Model
Serial No.
Purchase Date
SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS: Yamaha electronic prod-
ucts may have either labels similar to the graphics shown
below or molded / stamped facsimiles of these graphics on
the enclosure. The explanation of these graphics appears on
this page.
Please observe all cautions indicated on this page and those
indicated in the safety instruction section.
ENVIRONMENTAL ISSUES: Yamaha strives to produce
products that are both user safe and environmentally
friendly.
We sincerely believe that our products and the production
methods used to produce them, meet these goals. In
keeping with both the letter and the spirit of the law, we want
you to be aware of the following:
BATTERY NOTICE : This product MAY contain a small
nonrechargeable battery which (if applicable) is soldered in
place. The average life span of this type of battery is
approximately five years. When replacement becomes
necessary, contact a qualified service representative to
perform the replacement.
WARNING: Do not attempt to recharge, disassemble, or
incinerate this type of battery. Keep all batteries away from
children. Dispose of used batteries promptly and as
regulated by applicable laws. Note: In some areas, the
servicer is required by law to return the defective parts.
However, you do have the option of having the servicer
dispose of these parts for you.
DISPOSAL NOTICE: Should this product become
damaged beyond repair, or for some reason its useful life is
considered to be at an end, please observe all local, state,
and federal regulations that relate to the disposal of
products that contain lead, batteries, plastics, etc.
NOTICE: Service charges incurred due to lack of knowledge
relating to how a function or effect works (when the unit is
operating as designed) are not covered by the
manufacture's warranty, and are therefore the owner's
responsibility.
Please study this manual carefully and consult your dealer
before requesting service.
NAME PLATE LOCATION: The graphic below indicates the
location of the name plate. The model number, serial
number, power requirements, etc., are located on this plate.
You should record the model number, serial number, and
the date of purchase in the spaces provided below and
retain this manual as a permanent record of your purchase.
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
CAUTION
RISK OF ELECTRIC SHOCK.
DO NOT OPEN
See the name plate for graphic symbol markings.
92-469-➀
IMPORTANT NOTICE: All Yamaha electronic products are
tested and approved by an independent safety testing
laboratory in order that you may be sure that when it is
properly installed and used in its normal and customary
manner, all foreseeable risks have been eliminated. DO NOT
modify this unit or commission others to do so unless
specifically authorized by Yamaha.
Product performance and/or safety standards may be
diminished. Claims filed under the expressed warranty may
be denied if the unit is/has been modified. Implied warranties
may also be affected.
SPECIFICATIONS SUBJECT TO CHANGE: The information
contained in this manual is believed to be correct at the time
of printing. However, Yamaha reserves the right to change or
modify any of the specifications without notice or obligation
to update existing units.
The exclamation point within the
equilateral triangle is intended to alert
the user to the present of important
operating and maintenance
(servicing) instructions in the
literature accompanying the product.
The lightning flash with arrowhead
symbol within the equilateral triangle
is intended to alert the user to the
presence of uninsulated "dangerous
voltage" within the product's
enclosure that may be of sufficient
magnitude to constitute a risk of
electrical shock.
FCC INFORMATION (U.S.A)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not
expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables.
Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class "B" digital
devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential
environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if
not installed and used according to the instructions found in the user's manual, may cause interference harmful to the operation of other
electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product
is found to be the source of interference, which can be determined by turning the unit "OFF" and "ON", please try to eliminate the problem
by using one of the following measures :
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna.
If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the your local retailer authorized to distribute this type of
product.
If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA 90620.
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the plug and Cord
IMPORTANT: THE WIRES IN MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may not
correspond with the coloured markings identifying the terminals in your
plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal
which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal
which is marked with the letter L or coloured RED.
Making sure that neither core is connected to the earth terminal of the
three pin plug.
Litiumbatteri!
Bör endast bytas av servicepersonal.
Explosionsfara vid felaktig hantering.
VAROITUS!
Lithiumparisto, Räjähdysvaara.
Pariston saa vaihtaa ainoastaan alan ammattimies.
ADVARSEL!
Lithiumbatteri!
Eksplosionsfare. Udskiftning må kun foretages af en
sagkyndig, - og som beskrevet i servicemanualen.
CANADA
THIS DIGITAL APPARATUS DOES NOT EXCEED THE "CLASS B" LIM-
ITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARATUS SET
OUT IN THE RADIO INTERFERENCE REGULATION OF THE CANADIAN
DEPARTMENT OF COMMUNICATIONS.
LE PRESENT APPAREIL NUMERIQUE N'EMET PAS DE BRUITS
RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES AUX
APPAREILS NUMERIQUES DE LA "CLASSE B" PRESCRITES DANS LE
REGLEMENT SUR LE BROUILLAGE RADIOELECTRIQUE EDICTE PAR
LE MINISTERE DES COMMUNICATIONS DU CANADA.
CAUTION:
TO PREVENT ELECTRIC SHOCK, MATCH WIDE
BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.
ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES,
INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA
BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU'AU
FOND.
•
This applies only to products distributed by Yamaha Canada Music LTD.
•
Ceci ne s'applique qu'aux produits distribués par Yamaha Canada Music LTD.
NEDERLAND / THE NETHERLANDS
• Dit apparaat bevat een lithium batterij voor
geheugen back-up.
• This apparatus contains a lithium battery for memory
back-up.
• Raadpleeg uw leverancier over de verwijdering van
de batterij op het moment dat u het apparaat ann
het einde van de levensduur afdankt of de volgende
Yamaha Service Afdeiing:
Yamaha Music Nederland Service Afdeiing
Kanaalweg 18-G, 3526 KL UTRECHT
Tel. 030-2828425
• For the removal of the battery at the moment of the
disposal at the end of the service life please consult
your retailer or Yamaha Service Center as follows:
Yamaha Music Nederland Service Center
Address : Kanaalweg 18-G, 3526 KL UTRECHT
Tel : 030-2828425
• Gooi de batterij niet weg, maar lever hem in als
KCA.
• Do not throw away the battery. Instead, hand it in as
small chemical waste.
PLEASE KEEP THIS MANUAL
IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD
POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING- When using any electrical or electronic product,
basic precautions should always be followed. These
precautions include, but are not limited to, the following:
1. Read all Safety Instructions, Installation Instructions,
Special Message Section items, and any Assembly
Instructions found in this manual BEFORE making any
connections, including connections to the main supply.
2. Main Power Supply Verification: Yamaha products are
manufactured specifically for the supply voltage in the area
where they are to be sold. If you should move, or if any doubt
exists about the supply voltage in your area, please contact
your dealer for supply voltage verification and (if applicable)
instructions. The required supply voltage is printed on the
name plate. For name plate location, please refer to the
graphic found in the Special Message Section of this manual.
3. This product may be equipped with a polarized plug (one
blade wider than the other ). If you are unable to insert the plug
into the outlet, turn the plug over and try again. If the problem
persists, contact an electrician to have the obsolete outlet
replaced. DO NOT defeat the safety purpose of the plug.
4. Some electronic products utilize external power supplies
or adapters. DO NOT connect this type of product to any
power supply or adapter other than one described in the
owners manual, on the name plate, or specifically
recommended by Yamaha.
5. WARNING: Do not place this product or any other
objects on the power cord or place it in a position where
anyone could walk on, trip over, or roll anything over power or
connecting cords of any kind. The use of an extension cord is
not recommended! IF you must use an extension cord, the
minimum wire size for a 25' cord (or less) is 18 AWG. NOTE:
The smaller the AWG number,the larger the current handling
capacity. For longer extension cords, consult a local
electrician.
6. Ventilation: Electronic products, unless specifically
designed for enclosed installations, should be placed in
locations that do not interfere with proper ventilation. If
instructions for enclosed installations are not provided,it must
be assumed that unobstructed ventilation is required.
7. Temperature considerations: Electronic products should
be installed in locations that do not significantly contribute to
their operating temperature. Placement of this product close to
heat sources such as; radiators, heat registers and other
devices that produce heat should be avoided.
8. This product was NOT designed for use in wet/damp
locations and should not be used near water or exposed to
rain. Examples of wet /damp locations are; near a swimming
pool, spa, tub, sink, or wet basement.
9. This product should be used only with the components
supplied or; a cart ,rack, or stand that is recommended by the
manufacturer . If a cart, rack, or stand is used, please observe
all safety markings and instructions that accompany the
accessory product.
10. The power supply cord (plug) should be disconnected
from the outlet when electronic products are to be left unused
for extended periods of time. Cords should also be
disconnected when there is a high probability of lightening
and/or electrical storm activity.
11. Care should be taken that objects do not fall and liquids
are not spilled into the enclosure through any openings that
may exist.
12. Electrical/electronic products should be serviced by a
qualified service person when:
a. The power supply cord has been damaged; or
b. Objects have fallen, been inserted, or liquids have
been spilled into the enclosure through openings; or
c. The product has been exposed to rain; or
d. The product does not operate, exhibits a marked
change in performance; or
e. The product has been dropped, or the enclosure of the
product has been damaged.
13. Do not attempt to service this product beyond that
described in the user-maintenance instructions. All other
servicing should be referred to qualified service personnel.
14. This product, either alone or in combination with an
amplifier and headphones or speaker/s, may be capable of
producing sound levels that could cause permanent hearing
loss. DO NOT operate for a long period of time at a high
volume level or at a level that is uncomfortable. If you
experience any hearing loss or ringing in the ears, you should
consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time
period before damage occurs.
15. Some Yamaha products may have benches and/or
accessory mounting fixtures that are either supplied as a part
of the product or as optional accessories. Some of these items
are designed to be dealer assembled or installed. Please
make sure that benches are stable and any optional fixtures
(where applicable) are well secured BEFORE using. Benches
supplied by Yamaha are designed for seating only. No other
uses are recommended.
92-469-2
Congratulations! …and thank you for purchasing the
Yamaha P-200. The P-200 is a high-performance
electronic piano with full-scale, weighted action
keyboard, a selection of high quality piano and other
useful instrument voices, and versatile performance and
other advanced features which make it ideal for
professional stage and studio applications, as well as for
home entertainment and music study use. The P-200’s
main features include:
■ High quality AWM piano
and other sounds
The P-200 features a selection of twelve high quality instrument
voices generated by Yamaha’s patented AWM (Advanced Wave
Memory) sound generation technology. There are several piano
sounds—including a concert grand piano, with full-bodied bass
tones and reverberating high notes, that accurately captures the
natural characteristics of a real grand piano—plus various electric
pianos, vibes, organ combinations, strings and electric and upright
bass. With a maximum simultaneous “polyphonic” note output of
64 notes, the P-200 delivers uncompromising performance
capabilities.
■ Organ combination editing
The P-200 comes equipped with two preset organ voices, plus
organ combination editing features which let you create your own
organ sounds and store them in Performances for instant recall.
The organ combination editing features give you precise control
over flute footages as well as attack settings.
■ Digital signal processing
The P-200 has a built-in digital signal processor that lets you apply
stereo reverb, chorus, symphonic and tremolo effects to the
voices, and lets you tailor the quality of the voices to suit your
needs with an internal equalizer, as well as a three-band graphic
equalizer on the upper panel.
■ Touch-sensitive keyboard with
velocity scaling
The P-200’s full-range 88-key, weighted action piano keyboard
incorporates Yamaha’s unique Graded Hammer Effect keyboard
technology, which gives it the genuine feel and response of a real
piano keyboard. You can even adjust the keyboard’s sensitivity
level, or velocity scaling, to suit your playing style, for both internal
tone generator and MIDI message transmission.
■ Dual and Split voice modes
The P-200’s Dual and Split modes let you play two voices at once,
a “main” voice and a “sub” voice, either by layering the two voices
of your choice (Dual mode) or by assigning a different voice to
each end of the keyboard (Split mode). In Split mode, the key
transposition values can be set independently for both main and
sub voices.
■ One-touch Performance recall
The P-200 features a Performance Play mode that lets you store
up to 24 Performances, or configurations of all voice, MIDI and
other parameter settings, for recall at the touch of a button. This
lets you instantly change your sound and entire setup as you play,
or between songs in a live set. The P-200 is set at the factory with
24 Preset Performances, but you can overwrite them and store
User Performances which you create yourself. The P-200 features
extensive editing and storing capabilities.
■ Master keyboard features
The P-200 offers many of the control features standard in a MIDI
master keyboard, including velocity sensitivity, pitch bend and
modulation wheels, an assignable CS (continuous slider), program
change send and receive capabilities, MIDI transpose and merge
functions, and bulk dumping and multitimbral capabilities. It even
lets you set separate MIDI transmit/receive channels for the main
and sub voices. Plus, the P-200 gives you the option of
connecting a foot controller (FC) that can be assigned MIDI and
other functions in the same manner as the CS. With its powerful
MIDI capabilities, the P-200 can easily serve as at the heart of an
expanded MIDI system.
5
INTRODUCTION
How to Use this Manual
This owner’s manual is organized and designed to help you get set up
and begin enjoying the P-200 as quickly as possible, as well as to
easily locate and learn about any feature you need.
The GETTING STARTED section briefly but thoroughly explains the
proper procedure for setting up the instrument, listening to the on-
board Demo songs, and exploring the basic voices.
The VOICE PLAY MODE, PERFORMANCE PLAY MODE and
EDIT MODE sections include explanations of each feature and step-
by-step details about how to access and manipulate the many
parameters.
An APPENDIX provides Voice and Performance lists and other
technical information, including descriptions of error messages and a
troubleshooting guide, plus MIDI specifications and other MIDI related
information.
Finally, an alphabetical INDEX lets you quickly reference the page
number of any feature you want to locate.
Special Symbols
Throughout this manual two special symbols are used to connote
additional information.
Indicates an important cautionary note for the feature being described.
Indicates a supplementary explanation for the feature being described.
NOTE
CAUTION
(1)-2
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep these precautions in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-
circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
• Do not place the instrument against a wall (allow at least 3 cm/one-inch from
the wall), since this can cause inadequate air circulation, and possibly result in
the instrument overheating.
• Do not operate the instrument for a long period of time at a high or uncomfortable
volume level, since this can cause permanent hearing loss. If you experience
any hearing loss or ringing in the ears, consult a physician.
■REPLACING THE BACKUP BATTERY
• This instrument contains a non rechargeable internal backup battery which
permits internal data to remain stored even when the power is off. When the
backup battery needs replacing, the message "ERROR1 REPLACE BATTERY"
will display in the LCD screen. When this happens, immediately back up your
data (using an external device such as the floppy disk-based Yamaha MIDI
Data Filer MDF3), then have qualified Yamaha service personnel replace the
backup battery.
• Do not attempt to replace the backup battery yourself, in order to prevent the
possible serious hazards. Always have qualified Yamaha service personnel
replace the backup battery.
• Never place the backup battery in a location that a child can reach, since a child
might accidentally swallow the battery. If this should happen, consult a physician
immediately.
■SAVING USER DATA
• Save all data to an external device such as the Yamaha MIDI Data Filer MDF3,
in order to help prevent the loss of important data due to a malfunction or user
operating error.
Yamaha cannot be held responsible for damage caused by improper use or
modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
• Do not open the instrument or attempt to disassemble the internal parts or
modify them in any way. The instrument contains no user-serviceable parts. If
it should appear to be malfunctioning, discontinue use immediately and have it
inspected by qualified Yamaha service personnel.
• Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill into
any openings.
• If the power cord or plug becomes frayed or damaged, or if there is a sudden
loss of sound during use of the instrument, or if any unusual smells or smoke
should appear to be caused by it, immediately turn off the power switch,
disconnect the electric plug from the outlet, and have the instrument inspected
by qualified Yamaha service personnel.
• Do not place the power cord near heat sources such as heaters or radiators,
and do not excessively bend or otherwise damage the cord, place heavy objects
on it, or place it in a position where anyone could walk on, trip over, or roll
anything over it.
• When removing the electric plug from the instrument or an outlet, always hold
the plug itself and not the cord. Pulling by the cord can damage it.
• Do not connect the instrument to an electrical outlet using a multiple-connector.
Doing so can result in lower sound quality, or possibly cause overheating in
the outlet.
• Remove the electric plug from the outlet when the instrument is not to be used
for extended periods of time, or during electrical storms.
• Before connecting the instrument to other electronic components, turn off the
power for all components. Before turning the power on or off for all components,
set all volume levels to minimum.
• Do not expose the instrument to excessive dust or vibrations, or extreme cold
or heat (such as in direct sunlight, near a heater, or in a car during the day) to
prevent the possibility of panel disfiguration or damage to the internal
components.
• Do not use the instrument near other electrical products such as televisions,
radios, or speakers, since this might cause interference which can affect proper
operation of the other products.
• Do not place the instrument in an unstable position where it might accidentally
fall over.
• Before moving the instrument, remove all connected cables.
• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,
solvents, cleaning fluids, or chemical-impregnated wiping cloths. Also, do not
place vinyl, plastic or rubber objects on the instrument, since this might discolor
the panel or keyboard.
• Do not rest your weight on, or place heavy objects on the instrument, and do
not use excessive force on the buttons, switches or connectors.
• Use only the stand/rack specified for the instrument. When attaching the stand
or rack, use the provided screws only. Failure to do so could cause damage to
the internal components or result in the instrument falling over.
• Only use the voltage specified as correct for the instrument. The required voltage
is printed on the name plate of the instrument.
• Before cleaning the instrument, always remove the electric plug from the outlet.
Never insert or remove an electric plug with wet hands.
• Check the electric plug periodically and remove any dirt or dust which may
have accumulated on it.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the
instrument or other property. These precautions include, but are not limited to, the following:
INTRODUCTION ............................................................................................................ 5
PRECAUTIONS.............................................................................................................. 6
UPPER PANEL .............................................................................................................. 8
REAR PANEL............................................................................................................... 13
P-200 OVERVIEW........................................................................................................ 14
GETTING STARTED .................................................................................................... 18
Setting up the P-200....................................................................................................................... 18
Turning on the Power...................................................................................................................... 20
Playing the Demo Songs................................................................................................................. 21
Playing the Voices........................................................................................................................... 22
VOICE PLAY MODE ............................................................................................................ 23
Single Mode.................................................................................................................................... 24
Stereo/Mono Piano ......................................................................................................................... 25
Upright/Electric Bass....................................................................................................................... 25
Reverb Effects................................................................................................................................. 26
Modulation Effects .......................................................................................................................... 27
Panel Equalizer ............................................................................................................................... 29
Main and Sub Voices ...................................................................................................................... 29
Dual Mode ...................................................................................................................................... 30
Split Mode ...................................................................................................................................... 32
Transpose....................................................................................................................................... 37
MIDI Transmit Enable ...................................................................................................................... 40
MIDI Panic ...................................................................................................................................... 41
Panel Switch Lock .......................................................................................................................... 41
PERFORMANCE PLAY MODE ........................................................................................... 45
Selecting Single Voices ................................................................................................................... 46
Selecting Dual Voices...................................................................................................................... 47
Selecting Split Voices...................................................................................................................... 47
EDIT MODE ......................................................................................................................... 49
System ........................................................................................................................................... 51
MIDI Filter........................................................................................................................................ 53
Program Change (PC) Table............................................................................................................ 53
Channel .......................................................................................................................................... 54
Local............................................................................................................................................... 55
Continuous Slider (CS) / Foot Controller (FC)...................................................................................55
Panel Switch (PS)............................................................................................................................ 57
Name.............................................................................................................................................. 57
Organ Combination......................................................................................................................... 57
Pitch Bend Wheel (PB) / Modulation Wheel (MW) ............................................................................ 58
Keyboard Sensitivity........................................................................................................................ 58
Internal Equalizer............................................................................................................................. 59
Reverb ............................................................................................................................................ 59
Modulation...................................................................................................................................... 59
STORE ................................................................................................................................. 60
APPENDIX ........................................................................................................................... 62
Bulk Dump.......................................................................................................................................62
Initialize ........................................................................................................................................... 63
Using MIDI ...................................................................................................................................... 64
Error Messages............................................................................................................................... 67
Troubleshooting .............................................................................................................................. 68
Specifications...................................................................................................................................70
Index................................................................................................................................................71
Factory Default Settings ...................................................................................................................72
Blank Chart......................................................................................................................................78
MIDI Data Format.............................................................................................................................80
MIDI Implementation Chart...............................................................................................................89
7
CONTENTS
The LCD screen displays as illustrated in this manual are for instructional purposes only, and may
appear somewhat different from your P-200’s.
8
MIDI FILTE
SYSTEM
PIANO 1 PIANO 2
VOICE
PERF. B
PERF. A
EDIT
STORE
12
PAGE
DETUNE
TRANSPOSE
BALANCE
SPLIT
+1/YES-1/NO
MIDI
PS2PS1
CONTRAST
C3
CS
DATA ENTRY
VOLUME
MAX
MIN
MODULATION
PITCH
POWER
ON/ OFF
OUT
MIDI
IN
THRU
A
B
!
#
"
! [PHONES] jack
This jack on the front panel lets you connect a pair of stereo
headphones to the P-200 for private listening. The internal
speakers will automatically be disconnected when you plug in the
headphones. The sound of the internal voices output from the
[OUTPUT] jacks is not affected.
" Keyboard
This 88-key weighted action, touch-sensitive keyboard
incorporates Yamaha’s unique Graded Hammer Effect keyboard
technology, which gives it the genuine feel and response of a real
piano keyboard.
# Speakers
These two built-in 13 cm speakers each provide an output of 30
watts. If you connect the P-200 to an external monitor system, you
may choose to turn the speakers off using the [SPEAKER] switch
located on the rear panel.
UPPER PANEL
9
REVERB
MODULATION
ROOM
STAGE
HALL
CHORUS
SYMPHONIC
TREMOLO
EFFECT
LOW MIDDLE HIGH
EQUALIZER
INT.EQ
KBD SENS.
PB MW
NAMEPSCS FC
LOCAL
CHANNEL
PC TABLEMIDI FILTER
SYSTEM
PIANO 1 PIANO 2 PIANO 3 PIANO 4 E.PIANO 1 E.PIANO 2 E.PIANO 3 VIBES ORGAN 1 ORGAN 2 STRINGS BASS
VOICE
PERF. B
PERF. A
EDIT
STORE
ORGAN
COMBINATION
1 2 3 4 5 6 7 8 9 10 11 12
C3
OUT
MIDI
IN
THRU
FOOT CONTROLLER SOFT
SOSTENUTO
SUSTAIN
L/MONO
R
OUTPUT
L/MONO
INPUT
R
OFF ON
SPEAKER
ELECTRONIC PIANO P-200
C
#
"
10
MODULATION
PITCH
POWER
ON/ OFF
! [POWER] switch
This switch turns the power on and off. When the power is turned
on, the mode and status designated when the power was
previously turned off will still be active (with the exception of Panel
Swicth Lock; page 41).
" [PITCH] wheel
This wheel can be used to bend the pitch of the notes that you
play, up or down; the wheel automatically returns to the center
position when you release it. (In Dual mode, both voices are
affected; in Split mode, only the main voice is affected.) When the
MIDI Transmit Switch is enabled, you can use it to transmit pitch
bend messages to other instruments. You can assign the pitch
bend range to any value within a one-octave range.
# [MODULATION] wheel
This wheel can be used in various ways. Normally you will use it to
apply a vibrato effect to the notes that you play, with increasing
intensity as you roll it upwards; the wheel remains at the specific
position that you set it when you let go of it. (In Dual mode, both
voices are modulated; in Split mode, only the main voice is
modulated. The vibrato effect cannot be applied to Piano voices 1
~ 4.) You can also assign it to control reverb depth or modulation
speed. When MIDI transmission is enabled, you can use it to
transmit modulation messages to other instruments.
■UPPER PANEL—A
11
! [VOLUME] slider
This slider adjusts the overall volume of sound output from the
internal speakers (or headphones, if connected) as well as the
sound output from the [OUTPUT] jacks on the rear panel. Moving
the slider upward increases volume level, while moving the slider
downward decreases volume level.
" [CS, DATA ENTRY] slider
This is a multiple function slider. As a [CS] (continuous slider), you
can assign it to control a variety of functions. As a [DATA ENTRY]
slider, you can use it to change specific settings and parameters,
depending on the current mode and status. Moving the slider
upward increases the specified value, while moving the slider
downward decreases the specified value.
# [PS1, –1/NO] button
This is a dual function button. As a [PS1] (Panel Switch 1) button,
you can assign it to control various functions of the internal voices
as well as connected MIDI devices, as set by the PS Edit function.
As a [–1/NO] button, you can use it to change parameter settings
in decrements.
$ [PS2, +1/YES] button
This is a dual function button. As a [PS2] (Panel Switch 2) button,
you can assign it to control various functions of the internal voices
as well as connected MIDI devices, as set by the PS Edit function.
As a [+1/YES] button, you can use it to change parameter settings
in increments.
% [SPLIT, BALANCE, 1] button
This is a multiple function button. As a [SPLIT] button, you can use
it to enter Split mode, whether in Voice Play or Performance Play
mode, determine the split point and assign the keyboard area for
the main and sub voices. As a [BALANCE] button, you can use it
to set the relative volume levels of each Split and Dual voice, by
holding the [BALANCE] button and moving the [DATA ENTRY]
slider ". As a [1] (cursor left) button in Edit mode, you can use it
to move the cursor to the left in the LCD screen in order to
position it over a desired parameter.
& [TRANSPOSE, DETUNE, q] button
This is a multiple function button. As a [TRANSPOSE] button, you
can use it to set the keyboard transpose value for single as well as
both Dual voices or Split voices. As a [DETUNE] button, you can
use it to set the detune value for the two Dual voices, by holding it
and moving the [DATA ENTRY] slider ". As a [q] (cursor right)
button in Edit mode, you can use it to move the cursor to the right
in the LCD screen in order to position it over a desired parameter.
' [MIDI, PAGE] button
This is a dual function button. As a [MIDI] transmit button, you can
use it to quickly enable or disable the P-200’s transmission of MIDI
messages. You can also hold the [MIDI] button while pressing
other buttons to access certain features. As a [PAGE] button, you
can use it to step through the various pages of Edit functions
when the P-200 is in Edit mode.
( [CONTRAST] dial
This dial lets you adjust the contrast of the LCD screen for
optimum visibility. Rotating it to the left will decrease screen
contrast, while rotating it to the right will increase screen contrast.
) LCD screen
This backlit 32-character Liquid Crystal Display screen provides
various information about the modes and operating status of the
P-200. Certain messages are displayed only temporarily, but you
can designate the “Popup Time” according to your preference.
PAGE
DETUNE
TRANSPOSE
BALANCE
SPLIT
+1/YES-1/NO
MIDI
PS2PS1
CONTRAST
C3
VOLUME
MAX
MIN
PAGE
DETUNE
TRANSPOSE
BALANCE
SPLIT
+1/YES-1/NO
MIDI
PS2PS1
CONTRAST
C3
VOLUME
MAX
MIN
CS
DATA ENTRY
! " # $ % &
'
()
■ UPPER PANEL— B
12
! [STORE] button
This button lets you store changes that you make to a
Performance, as well as copy the current Performance into any
Performance memory. The P-200 can store 24 Performances.
" [EDIT] button
This button lets you enter Edit mode and access the various Edit
functions. After pressing it once, the LED above the [EDIT]
button will begin blinking, as will the light above the currently
selected [EDIT SELECT] button %. Pressing it again will return
you to the previous Play mode.
# [PERF. A, B] buttons
These buttons let you enter Performance Play mode and select
any of the 24 Performances. The P-200 is set at the factory with
24 Preset Performances, but you can overwrite them and store
User Performances which you create yourself. The [PERF. A]
and [PERF. B] banks hold 12 Performances each, and a lit LED
above one of the buttons indicates the currently active bank.
$ [VOICE] button
This button lets you enter Voice Play mode by pressing [VOICE]
and then pressing a [VOICE SELECT] button %. A lit LED above
the [VOICE] button indicates you’re in Voice Play mode.
% [VOICE, PERFORMANCE, EDIT SELECT]
buttons
These 12 buttons each have multiple functions, depending on
the current mode. In Voice Play mode you can use them to
select any of the 12 preset AWM instrument voices you want to
play; the voice names are printed in above the buttons. In
Performance Play mode you can use them to select any of the
24 Performances (12 Performances per bank); the Performance
numbers are printed above the buttons. In Edit mode, you can
use them to select the Edit functions; the Edit function names
are printed in green below the buttons.
& [REVERB] button
This button lets you select either a Room, Stage or Hall reverb
effect, or no reverb effect, to apply to the currently selected
voice. Each voice has a default reverb setting preprogrammed at
the factory which you can change.
' [MODULATION] button
This button lets you select either a Chorus, Symphonic or
Tremolo modulation effect, or no modulation effect, to apply to
the currently selected voice. Each voice has a default modulation
setting preprogrammed at the factory which you can change.
( [EQUALIZER] sliders
These sliders let you graphically adjust the level of the sound
output of the P-200 in three bands: High, Middle and Low. In
Dual and Split modes, the changes you make will affect both
voices.
REVERB
MODULATION
ROOM
STAGE
HALL
CHORUS
SYMPHONIC
TREMOLO
EFFECT
LOW MIDDLE HIGH
EQUALIZER
INT.EQ
KBD SENS.
PB MW
NAMEPSCS FC
LOCAL
CHANNEL
PC TABLEMIDI FILTER
SYSTEM
PIANO 1 PIANO 2 PIANO 3 PIANO 4 E.PIANO 1 E.PIANO 2 E.PIANO 3 VIBES ORGAN 1 ORGAN 2 STRINGS BASS
VOICE
PERF. B
PERF. A
EDIT
STORE
ORGAN
COMBINATION
123456 897 10 11 12
!
# $%& ' (
"
■UPPER PANEL—C
SPEAKER
ON OFF
INPUT
R L/MONO
R L/MONO
OUTPUT
SUSTAIN
SOSTENUTO
SOFT
FOOT CONTROLLER
THRU
MIDI
OUT
IN
13
! [SPEAKER] switch
This switch lets you turn off the P-200’s internal speakers. It does
not affect the output from the [OUTPUT] jacks or the [PHONES]
jack.
" [INPUT] jacks
These jacks let you input line-level signals from another electronic
instrument, such as a rhythm programmer, external tone
generator, or synthesizer, and monitor it through the P-200’s
internal speakers. Use the [L/MONO] jack when connecting only a
single line.
# [OUTPUT] jacks
These jacks output line-level signals which can be input directly to
an external amplifier, mixer or other audio device. Use the
[L/MONO] jack if your audio equipment has only one input.
$ Pedal jacks
These jacks let you connect up to three foot pedals and use them
as sustain, sostenuto and soft pedals. A single FC4 footswitch is
included with your P-200. If you wish to attach additional foot
pedals, be sure to use only Yamaha models FC4 or FC5.
% [FOOT CONTROLLER] jack
This jack lets you connect a foot controller (Yamaha FC7, available
separately) for use as an auxiliary controller. The [FC] foot
controller can be assigned to control a variety of functions,
including reverb depth or modulation speed, which lets you
change these parameters by foot as you play.
& [MIDI] terminals
These terminals allow the P-200 to communicate with other MIDI
devices, using standard MIDI cables. To control the P-200 using a
sequencer or another keyboard, connect the MIDI out jack of the
external device to the [MIDI IN] jack of the P-200. To control
another device (such as a synthesizer or tone generator) using the
P-200, connect the [MIDI OUT] jack of the P-200 to the MIDI in
jack of the external device. The [MIDI THRU] jack simply passes
the data received at the P-200’s [MIDI IN] jack through unaffected,
and is used when connecting three or more MIDI devices in a
series.
REAR PANEL
14
■Voice Play and Performance Play Modes
The P-200 has two basic Play modes, Voice Play mode and Performance Play
mode. Within each mode are various Voice and Performance parameters, or settings
that you can change, which make up the sound of the selected voice and the
specific operating status of the P-200.
A group of overall System settings apply to both Voice Play and Performance Play
modes, and Edit mode lets you access and edit a wide variety of System and other
functions, as shown in the following illustration.
As the above illustration shows, the primary difference between Voice Play mode and
Performance Play mode is:
■ In Voice Play mode, a single set of Performance parameter settings apply to any
voice (and its specified Voice parameter settings) which you select.
■ In Performance Play mode, a complete set of Performance parameters can be
configured specifically for any particular voice (and its specified Voice parameter
settings). The P-200 can store up to 24 Performances for instant recall.
Normally you will operate in Voice Play mode, Auto Store status (See “About Store
Type”, next page)—as you select sounds and make parameter assignments as
dictated by your current music session. Then you can store those settings to any of
the 24 Performances, which you can then access at any time by the press of a
[PERFORMANCE SELECT] button in Performance Play mode. (You can also perform
bulk dump operations of Performance data to and from an external MIDI device such
as the Yamaha MDF3 MIDI Data Filer.)
P-200 OVERVIEW
The Yamaha P-200 is a versatile electronic piano with very high fidelity piano and other sounds and the
genuine touch and response of a real piano.
In its simplest form of use, all you really need to do is switch it on and start playing! However, this is just barely
scratching the surface, since the P-200 has powerful performance and MIDI master keyboard capabilities.
Below is an overview of the basic operating modes and the system structure of the P-200, with explanations of
how the various features relate to each other during practical use of the instrument.
PERFORMANCE PLAY MODEVOICE PLAY MODE
SYSTEM
EDIT MODE / STORE FUNCTIONS
PERF. A
01~12
PERF. B
01~12
VOICE
PARAMETERS
VOICE 01~12
PERFORMANCE
PARAMETERS
15
■ Voice Parameters
In Voice Play mode, each of the P-200’s AWM instrument voices have a set of Voice
parameters that are initially set at the factory, but which you can change to suit your
needs.
These include controller parameters such as pitch bend range and modulation wheel
assignment, keyboard sensitivity parameters for internal or MIDI applications, and
effect parameters such as reverb type and depth, modulation type and speed, and
internal equalizer settings.
In Voice Play mode you can access a single set of Performance parameters and in
Performance Play mode you can access 24 sets of Performance parameters.
Although you can freely change the voices in Performance Play mode, only a single
set of Voice parameters is available for each Performance.
VOICE PARAMETERS
CONTROLLERS
• Pitch Bend Range
• Modulation Wheel Assign
KEYBOARD SENSITIVITY
• Internal
• MIDI
EFFECT
• Reverb Type, Speed
• Modulation Type, Speed
• Equalizer (Internal) Low, Mid, High
ABOUT STORE TYPE
You can choose the Store Type—Non Auto Store and Auto Store.
When Non Auto Store is selected, the store operation is always required (except
when modifying System related parameters; see page 17) if you want to save the
current settings.
When Auto Store is selected, all changes you make will automatically be stored
without the need to perform a specific storing procedure.
The default setting for a new (or initialized) P-200 is Non Auto Store. (For
information about changing the Store Type, see page 52.)
Explanations in this Owner’s Manual assume that Auto Store is selected.
Therefore, the LCD illustrations herein may be slightly different than the screens
on your P-200.
16
■Performance Parameters
In Performance Play mode, the P-200 has 24 sets of Performance parameters which
let you configure settings for specific music situations (i.e., for a certain style of
music, or a particular song, or for a practice session, or a live set, etc.). This affords
you the convenience of being able to recall those settings instantly at the press of a
button when in Performance Play mode.
Performance parameters include the voice selection (a set of voice parameters),
keyboard Single, Dual or Split mode and settings, main and sub voice assignments,
User organ combination values, transposition values, keyboard local on or off setting,
MIDI transmit and receive channel numbers, plus function assignments for [PS1],
[PS2], [CS] and [FC] (foot controller), the Performance name and others.
In Voice Play mode you can specify settings for a single set of Performance
parameters.
Performance Parameters
VOICE SELECT
12 voices
(A set of voice parameters)
KEYBOARD MODE Single, Dual, Split
VOICE Main, Sub
PIANO 1/2 Stereo, Mono
BASS Upright, Electric
ORGAN COMBINATION
• Footage
• Response,
Attack (Length and Mode)
BALANCE –16 ~ 15
DETUNE 0 ~ 7
SPLIT POINT
• A-1 ~ C7
• MAIN VOICE (Upper, Lower)
TRANSPOSE
• Enable Switch
• Internal Main, Sub
• MIDI Main, Sub
MIDI CHANNEL
• Transmit
• Receive
LOCAL On, Off
CONTROLLERS
• PS 1/2 Assign
• CS Assign, Range
• FC Assign, Range
NAME Character select
17
Descriptions of all parameters and
details about how to access and
manipulate them are provided in the
appropriate sections herein. Also see
the Blank Chart on page 78.
■ System Settings
The P-200’s overall System settings encompass those “global” parameters which are
related to the instrument as a whole, and which therefore affect both Voice Play and
Performance Play modes.
These include master tuning, MIDI transmit enable, MIDI filter transmit and receive
parameter settings, MIDI program change table settings, and others.
SYSTEM
MIDI TRANSMIT ENABLE On, Off
• Master Tune
• Reverb Bypass
• Device Number
SYSTEM • MIDI Merge
• Performance Enable
• Popup Time
• Store Type
• Panel Switch Lock Mode
MIDI FILTER
• Transmit
• Receive
PROGRAM CHANGE TABLE
• Transmit Number, Bank
Select Number
• Receive Number
■Editing and Storing Features
When the P-200 is in Edit mode, you can access and modify the System and other
parameters.
A convenient Auto Store feature (which you can disengage) automatically stores the
System settings and other parameters as you change them. Within either Voice Play
mode or Performance Play mode, you can store the current set of all settings as a
User Performance.
There is a fine distinction between Voice Play mode store and Performance Play
mode store functions. In Voice Play mode, you can overwrite the current set of Voice
and Performance parameter settings. In Performance Play mode, you can select a
specific destination Performance in which to store the current Performance
parameter settings. Therefore, if you select a destination Performance in which to
store the current Voice Play mode Performance parameter settings, you are storing it
in the Performance Play mode.
You will find it most convenient to set up your Performances in Voice Play mode,
Auto Store status, since voice selection is so simple, then copy it to one of the 24
Performance memories for instant recall when you need it.
By switching into Non Auto Store status, you can be sure that your Performances are
protected, and any changes you make in one will not be applied unless you
specifically store, or overwrite, it. In Edit mode, the P-200 will prompt you
automatically whether or not to overwrite the current changes.
You can also dump Performance data to and from external MIDI devices.
NOTE
18
GETTING STARTED
This section explains how to set up the P-200 and the proper procedure for turning it on, playing the
preprogrammed Demo songs, and basic voice selection.
■Setting up the P-200
Although setting up the P-200 for basic play is easy and straightforward, be sure to
take heed of the Precautions on page 6 before you begin, then carefully follow the
simple steps as outlined below.
P-200 SETUP PROCEDURE
1.
Prepare a suitable location.
The P-200 is relatively small for an 88-key instrument, but it is very solidly built
and therefore quite heavy. First you’ll want to prepare a suitable location for
your P-200. Please do not hesitate to ask someone to help you take it out of
the box and carefully place it on an optionally available Yamaha LP-3 keyboard
stand or a sturdy table.
2.
Plug in the power cord.
Next plug the P-200’s power cord into an AC outlet. Do not turn on the
[POWER] switch until you have made all connections as described below.
3.
Connect the sustain pedal.
Next plug the supplied FC4 footswitch into the [SUSTAIN] jack on the rear
panel, so you can use it as a sustain pedal. If you have purchased additional
FC4 or FC5 footswitches, connect them to the [SOSTENUTO] and [SOFT]
jacks.
Footswitch FC4
SPEAKER
ON OFF
INPUT
R L/MONO
R L/MONO
OUTPUT
SUSTAIN
SOSTENUTO
SOFT
FOOT CONTROLLER
THRU
MIDI
OUT
IN
19
Before connecting the P-200 to any
external device, be sure that the power
switches of all devices are turned off.
4.
Connect external line-level components.
If you wish to monitor the P-200’s output using an external line-level mixer or
amplifier, connect the input of the external component to the P-200’s
[OUTPUT] jacks on the rear panel. (Use both jacks for stereo output; use the
[L/MONO] jack for mono output.)
If you wish to listen to your P-200 using headphones, connect a pair of stereo
headphones to the [PHONES] jack located on the left side of the front panel.
The P-200’s internal speakers will automatically be disconnected whenever
headphones are plugged into the [PHONES] jack.
If you wish to monitor the output of an external line-level device (such as a
rhythm programmer, tone generator or synthesizer) via the P-200’s internal
speakers, connect the output of the external device to the P-200’s [INPUT]
jacks on the rear panel. (Use both jacks for stereo input; use the [L/MONO]
jack for mono input.)
OUTPUT R
OUTPUT L/MONO
P-200
Amp
Speaker (L) Speaker (R)
REVERB
MODULATION
ROOM
STAGE
HALL
CHORUS
SYMPHONIC
TREMOLO
EFFECT
LOW MIDDLE HIGH
EQUALIZER
INT.EQ
KBD SENS.
PB MIW
NAMEPSCS FC
LOCAL
CHANNEL
PC TABLEMIDI FILTER
SYSTEM
PIANO 1 PIANO 2 PIANO 3 PIANO 4 E.PIANO 1E.PIANO 2 E.PIANO 3 VIBES ORGAN 1 ORGAN 2 STRINGS BASS
VOICE
PERF. B
PERF. A
EDIT
STORE
ORGAN
COMBINATION
123456789101112
PAGE
DETUNE
TRANSPOSE
BALANCE
SPLIT
+1/YES-1/NO
MIDI
PS2PS1
CONTRAST
C3
CS
DATA ENTRY
VOLUME
MAX
MIN
MODULATION
PITCH
POWER
ON/ OFF
OUT
MIDI
IN
THRU
FOOT CONTROLLER SOFT
SOSTENUTO
SUSTAIN
L/MONO
R
OUTPUT
L/MONO
INPUT
R
OFF ON
SPEAKER
P-200
REVERB
MODULATION
ROOM
STAGE
HALL
CHORUS
SYMPHONIC
TREMOLO
EFFECT
LOW MIDDLE HIGH
EQUALIZER
INT.EQ
KBD SENS.
PB MIW
NAMEPSCS FC
LOCAL
CHANNEL
PC TABLEMIDI FILTER
SYSTEM
PIANO 1 PIANO 2 PIANO 3 PIANO 4 E.PIANO 1E.PIANO 2 E.PIANO 3 VIBES ORGAN 1 ORGAN 2 STRINGS BASS
VOICE
PERF. B
PERF. A
EDIT
STORE
ORGAN
COMBINATION
123456789101112
PAGE
DETUNE
TRANSPOSE
BALANCE
SPLIT
+1/YES-1/NO
MIDI
PS2PS1
CONTRAST
C3
CS
DATA ENTRY
VOLUME
MAX
MIN
MODULATION
PITCH
POWER
ON/ OFF
OUT
MIDI
IN
THRU
FOOT CONTROLLER SOFT
SOSTENUTO
SUSTAIN
L/MONO
R
OUTPUT
L/MONO
INPUT
R
OFF ON
SPEAKER
INPUT R
INPUT L/MONO
P-200
Tone Generator
REVERB
MODULATION
ROOM
STAGE
HALL
CHORUS
SYMPHONIC
TREMOLO
EFFECT
LOW MIDDLE HIGH
EQUALIZER
INT.EQ
KBD SENS.
PB MIW
NAMEPSCS FC
LOCAL
CHANNEL
PC TABLEMIDI FILTER
SYSTEM
PIANO 1 PIANO 2 PIANO 3 PIANO 4 E.PIANO 1E.PIANO 2 E.PIANO 3 VIBES ORGAN 1 ORGAN 2 STRINGS BASS
VOICE
PERF. B
PERF. A
EDIT
STORE
ORGAN
COMBINATION
123456789101112
PAGE
DETUNE
TRANSPOSE
BALANCE
SPLIT
+1/YES-1/NO
MIDI
PS2PS1
CONTRAST
C3
CS
DATA ENTRY
VOLUME
MAX
MIN
MODULATION
PITCH
POWER
ON/ OFF
OUT
MIDI
IN
THRU
FOOT CONTROLLER SOFT
SOSTENUTO
SUSTAIN
L/MONO
R
OUTPUT
L/MONO
INPUT
R
OFF ON
SPEAKER
CAUTION
20
5.
Connect MIDI devices.
If you wish to connect the P-200 to external MIDI devices such as a rhythm
programmer, tone generator or synthesizer, you will need special MIDI cables
which plug into the [MIDI] jacks on the rear panel. First, however, you must
determine a MIDI system configuration, based on your particular needs or
desires. Some examples of MIDI system connections, along with information
about MIDI, are provided on page 64.
6.
Attach the music stand.
Finally, attach the supplied music stand to the P-200 by carefully inserting it
into the slots on the rear panel.
■ Turning on the Power
After setting up the P-200, you’re ready to turn on the power and begin enjoying the
instrument’s great sounds and many versatile performance and other features.
MIDI Cable
MIDI OUT
MIDI IN
P-200
Sequencer
REVERB
MODULATION
ROOM
STAGE
HALL
CHORUS
SYMPHONIC
TREMOLO
EFFECT
LOW MIDDLE HIGH
EQUALIZER
INT.EQ
KBD SENS.
PB MIW
NAMEPSCS FC
LOCAL
CHANNEL
PC TABLEMIDI FILTER
SYSTEM
PIANO 1 PIANO 2 PIANO 3 PIANO 4 E.PIANO 1E.PIANO 2 E.PIANO 3 VIBES ORGAN 1 ORGAN 2 STRINGS BASS
VOICE
PERF. B
PERF. A
EDIT
STORE
ORGAN
COMBINATION
123456789101112
PAGE
DETUNE
TRANSPOSE
BALANCE
SPLIT
+1/YES-1/NO
MIDI
PS2PS1
CONTRAST
C3
CS
DATA ENTRY
VOLUME
MAX
MIN
MODULATION
PITCH
POWER
ON/ OFF
OUT
MIDI
IN
THRU
FOOT CONTROLLER SOFT
SOSTENUTO
SUSTAIN
L/MONO
R
OUTPUT
L/MONO
INPUT
R
OFF ON
SPEAKER
Switch on the [POWER] button, then gradually raise the [VOLUME] slider until you
obtain a comfortable listening level.
MODULATION
PITCH
POWER
ON/ OFF
VOLUME
MAX
MIN
Always turn the P-200 on first, and
then turn on external MIDI and audio
devices last. However, if a line-level
device is plugged into the P-200’s
[INPUT] jacks, turn it on before turning
on the P-200. When turning off the
power of each device, simply reverse
the process.
CAUTION
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