Yamaha P-200 User manual

Model

Serial No.

Purchase Date

SPECIAL MESSAGE SECTION

PRODUCT SAFETY MARKINGS: Yamaha electronic prod-

ucts may have either labels similar to the graphics shown

below or molded / stamped facsimiles of these graphics on

the enclosure. The explanation of these graphics appears on

this page.

Please observe all cautions indicated on this page and those

indicated in the safety instruction section.

ENVIRONMENTAL ISSUES: Yamaha strives to produce

products that are both user safe and environmentally

friendly.

We sincerely believe that our products and the production

methods used to produce them, meet these goals. In

keeping with both the letter and the spirit of the law, we want

you to be aware of the following:

BATTERY NOTICE : This product MAY contain a small

nonrechargeable battery which (if applicable) is soldered in

place. The average life span of this type of battery is

approximately five years. When replacement becomes

necessary, contact a qualified service representative to

perform the replacement.

WARNING: Do not attempt to recharge, disassemble, or

incinerate this type of battery. Keep all batteries away from

children. Dispose of used batteries promptly and as

regulated by applicable laws. Note: In some areas, the

servicer is required by law to return the defective parts.

However, you do have the option of having the servicer

dispose of these parts for you.

DISPOSAL NOTICE: Should this product become

damaged beyond repair, or for some reason its useful life is

considered to be at an end, please observe all local, state,

and federal regulations that relate to the disposal of

products that contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lack of knowledge

relating to how a function or effect works (when the unit is

operating as designed) are not covered by the

manufacture's warranty, and are therefore the owner's

responsibility.

Please study this manual carefully and consult your dealer

before requesting service.

NAME PLATE LOCATION: The graphic below indicates the

location of the name plate. The model number, serial

number, power requirements, etc., are located on this plate.

You should record the model number, serial number, and

the date of purchase in the spaces provided below and

retain this manual as a permanent record of your purchase.

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

CAUTION

RISK OF ELECTRIC SHOCK.

DO NOT OPEN

See the name plate for graphic symbol markings.

92-469-➀

IMPORTANT NOTICE: All Yamaha electronic products are

tested and approved by an independent safety testing

laboratory in order that you may be sure that when it is

properly installed and used in its normal and customary

manner, all foreseeable risks have been eliminated. DO NOT

modify this unit or commission others to do so unless

specifically authorized by Yamaha.

Product performance and/or safety standards may be

diminished. Claims filed under the expressed warranty may

be denied if the unit is/has been modified. Implied warranties

may also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The information

contained in this manual is believed to be correct at the time

of printing. However, Yamaha reserves the right to change or

modify any of the specifications without notice or obligation

to update existing units.

The exclamation point within the

equilateral triangle is intended to alert

the user to the present of important

operating and maintenance

(servicing) instructions in the

literature accompanying the product.

The lightning flash with arrowhead

symbol within the equilateral triangle

is intended to alert the user to the

presence of uninsulated "dangerous

voltage" within the product's

enclosure that may be of sufficient

magnitude to constitute a risk of

electrical shock.

FCC INFORMATION (U.S.A)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not

expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables.

Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC

authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class "B" digital

devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential

environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if

not installed and used according to the instructions found in the user's manual, may cause interference harmful to the operation of other

electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product

is found to be the source of interference, which can be determined by turning the unit "OFF" and "ON", please try to eliminate the problem

by using one of the following measures :

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna.

If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact the your local retailer authorized to distribute this type of

product.

If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600

Orangethorpe Ave, Buena Park, CA 90620.

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the plug and Cord

IMPORTANT: THE WIRES IN MAINS LEAD ARE COLOURED IN

ACCORDANCE WITH THE FOLLOWING CODE:

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may not

correspond with the coloured markings identifying the terminals in your

plug, proceed as follows:

The wire which is coloured BLUE must be connected to the terminal

which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal

which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the earth terminal of the

three pin plug.

Litiumbatteri!

Bör endast bytas av servicepersonal.

Explosionsfara vid felaktig hantering.

VAROITUS!

Lithiumparisto, Räjähdysvaara.

Pariston saa vaihtaa ainoastaan alan ammattimies.

ADVARSEL!

Lithiumbatteri!

Eksplosionsfare. Udskiftning må kun foretages af en

sagkyndig, - og som beskrevet i servicemanualen.

CANADA

THIS DIGITAL APPARATUS DOES NOT EXCEED THE "CLASS B" LIM-

ITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARATUS SET

OUT IN THE RADIO INTERFERENCE REGULATION OF THE CANADIAN

DEPARTMENT OF COMMUNICATIONS.

LE PRESENT APPAREIL NUMERIQUE N'EMET PAS DE BRUITS

RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES AUX

APPAREILS NUMERIQUES DE LA "CLASSE B" PRESCRITES DANS LE

REGLEMENT SUR LE BROUILLAGE RADIOELECTRIQUE EDICTE PAR

LE MINISTERE DES COMMUNICATIONS DU CANADA.

CAUTION:

TO PREVENT ELECTRIC SHOCK, MATCH WIDE

BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES,

INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA

BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU'AU

FOND.

•

This applies only to products distributed by Yamaha Canada Music LTD.

•

Ceci ne s'applique qu'aux produits distribués par Yamaha Canada Music LTD.

NEDERLAND / THE NETHERLANDS

• Dit apparaat bevat een lithium batterij voor

geheugen back-up.

• This apparatus contains a lithium battery for memory

back-up.

• Raadpleeg uw leverancier over de verwijdering van

de batterij op het moment dat u het apparaat ann

het einde van de levensduur afdankt of de volgende

Yamaha Service Afdeiing:

Yamaha Music Nederland Service Afdeiing

Kanaalweg 18-G, 3526 KL UTRECHT

Tel. 030-2828425

• For the removal of the battery at the moment of the

disposal at the end of the service life please consult

your retailer or Yamaha Service Center as follows:

Yamaha Music Nederland Service Center

Address : Kanaalweg 18-G, 3526 KL UTRECHT

Tel : 030-2828425

• Gooi de batterij niet weg, maar lever hem in als

KCA.

• Do not throw away the battery. Instead, hand it in as

small chemical waste.

PLEASE KEEP THIS MANUAL

IMPORTANT SAFETY INSTRUCTIONS

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD

POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.

WARNING- When using any electrical or electronic product,

basic precautions should always be followed. These

precautions include, but are not limited to, the following:

1. Read all Safety Instructions, Installation Instructions,

Special Message Section items, and any Assembly

Instructions found in this manual BEFORE making any

connections, including connections to the main supply.

2. Main Power Supply Verification: Yamaha products are

manufactured specifically for the supply voltage in the area

where they are to be sold. If you should move, or if any doubt

exists about the supply voltage in your area, please contact

your dealer for supply voltage verification and (if applicable)

instructions. The required supply voltage is printed on the

name plate. For name plate location, please refer to the

graphic found in the Special Message Section of this manual.

3. This product may be equipped with a polarized plug (one

blade wider than the other ). If you are unable to insert the plug

into the outlet, turn the plug over and try again. If the problem

persists, contact an electrician to have the obsolete outlet

replaced. DO NOT defeat the safety purpose of the plug.

4. Some electronic products utilize external power supplies

or adapters. DO NOT connect this type of product to any

power supply or adapter other than one described in the

owners manual, on the name plate, or specifically

recommended by Yamaha.

5. WARNING: Do not place this product or any other

objects on the power cord or place it in a position where

anyone could walk on, trip over, or roll anything over power or

connecting cords of any kind. The use of an extension cord is

not recommended! IF you must use an extension cord, the

minimum wire size for a 25' cord (or less) is 18 AWG. NOTE:

The smaller the AWG number,the larger the current handling

capacity. For longer extension cords, consult a local

electrician.

6. Ventilation: Electronic products, unless specifically

designed for enclosed installations, should be placed in

locations that do not interfere with proper ventilation. If

instructions for enclosed installations are not provided,it must

be assumed that unobstructed ventilation is required.

7. Temperature considerations: Electronic products should

be installed in locations that do not significantly contribute to

their operating temperature. Placement of this product close to

heat sources such as; radiators, heat registers and other

devices that produce heat should be avoided.

8. This product was NOT designed for use in wet/damp

locations and should not be used near water or exposed to

rain. Examples of wet /damp locations are; near a swimming

pool, spa, tub, sink, or wet basement.

9. This product should be used only with the components

supplied or; a cart ,rack, or stand that is recommended by the

manufacturer . If a cart, rack, or stand is used, please observe

all safety markings and instructions that accompany the

accessory product.

10. The power supply cord (plug) should be disconnected

from the outlet when electronic products are to be left unused

for extended periods of time. Cords should also be

disconnected when there is a high probability of lightening

and/or electrical storm activity.

11. Care should be taken that objects do not fall and liquids

are not spilled into the enclosure through any openings that

may exist.

12. Electrical/electronic products should be serviced by a

qualified service person when:

a. The power supply cord has been damaged; or

b. Objects have fallen, been inserted, or liquids have

been spilled into the enclosure through openings; or

c. The product has been exposed to rain; or

d. The product does not operate, exhibits a marked

change in performance; or

e. The product has been dropped, or the enclosure of the

product has been damaged.

13. Do not attempt to service this product beyond that

described in the user-maintenance instructions. All other

servicing should be referred to qualified service personnel.

14. This product, either alone or in combination with an

amplifier and headphones or speaker/s, may be capable of

producing sound levels that could cause permanent hearing

loss. DO NOT operate for a long period of time at a high

volume level or at a level that is uncomfortable. If you

experience any hearing loss or ringing in the ears, you should

consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time

period before damage occurs.

15. Some Yamaha products may have benches and/or

accessory mounting fixtures that are either supplied as a part

of the product or as optional accessories. Some of these items

are designed to be dealer assembled or installed. Please

make sure that benches are stable and any optional fixtures

(where applicable) are well secured BEFORE using. Benches

supplied by Yamaha are designed for seating only. No other

uses are recommended.

92-469-2

Congratulations! …and thank you for purchasing the

Yamaha P-200. The P-200 is a high-performance

electronic piano with full-scale, weighted action

keyboard, a selection of high quality piano and other

useful instrument voices, and versatile performance and

other advanced features which make it ideal for

professional stage and studio applications, as well as for

home entertainment and music study use. The P-200’s

main features include:

■ High quality AWM piano

and other sounds

The P-200 features a selection of twelve high quality instrument

voices generated by Yamaha’s patented AWM (Advanced Wave

Memory) sound generation technology. There are several piano

sounds—including a concert grand piano, with full-bodied bass

tones and reverberating high notes, that accurately captures the

natural characteristics of a real grand piano—plus various electric

pianos, vibes, organ combinations, strings and electric and upright

bass. With a maximum simultaneous “polyphonic” note output of

64 notes, the P-200 delivers uncompromising performance

capabilities.

■ Organ combination editing

The P-200 comes equipped with two preset organ voices, plus

organ combination editing features which let you create your own

organ sounds and store them in Performances for instant recall.

The organ combination editing features give you precise control

over flute footages as well as attack settings.

■ Digital signal processing

The P-200 has a built-in digital signal processor that lets you apply

stereo reverb, chorus, symphonic and tremolo effects to the

voices, and lets you tailor the quality of the voices to suit your

needs with an internal equalizer, as well as a three-band graphic

equalizer on the upper panel.

■ Touch-sensitive keyboard with

velocity scaling

The P-200’s full-range 88-key, weighted action piano keyboard

incorporates Yamaha’s unique Graded Hammer Effect keyboard

technology, which gives it the genuine feel and response of a real

piano keyboard. You can even adjust the keyboard’s sensitivity

level, or velocity scaling, to suit your playing style, for both internal

tone generator and MIDI message transmission.

■ Dual and Split voice modes

The P-200’s Dual and Split modes let you play two voices at once,

a “main” voice and a “sub” voice, either by layering the two voices

of your choice (Dual mode) or by assigning a different voice to

each end of the keyboard (Split mode). In Split mode, the key

transposition values can be set independently for both main and

sub voices.

■ One-touch Performance recall

The P-200 features a Performance Play mode that lets you store

up to 24 Performances, or configurations of all voice, MIDI and

other parameter settings, for recall at the touch of a button. This

lets you instantly change your sound and entire setup as you play,

or between songs in a live set. The P-200 is set at the factory with

24 Preset Performances, but you can overwrite them and store

User Performances which you create yourself. The P-200 features

extensive editing and storing capabilities.

■ Master keyboard features

The P-200 offers many of the control features standard in a MIDI

master keyboard, including velocity sensitivity, pitch bend and

modulation wheels, an assignable CS (continuous slider), program

change send and receive capabilities, MIDI transpose and merge

functions, and bulk dumping and multitimbral capabilities. It even

lets you set separate MIDI transmit/receive channels for the main

and sub voices. Plus, the P-200 gives you the option of

connecting a foot controller (FC) that can be assigned MIDI and

other functions in the same manner as the CS. With its powerful

MIDI capabilities, the P-200 can easily serve as at the heart of an

expanded MIDI system.

5

INTRODUCTION

How to Use this Manual

This owner’s manual is organized and designed to help you get set up

and begin enjoying the P-200 as quickly as possible, as well as to

easily locate and learn about any feature you need.

The GETTING STARTED section briefly but thoroughly explains the

proper procedure for setting up the instrument, listening to the on-

board Demo songs, and exploring the basic voices.

The VOICE PLAY MODE, PERFORMANCE PLAY MODE and

EDIT MODE sections include explanations of each feature and step-

by-step details about how to access and manipulate the many

parameters.

An APPENDIX provides Voice and Performance lists and other

technical information, including descriptions of error messages and a

troubleshooting guide, plus MIDI specifications and other MIDI related

information.

Finally, an alphabetical INDEX lets you quickly reference the page

number of any feature you want to locate.

Special Symbols

Throughout this manual two special symbols are used to connote

additional information.

Indicates an important cautionary note for the feature being described.

Indicates a supplementary explanation for the feature being described.

NOTE

CAUTION

(1)-2

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep these precautions in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-

circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:

• Do not place the instrument against a wall (allow at least 3 cm/one-inch from

the wall), since this can cause inadequate air circulation, and possibly result in

the instrument overheating.

• Do not operate the instrument for a long period of time at a high or uncomfortable

volume level, since this can cause permanent hearing loss. If you experience

any hearing loss or ringing in the ears, consult a physician.

■REPLACING THE BACKUP BATTERY

• This instrument contains a non rechargeable internal backup battery which

permits internal data to remain stored even when the power is off. When the

backup battery needs replacing, the message "ERROR1 REPLACE BATTERY"

will display in the LCD screen. When this happens, immediately back up your

data (using an external device such as the floppy disk-based Yamaha MIDI

Data Filer MDF3), then have qualified Yamaha service personnel replace the

backup battery.

• Do not attempt to replace the backup battery yourself, in order to prevent the

possible serious hazards. Always have qualified Yamaha service personnel

replace the backup battery.

• Never place the backup battery in a location that a child can reach, since a child

might accidentally swallow the battery. If this should happen, consult a physician

immediately.

■SAVING USER DATA

• Save all data to an external device such as the Yamaha MIDI Data Filer MDF3,

in order to help prevent the loss of important data due to a malfunction or user

operating error.

Yamaha cannot be held responsible for damage caused by improper use or

modifications to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.

• Do not open the instrument or attempt to disassemble the internal parts or

modify them in any way. The instrument contains no user-serviceable parts. If

it should appear to be malfunctioning, discontinue use immediately and have it

inspected by qualified Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet

conditions, or place containers on it containing liquids which might spill into

any openings.

• If the power cord or plug becomes frayed or damaged, or if there is a sudden

loss of sound during use of the instrument, or if any unusual smells or smoke

should appear to be caused by it, immediately turn off the power switch,

disconnect the electric plug from the outlet, and have the instrument inspected

by qualified Yamaha service personnel.

• Do not place the power cord near heat sources such as heaters or radiators,

and do not excessively bend or otherwise damage the cord, place heavy objects

on it, or place it in a position where anyone could walk on, trip over, or roll

anything over it.

• When removing the electric plug from the instrument or an outlet, always hold

the plug itself and not the cord. Pulling by the cord can damage it.

• Do not connect the instrument to an electrical outlet using a multiple-connector.

Doing so can result in lower sound quality, or possibly cause overheating in

the outlet.

• Remove the electric plug from the outlet when the instrument is not to be used

for extended periods of time, or during electrical storms.

• Before connecting the instrument to other electronic components, turn off the

power for all components. Before turning the power on or off for all components,

set all volume levels to minimum.

• Do not expose the instrument to excessive dust or vibrations, or extreme cold

or heat (such as in direct sunlight, near a heater, or in a car during the day) to

prevent the possibility of panel disfiguration or damage to the internal

components.

• Do not use the instrument near other electrical products such as televisions,

radios, or speakers, since this might cause interference which can affect proper

operation of the other products.

• Do not place the instrument in an unstable position where it might accidentally

fall over.

• Before moving the instrument, remove all connected cables.

• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,

solvents, cleaning fluids, or chemical-impregnated wiping cloths. Also, do not

place vinyl, plastic or rubber objects on the instrument, since this might discolor

the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument, and do

not use excessive force on the buttons, switches or connectors.

• Use only the stand/rack specified for the instrument. When attaching the stand

or rack, use the provided screws only. Failure to do so could cause damage to

the internal components or result in the instrument falling over.

• Only use the voltage specified as correct for the instrument. The required voltage

is printed on the name plate of the instrument.

• Before cleaning the instrument, always remove the electric plug from the outlet.

Never insert or remove an electric plug with wet hands.

• Check the electric plug periodically and remove any dirt or dust which may

have accumulated on it.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the

instrument or other property. These precautions include, but are not limited to, the following:

INTRODUCTION ............................................................................................................ 5

PRECAUTIONS.............................................................................................................. 6

UPPER PANEL .............................................................................................................. 8

REAR PANEL............................................................................................................... 13

P-200 OVERVIEW........................................................................................................ 14

GETTING STARTED .................................................................................................... 18

Setting up the P-200....................................................................................................................... 18

Turning on the Power...................................................................................................................... 20

Playing the Demo Songs................................................................................................................. 21

Playing the Voices........................................................................................................................... 22

VOICE PLAY MODE ............................................................................................................ 23

Single Mode.................................................................................................................................... 24

Stereo/Mono Piano ......................................................................................................................... 25

Upright/Electric Bass....................................................................................................................... 25

Reverb Effects................................................................................................................................. 26

Modulation Effects .......................................................................................................................... 27

Panel Equalizer ............................................................................................................................... 29

Main and Sub Voices ...................................................................................................................... 29

Dual Mode ...................................................................................................................................... 30

Split Mode ...................................................................................................................................... 32

Transpose....................................................................................................................................... 37

MIDI Transmit Enable ...................................................................................................................... 40

MIDI Panic ...................................................................................................................................... 41

Panel Switch Lock .......................................................................................................................... 41

PERFORMANCE PLAY MODE ........................................................................................... 45

Selecting Single Voices ................................................................................................................... 46

Selecting Dual Voices...................................................................................................................... 47

Selecting Split Voices...................................................................................................................... 47

EDIT MODE ......................................................................................................................... 49

System ........................................................................................................................................... 51

MIDI Filter........................................................................................................................................ 53

Program Change (PC) Table............................................................................................................ 53

Channel .......................................................................................................................................... 54

Local............................................................................................................................................... 55

Continuous Slider (CS) / Foot Controller (FC)...................................................................................55

Panel Switch (PS)............................................................................................................................ 57

Name.............................................................................................................................................. 57

Organ Combination......................................................................................................................... 57

Pitch Bend Wheel (PB) / Modulation Wheel (MW) ............................................................................ 58

Keyboard Sensitivity........................................................................................................................ 58

Internal Equalizer............................................................................................................................. 59

Reverb ............................................................................................................................................ 59

Modulation...................................................................................................................................... 59

STORE ................................................................................................................................. 60

APPENDIX ........................................................................................................................... 62

Bulk Dump.......................................................................................................................................62

Initialize ........................................................................................................................................... 63

Using MIDI ...................................................................................................................................... 64

Error Messages............................................................................................................................... 67

Troubleshooting .............................................................................................................................. 68

Specifications...................................................................................................................................70

Index................................................................................................................................................71

Factory Default Settings ...................................................................................................................72

Blank Chart......................................................................................................................................78

MIDI Data Format.............................................................................................................................80

MIDI Implementation Chart...............................................................................................................89

7

CONTENTS

The LCD screen displays as illustrated in this manual are for instructional purposes only, and may

appear somewhat different from your P-200’s.

8

MIDI FILTE

SYSTEM

PIANO 1 PIANO 2

VOICE

PERF. B

PERF. A

EDIT

STORE

12

PAGE

DETUNE

TRANSPOSE

BALANCE

SPLIT

+1/YES-1/NO

MIDI

PS2PS1

CONTRAST

C3

CS

DATA ENTRY

VOLUME

MAX

MIN

MODULATION

PITCH

POWER

ON/ OFF

OUT

MIDI

IN

THRU

A

B

!

#

"

! [PHONES] jack

This jack on the front panel lets you connect a pair of stereo

headphones to the P-200 for private listening. The internal

speakers will automatically be disconnected when you plug in the

headphones. The sound of the internal voices output from the

[OUTPUT] jacks is not affected.

" Keyboard

This 88-key weighted action, touch-sensitive keyboard

incorporates Yamaha’s unique Graded Hammer Effect keyboard

technology, which gives it the genuine feel and response of a real

piano keyboard.

# Speakers

These two built-in 13 cm speakers each provide an output of 30

watts. If you connect the P-200 to an external monitor system, you

may choose to turn the speakers off using the [SPEAKER] switch

located on the rear panel.

UPPER PANEL

9

REVERB

MODULATION

ROOM

STAGE

HALL

CHORUS

SYMPHONIC

TREMOLO

EFFECT

LOW MIDDLE HIGH

EQUALIZER

INT.EQ

KBD SENS.

PB MW

NAMEPSCS FC

LOCAL

CHANNEL

PC TABLEMIDI FILTER

SYSTEM

PIANO 1 PIANO 2 PIANO 3 PIANO 4 E.PIANO 1 E.PIANO 2 E.PIANO 3 VIBES ORGAN 1 ORGAN 2 STRINGS BASS

VOICE

PERF. B

PERF. A

EDIT

STORE

ORGAN

COMBINATION

1 2 3 4 5 6 7 8 9 10 11 12

C3

OUT

MIDI

IN

THRU

FOOT CONTROLLER SOFT

SOSTENUTO

SUSTAIN

L/MONO

R

OUTPUT

L/MONO

INPUT

R

OFF ON

SPEAKER

ELECTRONIC PIANO P-200

C

#

"

10

MODULATION

PITCH

POWER

ON/ OFF

! [POWER] switch

This switch turns the power on and off. When the power is turned

on, the mode and status designated when the power was

previously turned off will still be active (with the exception of Panel

Swicth Lock; page 41).

" [PITCH] wheel

This wheel can be used to bend the pitch of the notes that you

play, up or down; the wheel automatically returns to the center

position when you release it. (In Dual mode, both voices are

affected; in Split mode, only the main voice is affected.) When the

MIDI Transmit Switch is enabled, you can use it to transmit pitch

bend messages to other instruments. You can assign the pitch

bend range to any value within a one-octave range.

# [MODULATION] wheel

This wheel can be used in various ways. Normally you will use it to

apply a vibrato effect to the notes that you play, with increasing

intensity as you roll it upwards; the wheel remains at the specific

position that you set it when you let go of it. (In Dual mode, both

voices are modulated; in Split mode, only the main voice is

modulated. The vibrato effect cannot be applied to Piano voices 1

~ 4.) You can also assign it to control reverb depth or modulation

speed. When MIDI transmission is enabled, you can use it to

transmit modulation messages to other instruments.

■UPPER PANEL—A

11

! [VOLUME] slider

This slider adjusts the overall volume of sound output from the

internal speakers (or headphones, if connected) as well as the

sound output from the [OUTPUT] jacks on the rear panel. Moving

the slider upward increases volume level, while moving the slider

downward decreases volume level.

" [CS, DATA ENTRY] slider

This is a multiple function slider. As a [CS] (continuous slider), you

can assign it to control a variety of functions. As a [DATA ENTRY]

slider, you can use it to change specific settings and parameters,

depending on the current mode and status. Moving the slider

upward increases the specified value, while moving the slider

downward decreases the specified value.

# [PS1, –1/NO] button

This is a dual function button. As a [PS1] (Panel Switch 1) button,

you can assign it to control various functions of the internal voices

as well as connected MIDI devices, as set by the PS Edit function.

As a [–1/NO] button, you can use it to change parameter settings

in decrements.

$ [PS2, +1/YES] button

This is a dual function button. As a [PS2] (Panel Switch 2) button,

you can assign it to control various functions of the internal voices

as well as connected MIDI devices, as set by the PS Edit function.

As a [+1/YES] button, you can use it to change parameter settings

in increments.

% [SPLIT, BALANCE, 1] button

This is a multiple function button. As a [SPLIT] button, you can use

it to enter Split mode, whether in Voice Play or Performance Play

mode, determine the split point and assign the keyboard area for

the main and sub voices. As a [BALANCE] button, you can use it

to set the relative volume levels of each Split and Dual voice, by

holding the [BALANCE] button and moving the [DATA ENTRY]

slider ". As a [1] (cursor left) button in Edit mode, you can use it

to move the cursor to the left in the LCD screen in order to

position it over a desired parameter.

& [TRANSPOSE, DETUNE, q] button

This is a multiple function button. As a [TRANSPOSE] button, you

can use it to set the keyboard transpose value for single as well as

both Dual voices or Split voices. As a [DETUNE] button, you can

use it to set the detune value for the two Dual voices, by holding it

and moving the [DATA ENTRY] slider ". As a [q] (cursor right)

button in Edit mode, you can use it to move the cursor to the right

in the LCD screen in order to position it over a desired parameter.

' [MIDI, PAGE] button

This is a dual function button. As a [MIDI] transmit button, you can

use it to quickly enable or disable the P-200’s transmission of MIDI

messages. You can also hold the [MIDI] button while pressing

other buttons to access certain features. As a [PAGE] button, you

can use it to step through the various pages of Edit functions

when the P-200 is in Edit mode.

( [CONTRAST] dial

This dial lets you adjust the contrast of the LCD screen for

optimum visibility. Rotating it to the left will decrease screen

contrast, while rotating it to the right will increase screen contrast.

) LCD screen

This backlit 32-character Liquid Crystal Display screen provides

various information about the modes and operating status of the

P-200. Certain messages are displayed only temporarily, but you

can designate the “Popup Time” according to your preference.

PAGE

DETUNE

TRANSPOSE

BALANCE

SPLIT

+1/YES-1/NO

MIDI

PS2PS1

CONTRAST

C3

VOLUME

MAX

MIN

PAGE

DETUNE

TRANSPOSE

BALANCE

SPLIT

+1/YES-1/NO

MIDI

PS2PS1

CONTRAST

C3

VOLUME

MAX

MIN

CS

DATA ENTRY

! " # $ % &

'

()

■ UPPER PANEL— B

12

! [STORE] button

This button lets you store changes that you make to a

Performance, as well as copy the current Performance into any

Performance memory. The P-200 can store 24 Performances.

" [EDIT] button

This button lets you enter Edit mode and access the various Edit

functions. After pressing it once, the LED above the [EDIT]

button will begin blinking, as will the light above the currently

selected [EDIT SELECT] button %. Pressing it again will return

you to the previous Play mode.

# [PERF. A, B] buttons

These buttons let you enter Performance Play mode and select

any of the 24 Performances. The P-200 is set at the factory with

24 Preset Performances, but you can overwrite them and store

User Performances which you create yourself. The [PERF. A]

and [PERF. B] banks hold 12 Performances each, and a lit LED

above one of the buttons indicates the currently active bank.

$ [VOICE] button

This button lets you enter Voice Play mode by pressing [VOICE]

and then pressing a [VOICE SELECT] button %. A lit LED above

the [VOICE] button indicates you’re in Voice Play mode.

% [VOICE, PERFORMANCE, EDIT SELECT]

buttons

These 12 buttons each have multiple functions, depending on

the current mode. In Voice Play mode you can use them to

select any of the 12 preset AWM instrument voices you want to

play; the voice names are printed in above the buttons. In

Performance Play mode you can use them to select any of the

24 Performances (12 Performances per bank); the Performance

numbers are printed above the buttons. In Edit mode, you can

use them to select the Edit functions; the Edit function names

are printed in green below the buttons.

& [REVERB] button

This button lets you select either a Room, Stage or Hall reverb

effect, or no reverb effect, to apply to the currently selected

voice. Each voice has a default reverb setting preprogrammed at

the factory which you can change.

' [MODULATION] button

This button lets you select either a Chorus, Symphonic or

Tremolo modulation effect, or no modulation effect, to apply to

the currently selected voice. Each voice has a default modulation

setting preprogrammed at the factory which you can change.

( [EQUALIZER] sliders

These sliders let you graphically adjust the level of the sound

output of the P-200 in three bands: High, Middle and Low. In

Dual and Split modes, the changes you make will affect both

voices.

REVERB

MODULATION

ROOM

STAGE

HALL

CHORUS

SYMPHONIC

TREMOLO

EFFECT

LOW MIDDLE HIGH

EQUALIZER

INT.EQ

KBD SENS.

PB MW

NAMEPSCS FC

LOCAL

CHANNEL

PC TABLEMIDI FILTER

SYSTEM

PIANO 1 PIANO 2 PIANO 3 PIANO 4 E.PIANO 1 E.PIANO 2 E.PIANO 3 VIBES ORGAN 1 ORGAN 2 STRINGS BASS

VOICE

PERF. B

PERF. A

EDIT

STORE

ORGAN

COMBINATION

123456 897 10 11 12

!

# $%& ' (



"

■UPPER PANEL—C

SPEAKER

ON OFF

INPUT

R L/MONO

OUTPUT

SUSTAIN

SOSTENUTO

SOFT

FOOT CONTROLLER

THRU

MIDI

OUT

IN

13

! [SPEAKER] switch

This switch lets you turn off the P-200’s internal speakers. It does

not affect the output from the [OUTPUT] jacks or the [PHONES]

jack.

" [INPUT] jacks

These jacks let you input line-level signals from another electronic

instrument, such as a rhythm programmer, external tone

generator, or synthesizer, and monitor it through the P-200’s

internal speakers. Use the [L/MONO] jack when connecting only a

single line.

# [OUTPUT] jacks

These jacks output line-level signals which can be input directly to

an external amplifier, mixer or other audio device. Use the

[L/MONO] jack if your audio equipment has only one input.

$ Pedal jacks

These jacks let you connect up to three foot pedals and use them

as sustain, sostenuto and soft pedals. A single FC4 footswitch is

included with your P-200. If you wish to attach additional foot

pedals, be sure to use only Yamaha models FC4 or FC5.

% [FOOT CONTROLLER] jack

This jack lets you connect a foot controller (Yamaha FC7, available

separately) for use as an auxiliary controller. The [FC] foot

controller can be assigned to control a variety of functions,

including reverb depth or modulation speed, which lets you

change these parameters by foot as you play.

& [MIDI] terminals

These terminals allow the P-200 to communicate with other MIDI

devices, using standard MIDI cables. To control the P-200 using a

sequencer or another keyboard, connect the MIDI out jack of the

external device to the [MIDI IN] jack of the P-200. To control

another device (such as a synthesizer or tone generator) using the

P-200, connect the [MIDI OUT] jack of the P-200 to the MIDI in

jack of the external device. The [MIDI THRU] jack simply passes

the data received at the P-200’s [MIDI IN] jack through unaffected,

and is used when connecting three or more MIDI devices in a

series.

REAR PANEL

14

■Voice Play and Performance Play Modes

The P-200 has two basic Play modes, Voice Play mode and Performance Play

mode. Within each mode are various Voice and Performance parameters, or settings

that you can change, which make up the sound of the selected voice and the

specific operating status of the P-200.

A group of overall System settings apply to both Voice Play and Performance Play

modes, and Edit mode lets you access and edit a wide variety of System and other

functions, as shown in the following illustration.

As the above illustration shows, the primary difference between Voice Play mode and

Performance Play mode is:

■ In Voice Play mode, a single set of Performance parameter settings apply to any

voice (and its specified Voice parameter settings) which you select.

■ In Performance Play mode, a complete set of Performance parameters can be

configured specifically for any particular voice (and its specified Voice parameter

settings). The P-200 can store up to 24 Performances for instant recall.

Normally you will operate in Voice Play mode, Auto Store status (See “About Store

Type”, next page)—as you select sounds and make parameter assignments as

dictated by your current music session. Then you can store those settings to any of

the 24 Performances, which you can then access at any time by the press of a

[PERFORMANCE SELECT] button in Performance Play mode. (You can also perform

bulk dump operations of Performance data to and from an external MIDI device such

as the Yamaha MDF3 MIDI Data Filer.)

P-200 OVERVIEW

The Yamaha P-200 is a versatile electronic piano with very high fidelity piano and other sounds and the

genuine touch and response of a real piano.

In its simplest form of use, all you really need to do is switch it on and start playing! However, this is just barely

scratching the surface, since the P-200 has powerful performance and MIDI master keyboard capabilities.

Below is an overview of the basic operating modes and the system structure of the P-200, with explanations of

how the various features relate to each other during practical use of the instrument.

PERFORMANCE PLAY MODEVOICE PLAY MODE

SYSTEM

EDIT MODE / STORE FUNCTIONS

PERF. A

01~12

PERF. B

01~12

VOICE

PARAMETERS

VOICE 01~12

PERFORMANCE

PARAMETERS

15

■ Voice Parameters

In Voice Play mode, each of the P-200’s AWM instrument voices have a set of Voice

parameters that are initially set at the factory, but which you can change to suit your

needs.

These include controller parameters such as pitch bend range and modulation wheel

assignment, keyboard sensitivity parameters for internal or MIDI applications, and

effect parameters such as reverb type and depth, modulation type and speed, and

internal equalizer settings.

In Voice Play mode you can access a single set of Performance parameters and in

Performance Play mode you can access 24 sets of Performance parameters.

Although you can freely change the voices in Performance Play mode, only a single

set of Voice parameters is available for each Performance.

VOICE PARAMETERS

CONTROLLERS

• Pitch Bend Range

• Modulation Wheel Assign

KEYBOARD SENSITIVITY

• Internal

• MIDI

EFFECT

• Reverb Type, Speed

• Modulation Type, Speed

• Equalizer (Internal) Low, Mid, High

ABOUT STORE TYPE

You can choose the Store Type—Non Auto Store and Auto Store.

When Non Auto Store is selected, the store operation is always required (except

when modifying System related parameters; see page 17) if you want to save the

current settings.

When Auto Store is selected, all changes you make will automatically be stored

without the need to perform a specific storing procedure.

The default setting for a new (or initialized) P-200 is Non Auto Store. (For

information about changing the Store Type, see page 52.)

Explanations in this Owner’s Manual assume that Auto Store is selected.

Therefore, the LCD illustrations herein may be slightly different than the screens

on your P-200.

16

■Performance Parameters

In Performance Play mode, the P-200 has 24 sets of Performance parameters which

let you configure settings for specific music situations (i.e., for a certain style of

music, or a particular song, or for a practice session, or a live set, etc.). This affords

you the convenience of being able to recall those settings instantly at the press of a

button when in Performance Play mode.

Performance parameters include the voice selection (a set of voice parameters),

keyboard Single, Dual or Split mode and settings, main and sub voice assignments,

User organ combination values, transposition values, keyboard local on or off setting,

MIDI transmit and receive channel numbers, plus function assignments for [PS1],

[PS2], [CS] and [FC] (foot controller), the Performance name and others.

In Voice Play mode you can specify settings for a single set of Performance

parameters.

Performance Parameters

VOICE SELECT

12 voices

(A set of voice parameters)

KEYBOARD MODE Single, Dual, Split

VOICE Main, Sub

PIANO 1/2 Stereo, Mono

BASS Upright, Electric

ORGAN COMBINATION

• Footage

• Response,

Attack (Length and Mode)

BALANCE –16 ~ 15

DETUNE 0 ~ 7

SPLIT POINT

• A-1 ~ C7

• MAIN VOICE (Upper, Lower)

TRANSPOSE

• Enable Switch

• Internal Main, Sub

• MIDI Main, Sub

MIDI CHANNEL

• Transmit

• Receive

LOCAL On, Off

CONTROLLERS

• PS 1/2 Assign

• CS Assign, Range

• FC Assign, Range

NAME Character select

17

Descriptions of all parameters and

details about how to access and

manipulate them are provided in the

appropriate sections herein. Also see

the Blank Chart on page 78.

■ System Settings

The P-200’s overall System settings encompass those “global” parameters which are

related to the instrument as a whole, and which therefore affect both Voice Play and

Performance Play modes.

These include master tuning, MIDI transmit enable, MIDI filter transmit and receive

parameter settings, MIDI program change table settings, and others.

SYSTEM

MIDI TRANSMIT ENABLE On, Off

• Master Tune

• Reverb Bypass

• Device Number

SYSTEM • MIDI Merge

• Performance Enable

• Popup Time

• Store Type

• Panel Switch Lock Mode

MIDI FILTER

• Transmit

• Receive

PROGRAM CHANGE TABLE

• Transmit Number, Bank

Select Number

• Receive Number

■Editing and Storing Features

When the P-200 is in Edit mode, you can access and modify the System and other

parameters.

A convenient Auto Store feature (which you can disengage) automatically stores the

System settings and other parameters as you change them. Within either Voice Play

mode or Performance Play mode, you can store the current set of all settings as a

User Performance.

There is a fine distinction between Voice Play mode store and Performance Play

mode store functions. In Voice Play mode, you can overwrite the current set of Voice

and Performance parameter settings. In Performance Play mode, you can select a

specific destination Performance in which to store the current Performance

parameter settings. Therefore, if you select a destination Performance in which to

store the current Voice Play mode Performance parameter settings, you are storing it

in the Performance Play mode.

You will find it most convenient to set up your Performances in Voice Play mode,

Auto Store status, since voice selection is so simple, then copy it to one of the 24

Performance memories for instant recall when you need it.

By switching into Non Auto Store status, you can be sure that your Performances are

protected, and any changes you make in one will not be applied unless you

specifically store, or overwrite, it. In Edit mode, the P-200 will prompt you

automatically whether or not to overwrite the current changes.

You can also dump Performance data to and from external MIDI devices.

NOTE

18

GETTING STARTED

This section explains how to set up the P-200 and the proper procedure for turning it on, playing the

preprogrammed Demo songs, and basic voice selection.

■Setting up the P-200

Although setting up the P-200 for basic play is easy and straightforward, be sure to

take heed of the Precautions on page 6 before you begin, then carefully follow the

simple steps as outlined below.

P-200 SETUP PROCEDURE

1.

Prepare a suitable location.

The P-200 is relatively small for an 88-key instrument, but it is very solidly built

and therefore quite heavy. First you’ll want to prepare a suitable location for

your P-200. Please do not hesitate to ask someone to help you take it out of

the box and carefully place it on an optionally available Yamaha LP-3 keyboard

stand or a sturdy table.

2.

Plug in the power cord.

Next plug the P-200’s power cord into an AC outlet. Do not turn on the

[POWER] switch until you have made all connections as described below.

3.

Connect the sustain pedal.

Next plug the supplied FC4 footswitch into the [SUSTAIN] jack on the rear

panel, so you can use it as a sustain pedal. If you have purchased additional

FC4 or FC5 footswitches, connect them to the [SOSTENUTO] and [SOFT]

jacks.

Footswitch FC4

SPEAKER

ON OFF

INPUT

R L/MONO

OUTPUT

SUSTAIN

SOSTENUTO

SOFT

FOOT CONTROLLER

THRU

MIDI

OUT

IN

19

Before connecting the P-200 to any

external device, be sure that the power

switches of all devices are turned off.

4.

Connect external line-level components.

If you wish to monitor the P-200’s output using an external line-level mixer or

amplifier, connect the input of the external component to the P-200’s

[OUTPUT] jacks on the rear panel. (Use both jacks for stereo output; use the

[L/MONO] jack for mono output.)

If you wish to listen to your P-200 using headphones, connect a pair of stereo

headphones to the [PHONES] jack located on the left side of the front panel.

The P-200’s internal speakers will automatically be disconnected whenever

headphones are plugged into the [PHONES] jack.

If you wish to monitor the output of an external line-level device (such as a

rhythm programmer, tone generator or synthesizer) via the P-200’s internal

speakers, connect the output of the external device to the P-200’s [INPUT]

jacks on the rear panel. (Use both jacks for stereo input; use the [L/MONO]

jack for mono input.)

OUTPUT R

OUTPUT L/MONO

P-200

Amp

Speaker (L) Speaker (R)

REVERB

MODULATION

ROOM

STAGE

HALL

CHORUS

SYMPHONIC

TREMOLO

EFFECT

LOW MIDDLE HIGH

EQUALIZER

INT.EQ

KBD SENS.

PB MIW

NAMEPSCS FC

LOCAL

CHANNEL

PC TABLEMIDI FILTER

SYSTEM

PIANO 1 PIANO 2 PIANO 3 PIANO 4 E.PIANO 1E.PIANO 2 E.PIANO 3 VIBES ORGAN 1 ORGAN 2 STRINGS BASS

VOICE

PERF. B

PERF. A

EDIT

STORE

ORGAN

COMBINATION

123456789101112

PAGE

DETUNE

TRANSPOSE

BALANCE

SPLIT

+1/YES-1/NO

MIDI

PS2PS1

CONTRAST

C3

CS

DATA ENTRY

VOLUME

MAX

MIN

MODULATION

PITCH

POWER

ON/ OFF

OUT

MIDI

IN

THRU

FOOT CONTROLLER SOFT

SOSTENUTO

SUSTAIN

L/MONO

R

OUTPUT

L/MONO

INPUT

R

OFF ON

SPEAKER

P-200

REVERB

MODULATION

ROOM

STAGE

HALL

CHORUS

SYMPHONIC

TREMOLO

EFFECT

LOW MIDDLE HIGH

EQUALIZER

INT.EQ

KBD SENS.

PB MIW

NAMEPSCS FC

LOCAL

CHANNEL

PC TABLEMIDI FILTER

SYSTEM

PIANO 1 PIANO 2 PIANO 3 PIANO 4 E.PIANO 1E.PIANO 2 E.PIANO 3 VIBES ORGAN 1 ORGAN 2 STRINGS BASS

VOICE

PERF. B

PERF. A

EDIT

STORE

ORGAN

COMBINATION

123456789101112

PAGE

DETUNE

TRANSPOSE

BALANCE

SPLIT

+1/YES-1/NO

MIDI

PS2PS1

CONTRAST

C3

CS

DATA ENTRY

VOLUME

MAX

MIN

MODULATION

PITCH

POWER

ON/ OFF

OUT

MIDI

IN

THRU

FOOT CONTROLLER SOFT

SOSTENUTO

SUSTAIN

L/MONO

R

OUTPUT

L/MONO

INPUT

R

OFF ON

SPEAKER

INPUT R

INPUT L/MONO

P-200

Tone Generator

REVERB

MODULATION

ROOM

STAGE

HALL

CHORUS

SYMPHONIC

TREMOLO

EFFECT

LOW MIDDLE HIGH

EQUALIZER

INT.EQ

KBD SENS.

PB MIW

NAMEPSCS FC

LOCAL

CHANNEL

PC TABLEMIDI FILTER

SYSTEM

PIANO 1 PIANO 2 PIANO 3 PIANO 4 E.PIANO 1E.PIANO 2 E.PIANO 3 VIBES ORGAN 1 ORGAN 2 STRINGS BASS

VOICE

PERF. B

PERF. A

EDIT

STORE

ORGAN

COMBINATION

123456789101112

PAGE

DETUNE

TRANSPOSE

BALANCE

SPLIT

+1/YES-1/NO

MIDI

PS2PS1

CONTRAST

C3

CS

DATA ENTRY

VOLUME

MAX

MIN

MODULATION

PITCH

POWER

ON/ OFF

OUT

MIDI

IN

THRU

FOOT CONTROLLER SOFT

SOSTENUTO

SUSTAIN

L/MONO

R

OUTPUT

L/MONO

INPUT

R

OFF ON

SPEAKER

CAUTION

20

5.

Connect MIDI devices.

If you wish to connect the P-200 to external MIDI devices such as a rhythm

programmer, tone generator or synthesizer, you will need special MIDI cables

which plug into the [MIDI] jacks on the rear panel. First, however, you must

determine a MIDI system configuration, based on your particular needs or

desires. Some examples of MIDI system connections, along with information

about MIDI, are provided on page 64.

6.

Attach the music stand.

Finally, attach the supplied music stand to the P-200 by carefully inserting it

into the slots on the rear panel.

■ Turning on the Power

After setting up the P-200, you’re ready to turn on the power and begin enjoying the

instrument’s great sounds and many versatile performance and other features.

MIDI Cable

MIDI OUT

MIDI IN

P-200

Sequencer

REVERB

MODULATION

ROOM

STAGE

HALL

CHORUS

SYMPHONIC

TREMOLO

EFFECT

LOW MIDDLE HIGH

EQUALIZER

INT.EQ

KBD SENS.

PB MIW

NAMEPSCS FC

LOCAL

CHANNEL

PC TABLEMIDI FILTER

SYSTEM

PIANO 1 PIANO 2 PIANO 3 PIANO 4 E.PIANO 1E.PIANO 2 E.PIANO 3 VIBES ORGAN 1 ORGAN 2 STRINGS BASS

VOICE

PERF. B

PERF. A

EDIT

STORE

ORGAN

COMBINATION

123456789101112

PAGE

DETUNE

TRANSPOSE

BALANCE

SPLIT

+1/YES-1/NO

MIDI

PS2PS1

CONTRAST

C3

CS

DATA ENTRY

VOLUME

MAX

MIN

MODULATION

PITCH

POWER

ON/ OFF

OUT

MIDI

IN

THRU

FOOT CONTROLLER SOFT

SOSTENUTO

SUSTAIN

L/MONO

R

OUTPUT

L/MONO

INPUT

R

OFF ON

SPEAKER

Switch on the [POWER] button, then gradually raise the [VOLUME] slider until you

obtain a comfortable listening level.

MODULATION

PITCH

POWER

ON/ OFF

VOLUME

MAX

MIN

Always turn the P-200 on first, and

then turn on external MIDI and audio

devices last. However, if a line-level

device is plugged into the P-200’s

[INPUT] jacks, turn it on before turning

on the P-200. When turning off the

power of each device, simply reverse

the process.

CAUTION

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