Avid Symphony Nitris 1.0 User guide

make manage move | media

™

Avid

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Avid

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Symphony

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Nitris

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Advanced Guide

2

Copyright and Disclaimer

Product specifications are subject to change without notice and do not represent a commitment on the part of Avid Technology,

Inc.

The software described in this document is furnished under a license agreement. You can obtain a copy of that license by

visiting Avid's Web site at www.avid.com. The terms of that license are also available in the product in the same directory as

the software. The software may not be reverse assembled and may be used or copied only in accordance with the terms of the

license agreement. It is against the law to copy the software on any medium except as specifically allowed in the license

agreement.

Avid products or portions thereof are protected by one or more of the following United States Patents: 4,746,994; 4,970,663;

5,045,940; 5,267,351; 5,309,528; 5,355,450; 5,396,594; 5,440,348; 5,452,378; 5,467,288; 5,513,375; 5,528,310; 5,557,423;

5,568,275; 5,577,190; 5,584,006; 5,640,601; 5,644,364; 5,654,737; 5,715,018; 5,724,605; 5,726,717; 5,729,673; 5,745,637;

5,752,029; 5,754,851; 5,799,150; 5,812,216; 5,852,435; 5,584,006; 5,905,841; 5,929,836; 5,930,445; 5,946,445; 5,987,501;

6,016,152; 6,018,337; 6,023,531; 6,058,236; 6,061,758; 6,091,778; 6,105,083; 6,118,444; 6,128,001; 6,134,607; 6,137,919;

6,141,691; 6,198,477; 6,201,531; 6,223,211; 6,249,280; 6,269,195; 6,317,158; 6,317,515; 6,330,369; 6,351,557; 6,353,862;

6,357,047; 6,392,710; 6,404,435; 6,407,775; 6,417,891; 6,426,778; 6,477,271; 6,489,969; 6,512,522; 6,532,043; 6,546,190;

6,552,731; 6,553,142; 6,570,624; 6,571,255; 6,583,824; 6,618,547; 6,636,869; 6,665,450; 6,678,461; 6,687,407; 6,704,445;

6,747,705; 6,763,134; 6,766,063; 6,791,556; 6,810,157; 6,813,622; 6,847,373; 6,871,003; 6,871,161; 6,901,211; 6,907,191;

6,928,187; 6,933,948; 6,961,801; D392,269; D396,853; D398,912. Other patents are pending.

This document is protected under copyright law. An authorized licensee of Avid Symphony Nitirs may reproduce this

publication for the licensee’s own use in learning how to use the software. This document may not be reproduced or

distributed, in whole or in part, for commercial purposes, such as selling copies of this document or providing support or

educational services to others. This document is supplied as a guide for Avid Symphony Nitirs. Reasonable care has been

taken in preparing the information it contains. However, this document may contain omissions, technical inaccuracies, or

typographical errors. Avid Technology, Inc. does not accept responsibility of any kind for customers’ losses due to the use of

this document. Product specifications are subject to change without notice.

The following disclaimer is required by Sam Leffler and Silicon Graphics, Inc. for the use of their TIFF library:

Permission to use, copy, modify, distribute, and sell this software [i.e., the TIFF library] and its documentation for any purpose

is hereby granted without fee, provided that (i) the above copyright notices and this permission notice appear in all copies of

the software and related documentation, and (ii) the names of Sam Leffler and Silicon Graphics may not be used in any

advertising or publicity relating to the software without the specific, prior written permission of Sam Leffler and Silicon

Graphics.

THE SOFTWARE IS PROVIDED “AS-IS” AND WITHOUT WARRANTY OF ANY KIND, EXPRESS, IMPLIED OR

OTHERWISE, INCLUDING WITHOUT LIMITATION, ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A

PARTICULAR PURPOSE.

IN NO EVENT SHALL SAM LEFFLER OR SILICON GRAPHICS BE LIABLE FOR ANY SPECIAL, INCIDENTAL, INDIRECT

OR CONSEQUENTIAL DAMAGES OF ANY KIND, OR ANY DAMAGES WHATSOEVER RESULTING FROM LOSS OF USE,

DATA OR PROFITS, WHETHER OR NOT ADVISED OF THE POSSIBILITY OF DAMAGE, AND ON ANY THEORY OF

LIABILITY, ARISING OUT OF OR IN CONNECTION WITH THE USE OR PERFORMANCE OF THIS SOFTWARE.

The following disclaimer is required by the Independent JPEG Group:

Portions of this software are based on work of the Independent JPEG Group.

The following disclaimer is required by Paradigm Matrix:

Portions of this software licensed from Paradigm Matrix.

The following disclaimer is required by Ray Sauers Associates, Inc.:

“Install-It” is licensed from Ray Sauers Associates, Inc. End-User is prohibited from taking any action to derive a source code

equivalent of “Install-It,” including by reverse assembly or reverse compilation, Ray Sauers Associates, Inc. shall in no event be

liable for any damages resulting from reseller’s failure to perform reseller’s obligation; or any damages arising from use or

operation of reseller’s products or the software; or any other damages, including but not limited to, incidental, direct, indirect,

special or consequential Damages including lost profits, or damages resulting from loss of use or inability to use reseller’s

products or the software for any reason including copyright or patent infringement, or lost data, even if Ray Sauers Associates

has been advised, knew or should have known of the possibility of such damages.

3

The following disclaimer is required by Videomedia, Inc.:

“Videomedia, Inc. makes no warranties whatsoever, either express or implied, regarding this product, including warranties with

respect to its merchantability or its fitness for any particular purpose.”

“This software contains V-LAN ver. 3.0 Command Protocols which communicate with V-LAN ver. 3.0 products developed by

Videomedia, Inc. and V-LAN ver. 3.0 compatible products developed by third parties under license from Videomedia, Inc. Use

of this software will allow “frame accurate” editing control of applicable videotape recorder decks, videodisc recorders/players

and the like.”

The following disclaimer is required by Altura Software, Inc. for the use of its Mac2Win software and Sample

Source Code:

The following disclaimer is required by Ultimatte Corporation:

Certain real-time compositing capabilities are provided under a license of such technology from Ultimatte Corporation and are

subject to copyright protection.

The following disclaimer is required by 3Prong.com Inc.:

Certain waveform and vector monitoring capabilities are provided under a license from 3Prong.com Inc.

Attn. Government User(s). Restricted Rights Legend

U.S. GOVERNMENT RESTRICTED RIGHTS. This Software and its documentation are “commercial computer software” or

“commercial computer software documentation.” In the event that such Software or documentation is acquired by or on behalf

of a unit or agency of the U.S. Government, all rights with respect to this Software and documentation are subject to the terms

of the License Agreement, pursuant to FAR §12.212(a) and/or DFARS §227.7202-1(a), as applicable.

Trademarks

888 I/O, Adrenaline, AirPlay, AirSPACE, AirSPACE HD, AirSpeed, AniMatte, AudioSuite, AudioVision, AutoSync, Avid,

Avid DNA, Avid DNxcel, Avid DNxHD, AVIDdrive, AVIDdrive Towers, Avid Learning Excellerator, Avid Mojo, AvidNet,

AvidNetwork, AVIDstripe, Avid Unity, Avid Xpress, AVoption, AVX, CamCutter, ChromaCurve, ChromaWheel, DAE, D-Fi, D-fx,

DigiDelivery, Digidesign, Digidesign Audio Engine, Digidesign Intelligent Noise Reduction, DigiDrive,

Digital Nonlinear Accelerator, DigiTranslator, DINR, DNxchange, D-Verb, Equinox, ExpertRender, FieldPak, Film Composer,

FilmScribe, FluidMotion, HIIP, HyperSPACE, HyperSPACE HDCAM, IllusionFX, Image Independence, iNEWS,

iNEWS ControlAir, Instinct, Intraframe, iS9, iS18, iS23, iS36, LaunchPad, Lo-Fi, Magic Mask, make manage move | media,

Marquee, Matador, Maxim, MCXpress, Media Browse, Media Composer, MediaDock, MediaDock Shuttle, Media Fusion,

Media Illusion, MediaLog, Media Reader, Media Recorder, MEDIArray, MediaShare, Meridien, MetaSync, MissionControl,

NaturalMatch, Nearchive, NetReview, NewsCutter, Nitris, OMF, OMF Interchange, OMM, Open Media Framework,

Open Media Management, ProEncode, Pro Tools, QuietDrive, Recti-Fi, RetroLoop, rS9, rS18, Sci-Fi, Softimage,

Sound Designer II, SPACE, SPACEShift, SpectraGraph, SpectraMatte, Symphony, Trilligent, UnityRAID, Vari-Fi,

Video Slave Driver, VideoSPACE, and Xdeck are either registered trademarks or trademarks of Avid Technology, Inc. in the

United States and/or other countries.

iNEWS, iNEWS ControlAir, and Media Browse are trademarks of iNews, LLC.

Adobe and Photoshop are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States

and/or other countries. Windows is either a registered trademark or trademark of Microsoft Corporation in the United States

and/or other countries. All other trademarks contained herein are the property of their respective owners.

Footage

Arri — Courtesy of Arri/Fauer — John Fauer, Inc.

Bell South “Anticipation” — Courtesy of Two Headed Monster — Tucker/Wayne Atlanta/GMS.

Canyonlands — Courtesy of the National Park Service/Department of the Interior.

Eco Challenge Morocco — Courtesy of Discovery Communications, Inc.

It’s Shuttletime — Courtesy of BCP & Canadian Airlines.

Nestlé Coffee Crisp — Courtesy of MacLaren McCann Canada.

Saturn “Calvin Egg” — Courtesy of Cossette Communications.

“Tigers: Tracking a Legend” — Courtesy of www.wildlifeworlds.com, Carol Amore, Executive Producer.

'The Big Swell” — Courtesy of Swell Pictures, Inc.

Windhorse — Courtesy of Paul Wagner Productions.

4

GOT FOOTAGE?

Editors — Filmmakers — Special Effects Artists — Game Developers — Animators — Educators — Broadcasters — Content

creators of every genre — Just finished an incredible project and want to share it with the world?

Send us your reels and we may use your footage in our show reel or demo!*

For a copy of our release and Avid’s mailing address, go to www.avid.com/footage.

*Note: Avid cannot guarantee the use of materials submitted.

Avid Symphony Nitris Advanced Guide • Part 0130-07155-01 • December 2005

5

Contents

Using This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Symbols and Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

If You Need Help. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Related Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Accessing the Online Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

How to Order Documentation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Avid Educational Services. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Chapter 1 Working with the Project Window: Advanced. . . . . . . . . . . . . . . . . . . . . 41

Using User Profiles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Creating a User Profile. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Importing a User Profile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Changing User Profiles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Exporting a User Profile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Updating User Profiles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Managing Folders and Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Creating a Folder in a Project. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Managing Bins and Memory. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Freeing Up Memory. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Saving Bins Automatically . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Using the Info Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Viewing Memory. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Accessing the Hardware Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Displaying Usage Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Statistics File Structure and Layout . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Importing the Statistics File into a Spreadsheet. . . . . . . . . . . . . . . . . . . . . . . . . 53

Displaying Disk Space Statistics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Customizing the Appearance of the Avid User Interface . . . . . . . . . . . . . . . . . . . . . 55

Changing Interface Component Colors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Changing Shading Style. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

6

Changing Shading Depth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Changing Button Separation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Changing Button Style. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Using Interface Appearance Templates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Changing Font and Point Size. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Customizing Your Workspace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

Creating a New Workspace Setting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Linking User Settings and Workspaces. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

Switching Between Workspaces . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

Deleting a Workspace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

Assigning a Workspace Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

Sharing Bins and Projects in an Avid Unity Environment. . . . . . . . . . . . . . . . . . . . . 67

Understanding Avid Unity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67

Managing Workspaces on an Avid Unity. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67

Sharing Methods . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Shared Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Shared Bins and Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Opening a Shared Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Working with Locks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

Default Locking Mechanism . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

Overriding the Default Locking Mechanism . . . . . . . . . . . . . . . . . . . . . . . . 71

Restrictions and Limitations for Locked Bins . . . . . . . . . . . . . . . . . . . . . . . 71

Suggestions for Improving Performance When Working with Shared Bins. . . . 72

Shared Bin and Project Limitations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Drive Filtering in Networked Workflows. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

Chapter 2 Using Tools. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Using the Deck Controller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Using the Command Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Understanding Button Mapping. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

Mapping User-Selectable Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Using the Blank Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Mapping Modifier Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Mapping Menu Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

7

Activating Commands from the Command Palette . . . . . . . . . . . . . . . . . . . . . . 84

Using the Avid Calculator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Using the Console Window. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Displaying System Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Reviewing a Log of Errors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Getting Information with the Console . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Using the Console Window to Access Network Drives . . . . . . . . . . . . . . . . . . . 86

Using the Hardware Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Configuring a Controller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Chapter 3 Logging: Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Preparing Log Files for Import. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Converting Log Files with Avid Log Exchange. . . . . . . . . . . . . . . . . . . . . . . . . . 90

Using Drag-and-Drop Conversion for Log Files . . . . . . . . . . . . . . . . . . . . . . . . 94

Compatible Log Formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Understanding Avid Log Specifications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Avid Log Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Global Headings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

Column Headings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

Data Entries. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

Sample Avid Log . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Applications for Creating Avid Logs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Required Information for Logging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Creating an Avid Log. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Transferring Bins from MediaLog . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Transferring Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Associating the Bin with Your Project. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Double-Checking the Log Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Logging Directly into a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Tips for Logging Preroll, Logging Timecode, and Naming Tapes . . . . . . . . . . 107

Logging with an Avid-Controlled Deck . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Pausing the Deck While Logging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

Using a Memory Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114

Logging with Non-Avid-Controlled Decks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114

8

Setting the Pulldown Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117

Logging Film Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Displaying Film Columns. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Entering Pulldown Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Determining the Pulldown Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Modifying the Pulldown Phase Before Capturing . . . . . . . . . . . . . . . . . . . 124

Entering Frames-per-Second Rates for PAL Transfers. . . . . . . . . . . . . . . . . . 126

Entering Key Numbers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126

Entering Additional Timecodes (Option) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126

Entering the Ink Number (Option) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

Entering Additional Film Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

Modifying Clip Information Before Capturing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128

Exporting Shot Log Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128

Chapter 4 Capturing Media: Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Capture Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Disabling Editor Resolutions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132

Selecting the Preroll Method . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134

Capturing Across Timecode Breaks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135

Capturing to Multiple Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136

General Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138

Settings for Film and 24p Projects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139

Understanding Drop-Frame Timecode and Non-Drop-Frame Timecode. . . . . . . . 141

Preparing for Audio Input: Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142

Creating Tone Media. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142

Analog Input Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143

Microphone Input Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143

Using the Passthrough Mix Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144

Resizing the Passthrough Mix Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145

Monitoring Audio with the Passthrough Mix Tool . . . . . . . . . . . . . . . . . . . 145

Changing an Audio Level in the Passthrough Mix Tool . . . . . . . . . . . . . . 146

Adjusting Pan Values in the Passthrough Mix Tool . . . . . . . . . . . . . . . . . 146

Changing the Audio Hardware Calibration Setting . . . . . . . . . . . . . . . . . . . . . 146

Calibrating Audio Input Channels. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147

9

Calibrating Audio Output Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148

Using the Console Window to Check Audio Levels . . . . . . . . . . . . . . . . . . . . . 149

Preparing for Video Input: Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

Limitation When Using Consumer Decks or Decks Without Time-Base

Correctors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

Saving Video Input Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151

Saving a Custom Default Setting for the Video Input Tool. . . . . . . . . . . . . . . . 152

Adjusting Video Levels for Tapes Without Color Bars . . . . . . . . . . . . . . . . . . . 152

Function Keys Available When Capturing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

Special Capture Procedures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

Logging Errors to the Console Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

Creating Subclips While Capturing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154

Adding Locators On-the-Fly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156

Adding Clip Names and Comments On-the-Fly . . . . . . . . . . . . . . . . . . . . . . . . 157

Controlling Decks from the Keyboard. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157

Mapping the Record Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158

Live Capture with External Timecode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158

Capturing to the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160

Patching When Capturing to the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

Capturing Video Without Pulldown into a 24p NTSC Project . . . . . . . . . . . . . . . . . 162

Remote Play and Capture. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163

Selecting Remote Play and Capture Settings . . . . . . . . . . . . . . . . . . . . . . . . . 164

Enabling Remote Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164

Enabling Remote Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166

Avid Serial Driver and Remote Play and Capture . . . . . . . . . . . . . . . . . . . . . . 167

Changing Function Key Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168

Relinking Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169

Relinking Clips by Key Number . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169

Relinking a Sequence to the Original Clip . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

Modifying the Pulldown Phase After Capturing. . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

Chapter 5 Importing Files: Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175

Importing Photoshop Graphics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175

Importing Single-Layer Photoshop Graphics . . . . . . . . . . . . . . . . . . . . . . . . . . 175

10

Importing Multilayered Photoshop Graphics . . . . . . . . . . . . . . . . . . . . . . . . . . 176

Understanding Multilayered Graphics Import . . . . . . . . . . . . . . . . . . . . . . 176

Importing Multilayered Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180

Importing Editcam Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182

Chapter 6 Working with Bins: Advanced. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185

Advanced Bin Procedures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185

Using Audio Timecode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186

Film Scene Workflow. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187

Setting the Bin Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187

Displaying Custom Bin Views . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189

Customizing Bin Views in Text View . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189

Saving a Custom Bin View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190

Lassoing Objects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191

Assigning Colors to Bin Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191

Adding a Color Column to a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191

Assigning a Source Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191

Assigning a Custom Source Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192

Limiting Color Choices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192

Sifting Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192

Sifting Timecodes or Keycode Ranges . . . . . . . . . . . . . . . . . . . . . . . . . . 194

Sifting Within a Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196

Locking and Unlocking Items in a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197

Selecting Offline Items in a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198

Selecting Media Relatives for an Object . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198

Selecting Sources Used by an Object. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199

Selecting Unreferenced Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199

Using Text View: Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200

Arranging Bin Columns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200

Moving and Rearranging Columns. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200

Aligning Bin Columns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200

Deleting a Column . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200

Duplicating a Column . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201

Adding Customized Columns to a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . 201

11

Changing a Custom Column Heading. . . . . . . . . . . . . . . . . . . . . . . . . . . . 202

Managing Clip Information in Text View. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203

Moving Within Column Cells . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203

Modifying Clip Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203

Modifying Data Directly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204

Using the Modify Command to Modify Data . . . . . . . . . . . . . . . . . . . . . . . 206

Copying Information Between Columns . . . . . . . . . . . . . . . . . . . . . . . . . . 208

Copying Information from Another Cell in a Custom Column . . . . . . . . . . 208

Selecting a Film Gauge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209

Tracking 3-Perf Counts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209

Selecting an Edgecode Type. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209

Sorting Clips in Text View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210

Sorting Clips in Ascending Order . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210

Sorting Clips in Descending Order . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211

Performing Multilevel Sorting with Columns . . . . . . . . . . . . . . . . . . . . . . . 211

Sorting Clips by Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211

Displaying Timecodes in a 24p or 25p Project. . . . . . . . . . . . . . . . . . . . . . . . . 212

Frame Counting for Timecodes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212

Adding Timecode Columns to a Bin or the Media Tool . . . . . . . . . . . . . . . 213

Adding Timecode Values to the Timecode Columns. . . . . . . . . . . . . . . . . 213

Bin Column Headings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213

Printing Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218

Preparing Digital Bars and Tone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219

Importing Color Bars and Other Test Patterns . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220

Creating Leader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222

Creating Video Leader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222

Creating Audio Leader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222

Chapter 7 Managing Media Files: Advanced. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225

Working with Media Files in an Avid Unity Environment . . . . . . . . . . . . . . . . . . . . . 225

Configuring Avid Editing Systems to Work with MediaManager and

TransferManager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226

Support for an Avid Unity LANshare Workgroup . . . . . . . . . . . . . . . . . . . . . . . 227

Mounting and Unmounting Drives. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227

12

Unmounting Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228

Mounting All Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228

Using Videotapes for Archiving and Restoring Media Files . . . . . . . . . . . . . . . . . . 229

Archiving Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230

Archive to Videotape Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232

Restoring an Archive from Videotape . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233

Finding a Related Media File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234

Relinking Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235

Relinking Clips to a New Project Format. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237

Relinking by Resolution. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239

Relinking to Selected Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240

Relinking Consolidated Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241

Relinking Moved Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241

Unlinking Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242

Chapter 8 Using Script Integration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243

Lined Script Basics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244

Explanation of Symbols. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245

Lining in the Digital Realm. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246

Script Integration Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247

Using Script Integration in Video Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247

Script Window Basics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 248

Script Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249

Importing a Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249

Opening, Closing, and Saving the Script Window. . . . . . . . . . . . . . . . . . . . . . 250

Displaying Clip and Sequence Information in a Script Window. . . . . . . . . . . . 251

Exploring the Script Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251

Adjusting the Script Margins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251

Manipulating Script Text. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252

Changing the Font of the Script. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252

Selecting Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253

Cutting, Copying, and Pasting Script. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255

Removing Script Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256

Searching Through Script. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256

13

Using Page and Scene Numbers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256

Adding a Page or Scene Number . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256

Changing a Page or Scene Number . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257

Deleting a Page or Scene Number . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 258

Searching for a Page or Scene Number . . . . . . . . . . . . . . . . . . . . . . . . . . 258

Conducting a Text Search . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 258

Linking Clips to the Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259

Interpolating Position for Script Integration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260

Manipulating Slates. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 261

Selecting Slates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 261

Resizing Slates. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 261

Holding Slates On Screen in the Script Window . . . . . . . . . . . . . . . . . . . . . . . 262

Hiding Slate Frames. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 262

Showing One Take Per Slate. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263

Moving a Slate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264

Deleting a Slate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264

Manipulating Takes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265

Selecting Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265

Adding Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265

Deleting Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265

Displaying Take Numbers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 266

Changing the Representative Frame for a Take . . . . . . . . . . . . . . . . . . . . . . . 266

Loading Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267

Playing Takes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267

Adjusting Take Lines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267

Indicating Off-Screen Dialog . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 268

Using Color Indicators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 268

Using Script Marks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269

Placing Script Marks Manually . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269

Automating Screening and Marking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271

Loading and Playing Marked Segments. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 272

Moving a Script Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 272

Deleting a Script Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273

14

Finding Clips and Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273

Finding Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273

Finding Clips and Bins from the Script Window. . . . . . . . . . . . . . . . . . . . . . . . 274

Editing with the Script Window. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274

Assembling a Rough Cut. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275

Splicing a Script Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275

Revising the Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 276

Interactive Screenings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 276

Chapter 9 Viewing and Marking Footage: Advanced . . . . . . . . . . . . . . . . . . . . . . . 279

Customizing the Composer Window: Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . 279

Displaying the Info Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279

Copying Text from the Info Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 281

Displaying Timecode in the Timecode Window. . . . . . . . . . . . . . . . . . . . . . . . 281

Using the Tool Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283

Playing Selected Clips in a Loop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284

Using Locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284

Ways to Use Locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284

Adding Locators While Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286

Opening the Locator Edit Entry Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287

Editing Locator Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287

Changing the Color of the Locator Icon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 288

Copying Locators from Source Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 288

Marking an Area Using Locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 288

Moving to the Previous or Next Locator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289

Deleting Locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289

Using the Locators Window. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289

Viewing and Navigating in the Locators Window . . . . . . . . . . . . . . . . . . . 290

Displaying the Timecode, Footage, or Frame Number in the Locator

Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290

Displaying MetaSync Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291

Sorting Information in the Locators Window. . . . . . . . . . . . . . . . . . . . . . . 291

Enlarging and Reducing Columns in the Locators Window . . . . . . . . . . . 291

Displaying Frames in the Locators Window . . . . . . . . . . . . . . . . . . . . . . . 292

15

Exporting Locators from the Locators Window . . . . . . . . . . . . . . . . . . . . . 292

Importing Locators from the Locators Window . . . . . . . . . . . . . . . . . . . . . 292

Creating a Locator Text (.txt) file . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293

Copying and Pasting Locators Using the Locators Window . . . . . . . . . . . 293

Changing the Color of the Locator Icon from the Locators Window . . . . . 295

Accessing a Locator in a Clip or Sequence. . . . . . . . . . . . . . . . . . . . . . . . 295

Printing the Contents of the Locators Window . . . . . . . . . . . . . . . . . . . . . 295

Deleting Locators Using the Locators Window . . . . . . . . . . . . . . . . . . . . . 297

Chapter 10 Editing in Source/Record Mode: Advanced . . . . . . . . . . . . . . . . . . . . . 299

User Preferences for Creating Tracks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300

Using Phantom Marks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300

Setting One Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301

Adding a Second Mark. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301

Adding Comments to Sequence Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301

Playback Performance Tips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302

Playing a Limited Duration of a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302

Setting a Limited Play Length . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 303

Playing a Sequence Using a Limited Play Length. . . . . . . . . . . . . . . . . . . 303

Autosyncing Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 304

Using the AutoSequence Command. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305

Resyncing Subframe Audio. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307

Managing Sync with Multiple Tracks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 308

Using Sync Lock. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309

Syncing with Tail Leader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310

Syncing with Locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311

Adjusting the Sync Break . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312

Using Add Edit When Trimming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312

Ganging Footage in Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313

Using Sync Point Editing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313

Chapter 11 Using the Timeline: Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315

Timeline Views: Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315

Displaying the Timeline Top Toolbar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 316

Displaying Timecode Tracks in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . 316

16

Assigning Local Colors to Clips in the Timeline. . . . . . . . . . . . . . . . . . . . . . . . 317

Displaying Local and Source Colors in the Timeline . . . . . . . . . . . . . . . . . . . . 318

Displaying Source Colors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318

Displaying Local Colors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318

Changing the Timeline Background Color. . . . . . . . . . . . . . . . . . . . . . . . . . . . 318

Changing the Timeline Track Color. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319

Showing Locators in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319

Timeline Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319

Navigating in the Timeline: Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 320

Using the Full-Screen Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 320

Displaying Source Material in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . 321

IN to OUT Highlighting in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 322

Using Advanced Timeline Techniques. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 322

Bin Editing into the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323

Bin Editing Directly into a Sequence Using the Keyboard. . . . . . . . . . . . . . . . 323

Editing with the Film Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 324

Editing in Heads or Heads Tails View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325

Performing a Quick Edit Using the Top and Tail Commands . . . . . . . . . . . . . 326

Adding an Edit (Match Framing). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326

Adding Edits to Filler Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327

Removing Match-Frame Edits. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328

Additional Offline Aids . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328

Detecting Duplicate Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328

Adjusting Handle Length in Dupe Detection. . . . . . . . . . . . . . . . . . . . . . . 330

Tracking Color Frame Shifts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331

Finding Black Holes and Flash Frames. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333

Finding Black Holes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333

Finding Flash Frames. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333

Printing the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 334

Chapter 12 Working in Trim Mode: Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335

Slipping or Sliding Segments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335

Selecting Segments for Slip or Slide Trimming . . . . . . . . . . . . . . . . . . . . . . . . 335

The Four-Frame Slip/Slide Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337

17

Performing the Slip or Slide Trim . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338

Slipping Shots in Source/Record Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339

Using the Transition Corner Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340

Chapter 13 Working with Audio: Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343

Audio Gain Staging and an Audio Editing Workflow . . . . . . . . . . . . . . . . . . . . . . . . 344

Rendering and Unrendering Order for Audio Effects . . . . . . . . . . . . . . . . . . . . 345

Viewing Clip Gain and Automation Gain Values . . . . . . . . . . . . . . . . . . . . . . . 346

Bypassing Existing Volume Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 346

Adjusting Volume While Playing a Clip Gain Effect . . . . . . . . . . . . . . . . . . . . . 346

Limitations on Adjusting Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 347

Improving Response Time. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 348

Using External Fader Controllers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 348

Adjusting the Volume of Individual Keyframes. . . . . . . . . . . . . . . . . . . . . . . . . 350

Adjusting the Pan of Individual Keyframes. . . . . . . . . . . . . . . . . . . . . . . . . . . . 351

Using an External Fader Controller or Mixer to Record Automation Gain . . . . 351

Using the Command|8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353

Using the Command|8 with Your Avid Editing System. . . . . . . . . . . . . . . . . . . 353

Configuring the Command|8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 354

Mapping Buttons and Menu Commands . . . . . . . . . . . . . . . . . . . . . . . . . . 355

Button Layouts on the Command|8. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 357

Using Buttons to Change Focus in the Avid Editing Application

Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 359

Using a Foot Pedal as a Foot Switch . . . . . . . . . . . . . . . . . . . . . . . . . . . . 359

Using a Command|8 to Record Automation Pan . . . . . . . . . . . . . . . . . . . . . . . 359

Using the Latch Mode Feature on the Command|8. . . . . . . . . . . . . . . . . . 360

Configuring the USB-to-MIDI Software for Third-Party Controllers. . . . . . . . . . . . . 361

Installing USB-to-MIDI Software. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 361

Testing the Fader Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 362

Switching Between MIDI Connections on the USB-to-MIDI Converter . . . . . . 363

Troubleshooting the MIDI Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 364

Using the FaderMaster Pro and MCS-3000X . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 364

MCS-3000X Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365

Using the Snap Mode Feature on the MCS-3000X . . . . . . . . . . . . . . . . . . . . . 366

18

Ganging Faders on the FaderMaster Pro . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367

Using the Yamaha 01V/96 or the Yamaha 01V . . . . . . . . . . . . . . . . . . . . . . . . . . . 367

Setting Up the Yamaha 01V/96 or Yamaha 01V. . . . . . . . . . . . . . . . . . . . . . . 367

Initializing the Yamaha 01V/96 or Yamaha 01V . . . . . . . . . . . . . . . . . . . . 368

Configuring the Mixer to Recognize MIDI Control Messages for the

Yamaha 01V and Yamaha 01V/96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368

Configuring the Mixer to Recognize Serial Control Messages for the

Yamaha 01V . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 369

Configuring the Mixer to Recognize USB Control Messages for the

Yamaha 01V/96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 369

Starting the Avid System with the Yamaha 01V/96 or the Yamaha 01V

Attached. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 370

Operational Notes for the Yamaha 01V/96 and Yamaha 01V . . . . . . . . . 371

Soloing Avid System Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 372

Using the Audio EQ Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 372

Audio EQ Tool Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 373

Basic EQ Tool Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 373

EQ-Specific Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 374

Applying Audio EQ Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 376

Saving Audio EQ Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 378

Removing Audio EQ Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 379

Audio EQ Examples . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 379

Low Shelf Example. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 380

Small Octave Range Example . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 381

Using Audio EQ Templates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382

Applying an EQ Template. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382

Creating Your Own Templates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 383

Adding an EQ Template to the Audio EQ Tool Fast Menu. . . . . . . . . . . . 384

Adjusting EQ While Playing an Audio Effect . . . . . . . . . . . . . . . . . . . . . . . . . . 384

Understanding Recording Voice-Over Narration . . . . . . . . . . . . . . . . . . . . . . . . . . 385

Creating Voice-Overs Using the Audio Punch-In Tool . . . . . . . . . . . . . . . . . . 388

Connecting the Hardware. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 388

Creating the Voice-Over . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 388

Scenarios for Using the Audio Punch-In Tool. . . . . . . . . . . . . . . . . . . . . . 391

19

Monitoring Previously Recorded Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . 391

Using Peak Hold While Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 392

Using the MCS3 with the Audio Punch-In Tool . . . . . . . . . . . . . . . . . . . . . 392

Voice-Over Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 393

Using a GPI Device with the Audio Punch-In Tool . . . . . . . . . . . . . . . . . . . . . . . . . 393

Understanding GPI Trigger Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 394

GPI Signal Sequence When Using the Audio Punch-In Tool Without

Preroll or Postroll . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 394

GPI Signal Sequence When Using the Audio Punch-In Tool with Preroll

and Postroll . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 394

Example of Linking GPI Actions to Trigger Signals. . . . . . . . . . . . . . . . . . 395

Connecting a V-LAN VLXi Controller and GPI . . . . . . . . . . . . . . . . . . . . . . . . . 395

Configuring a V-LAN VLXi Controller and GPI. . . . . . . . . . . . . . . . . . . . . . . . . 396

Creating a GPI Setting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 397

Editing a GPI Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 398

Deleting a GPI Setting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 399

Displaying Audio Formats in Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 399

Chapter 14 Using AudioSuite Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 401

Understanding Digidesign AudioSuite Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . 401

Installing AudioSuite Plug-Ins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 401

Using Digidesign AudioSuite Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 402

Applying an AudioSuite Plug-in to a Clip in the Timeline . . . . . . . . . . . . . . . . . 403

Using a Plug-In Dialog Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 405

AudioSuite Fast Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 406

Rendering Plug-in Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 406

Creating New Master Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 406

AudioSuite Controls for Creating New Master Clips . . . . . . . . . . . . . . . . . 407

Mono, Stereo, and Multichannel Processing. . . . . . . . . . . . . . . . . . . . . . . 408

Using AudioSuite Plug-ins to Create New Master Clips . . . . . . . . . . . . . . 409

Using AudioSuite Effect Templates. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 410

Plug-in Limitations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 412

Troubleshooting AudioSuite Plug-Ins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 412

Canceling a Render Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 412

Addressing Error Messages When Rendering a Plug-in Effect. . . . . . . . . 412

20

Core AudioSuite Plug-Ins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 413

Description of Core AudioSuite Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 414

D-fx Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 414

Using D-fx Chorus Effectively. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 414

D-fx Chorus Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 415

D-Verb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 416

Using D-Verb Effectively. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 416

D-Verb Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 417

D-fx Multi-Tap Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 418

Using D-fx Multi-Tap Delay Effectively . . . . . . . . . . . . . . . . . . . . . . . . . . . 418

D-fx Multi-Tap Delay Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 418

D-fx Ping-Pong Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 419

D-fx Ping-Pong Delay Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 419

Compressor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 419

Using Compression Effectively. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 420

Compressor Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 420

Limiter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 421

Limiter Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 422

Expander-Gate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 423

Expander-Gate Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 423

Gate. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 424

Gate Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 424

DeEsser. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 425

Using DeEsser Effectively . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 425

DeEsser Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 426

EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 426

EQ II Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 427

Invert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 428

Duplicate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 428

Mod Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 428

Mod Delay Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 429

Normalize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 429

Gain. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 430

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Avid Symphony Nitris 1.0 User guide

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