switch as a visual guide: it glows
when the tube section has been selected.
NOTE: When a footswitch is connected to the Channel Select footswitch jack (which also serves as the Tube/Solid
State select; see #29, rear panel) the front-panel switch will have no control over which preamp section is select-
ed.
7: TUBE LED: This tube-shaped symbol glows orange when the Tube preamp section is selected, giving you a
quick visual reference as to which preamp section is active.
CLEAN Gains:
8: TUBE GAIN: This serves as the gain control for the Clean Channel’s Tube preamp section, giving you control
over the compression and overdrive characteristics of the GT-80D’s preamp tube. Use this control along with the
Clean Channel’s volume control (#20) to create a wide variety of sounds at any volume level. (Some suggested
settings can be found on pages 12 and 13.) With the control to the full-left position, no signal passes through. As
you bring the control towards center you increase the signal level and the tube compression, with a bluesy tube
crunch coming to life as you approach a setting of 8 and thicker tube distortion in the full-right position.
THE GT-80D FRONT PANEL:
1 2 3 96 74 8 10 11 12 13 14 19 21 2415 2516 17 18 20 22 235
GT-80D QuadraDrive
tm
5
9: CLEAN LED: This LED glows green when the Clean Channel is chosen, and along with LED #19, gives you a
visual sign that the Clean gains, tone controls and volume control are active.
10: SOLID STATE GAIN: This serves as the gain control for the Clean Channel’s Solid State preamp section. Use
this control along with the Clean Channel’s volume control (#20) to create a wide variety of sounds at any volume
level. (Some suggested settings can be found on pages 12 and 13.) With the control to the full-left position, no sig-
nal passes through. As you bring the control to the right you increase the signal level, which stays clean all the way
up to the full-right position.
OVERDRIVE CHANNEL:
11: LOW: Adjust the Overdrive Channel’s low frequency output with this control: the center position is “flat,” that
is, no boost or cut. By turning the control to the left you reduce the low frequency output; turning it to the right
increases the low frequency output. The Low control covers a range of 24dB at 100Hz.
12: MID: Adjust the Overdrive Channel’s midrange output with this control: in the center position the midrange out-
put will be “flat” (no boost or cut). Turning the control to the left reduces the midrange output; turning it to the right
increases the midrange output. The Mid control covers a range of 10dB at 1kHz, which affects the “voice” of your
guitar’s sound.
13: HIGH: Adjust the Overdrive Channel’s high frequency output with this control: in the center position the high
frequency output will be “flat” (no boost or cut). Turning the control to the left reduces the high frequency output;
turning it to the right increases the high frequency output. The High control covers a range of 20dB at 5kHz, which
allows you to adjust the crispness or the “bite” of your guitar.
14: OVERDRIVE LED: This LED glows red when the Overdrive Channel is chosen, and along with LED #3, gives
you a visual sign that the Overdrive gains, tone controls and volume control are active.
15: VOLUME: Adjust the output level of the Overdrive Channel with this control: in the full-left position there is no
output. As you rotate the control to the right you increase the strength of the Overdrive Channel’s signal going into
the power amp, thus increasing the output volume. The signal level for the Line Out jack (see #32, rear panel) is
simultaneously affected by this control.
CLEAN CHANNEL:
16: LOW: Adjust the Clean Channel’s low frequency output with this control: the center position is “flat,” that is, no
boost or cut. By turning the control to the left you reduce the low frequency output; turning it to the right increases
the low frequency output. The Low control covers a range of 23dB at 100Hz.
17: MID: Adjust the Clean Channel’s midrange output with this control: in the center position the midrange output
will be “flat” (no boost or cut). Turning the control to the left reduces the midrange output; turning it to the right
increases the midrange output. The Mid control covers a range of 14dB at 800Hz, which affects the “voice” of your
guitar’s sound.
GT-80D QuadraDrive
tm
6
18: HIGH: Adjust the Clean Channel’s high frequency output with this control: in the center position the high fre-
quency output will be “flat” (no boost or cut). Turning the control to the left reduces the high frequency output; turn-
ing it to the right increases the high frequency output. The High control covers a range of 30dB at 10kHz, which
allows you to adjust the crispness or the “bite” of your guitar.
19: CLEAN LED: This LED glows green when the Clean Channel is chosen, and along with LED #9, gives you a
visual sign that the Clean gains, tone controls and volume control are active.
20: VOLUME: Adjust the output level of the Clean Channel with this control: in the full-left position there is no out-
put. As you rotate the control to the right you increase the strength of the Clean Channel’s signal going into the
power amp, thus increasing the output volume. The signal level for the Line Out jack (see #31, rear panel) is simul-
taneously affected by this control.
The Digital Sound Processor (DSP):
Given below is a brief description of the Digital Sound Processor’s controls. For complete infor-
mation on the use and functions of the Digital Sound Processor, please see pages 8 through 11.
21: LED: This LED indicator glows when the Digital Sound Processor is active, indicating the presence of a
processed signal.
22: MODE: Select the type of digital sound processing effect with this control. Each preamp and channel setting
will “remember” its setting, allowing you to switch between channels and preamps (Tube/Solid State) without hav-
ing to reset the Mode control. For a complete listing of the different effects and their corresponding settings,
see “Using the Mode Control” on page 8.
23: LEVEL: Adjust the amount of digital sound processing effect with this control: in the full-left position the out-
put signal is “dry” (no reverb or effect); rotating the control to the right increases the amount of effect.
24: ON LED: The word “ON” will glow red when you turn the GT-80D on, showing you that the amplifier is acti-
vated and ready to play.
25: POWER: This heavy-duty rocker-type switch is used to turn the amplifier ON in the left position, OFF in the
right position. The ON LED (#24) works with this switch as a visual indicator.
THE GT-80D FRONT PANEL - CON’T:
* * * Please refer to the illustration on page 4. * * *
26: POWER CORD: Firmly plug the supplied, heavy-duty grounded power cord into this receptacle. When in use,
be sure this cord is properly plugged into a safely-wired, grounded 120 volt, 60 cycle AC power outlet. DO NOT
attempt to defeat the ground connection on this cable!
If your GT-80D was purchased outside of the United States, see the unit’s rear panel for its power rating and
follow the above guidelines.
27: FUSE: This protects the amplifier against damages caused from a faulty AC power source or other problems.
If the fuse blows, replace it ONLY with the same size and type use. If the fuse blows repeatedly check the AC
source: if it’s okay, contact your Crate dealer for service information.
28: EXTERNAL SPEAKER: Allows you to connect the output of the GT-80D to an external speaker, placing it in
series with the 12” speaker inside the amplifier. Since this is a series connection, there is no chance of damaging
the amplifier with too low an impedance load.
29: CHANNEL SELECT FOOTSWITCH: A dual footswitch can be plugged in here to give you remote control for
the selection of the Overdrive/Clean channels AND the Tube/Solid State preamp sections. When connected, the
footswitch overrides the front panel switches for these functions.
NOTE: This is a STEREO 1/4” jack: “ring” controls the preamp sections, “tip” controls channel selection, “sleeve”
is ground for both. Use only a stereo-plug equipped footswitch (such as the Crate CFP-2), or a three-way foot-
switch (such as the Crate CFP-3) to control Reverb as well - see #30.
30: REVERB FOOTSWITCH: A single footswitch can be plugged in here to give you remote control for the Digital
Sound Processing Mode for all channels. The footswitch offers you a choice of two Mode settings per channel:
presetting one of the choices to “bypass” gives you the traditional “on/off” control. For additional information please
see “Using the Mode control” on page 8.
31: EFFECTS LOOP LINE IN: Connecting an external signal processor, such as digital delay or echo, can be
accomplished through the Line In and Line Out jacks. Connect the OUTPUT of the external device to the Line In
jack using a shielded cable with mono 1/4” phone plugs. This sends the line-level signal IN to the GT-80D’s inter-
nal power amplifier. The Line In jack is Post-Master EQ and Post-Master Level.
32: EFFECTS LOOP LINE OUT: This carries a pre-amplified, post-EQ signal to an external effects device, ampli-
fier, mixing console or recorder. Connect the Line Out jack to the INPUT of the device using a shielded cable with
mono 1/4” phone plugs. This sends a line-level signal OUT from the GT-80D. The Line Out jack is Post-Master EQ
and Post-Master Level, therefore its tone and output level are governed by the settings of the amplifiers controls.
The Line Out jack is an unbalanced mono 1/4” type.
THE GT-80D REAR PANEL:
CAUTION:
TO RE-
DUCE THE RISK OF FIRE,
REPLACE FUSE WITH
SAME TYPE AND RAT-
ING.
CAUTION:
CHASSIS SURFACE HOT.
ATTENTION:
SUPERFACIE DE
CHASSIS EST CHAUDE.
ATTENTION:
UTILISER UN FUSIBLE DE
RECHARGE DE MEME
TYPE.
100/120VAC - 2 1/2A NORMAL BLOW
220-240VAC - 1 1/2A NORMAL BLOW
CAUTION
RISK OF ELECTRIC
SHOCK – DO NOT OPEN
AVIS:
RISQUE DE CHOC ELECTRIQUE
NE PAS OUVRIR
TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT EXPOSE THIS EQUIPMENT TO RAIN
OR MOISTURE.
12AU7 12AU712AX7
EXTERNAL
SPEAKER
FOOT
SWITCH
CHANNEL/
TUBE
REVERB
EFFECTS
LOOP
LINE
IN
LINE
OUT
26 27 28 29 30 31 32
GT-80D QuadraDrive
tm
7
GT-80D QuadraDrive
tm
8
The Digital Sound Processor’s 32 position Mode control allows you to instantly access the exact type of
effect you want - from classic reverberation to radical “backwards” sounds - for any of the preamp or channel
settings. The diagram below illustrates where each “family” of effects is located. Use this diagram along with the
table on the facing page to familiarize yourself with the locations of the many different sound effects possible
from your GT-80D.
The setting of the Mode Control will determine the type of effect for whichever preamp/channel combination
the amp is set to at the time you adjust the Mode control. Once set, the GT-80D’s non-volatile memory retains the
setting until you reset it.
Example: Plug in your guitar and turn on the amplifier. Set Channel Select to Clean, Tube/Solid State Select
to Tube. Now set the Mode Control to “12” (medium gated reverb). Strike a chord on your guitar and listen to the
sound of the effect. Press in the Channel Select switch to choose the Overdrive Channel, then set the Mode
Control to 26 (large hard surface echo). Strike a chord and listen to the results. Now press Select again to get back
to the Clean Channel and strike a chord - even though you haven’t changed the setting of the Mode Control, the
amplifier “remembered” that you had programmed in setting “12” and kept the effect as you left it.
There’s more: When a Reverb footswitch is used, you can program each of the four channel/preamp combi-
nations with two Mode settings. If you want to control reverb on/off with the footswitch, for example, set the Mode
to “0” (bypass), hit the footswitch and set Mode to “5” (large bright hall). Now you have the ability to switch the
reverb on and off with the footswitch.
With the footswitch you have a choice of two reverb settings for each of the four preamp/channel combina-
tions, for the most flexibility and versatility possible!
Using the Mode Control
19–27
DELAYS
WITH
REGEN
(ECHO)
5–11
LARGE
AREA
REVERBS
12–15
SPECIAL
REVERBS
16–18
DELAYS
28–31
SPECIAL
EFFECTS
1–4
SMALL AREA
REVERBS
0=BYPASS
ABOUT THE DIGITAL SOUND PROCESSOR:
GT-80D QuadraDrive
tm
9
The table below lists each of the 32 settings of the GT-80D’s Mode control, along with a brief explanation
of each effect.
Table of Settings:
ABOUT THE DIGIT
AL SOUND PROCESSOR:
NO. NAME TYPE DESCRIPTION
0 OFF NONE Bypass—no signal processing occurs.
1 SMALL ROOM, BRIGHT SMALL REVERB 8’ x 8’ empty room with hardwood floors.
2 SMALL ROOM, DARK SMALL REVERB 8’ x 8’ carpeted room with up to four people.
3 SMALL HALL, BRIGHT SMALL REVERB 20’ x 40’ Rehearsal Hall, wood floors, hard walls.
4 SMALL HALL, DARK SMALL REVERB 20’ x 40’ carpeted Rehearsal Hall with draped walls and up to 30 people.
5 LARGE HALL, BRIGHT LARGE REVERB 50’ x 100’ empty Rehearsal Hall, 20’ ceilings.
6 LARGE HALL, DARK LARGE REVERB 50’ x 100’ Rehearsal Hall with up to 50 friends and crew.
7 AVERAGE CLUB, BRIGHT LARGE REVERB 500 capacity empty club, wood floors, afternoon sound check.
8 AVERAGE CLUB, DARK LARGE REVERB 500 capacity club, wood floors, stuffed with people.
9 CONCERT HALL, BRT LARGE REVERB 5,000-seat Concert hall, hard back wall, afternoon sound check.
10 CONCERT HALL, DARK LARGE REVERB 5,000-seat Concert hall, sold out show.
11 STADIUM LARGE REVERB 40,000-seat round Stadium, afternoon sound check, 100 crew & VIPs only.
12 GATED REVERB, MEDIUM SPECIAL REVERB Studio Effect–Engineer cuts off reverb slightly after each note. (220ms Gate)
13 GATED REVERB, LONG SPECIAL REVERB Studio Effect—Engineer lets note ring, then cuts it off. (350ms Gate)
14 PLATE REVERB SPECIAL REVERB Studio Effect—Simulates Steel Plate Reverb.
15 TRADITIONAL REVERB SPECIAL REVERB Studio Effect—Simulates old-fashioned multi-spring tube reverb unit.
16 SLAPBACK, SHORT DELAY 125ms delay + small reverb; Elvis’ favorite.
17 SLAPBACK, MEDIUM DELAY 350ms delay + small reverb; Rockabilly special.
18 SLAPBACK, LONG DELAY 557ms delay only, 630’ travel time of sound.
19 SHORT MEDIUM SURFACE ECHO ECHO 85ms delay with 14.2% regen. & small reverb.
20 SHORT HARD SURF ECHO ECHO 85ms delay with 27.3% regeneration.
21 SHORT/MEDIUM MEDIUM SURF ECHO 280ms delay with 21.8% regen & small reverb.
22 MEDIUM SOFT SURFACE ECHO ECHO 335ms delay with 12.5% regeneration.
23 MEDIUM HARD SURFACE ECHO ECHO 335ms delay with 26.5% regen. & small reverb.
24 MEDIUM GLASS ECHO ECHO 335ms delay with 43.7% regeneration.
25 LARGE SOFT SURFACE ECHO ECHO 485ms delay with 7.8% regeneration.
26 LARGE MEDIUM SURFACE ECHO ECHO 485ms delay with 20.3% regeneration.
27 LARGE HARD SURF ECHO ECHO 485ms delay with 39.2% regen & small reverb.
28 INFINITE DELAY SPECIAL EFFECT 506ms delay with over 90% regeneration.
29 THICKENER SPECIAL EFFECT 33ms-based sound fattener @ selected freqs.
30 MULTI-TAP SPECIAL EFFECT Multi-thickener with some subtle delays added.
31 REVERSE SPECIAL EFFECT “Backwards masking” effect (number nine, number nine,...)
GT-80D QuadraDrive
tm
10
(Semi-) Technical Description:
ABOUT THE DIGIT
AL SOUND PROCESSOR:
“What is
reverb, anyway?”
Imagine yourself seated in a small, lightly furnished room, about to enjoy a private performance by your
favorite guitarist. The guitarist picks up an acoustic guitar and sharply strikes a single chord, then immediately
mutes the strings with his strumming hand. Sound waves instantaneously travel from the guitar’s sound hole
through the air to you ears, where your brain processes the waves into the musical sounds you know so well. At
the same time, reflected sound waves are bouncing all around the room: off the walls, ceiling and floor, off of the
musician, off of you; off of everything in the room. These multiple reflections occur so fast and in such large num-
bers that your ears perceive them as one sound: reverb. Without these reflections the sound from the guitar would
seem lifeless, dry and unnatural.
Different rooms produce different reflections, thus producing different sounding reverbs. The same guitarist’s
single-chord performance in a large concert hall would sound different than it did in the intimate surroundings
described above, due to the different reflections produced - thus, the different sounding reverb.
What can be produced by nature can be simulated through the use of the GT-80D’s highly sophisticated digi-
tal electronics circuitry. The GT-80D has many different reverbs available, as well as some unique digital effects,
not found in nature.
ANALOG INPUT
FROM AMPLIFIER
DIGITAL
SIGNAL
Algorithm
Selection
Channel
Switching
I0I0I...
ANALOG/
DIGITAL
CONVERTER
DIGITAL/
ANALOG
CONVERTER
CONTROL
SWITCHES
DIGITAL
ANALYSIS
COMPUTER
DIGITAL
SYNTHESIS
NON-VOLATILE
PARAMETER
MEMORY
PROGRAM
MEMORY
SAMPLE
STORAGE
MEMORY
INPUT FILTERS
(ANTI-ALIASING
FILTER)
OUTPUT FILTERS
(RECONSTRUCTION
FILTER)
ANALOG OUTPUT
GT-80D QuadraDrive
tm
11
ABOUT THE DIGITAL SOUND PROCESSOR:
Block Diagrams:
Sound
Amplitude
Time
TYPICAL REVERB RESPONSE
TO AN IMPULSE
EARLY
RELECTIONS
REVERB (DECAY) TIME
PRE-
DELAY
REVERB
"TAIL"
GATED REVERB
REVERSE REVERB EFFECT
Time domain response of a reverse reverb,
impulse input. Reverb effect is digitally
reversed to produce the opposite sound
pattern of natural (or digital) reverb.
Time domain response of a gated reverb,
impulse input. Reverb "tail" is digitally cut off
just past its peak.
GATED REVERB
DELAY TIME
Time domain response of a slapback effect,
impulse input. Secondary signal is a
reproduction of the original input signal
(similar amplitude).
DELAY WITH REGEN
FIXED PERCENTAGE OF
ATTENUATION EACH
DELAY TIME
Time domain response of a delay effect,
impulse input. Secondary signals are
reproductions of the original signal, diminishing
in amplitude over a fixed time period.
Time domain response of a typical reverb,
impulse input. Early reflections and reverb
"tail" combined with room characteristics
determine the sound of the effect.
MULTI–TAP
DELAY TIME
IN OUT
Time domain response of a multi-tap effect,
impulse input. Secondary signals are
reproductions of the original signal, differing in
amplitude, at nearly the same time.
∑
Block diagram of a generic
regenerative digital delay
circuit.
FEEDBACK
REGENERATION
GT-80D QuadraDrive
tm
12
SPARKLING CLEAN:
FUNKY CLEAN:
WARM TUBE:
BLUESY DIRT:
OUT
OUT
OUT
OUT
OUT
IN
OUT
IN
SOME SUGGESTED SETTINGS:
GT-80D QuadraDrive
tm
13
WARM TUBE CRUNCH:
HOT TUBE LEAD:
SOLID STATE LEAD:
SOLID STATE CRUNCH:
IN
IN
IN
IN
IN
OUT
IN
OUT
GT-80D QuadraDrive
tm
GT-80D QuadraDrive
tm
14
SYSTEM BLOCK DIAGRAM:
LED
MODE
INPUT
12" CRATE
CUSTOM
SPEAKER
EXTERNAL
SPEAKER
LEVEL
POWER
AMP
LINE OUT LINE IN
LED
LED LED
LED
TUBE
CLEAN
GAIN
TUBE
0VERDRIVE
GAIN
S.S.
CLEAN
GAIN
S.S.
OVERDRIVE
GAIN
CHANNEL
TUBE
LED
SOLID
STATE
LOW MID HIGH MASTER
CLEAN TONES
& MASTER
LED
LOW MID HIGH MASTER
OVERDRIVE
TONES & MASTER
DSP
TUBE
DRIVER
MOSFETS
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Output Power Rating 80 watts RMS @ 5% THD 8 ohm load, 120 VAC
Gain 88dB, tones @ “5” @ 1kHz
Tone Control Range
Overdrive Channel
Low 24dB range @ 100Hz
Mid 10dB range @ 1kHz
High 20dB range @ 5kHz
Clean Channel
Low 23dB range @ 100Hz
Mid 14dB range @ 800Hz
High 30dB range @ 10kHz
Signal To Noise Ratio
Overdrive Channel
Solid State 61dB
Tube 57dB
Clean Channel
Solid State 81dB
Tube 72dB
Input Impedance 1M ohm
Maximum Signal Accepted 3V peak to peak
Driver Tube Type 12AX7A (1), 12AU7 (2)
Output Device Type MOSFETs
Line Out Level 0.7V RMS nominal
Internal Speaker
Size 12”
Type Crate Custom-L
Magnet 34 oz
Voice Coil 1.75”
RMS Rating 80 watts
Impedance 8 ohms
Power Requirements 115V 60Hz, 100VA
100/115VAC, 50/60Hz, 100VA
230VAC, 50/60Hz, 100VA
Size and Weight 17”H x 21.25”W x 10.75”D, 40 lbs.
GT-80D QuadraDrive
tm
©1997 SLM ELECTRONICS • A division of St. Louis Music • 1400 Ferguson Avenue • St. Louis, Mo 63133
P/N 47-480-01 • 05/97
TECHNICAL SPECIFICATIONS:
Crate continually develops new products, as well as improves existing ones. For this reason, the specifications and information in this manual are subject to change without notice.
The GT-80D is covered with a durable black Tolex
®
material. To keep the cabinet in top condition, wipe it
clean with a damp lint-free cloth to remove dirt and road film. Never spray cleaning agents directly onto
the cabinet, and stay away from abrasive cleansers which could damage the finish.
/
