Exakta Kine-Exacta 1935 User manual

Type
User manual
Instructions
for
using
the
KINE.
EXAKTA
(ta
king negatives 1 X 1 %
/1
_24 X
36
mm
.)
Contents
page
IMPORTANT
NOTE.
. . . 2
Introduction
. . . . _ . . . 3
1.
The
outer
controls
of
the
camera.
4
2.
Inside
the
camera.
. . , . . . . 6
3.
The
facal-plane
shutter
and
its
opera-
tian
'
.............
10
4.
Loading
the
camera
with
film
cart-
ridges
. . . . .
15
~
focus~ng
18
Changing
the
lens
19
The
frame
finder .
21
6.
Exposing
. . . . . . . . . . .
22
7.
Remaving
the
exposed
film
from
the
camera.
. . . . . . . . . . .
26
8.
The
spec[al
knife in
the
camera
back
27
9.
Lo.ading
with
daylight-laading
spoals
28
10.
Hints
for
practical
work
. . . . .
30
page
11.
Special
accessories
far
the
Kine-Exakta:
32
Extensian
tubes
..
. . . , . _ 33
Ball
and
sacket
trip
ad
head.
..
33
Repraductian
and
capying
stand
. _ 33
Supplementary
lenses
far
clase
wark,
_
33
finder
haad
extension
.
34
Micro
-
scope
attachment
.
34
Interchangeable
lenses
.
35
Lens
haods
. ,
36
Colour
filters
37
Palarisatian
filters . ,
38
Aero
shutter
release..
.
39
Phata
flash-bulb
attachment
.
39
12,
Enlarging
the
·
negative
. . " ,
39
The
Lumimax
projectar-enlarger
, 40
The
Exakta
Lumimax
enlarger
. , 40
Important note
The
Kine-Ex
akta
is a high-
qu
ality
ca
mera of
pre
Cl
SlOn
\ orkmanship. B
eca
use of the
fin
e
limits to which
it
is cons
tru
cte
d,
an
d becau
se
of
the
smooth
manner
in
whi
ch a
ll
its pa
rts
work,
it is
ess
ential that the handling of the
in
st
rument hall be iust as
ca
reful
and
preci
se
if the
best
possible
resu
lts
are
to
be
o
bt
a
in
e
d.
Ev
ery
buyer
oi the
ca
mera w ill expect pe
r-
fection from
it,
and
it
is equally
certain
th
at
the
cam
era
an
give
these
results.
Th
e
re
is one e
ssential
condition
that
must be fulfilled, though:
IT
IS
ESSENTIAL
THAT
TH
E fOLLOWING I
NSTRUCTIO
IS f OR
OPERATING
AND
LOADING
THE
KINE-EXAKT A ARE RE
AD
CAREFULLY THROUGH
fROM
BEGIN
NI
NG
TO
END,
THAT
ALL
THE
ADVI
CE
AND
IiI
N
TS
GIVEI ARE
CORR
ECTLY
fOLLOWED
,
AND
THAT
ALL
THE
MOVEME TS
Of
THE CAMERA
(W
fIICH A
RE
SO
NECE
SS
ARY
FOR
THE
PERfECT
WORKI G
Of
THE INSTRUMENT) A
RE
PRACTISED
REPEAT
-
EDL Y ACCORDING
TO
THE
INSTRUCTIONS LAID
DOW
I .
A precision came
ra
of the
Ki
ne-E
xakta
class, though
extremely
robust, n
ecess
arily
cont
a
in
s
sensitive
mechanism inside it,
which
is
made up of
many
smalI parts
that
must
interm
esh
2
with each other with
extreme
accuracy
if
a
ll
the functions
of
the
camera
are
to be perfectly
carried
out.
It
is this fact which must be kept
in
mind
by
the
amateur
who
takes the
camera
in
his hands for the first time.
The
reader
is urge
ntly
requested
not to
play
with the con-
trols.
however
rich in experience he
may
be, but to adopt the following
procedure:
READ THE INSTRUCTIONS f ROM BEGINNING TO END. Only this
process
can
give the
necessary
informa
ti
on
a
bo
ut the working
of
the
camera
.
Without
it,
mere
"intuition" is useless, and
th
e ca
mera
cannot possibly give the
satisfactory
results which
are
obta
ined when
it
is handled with full understanding
of
its parts,
action, and
range
of
ser
vice.
Introduction
The Kine-
Exakt
a is a high-quality miniature reflex camera, and
it
is not in the
least
diffi-
cult to handie so long as its controls
are
properly understood by the photographer.
The
camera
is loaded with normal
35
-mm. cinema
film,
which
may
be
obtained
in all civilised
countries
of
the world. This film
may
be obtained in long rolls
of
100
feet,
33
feet.
or
16
feet
in
tin boxes (which must only be opened
in
the dark-room). in
li
ght-tight
"cartrid
ges" con-
taining
63
inches
of
film for
36
exposures, or as daylight-loading spools with the
same
content.
3
Orth
ochromat
ic
and panchromatic
gr
ades of
film
are
availab
le.
The
Kine
-e
xa
kta
is
designed
to
ta
ke
a
ll
the
fil
m
cartridge
s on the
ma
rk
et and also the
day
li
ght-load
in
g spo
ol
s ("Contax
spool
s")
ava
il
a
bl
e.
Th
e simpl
est
form in
wh
ich to use
fi
lm is
pr
oba
bl
y the .,
artridge"
. Here the
film
is
wo
und
after ex
posur
e on the sp
ar
e spool co
re
de
li
v
er
ed
wit
h the
came
ra. After a
ll
the
36
expos
ure
s
h
ave
been
ma
de,
th
e. film is rewound
in
to the
cartri
dge once mo
re
(the
ca
mer
a remain
in
g
closed), after w
hi
ch
pr
ocess
the
cart
ridge can be remoyed
in
dayligh
t.
The
use of a d
ay
li
ght-
loading spool (see p
age
28) is equally si
mp
le.
Th
e
beg
'inner is advised to procure
fr
om his photographic dealer a cartridge t
hat
is over-dated
and thus useless, which may be used to
try
out the
movements
of the
came
ra
as
described
in t
hi
s booklet so
that
he m
ay
become accustomed to them. As soon as the working of the
ins
trumen
t is thoroug
hl
y under
st
ood (and t
hi
s need only
take
a quarter of an hour) the
ca
mera
m
ay
be l
oa
ded with a genuine
film,
and
the
fir
st
36
expo
ure
made with i
t.
1.
The outer controls of the camera
Pl
ace
the
Kine-
exa
kta
on
th
e tabl
e,
wit
h its lens
turned
to
iace
yo
u
(fi
g.
O.
On the lens
mount itse
lf
w
ill
be seen
two
contr
ols: the a
per
ture ring \yhi h alte
rs
the lens ape
rtur
e as it
4
is
turned
by
'
making
the iris
diaphragm
lar
ger
or
smaller,
and
a
larger
ring
which
is used to
focus the lens
on
different
distances.
The
stop lev
er
F
serves
to hold the lens
correctly
in
its
bayonet
mounting. All these
controls
will be
more
fully explained l
ater,
and
it
is only
necessary
here
to
draw
attention
to them.
magonally
above
the lens, on the right,
will be
seen
the
shutter
release
button
D.
With
the
camera
hood closed, this is out
of actio!]
and
nothing
happens
when
it
pressed.
Directly
over
the lens, on top of
the
camera,
is
the hood of the
view
-find
er
and
focussing
screen.
In
fig. 1 this is clo-
sed, in
which
position a small magnifying
glass is
seen
in a
circular
mOLlnt
in its
centre.
To
the right of the
closed
hood,
two
metal
knobs
are
seen on top of the
camera.
That
next
to the hood
(marked
Ki
K)
has
a milled edge,
and
i's
used
to
x
5
set
the
shorter
exposure
times.
The
other
knob C whi h i
ii
ted
with
a long metal lever, has
a
sca
le
of
numbers engr
ave
d r
ou
nd its base,
and
is the
pi
ture
or
exposure
counter.
On the left
of
the
camer
a top is another milled knob T,
rather
large
r in size, which controls
the long
er
exposure
times and the se
lf
-
portrait
device.
The
two
metal
sockets
X on
the
left slanting front
of
the
ame
ra
are
contact
points for con-
necting the
camer
a to the flash-bulb outfit.
On the bottom
of
the
camera,
in the centre, will be iound the s
rewed
bush for
the
tripod.
To
left
and
right
of
this a
re
two
semicircu
lar
key
s R
and
,wh
ich
may
be lifted to st,and
vertical
to the
base
of the
instrum
ent.
Near
the le
ft
-
hand
ker
R
is
a small
screwed
knob
y,
that
operates
the knife inside the
camera
which cuts the
film
orr after
exposure
(see page 27).
On
the
right-hand edge
of
the
camera
is a sliding
butto
n B. which opens the
back
of
the
in
strument.
By
pr
essing this
bu
tton the back
swin
gs open
and
may
be removed.
2. Inside the camera?
I-Iolding the
camera
in the left hand
as
shown in
fi
g.
2.
the button B is pushed to the left
(i. e.
towards
the bottom
of
the
cam
er
a) to rel
ease
th e ba
k.
The
latter
is then
taken
off
.
and
placed on one side.
The
camera
is
now
open,
and
the back will
appear
as
in
fig.
3.
6
In
the ce
ntr
e of the open
back
is a
rectangul
ar
a
pert
ur
e,
which is
covered
by
a black
curtain
of
rubberised
silk fabric.
This
is the picture ape
rture
of
the
camera,
through which the
film
is
exposed, and it is
exactly
24
X36
mm.
(l
X I W ') in size.
The
black
curtain
is a
part
of
the
focal-plane
shutter.
The
two
smooth metal rails
above
and
below
the picture
aperture
serve
as
supports
for the film
as
it
moves
through the
camera.
The
film
,
whether
in a
cartridge
or
on a spool,
is
placed
in
the
chamber
(at
present
empty)
on the
ri
ght-hand side
of
the
camera,
and
it
runs
to the left
across
the
Dicture
apert
ure
on
the
rails on to
the
sprocket
Z which is
at
right angles to its
tr
av
el.
The
teeth
of
the
spr
ocket
engage
in the
perforations
of
the
film
, and
draw
it
onwards
to the
"take
-
up"
spool V which is placed
in
the left
-hand
film
cham-
ber and winds up the film
it
receive
's from the sprocket.
To
show
the action
of
the
camera,
the spool V
may
be turned.
To
this end, place the
l.eft
thumb on the right-hand side
of
the long film
winding
lever
A and
swing
this lever to the left on its axis (which
is the knob C) as far as
it
will go.
The
thumb is
now
removed
,
and
the
lever
will spring
back
into its former position.
This ae.tion will turn the take-up spool round, and
at
the
same
time
other
pOlftions
of
the mechanism inside the came
ra
move
as
well. fig. 2
7
In
the
picture
.
aperture
the
bl
ack
curtain will m
ove
irom
right
to le
ft
,
thus
indicating
that
the
shutte
r
has
been
wound
up.
The
sprocket
Z, the take-up spool V
and
the
exposure
counter
C will a
ll
turn
simultaneously
to
the
left:
indicating
that
if
the
came
ra
had
been
8
loaded
with
film, the
latter
would
have
been
mo\'ed
on the
di
s
tance
of
one
pi
cture
as
the
hutter
was
wound.
Sin e the
shutte
r is
now
wound
up,
though no film is
act
ually
in the
camera,
pr
ess the
shutte
r
re
le
ase
knob D on the
fr
Ont oi the
ca
mera.
Nothing happens, for
the
button
cannot
be
pre
;
ssed
. Actually,
it is
locked
in
pl
ace
to
avoid
accidentally
exposing
the film.
The
camera
is only
fully
ready
for
use
when the hood of the
view
-Ender is
raised,
and
when
the
photo-
gr
apher
can
see
the
image
on the
ground
glass
. Unless this hood is
raised
(and
it
is
at
present
in
th
e
lowered
position) the
shutter
is locke
d,
and
the
camera
cannot
f.g.3
make
an
ex
posu
reo
The
finder hood
must
thus be
released
by
pre ing on the small knob L
in
the
centre
of the
camera
back,
at
the top.
The
hood will immediat
ely
spring
ope
n,
and
if
one looks
down-
wa
rds
from above, the image
can
be seen on the
ground-g
l
ass
screen.
(It
is
necessary
to
remove
the lens cap,
if
this has not
already
been done.)
The
camera
is
consequently
now
ready
for use,
and
the
shutter
release
can
be ope
rated.
By
pressing
on
the
shutter
release D,
the sh
utte
r will
move
back
and
make
an
"exposure".
(It
is
useiul to go through
these
movements
sev
era
l times to
accustom
oneself to
them:
fold
down
the finder hood,
wind
up the
shutt
er
with the le
ver
A, open the finder hood again,
and
press
the
shutter
release
D .. )
Another point should be
noted
here:
by
turning the small milled knob Y, which
has
already
been mentioned, a
few
times to the left,
and
by
pu
lling it
downwards
from the
camera,
a small
steel
knife
appears
and
moves
from the top of the
camera
to
the
bottom.
When
the
camera
has a film
loaded
in
it, this knife would
cut
the fihn in two.
By
pushing the knob Y
back
towards
the came
ra
the knife
moves
in the
rever
se
direction to
the
top of the
camera,
and
the
knob Y
can
be
locked
in place
again
by
turning
it
to the right a
few
times.
After
examining
the
interior
of the
camera,
the
back
is
once
more
replaced. Iiolding the
camera
in the left
hand
as
shown
in
fig.
4,
the
back
is held in the right
hand
and
replaced.
Care
must
be
taken
that
the
circular
peg
inside the
camera
connected
to the
key
R is
pushed
firmly into the
interior
of the
camera
by
the ba
ll
of
the left thumb.
The
ca
mera
back
can
9
then be held with the button B upwards, its lower end hooked
ca
refully into the
groove
on
the body of the
camera,
and
the back itself
pre
sse
d lightly tow
ards
the
body
until the
button
B
snaps
into its locked positio
n.
fig. 4
10
Not also that the
key
R
mu
st
now
be a
ll
owe
d to
catch
in the
camera
back
so th
at
is
clamped to
the
came
ra and
cannot
be pulled out
when the b
ac
k is closed.
3. The focal-plane shutter and
its
operation
The
action
of
the Kine-E
xakta
shutte
r is
best
observed
when
the
camera
is not loaded with
fi
lm.
As
we
ha
ve
alre
ady
noted, the hutter release is locked
as
a
protec-
tion
against
ac
cidental exposure
whe
n the finder hood is folded
against
the top
of
the camera. since
it
is
cl
e
arly
unnecessary
to
unlock the sh
utt
er
release
unless the
pi
ct
ure
c
an
be
focussed and
composed.
The
came
ra
ba
ck
is
ther
efo
re
detache
d and the finder hood a
ll
owed
to spring open by pressing the
sma
ll
knob L (fig. 3).
The
camera
will
then
look
as
in
fig.
5
when
viewed
fr
om the top.
The
long
lever
A which
winds
the
shutter
has al
ready
been noted,
and
the
shutter
is
wound
up first of all
by
moving
it
in
a
clockwise
dire
ction as far as
it
will go. (This
automatioally
moves
the film
on
one pr
icture
at
the
same
time.)
On
releGlls.ing
lever
A
it
springs
back
to its original position.
The
exposure
time is
now
adjusted.
Taking
the
outer
milled ring K of
the
knob
Ki
K,
on
wh
ich
are
engraved
a
series
of num-
bers
and
the
letters
Z
and
B,
between
the
thumb and forefinger, lift it
(against
the
spring)
over
Ki
K
and
turn
it
in the direc-
tion of the
arrow
eng
raved
on
it
until
the
number
"25" (i.
e.
1/ 25 th of a second)
is
against
the small dot
engraved
on the
inner disc Ki. Rel
ease
the
outer
ring,
and
it will
drop
into place.
The
shutter
is
now
set
to 1b th
second
exposure
time.
If
the
eye
now
is
p'iaced ' behind the
came
ra, opposite the
picture
apertu
re,
and
11
th
e s
hutter
re
leas
e D
pre
sse
d, the shutter blind
or
curr
ain will be
se
en
to
run
do
wn
from left
to right.
Careful
obs
er
va
t
io
n will
show
t
hat
light rea he the film in the
camera
through
a slit in the blind, which al
so
m
oves
from left to ri
ght
acros
the picture.
Through
this slit
the e
xp
os
ure
is made.
In
the
sam
e
way
,
the
outer
ring K
ca
n be
se
t-
alw
ays
turning
it in the direction of the
arrow
-
to
any
other
snapshot
ex
posure time in the series 1/
5Oth,
1
HlO
t
h,
1/150th,
lb
oth, 1
/5
0oth,
and
lh
oooth
of
a
second
,
and
also to the l
ette
rs Z and B.
(Intermed
i
at
e
va
lues for
shutter
speed
cannot
be
set
with
this shu
tt
er.)
When
set
to
Z,
a single
pr
essure on the s
hutter
r
el
ea
e D will open the
shuHer
fully, '
and
it will
remain
open until the
re
l
ease
D is
pressed
a
econd
time.
This
action is useful for
long time
exposures.
When
set
to
B,
the
shutter
will open fully
when
the
release
D is
presse
d,
but
will close
a
gain
as
soon
as
the
fin
g
er
is remo
ve
d from the release. This
ac
tion is useful for s
hort
time ex
posures.
A
second
larger
speed
regulating
knob T is pl
aced
on the other side of
the
finder hood.
This
is used to
set
th
e longer
ex
p
osur
e times
of
the following
ser
ies:
Engraved
in BLACI(: 11
1Oth,
1/
2,
1,
2,
3,
4,
.....
to 12
seco
nds.
To
adjust for
th
e
se
speeds
the
following
procedure
is
necessar
y,
12
1.
Wind
up the
shutter
with
lever A as u ua
l.
2.
Set
the knob
Ki
K
to
either
"Z"
or
"8
".
(This is important.)
3.
Turn
the
larger
knob T
strongly
to the right as far as it will go.
4.
Raise the
outer
ring
of
knob T
and
set the black
dot
on the inner disc to
the
de
sired
bla
ck
engraved
expos
ure
value on the outer. Then
releas
e the
outer
ring
and
let it
fall into place.
5.
Rel
ease
the
shutter
by pressing D, as usua
l.
This should
be
practised
a
number
of
times until the sequence
of
ope
rations
is thoroughly known.
The
numbers
in
RED
are
used
where
the del
aye
d-action mechanism
used
for
self-portraits
is
required to
operate.
In this case, the
proc
edure
is
exactly
the
sam
e a
that
indie:ated
above
for the
bl
ack values,
except
that
the black dot on the inner
di
sc
of
T is set
against
one
of
the
red
series
of
numbers
liloth,
3/
" 11/
2,
2,
3, 5, or 6 seconds.
After
pre
ss
in
g the
shutter
relea
se
D some t
we
h'e seconds will elapse, after which the s
hutt
er
will a
utom
ati
ca
ll
y give the
exposure
time indicated on the
red
serie
s
of
va
lues
to
which
it
has been set.
Short
snaps
hot
exposures
wit
h
the
self
-por
trait
mechanism (i.
e.
be
tw
een 1/ 25 th
and
1/ 1000 th
second)
ar
e
se
t as follows:
Th
e knob
Ki
K is
set
in the
norm
al manner to the
exposur
e time required (as, for example,
to 1
!t5
0 th
sec
ond), and the knob T then
wou
nd
up
as
far
as
it w
ill
go, and the ,black dot
set
13
aga
inst
anyone
of
the
red
values
on its
outer
ring. On
pres
ing the
re
l
ease
D,
twel
ve
se
-
conds will el
apse,
and
aft
er
that
the
shut
ter will
automatically
give
the time to
which
Ki
K
has
been
set-
in this
case
1/
1"0
th of a
seco
nd.
This
device
is
of
the
greatest
value when the phot
ographer
des
ires
to include himself
in
the
picture.
In
the
twelve
second
s
which
elapse
bet
ween
pres
ing the shu
tte
r
release
and
the
actual
exposur
e,
he
has
ample
time to take up the
carre
t po ition in front
of
the
cam
era
at
the
distance
on
which
the l
ens
has
been
fo
cu
ssed
.
Th
e
amera
shou
ld
be
placed
on a firm
support,
prefer
a
bly
on
a
tr
ip
od.
IMPORTANT:
The
knob T
must
always
be
wound
after
the
hutter
has
been
wound
(l
eve
r
A)
and
Inust a
lw
ays
be
wound
up
as
far
as
it will go.
Ii
thi is not done,
completely
in
correct
exposure
times will
be
given.
The
s
hutter
w
ill
go
wron
g
if
the
foll
ow
ing
mist
ake
i
made
:
when
the s
hutt
er is
se
t
at
"Z"
(Time)
and
opened
by
pr
ess
in
g the
release
D,
and
the
oute
r ring K
then
turne
d
to
give a
sna
pshot
ex
posure
of
perhap
s 1/
25
th or 1/ 50 th
of
a
second.
If
. in this position, the rel
ease
D
is
press
ed a
second
time, the s
hu
tter does
not
close,
but
tops
wo
rk
compl
ete
ly
.
The
troubl
e
may
be
put
right
by
turning
the ring K
aga
in unt
il
the bl
ack
dot
on
Ki
is
opposite
Z
or
B. In
the
second
position the shu
tter
cIa
es
auto
matically,
an
d in the first it
will cl
ose
if
the re
lease
D is
pr
essed
aga
in.
14
4.
Loading the camera with
film
cartridges
fig.6
As
already
mentioned
in
the introduction, the
beginner
is
recommen
ded to
use
film
car-
tridges
in
the Kine-Ex
akta.
Before
attempting
to l
oad
the
camera,
make
sure
that
the small button W
(shown
in
fi
g.
5)
on
the
top
of
the
ca
mera
is
turned
so
that
the l
etter
"
V"
can
be seen.
Iiaving
made
sure
that
this is so, the
camer
a is
opened
by
remov
-
ing the
back
.
Th
e
fil
m
ca
rtr
,idge is held
in
the
right
hand
as
sho
wn
in
fig.
6: the circul
ar
hole in its base, in which its
cross-peg
is pla-
ced, is on the left. This position
can
easily
be
found
by
observ
ing the
ma
nner
in
which
the
film
projects
from
the
ca
rtridge.
The
key
R (fig.
3)
is n
ow
raised
and
with
its
fig.
7
aid
the
circular
peg which holds the
cartridge
in
pl
ace
is pulled
outwards
as
far
as
it will
come
.
The
camera
is
now
taken
in
the left han
d,
as
seen
in fig.
7,
and
the
cartridge
placed
15
in
the
lower
chamber
,
the
ke
y R
pr
e
ssed
once
mor
e
towards
the
ca
m
era
.
to
push
the
circular
peg
inwards,
and
the
fl
ap
of R
bent
ove
r
once
more.
The
left
thum
b is
then
placed
on
top
to
the
cartridge
to
hold it
firmly
in
place,
while
th
e ri
ght
hand
pulls
ca
refully
about
4 - 4
;;';
inches
of film
from
it.
Th
e
fre
e e
nd
of
the
film is
secured
under
the
spring
to
ngue
on
the
spool
V
that
is
deliv
e
red
with
every
Exakta
an
d
must
be
situated
in
the
upper
cha
mber*),
next
to the
sprocket.
This
spool
m
ay
e
asily
be
turne
d on its
axi
,
so
that
it is a
simple
matter
to
place
it in a
con
ve
nien
t
positi
on
to
attach
t
he
free
end
of film
to
its
core.
Th
e
hand
holds
the
spool
still
while
t
he
film is pu
shed
as
far
as
pos
sible
under
the
metal
tongue.
As
soon
as
fi
g. 8
16
the
film
end
has
been
attached
to
the
tak
e
-up
spool,
make
sure
that
the
fil
m
perforations
are
co
rr
e
ctly
engaged
in
the
tee
th of
the
sprocket
Z (fig. ),
an
d
then
close
the
camera
as
descr
ibed
in
section
2.
by
replacing
the
back.
The
fo
llowin
g
pr
ocedure
will
the
n be
necessary:
1.
Press
butt
on L
to
open
the
finder
hood.
*)
Ii
it should be neces
sary
to
remove
the take-up spool from
th
e camera,
the key S is raised
vertical
to
the
base
of
the
camera
and pulled out-
wards.' While it is
in
this
outward
position, the spool may easily be
taken out and replaced.
2.
Make
sure
that the knob
Ki
K is
set
to any value
exc
ept "Z
",
and alter the
setting
if
ne
'
cessary.
3.
Press
lever
A to the left
twice,
releasing the hutter
each
time
it
has been wound, and tak-
ing it right to the end
of
it'S
travel
each
ti
me. This action implies
that
the film has been
moved
forw
a
rd
in the
camera
by
the width oi
tw
o pictures: the film protruding from the
cartridge
had been
struck
by
li
ght and fogged so
that
it
had to be
wound
on the
tak
e-up
spool and fresh unexposed
film
pulled from the
chJa
mber
of the
cartridge.
Moving on the
film
by
the
width
of
two
p,i
ctur
es is sufficient to bring this fresh unexposed film into the
picture
aperture
of
the
camera.
The
first exposure
can
now
be made.
4.
The
shutter
is
now
wound
(by
lever
A as before) a third time, to pull the
film
tight. After
winding, the picture
or
exposure
counter
is
set to the
number
"1", in
order
that the ex-
posures
a
re
a
ll
counted
correctly.
Therefore:
5.
The bevelled ring surrounding the spindle C of the winding lev
er
A w
hi
ch has a series of
numbers from 1 to
36
engr
aved
on it is turned in the direction of the
arrow
to the left until
the first
mark
, indicating "1",
is
opposite the ma
ll
black triangle*
).
The
exposure
counter
is
now
correctly
set, and the first exposure can be made.
*)
If
this bevelled ring is accidenta
ll
y turned too far
to
the left, it
mu
st on no account be turned
back
again to
the c
orr
ect
position. but turned round complet
ely
again
un
ti
l the number " 1" is against the
triangle
.
17
The
expnsure
counter
automaticall
y
mov
es
on
each
time
[h
e
shutte
r and film
are
wound,
and
when
the
trian
gle is
opposite
the
number
"36", the las[
expo
sure
is
in
the
camera,
assuming
that
a
normal
cartridge
or
d
aylight
-loading spool is in
[he
came
ra.
5. Focussing, changing the
lens
, and the frame
fin
der
To
examine
the
image
on the
ground
-gla
ss
focussing
screen,
the
fin
der
hood
must
be
rele
ased
by
pre
ss
ing the
button
L
(fi
g. 3). In this position
[he
ground
gl
ass
may
be
examined
from
above.
If
no
image
is
seen,
the
reason
is that the
shutter
is not
wound
.
The
winding
of
the
shutter
plac
es
the
mirror
in position,
so
t
ha
t
if
no im
age
is
een
i[
.is
a si
gn
that
the
camera
is not
ready
for
us
e.
Th
e
shutter
is thus
wo
und
up
by
l
ever
A.
This
action
causes
a
small
mirror
to drop into position
under
the
gro
und
gl
ass
, inclined
at
45°
to
the
latter,
so
that
an
imag
e from
the
camera
lens is
[hrown
on to
the
focussing
screen.
(This
screen
is
ca
lled a
gro
und-gl
ass
sc
reen
f
or
bre
vi[y,
though
it
is
act
ually
one side of
a
speci
,al plano
-conve
x lens.
All this will be pe
rfectly
clear
to the
be
ginner
if
he
exam
ines the
mechanism,
and
this can
he
done
by
removing
the
lens from the
ca
mera.
18
Removing the lens.
liolding
the
l
ens
firmly in [he left
hand
as
shown
in
fig.
9,
press
the
stop
le
ve
r F
li
g
htly
with
the
right
hand
and s
im
ultaneo
us
ly
turn
the lens firmly to
the
left. After
turning
through
a
sma
ll
angle,
it will be found t
hat
the
l
ens
is
free
and
can
be lifted
out
bodily.
Through
the
lens
mount
the
interior
of
the
c
amera
c
an
now
be
examined. As the
shutter
is
wound,
the
m
irro
r
wi
ll
be
seen
to
drop
into position,
and
if
the lens were
in
pl
ace
an
image
wou
ld a
ppear
on
the
ground
gl
ass.
On
press
ing the
shutter
re
lea
se D, the
mirror
w
ill
be
obser
ved
to
spring
back
again
out
of
the
way,
and
the slit of the sh
utter
will
tr
av
el a
cross
the
picture
aperture
immediatel
y
aite
r it
has
moved.
The lens is replaced
by
reversing
the
abo
ve
p
rocedure
.
The
lens is l
owered
into the tubul
ar
mount
on the
camera,
fjg.9
care
be
in
g ta
ken
that
the
red
dot
on the lens i
opposite
the
red
dot
on
the
camera
body,
and
the
entir
e l
ens
and
mo
unt
turned
firmly
[Q
the
right
until the
stop
lever
F is
he
ar
d
to
slip into
the
catc
h.
Returnin
g
to
the
earlie
r
point
of focussing, the
im
age
on
the
gr
ound
gl
ass
may
be
observed
after
winding
up the
shutter.
This
image, ho
wev
er,
must
be fully sh
arp,
for the
negative
will
19
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Exakta Kine-Exacta 1935 User manual

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User manual

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