Page 3 PALMER PGA-04 Owners Manual
Connecting your PGA-04 to your mixer or effects chain:
The PGA-04 has two unbalanced outputs (1/4in at 10Kohm) connected in parallel and one balanced
(XLR pin 2 hot at 600ohm) output both having ground lifts. You may use any and all outputs at the
same time. Simply connect your unit to your effects chain or directly to the snake/console or both
using good quality shielded cable. If you experience a ground hum, use the ground lifts for the
corresponding output to reduce or eliminate the hum.
Please remember that the load-box converts the amp’s power into heat so, the ADIG-LB should be
installed into a 19” rack giving the unit sufficient ventilation.
The front LEDs show how much power is being sent to the load box. The last red LED should never
under any circumstances constantly be lit. If it is you are in danger of damaging your unit. When using
an external speaker, the load-box is bypassed and the LEDs are not in the circuit.
SWITCHES AND CONTROLS
Once you have your amp patched into the PGA-04 with a good quality speaker cable, turn the PGA-
04 volume controls (FILTER and FULL RANGE) off. Then adjust your amp’s volume by playing a chord
and checking the LED display. With a 50 watt amp the first 2 or 3 LEDs should light up. And with a 100
watt amp the first 3 or 4 LEDs may light up. The LED function depends on how loud you are playing
your amp. The 5th LED may blip if you are really playing loudly. Now adjust the output of your PGA-04
using the FILTER VOLUME and/or FULL RANGE VOLUME controls.
Note: Since it is the speaker simulated signal, you want to start with the FILTER VOLUME control. Leave
the FULLRANGE VOLUME off in the beginning-- it is an unfiltered signal. Be careful not to use too much
FULLRANGE VOLUME, as it can get too bright, very quickly. If you want to use more of your amp’s
natural overdrive, increase the volume of the amplifier and turn down the output of the PGA-04.
VOICING
Anyone who’s compared various speakers and cabinets can tell you how much they influence a
guitar’s sound. The microphone type and it’s placement will also play a great role. The PGA-04 offers
you the same flexibility with it’s comprehensive tone controls. The filter channel has a separate LOW
(bass/cabinet) and HIGH (treble/speaker) control for shaping your tone. Of course we refrain from
naming any brand names here, but the experienced musician will be familiar with the
BRITISH/AMERICAN categories used to describe speaker character. The HIGH (treble) control lets you
adjust your sound from soft MELLOW to aggressive BRIGHT. The LOW control will simulate cabinet type.
The FLAT position stands for the somewhat thin sound of an open-back 2 x 10 type cabinet. The other
extreme, DEEP, gives you the punch of a 4 x 12 stack. The wide range in between will satisfy any taste.
The COLOUR switch determines the actual loudspeaker character. BROWN delivers a dark, slightly
nasal basic quality, whereas LITE gives you a more open sound.
The effect of the COLOUR switch is also dependent on the position of the HIGH control. Those who
prefer really aggressive, distorted sounds should also mix in some of the FULL RANGE VOLUME
remembering to use the HI-CUT switch, otherwise you’ll end up with that infamous paper-shredder
sound. When playing clean, however, it may be desirable to add some of the FULL RANGE signal
without using the HI-CUT. The result will be a quasi-acoustic sound. Since we’ve gathered from sound
engineers that they have used the PDI-03 for instruments other than guitar, we believe the PGA-04’s
versatility will open up a whole new range of possibilities for the creative sound engineer. That is why
we refrain from giving any examples of how to recreate this or that sound - every guitar/amp
combination has it’s own unique sound, and the goal of any self respecting musician or sound
engineer should be to create unique sounds!