Klark Teknik DN540 User manual

Category
Supplementary music equipment
Type
User manual
Klark Teknik,
Klark Industrial Park,
Walter Nash Road,
Kidderminster.
Worcestershire.
DY11 7HJ.
England.
Tel: +44 1562 741515
Fax: +44 1562 745371
Website: www.klarkteknik.com
DN540
Creative Quad Compressor
Operator Manual
DN540 Creative Quad Compressor — Operator Manual
DOC02-DN540 Issue B — February 2011
© Red Chip Company Ltd.
In line with the company’s policy of continual improvement, specifications and function may be
subject to change without notice. This Operator Manual was correct at the time of writing. E&OE.
IMPORTANT SAFETY INSTRUCTIONS
The lightning flash with arrowhead symbol within an equilateral triangle is
intended to alert the user to the presence of uninsulated “dangerous voltage”
within the product's enclosure that may be of sufficient magnitude to constitute a
risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user
to the presence of important operating and maintenance (servicing) instructions
in the literature accompanying the product.
1 Read these instructions.
2 Keep these instructions.
3 Heed all warnings.
4 Follow all instructions.
5 Do not use this apparatus near water.
6 Clean only with a dry cloth.
7 Do not block any of the ventilation
openings. Install in accordance with the
manufacturer’s instructions.
8 Do not install near any heat sources such
as radiators, heat registers, stoves, or
other apparatus (including amplifiers) that
produce heat.
9 Do not defeat the safety purpose of the
polarized or grounding-type plug. A
polarized plug has two blades with one
wider than the other. A grounding type
plug has two blades and a third grounding
prong. The wide blade or the third prong
are provided for your safety. If the
provided plug does not fit into your outlet,
consult an electrician for replacement of
the obsolete outlet.
10 Protect the power cord from being walked
on or pinched particularly at plugs,
convenience receptacles and the point
where they exit from the apparatus.
11 Only use attachments/accessories
specified by the manufacturer.
12 Unplug this apparatus during lightning
storms or when unused for long periods of
time.
13 Refer all servicing to qualified personnel.
Servicing is required when the apparatus
has been damaged in any way, such as
power-supply cord or plug is damaged,
liquid has been spilled or objects have
fallen into the apparatus, the apparatus
has been exposed to rain or moisture,
does not operate normally, or has been
dropped.
14 Use the mains plug to disconnect the
apparatus from the mains.
15 Warning: To reduce the risk of fire or
electric shock, do not expose this
apparatus to rain or moisture.
16 Warning: Do not expose this
equipment to dripping or splashing
and ensure that no objects filled with
liquids, such as vases, are placed on
the equipment.
17 Warning: The mains plug of the power
supply cord shall remain readily
operable.
INSTRUCTIONS DE SÉCURITÉ IMPORTANTES
Le symbole représentant un éclair fléché dans un triangle équilatéral a pour but
d'alerter l'utilisateur de la présence d'une "tension dangereuse" non isolée à
l'intérieur du boîtier, pouvant être d'une force suffisante pour constituer un risque
d'électrocution.
Le point d'exclamation dans un triangle équilatéral a pour but d'alerter
l'utilisateur de la présence d'instructions importantes concernant le
fonctionnement et la maintenance, dans la documentation qui accompagne
l'appareil.
1 Veuillez lire ces instructions.
2 Conservez ces instructions.
3 Respectez toutes les consignes de
sécurité.
4 Suivez scrupuleusement toutes les
instructions.
5 N'utilisez pas cet appareil près d'un point
d'eau.
6 Utilisez uniquement un chiffon sec pour le
nettoyer.
7 N'obstruez aucune des ouïes de
ventilation. Installez-le en respectant les
instructions du fabricant.
8 Ne l'installez pas près de sources de
chaleur tels que radiateurs, panneaux
chauffants, étuves, ou autres appareils
produisant de la chaleur (dont les
amplificateurs).
9 Ne pas utiliser d'adaptateur pour
supprimer la prise de terre des prises à
trois fiches. Si la prise fournie ne peut pas
être branchée dans la prise électrique,
adressez-vous à un électricen qui
remplacera la prise obsolète.
10 Protégez le cordon secteur afin que l'on ne
marche pas dessus et qu'il ne soit pas
pincé, surtout au niveau des prises, ou à
l'endroit où il sort de l'appareil.
11 Utilisez exclusivement des fixations et des
accessoires recommandés par le fabricant.
12 Débranchez l'appareil en période d'orage
ou s'il doit rester inutilisé pendant
longtemps.
13 Confiez toutes les réparations et
interventions à un personnel qualifié. Une
intervention est nécessaire si l'appareil a
été endommagé d'une façon ou d'une
autre, si son cordon ou sa prise secteur
ont été endommagés, si du liquide a été
renversé ou si des objets sont tombés à
l'intérieur, ou encore si l'appareil a été
exposé à la pluie ou à l'humidité, s'il ne
fonctionne pas normalement, ou s'il est
tombé.
14 Débrancher l'appareil du réseau électrique
par la prise de secteur.
15 Avertissement : afin de réduire le
risque d'incendie ou de choc
électrique, ne pas exposer cet
appareil à la pluie ou à de l'humidité.
16 Avertissement : n'exposez pas cet
équipement aux éclaboussures et
veillez à ce qu'aucun récipient rempli
de liquide, verre ou vase, ne soit posé
dessus.
17 Avertissement : la prise secteur doit
toujours rester directement
accessible.
EC-Declaration of Conformity
Klark Teknik
DOC04-DN540ECDOC Rev. C
EC-Declaration of Conformity
The undersigned, representing the following manufacturer
Manufacturer: Address:
Midas Klark Teknik Ltd. Klark Industrial Park, Walter Nash Road,
Kidderminster. Worcestershire. DY11 7HJ.
hereby declares that the following product
Product Type Number Product Description Nominal Voltage(s) Current Freq.
DN540 Creative Quad Compressor
115V AC
230V AC
200mA
100mA
50/60Hz
is in conformity with the regulations of the following marked EC-directives and bears the
-mark accordingly
reference number title
2004/108/EC EMC Directive (EMC)
2006/95/EC Low-Voltage Directive (LVD)
The conformity of the product with EC directives for use in environments E1, E2, E3 and E4 is provided by
the compliance with the following standards:
Standards/date:
reference number title
EN 60065:2002 Audio, video and similar electronic apparatus. Safety requirements.
Applied EMC emission test standards:
w
ref. no. title
EN 55103-1:1996
Class B
EN 55103-1 Annex A: Radiated
magnetic disturbance, 50Hz-50kHz
CISPR 22: Radiated disturbance,
30-1000MHz
EN 55103-1 Annex E: Conducted
disturbance, ac & signal ports
EN 61000-3-2:2006 Mains
harmonics
EN 61000-3-3:1995 Mains voltage
flicker
Applied EMC immunity test standards:
ref. no. title
EN 61000-4-2:1995 Electrostatic
discharge
EN 55103:1996
Class B
EN 61000-4-3:1996: Radiated RF
disturbance, 80-1000MHz
EN 55103-2 Annex A: Magnetic LF
disturbance, 50Hz-10kHz
EN 61000-4-4:1995: Fast transient
bursts, ac & signal ports
EN 61000-4-5:1995: Surge, ac port
EN 61000-4-6:1996: Conducted RF
field, ac & signal ports
EN 61000-4-11:1994: Mains voltage
dips and interruptions
Place, date: Kidderminster, UK
9th February 2011
SVP, Midas Klark Teknik AVP, Product Development
Printed name: John Oakley Printed name: Alex Cooper
DN540
Operator Manual vii
Precautions
Before installing, setting up or operating this equipment please ensure that you have read
and fully understand all of this section and the “IMPORTANT SAFETY INSTRUCTIONS” at
the front of this manual.
This equipment is supplied by a mains voltage that can cause electric shock injury!
The following special limitations must be observed in order to maintain safety and electromagnetic
compatibility performance.
Safety warnings
This equipment is fitted with a mains
power socket. For safety reasons the
earth leads must not be disconnected.
Signal 0V is connected internally to the
chassis.
To completely disconnect this equipment
from the AC mains, while observing full
safety precautions (see “Power” on
page vii), switch off the mains at the
mains outlet. It is now safe to isolate the
unit by unplugging the mains lead from
its rear panel.
To avoid electrical shock do not remove
covers. Refer servicing to qualified
personnel only.
The power supplies — even the DC ones
have a high current!
General precautions
The following information gives basic safety
precautions that should be observed to reduce
the risk of fire, electric shock and personal
injury:
Never operate damaged equipment and
never operate equipment with damaged
cables.
Do not remove, obscure or deface any
warnings or cautions.
Power
Please note that the system power supplies
contain LETHAL VOLTAGES greatly in excess of
the mains voltage and that its rails can
produce extremely large currents that could
burn out equipment and wiring if shorted. All
testing and servicing must ONLY be carried out
by approved service engineers.
This apparatus should only be operated with
the power supply connected to ground via the
ground in the mains connector.
The internal power supplies are of the switch
mode type that automatically sense the
incoming mains voltage and will work where
the nominal voltage is in the range 100VAC to
240VAC.
When removing the equipment’s electric plugs
from the outlets, always hold the plug itself
and not the cable. Pulling out the plug by the
cable can damage it.
Never insert or remove an electric plug with
wet hands.
Handling the equipment
Completely isolate the equipment electrically
and disconnect all cables from the equipment
before moving it.
When lifting or moving the equipment, always
take its size and weight into consideration.
Do not insert your fingers or hand in any gaps
or openings on the equipment, for example,
vents.
Avoid inserting or dropping foreign objects,
such as paper, plastic, metal etc., into any
gaps or openings on the equipment, for
example, vents. If this happens, immediately
disconnect the equipment from the mains (see
“Safety warnings” on page vii). Then, have
the equipment inspected by the
manufacturer's qualified service personnel.
Precautions
DN540
viii Operator Manual
Installation
Before installing the equipment:
Power plugs must be inserted in socket
outlets provided with protective earth
contacts. The electrical supply at the
socket outlets must provide appropriate
over-current protection.
Both the mains supply and the quality of
earthing must be adequate for the
equipment.
Before connecting up the equipment, check
that the mains power supply voltage rating
corresponds with the local mains power
supply. The rating of the mains power
supply voltage is printed on the equipment.
Location
Ideally a cool area is preferred, away from
power distribution equipment or other
potential sources of interference.
Do not install the equipment in places of
poor ventilation.
Do not install this equipment in a location
subjected to excessive heat, dust or
mechanical vibration. Allow for adequate
ventilation around the equipment, making
sure that its vents are not obstructed. To
prevent excessive heating of the
equipment, avoid mounting it directly
above power amplifiers or other devices
that radiate significant amounts of heat,
such as radiators and heaters. Keep the
equipment out of direct sunlight.
Make sure that the mains voltage and fuse
rating information of the equipment will be
visible after installation.
Audio connections
To ensure the correct and reliable operation of
the equipment, only high quality balanced,
screened, twisted pair audio cable should be
used.
XLR connector shells should be of metal
construction so that they provide a screen
when connected to a console and, where
appropriate, they should have Pin 1 connected
to the cable screen.
In the event of ground loop problems,
disconnect the signal screen at one end of the
connecting cables. Note that this can only be
done when the equipment is used within a
balanced system.
Radio frequency
interference - Class B
device
This equipment has been tested and found to
comply with the limits for a Class B digital
device, pursuant to part 15 of the FCC Rules.
These limits are designed to provide
reasonable protection against harmful
interference in a residential installation. This
equipment generates, uses, and can radiate
radio frequency energy and, if not installed
and used in accordance with the instructions,
may cause harmful interference to radio
communications. However, there is no
guarantee that interference will not occur in a
particular installation. If this equipment does
cause harmful interference to radio or
television reception, which can be determined
by turning the equipment off and on, the user
is encouraged to try to correct the interference
by one or more of the following measures:
Reorient or relocate the receiving antenna.
Increase the separation between the
equipment and receiver.
Connect the equipment into an outlet on a
circuit different from that to which the
receiver is connected.
Consult the dealer or an experienced radio
TV technician for help.
Electric fields
Caution:
In accordance with Part 15 of the FCC
Rules & Regulations, “… changes or
modifications not expressly approved by
the party responsible for compliance
could void the user's authority to operate
the equipment.”
Should this product be used in an
electromagnetic field that is amplitude
modulated by an audio frequency signal (20Hz
to 20kHz), the signal to noise ratio may be
degraded. Degradation of up to 60dB at a
frequency corresponding to the modulation
signal may be experienced under extreme
conditions (3V/m, 90% modulation).
Operation
To avoid electrical shock, never operate the
equipment with the covers removed.
Precautions
DN540
Operator Manual ix
Safety equipment
Never remove, for example, covers, housings
or any other safety guards. Do not operate
the equipment or any of its parts if safety
guards are ineffective or their effectiveness
has been reduced.
Optional equipment
Unless advised otherwise, optional equipment
must only be installed by service personnel
and in accordance with the appropriate
assembly and usage regulations.
Special accessories
To comply with part 15 of the FCC Rules, any
special accessories (that is, items that cannot
be readily obtained from multiple retail
outlets) supplied with this equipment must be
used with this equipment; do not use any
alternatives, as they may not fulfil the RF
requirement.
Precautions
DN540
x Operator Manual
DN540
Operator Manual xi
Contents
Chapter 1 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Applications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
About this manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Chapter 2 What Is A Compressor? . . . . . . . . . . . . . . . . . . . . . . . . 5
Principles of compression . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Uses of compression . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Unwanted side effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Chapter 3 Getting Started. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Unpacking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Checking the mains fuse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Connecting the power cable . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Connecting the audio cables . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Channel I/O pin-outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Sidechain inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Connecting to unbalanced equipment . . . . . . . . . . . . . . . . . . . . . . 12
Powering the unit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Chapter 4 Front Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Compressor section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Switch section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Chapter 5 Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Mains input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Channel connector section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Chapter 6 Compressor Control Functions . . . . . . . . . . . . . . . . . .19
Attack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Make up gain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Release . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Ratio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Threshold . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Presence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Soft knee and hard knee . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Chapter 7 Using The Compressor . . . . . . . . . . . . . . . . . . . . . . . . 23
Modes of operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Manual mode with soft knee (linear peak) . . . . . . . . . . . . . . . . . . . 23
Manual mode with hard knee (linear peak) . . . . . . . . . . . . . . . . . . 24
Contents
DN540
xii Operator Manual
Auto mode with hard knee (exponential RMS) . . . . . . . . . . . . . . . .24
Auto mode with soft knee (exponential RMS) . . . . . . . . . . . . . . . . .24
Limiter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
Simple compression (auto mode) . . . . . . . . . . . . . . . . . . . . . . . . . . .26
Advanced compression (manual mode) . . . . . . . . . . . . . . . . . . . . . . .26
Stereo and multiple channel operation - linking . . . . . . . . . . . . . . . . .27
Sidechain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
Appendix A Application Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Drums and percussive instruments . . . . . . . . . . . . . . . . . . . . . . . . . .29
Stringed acoustic instruments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
Stringed electric instruments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
Brass instruments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
Vocals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
Presence accentuation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
Appendix B Functional Block Diagram . . . . . . . . . . . . . . . . . . . . . 31
Appendix C Balanced/Unbalanced Audio . . . . . . . . . . . . . . . . . . . 33
Appendix D Technical Specification . . . . . . . . . . . . . . . . . . . . . . . 35
Appendix E Crib Sheet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Appendix F Service Information . . . . . . . . . . . . . . . . . . . . . . . . . 39
Routine maintenance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39
Cleaning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39
Replacing the mains fuse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39
Equipment disposal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
DN540
Operator Manual 1
Chapter 1: Introduction
Thank you for purchasing a Klark Teknik DN540 Creative Quad Compressor. The
DN540 is a user-friendly, high-performance, four-channel (quad) analogue compressor
designed for live sound reinforcement primarily on tour, in theatres and at corporate
events, with applications in both front-of-house and monitoring situations. Other
possible areas for use include broadcasting, the recording studio and installation.
The DN540 provides a wide variety of easy-to-use controls for the precise manipulation
of compression parameters. These enable you to, for example, alter the character of an
instrument that is being processed or make sounds seemingly louder, but without
distortion. Other features include channel linking for stereo and multiple channel
operation, and a presence control for protecting vocals.
Your DN540 was conceived by Klark Teknik to offer audio professionals
high-performance audio equipment, designed to provide no-compromise sonic quality
with a feature set that offers all essential facilities and functions. It represents the very
best of British design and engineering combined with contemporary, efficient
manufacturing methods, and will give you many years of reliable service.
All this is backed up, of course, by the standard Klark Teknik three year warranty.
Please take the time to complete and return the registration card or fill in the Warranty
Registration Form online by visiting our website at www.klarkteknik.com and, to obtain
the best results with a minimum of effort, also read this operator manual.
Finally, enjoy your Klark Teknik DN540!
Overview
The DN540 consists of four linkable channels of compression that provide full control of
all essential audio-compression parameters. All this is housed in a compact 1U high
rack-mount unit.
The main compressor controls consist of continuously adjustable threshold, ratio and
make up gain, and a bypass switch and a hard knee switch. Used in auto mode, these
controls are all that are required to set up simple transparent RMS compression suited
to normal (not difficult) signals.
The envelope time constant controls (attack and release) are activated by disabling
auto mode and operating the DN540 in manual mode. The DN540 can then be used for
creative compression effects using a semi-linear attack shape.
Front panel
Rear panel
Chapter 1: Introduction
DN540
2 Operator Manual
The presence control progressively reduces compression in the 5kHz region.
Attenuation depth and input level meters are provided, plus a switch that changes the
output level meter to monitor the input signals.
A external sidechain input on the rear panel is switchable via the front panel.
Applications
The DN540 provides a quality, cost effective and compact compressor unit presented in
a traditional 1U quad channel format. This makes it ideally suited to applications where
space is limited or when there is no need for eight channels.
The default compressor mode (manual) is ideal for creative compression, whereby the
manual envelope controls for attack and release can be adjusted as necessary. This
mode provides a semi-linear type of compression, which is suited to percussive
instruments (especially thickening drums) and difficult instruments, or for more
advanced effects where the added manual control gives vastly superior results, as
compared to auto mode.
The auto compressor mode (with the pushbutton AUTO on) provides a
root-mean-square (RMS) type of compression. This mode is easy to use because the
envelope time constants (attack and release) are automatically adjusted, taking into
account threshold and ratio settings relative to signal levels and transients. This makes
the DN540 ideal for the novice user or for situations where there is not enough time to
set up the envelope manually.
The presence control will be especially useful on vocals to eliminate pumping effects
caused by, for example, cymbal spill — because singers typically stand with their
microphones (mics) pointing directly at the drum riser — and to add air to the sound
without introducing noise.
The DN540 has been primarily designed for the following main application areas:
Touring live sound In applications where analogue consoles are still required due
to their ease of use. Here the DN540 can be used for channel inserts on drums, bass
guitars and other instruments. The compressor can be used to control both the
dynamic range and to generate musical effects. The presence control reduces
pumping on vocals and also increases brightness to a desired level without
increasing the risk of squealing if mics are held too close to monitor speakers.
Theatre live sound Theatres can make use of the compressor in the same way as
touring live sound, for vocals and orchestra, but in this case they can probably make
more use of the compressor’s more transparent linear style. The presence masking
is useful, increasing vocal brightness without bringing up the noise floor, which may
be quite poor due to the use of radio mics and mic placement limitations.
Corporate live event As above, transparent control and effects can be used on
channel inserts.
Features
DN540
Operator Manual 3
Features
The DN540 has the following features:
Great sounding compressor that provides good audio performance at extremely low
noise and distortion levels.
Easy to use basic compressor, requiring minimum set up to produce excellent
results.
Advanced envelope generator with manual controls that can be easily switched in or
out to produce transparency or creative dynamic effects, as required, for any given
source material.
Extremely transparent compression.
Multiple compression styles that are easily matched to the programme material
and/or generate dynamic effects.
Unique and intuitive presence control that improves the high frequency sound
quality without increasing noise or squealing (howl-round).
Intuitive ‘turn it up, turn it down’ control knob labelling avoids confusion during fast
adjustment. Also, good control status visibility enables you to see the status of all
pushbuttons, which are boldly presented to avoid mistakes.
Comprehensive metering, making set up simple and intuitive.
Totally analogue, which precludes the use of complex set up menus and means that
there is absolutely no audio delay. Thus, compressed and non-compressed signals
can be recombined without producing comb filter effects.
Stereo and multiple channel linking. Linking has true power summing, so that it
always provides true threshold setting for stereo material. For example, for using
the compressor across a stereo group.
Housed in a compact 1U high unit.
Puts back dynamics and punch for creative effects.
About this manual
This is the operator manual for the DN540. It is intended to help get your DN540
installed and in operation as quickly as possible by giving you unpacking, installation,
connection and setting up instructions. To help familiarise you with the DN540 there is
a description of the front and rear panels, along with easy-to-follow user instructions.
Chapter 1: Introduction
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Chapter 2: What Is A Compressor?
The natural sounds of everyday life, which can be caused by anything from, say, the
falling of a leaf to the roar of a jet engine, vary extremely widely in sound level. This
variance is known as the “dynamic range” and is the difference — expressed in
decibels (dB) — between the loudest and quietest sounds in a piece of audio, such as
music or speech, or that can be reproduced by a piece of audio equipment without
distortion.
The human ear has an automatic gain control that enables it to accommodate all of the
sounds ranging from the threshold of hearing to near the threshold of pain, a dynamic
range of approximately 120dB. However, a dynamic range of this magnitude, even if it
were possible in audio equipment, is not required in practice for comfortable listening.
A sound pressure level (SPL) of 96dB would, in a domestic environment, almost
certainly annoy the neighbours. While, at the other end of the dynamic scale, a typical
ambient noise level of at least 40dB SPL makes it impossible to use very quiet levels in
recorded or broadcast sound media. So, it is almost always necessary to compress the
dynamic range of natural sounds to fit them into a window (usually about 30dB to
40dB) suitable both for the equipment and for comfortable listening.
The compressor is a valuable tool for the control of the dynamic range.
Principles of compression
One of the principal uses of compression is the control of level in vocals. Many singers
train for years to achieve the degree of breath control necessary for an even tone and
expressive performance. Whereas, other vocalists rely on an instinctive voice
production technique, which may need technological assistance to maintain a consistent
level that sits correctly in the programme.
Figure 1: Compression - signal level graphs
Unprocessed signal
Time
Threshold level
Signal level
3:1 Compression above threshold
With make up gain added
Time
Threshold level
Signal level
Time
Signal level
Threshold level
Chapter 2: What Is A Compressor?
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The level of a vocal may vary widely. As shown in the typical example in Figure 1
“Compression - signal level graphs”, the unprocessed signal has a large dynamic range
between the highest and lowest levels. Applying compression reduces the highest
levels, thus reducing the dynamic range, while leaving the signal below threshold
relatively unaltered. Because the peak level of the signal is now lower, make up gain is
added to restore the original peak level. The result is a much more controlled and
usable sound.
Uses of compression
Compressors were originally devised to reduce the dynamic range of audio signals. To
do this they use a gain cell that makes adjustments to signal levels automatically,
dependent on the level and dynamic of the signal itself, and depending on the character
and control settings of the particular compressor unit.
Over the years many different brands of compressor have been produced using many
different types of gain cell technology, each with a distinctive sound. Users have found
applications that suit many of these, taking the use of compressors far beyond simple
dynamic range reduction and sometimes even generating the complete reverse —
dynamic enhancement. Typical applications include:
Protecting systems from amplitude overload.
Improving the power of signals when an artiste’s performance is inconsistent.
Maintaining a stable signal level to help an instrument sit better within a mix.
Changing the percussive timbre of an instrument to produce more punch.
Compressing a mix so that it maintains a stable signal level, typically trying to make
it sound louder.
Changing the percussive timbre of a mix to make it sound more whole and add
punch.
Frequency-conscious compression to remove unwanted sibilance or popping.
Unwanted side effects
Very often the process of compression produces unwanted side effects, especially if the
chosen compressor does not match the application it is being put to very well. These
can include:
Breathing — when high frequency environmental or processing noise levels jump
up and down, sounding similar to someone breathing in the background.
Pumping when level modulation can be heard on an instrument, making it sound
unnatural.
Amplitude flutter — a faster oscillating modulation that makes sounds gritty.
Source inter-modulation — when one sound source within a mix causes amplitude
changes to another, for example, the natural decay of cymbals can be modulated by
the crack of a snare drum in a drum mix.
Transient enhancement — unwanted accentuation clicks at the start of a sound.
Dull sound — when all the natural attack and brilliance is stripped away from the
sound source.
Unwanted side effects
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Providing controls for threshold, attack, release and ratio, and providing responsive
metering can go along way towards helping with suitable parameter set up for any
signal source, such that most of the negative effects above can be reduced or
eliminated. However, this is a complex and critical task that often involves a degree of
compromise between the desired compression effects and the unwanted side effects,
which can be time consuming.
Chapter 2: What Is A Compressor?
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Klark Teknik DN540 User manual

Category
Supplementary music equipment
Type
User manual

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