Behringer U-Control UMX610 User manual

User Manual

U-CONTROL

UMX610/UMX490

The Ultimate Studio in a Box: 61/49-Key USB/MIDI Controller

Keyboard with Separate USB/Audio Interface

2 U-CONTROL UMX610/UMX490 User Manual

Thank you

Thank you for showing your condence in BEHRINGER products by purchasing the

UMX. The UMX is an extremely exible master keyboard with a controller unit

that can be used for a wide array of applications. Whether you need independent

control of computer rack synthesizers, General MIDI sound modules or eects

devices, or want to use the UMX for conveniently operating sequencing software

or computer plug-ins—the UMX oers you tremendous ease of use and allows

you to realize your ideas intuitively.

Table of Contents

Thank you .......................................................................2

Important Safety Instructions ...................................... 3

Legal Disclaimer ............................................................. 3

Limited Warranty ........................................................... 3

1. Before you get Started .............................................. 5

1.1 Shipment ................................................................................ 5

1.2 Initial operation and power supply .............................. 5

1.3 Online registration ............................................................. 5

1.4 System requirements ........................................................ 6

2. Introduction to MIDI ................................................. 6

2.1 MIDI control for beginners .............................................. 6

2.2 USB mode and stand-alone operation ....................... 7

3. Control Elements and Connections ......................... 7

4. Operation ................................................................... 8

4.1 Play mode .............................................................................. 8

4.2 Assign mode ....................................................................... 9

5. Specications ........................................................... 13

6. Appendix .................................................................. 14

3 U-CONTROL UMX610/UMX490 User Manual

LEGAL DISCLAIMER

LIMITED WARRANTY

Terminals marked with this symbol carry

electrical current of su cient magnitude

to constitute risk of electric shock.

Use only high-quality professional speaker cables with

¼" TS or twist-locking plugs pre-installed. Allother

installation or modi cation should be performed only

by quali edpersonnel.

This symbol, wherever it appears,

alertsyou to the presence of uninsulated

dangerous voltage inside the

enclosure-voltage that may be su cient to constitute a

risk ofshock.

This symbol, wherever it appears,

alertsyou to important operating and

maintenance instructions in the

accompanying literature. Please read the manual.

Caution

To reduce the risk of electric shock, donot

remove the top cover (or the rear section).

No user serviceable parts inside. Refer servicing to

quali ed personnel.

Caution

To reduce the risk of  re or electric shock,

do not expose this appliance to rain and

moisture. The apparatus shall not be exposed to dripping

or splashing liquids and no objects  lled with liquids,

suchas vases, shall be placed on the apparatus.

Caution

These service instructions are for use

by quali ed service personnel only.

Toreduce the risk of electric shock do not perform any

servicing other than that contained in the operation

instructions. Repairs have to be performed by quali ed

servicepersonnel.

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with dry cloth.

7. Do not block any ventilation openings. Install in

accordance with the manufacturer’s instructions.

8. Do not install near any heat sources such as

radiators, heat registers, stoves, or other apparatus

(including ampli ers) that produce heat.

9. Do not defeat the safety purpose of the polarized

or grounding-type plug. A polarized plug has two blades

with one wider than the other. A grounding-type plug

has two blades and a third grounding prong. The wide

blade or the third prong are provided for your safety. Ifthe

provided plug does not  t into your outlet, consult an

electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or

pinched particularly at plugs, convenience receptacles,

and the point where they exit from the apparatus.

11. Use only attachments/accessories speci ed by

themanufacturer.

12. Use only with the

cart, stand, tripod, bracket,

or table speci ed by the

manufacturer, orsold with

the apparatus. When a cart

is used, use caution when

moving the cart/apparatus

combination to avoid

injury from tip-over.

13. Unplug this apparatus during lightning storms or

when unused for long periods of time.

14. Refer all servicing to quali ed service personnel.

Servicing is required when the apparatus has been

damaged in any way, such as power supply cord or plug

is damaged, liquid has been spilled or objects have fallen

into the apparatus, the apparatus has been exposed

to rain or moisture, does not operate normally, or has

beendropped.

15. The apparatus shall be connected to a MAINS socket

outlet with a protective earthing connection.

16. Where the MAINS plug or an appliance coupler is

used as the disconnect device, the disconnect device shall

remain readily operable.

TECHNICAL SPECIFICATIONS AND APPEARANCES

ARE SUBJECT TO CHANGE WITHOUT NOTICE AND

ACCURACY IS NOT GUARANTEED. BEHRINGER IS

PART OF THE MUSIC GROUP MUSICGROUP.COM.

ALL TRADEMARKS ARE THE PROPERTY OF THEIR

RESPECTIVE OWNERS. MUSICGROUP ACCEPTS NO

LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED

BY ANY PERSON WHO RELIES EITHER WHOLLY OR

IN PART UPON ANY DESCRIPTION, PHOTOGRAPH

OR STATEMENT CONTAINED HEREIN. COLORS AND

SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT.

MUSIC GROUP PRODUCTS ARE SOLD THROUGH

AUTHORIZED FULLFILLERS AND RESELLERS ONLY.

FULLFILLERSAND RESELLERS ARE NOT AGENTS OF

MUSICGROUP AND HAVE ABSOLUTELY NO AUTHORITY

TO BIND MUSICGROUP BY ANY EXPRESS OR IMPLIED

UNDERTAKING OR REPRESENTATION. THIS MANUAL

IS COPYRIGHTED. NO PART OF THIS MANUAL MAY

BE REPRODUCED OR TRANSMITTED IN ANY FORM

OR BY ANY MEANS, ELECTRONIC OR MECHANICAL,

INCLUDING PHOTOCOPYING AND RECORDING OF ANY

KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS

WRITTEN PERMISSION OF MUSICGROUPIPLTD.

Trident Chambers, Wickhams Cay, P.O. Box 146,

Road Town, Tortola, British Virgin Islands

§ 1 Warranty

(1) This limited warranty is valid only if you purchased

the product from a MUSIC Group Authorized Reseller in

the country of purchase. A list of authorized resellers can

be found on BEHRINGER’s website behringer. com under

“Where to Buy”, or you can contact the MUSIC Group o

closest to you.

(2) MUSICGroup* warrants the mechanical and

electronic components of this product to be free of defects

in material and workmanship if used under normal

operating conditions for a period of one (1) year from

the original date of purchase (see the Limited Warranty

terms in §4 below), unless a longer minimum warranty

period is mandated by applicable local laws. If the product

shows any defects within the speci ed warranty period

and that defect is not excluded under §4, MUSICGroup

shall, at its discretion, either replace or repair the product

using suitable new or reconditioned product or parts.

Incase MUSICGroup decides to replace the entire product,

thislimited warranty shall apply to the replacement

product for the remaining initial warranty period, i.e.,

one (1) year (or otherwise applicable minimum warranty

period) from the date of purchase of the original product.

(3) Upon validation of the warranty claim, the repaired

or replacement product will be returned to the user

freight prepaid by MUSICGroup.

(4) Warranty claims other than those indicated above

are expressly excluded.

PLEASE RETAIN YOUR SALES RECEIPT. IT IS YOUR PROOF

OF PURCHASE COVERING YOUR LIMITED WARRANTY.

THIS LIMITED WARRANTY IS VOID WITHOUT SUCH PROOF

OFPURCHASE.

§ 2 Online registration

Please do remember to register your new BEHRINGER

equipment right after your purchase at behringer. com

under “Support” and kindly read the terms and conditions

of our limited warranty carefully. Registeringyour

purchase and equipment with us helps us process

your repair claims quicker and more e ciently.

Thankyouforyour cooperation!

§ 3 Return materials authorization

(1) To obtain warranty service, please contact the

retailer from whom the equipment was purchased.

Should your MUSIC Group Authorized Reseller not be

located in your vicinity, you may contact the MUSICGroup

Authorized Ful ller for your country listed under

Important Safety

Instructions

4 U-CONTROL UMX610/UMX490 User Manual

“Support” at behringer. com. Ifyour country is not

listed, please check if your problem can be dealt with

by our “OnlineSupport” which may also be found under

“Support” at behringer. com. Alternatively,please submit

an online warranty claim at behringer. com BEFORE

returning the product. All inquiries must be accompanied

by a description of the problem and the serial number

of the product. Afterverifying the product’s warranty

eligibility with the original sales receipt, MUSICGroup

will then issue a ReturnMaterials Authorization

(“RMA”)number.

(2) Subsequently, the product must be returned in

its original shipping carton, together with the return

authorization number to the address indicated by

MUSICGroup.

(3) Shipments without freight prepaid will not

beaccepted.

§ 4 Warranty Exclusions

(1) This limited warranty does not cover consumable

parts including, but not limited to, fuses and batteries.

Where applicable, MUSICGroup warrants the valves or

meters contained in the product to be free from defects

in material and workmanship for a period of ninety (90)

days from date of purchase.

(2) This limited warranty does not cover the product

if it has been electronically or mechanically modi ed

in any way. If the product needs to be modi ed or

adapted in order to comply with applicable technical

or safety standards on a national or local level, inany

country which is not the country for which the

product was originally developed and manufactured,

thismodi cation/adaptation shall not be considered a

defect in materials or workmanship. Thislimited warranty

does not cover any such modi cation/adaptation,

regardless of whether it was carried out properly or not.

Under the terms of this limited warranty, MUSICGroup

shall not be held responsible for any cost resulting from

such a modi cation/adaptation.

(3) This limited warranty covers only the product

hardware. It does not cover technical assistance for

hardware or software usage and it does not cover

any software products whether or not contained in

the product. Any such software is provided “AS IS”

unless expressly provided for in any enclosed software

limitedwarranty.

(4) This limited warranty is invalid if the

factory- appliedserial number has been altered or

removed from theproduct.

(5) Free inspections and maintenance/repair work

are expressly excluded from this limited warranty,

inparticular, if caused by improper handling of the

product by the user. This also applies to defects caused

by normal wear and tear, in particular, of faders,

crossfaders, potentiometers, keys/buttons, guitar strings,

illuminantsand similar parts.

(6) Damage/defects caused by the following conditions

are not covered by this limited warranty:

• improper handling, neglect or failure to operate the

unit in compliance with the instructions given in

BEHRINGER user or service manuals;

• connection or operation of the unit in any way

that does not comply with the technical or safety

regulations applicable in the country where the

product is used;

• damage/defects caused by acts of God/Nature

(accident,  re,  ood, etc) or any other condition that

is beyond the control of MUSICGroup.

(7) Any repair or opening of the unit carried out by

unauthorized personnel (user included) will void the

limitedwarranty.

(8) If an inspection of the product by MUSICGroup

shows that the defect in question is not covered by the

limited warranty, the inspection costs are payable by

thecustomer.

(9) Products which do not meet the terms of this

limited warranty will be repaired exclusively at the buyer’s

expense. MUSICGroup or its authorized service center will

inform the buyer of any such circumstance. If the buyer

fails to submit a written repair order within 6 weeks after

noti cation, MUSICGroup will return the unit C.O.D. with

a separate invoice for freight and packing. Such costs will

also be invoiced separately when the buyer has sent in a

written repair order.

(10) MUSIC Group Authorized Resellers do not sell new

products directly in online auctions. Purchasesmade

through an online auction are on a “buyer beware” basis.

Online auction con rmations or sales receipts are not

accepted for warranty veri cation and MUSICGroup will

not repair or replace any product purchased through an

online auction.

§ 5 Warranty transferability

This limited warranty is extended exclusively to the

original buyer (customer of authorized reseller) andis

not transferable to anyone who may subsequently

purchase this product. No other person (reseller,etc.)

shallbe entitled to give any warranty promise on behalf

of MUSICGroup.

§ 6 Claim for damage

Subject only to the operation of mandatory applicable

local laws, MUSICGroup shall have no liability to the buyer

under this warranty for any consequential or indirect

loss or damage of any kind. In no event shall the liability

of MUSICGroup under this limited warranty exceed the

invoiced value of the product.

§ 7 Limitation of liability

This limited warranty is the complete and exclusive

warranty between you and MUSICGroup. It supersedes

all other written or oral communications related to this

product. MUSICGroup provides no other warranties for

this product.

§ 8 Other warranty rights and

nationallaw

(1) This limited warranty does not exclude or limit the

buyer’s statutory rights as a consumer in any way.

(2) The limited warranty regulations mentioned herein

are applicable unless they constitute an infringement of

applicable mandatory local laws.

(3)

This warranty does not detract from the seller’s

obligations in regard to any lack of conformity of the

product and any hidden defect.

§ 9 Amendment

Warranty service conditions are subject to change without

notice. For the latest warranty terms and conditions

and additional information regarding MUSICGroup’s

limited warranty, please see complete details online at

behringer. com.

* MUSICGroup Macao Commercial O shore Limited of

RuedePequim No. 202-A, Macau Finance Centre 9/J, Macau,

including all MUSICGroup companies

5 U-CONTROL UMX610/UMX490 User Manual

1. Before you get Started

1.1 Shipment

The U-CONTROL was carefully packed at the assembly plant to assure secure

transport. Should the condition of the cardboard box suggest that damage may

have taken place, please inspect the unit immediately and look for physical

indications of damage.

◊ Damaged equipment should NEVER be sent directly to us. Please inform

the dealer from whom you acquired the unit immediately as well as

the transportation company from which you took delivery of the unit.

Otherwise, all claims for replacement/repair may be rendered invalid.

◊ To assure optimal protection of your UMX during transport,

we recommend utilizing a carrying case.

◊ Please always use the original packaging to avoid damage due to

storage or shipping.

◊ Never let unsupervised children play with the device or with

its packaging.

◊ Please dispose of all packaging materials in an

environment-friendly fashion.

1.2 Initial operation and power supply

Please make sure that the unit is provided with sucient ventilation, and never

place the UMX on top of an amplier or in the vicinity of a heater to avoid the risk

of overheating.

The power supply can be realized in dierent ways depending on the main

application area. For the installation of the UMX in a studio environment, it is

possible to connect the device directly to a free USB port of the computer using

the USB cable provided (see Fig. 1.1).

In case it is not possible to establish the power supply over USB (e.g. because of

an overload of the host computer due to several USB devices connected), it is also

possible to operate the UMX with three 1.5-Volt batteries (type “AA”, see Fig. 1.2).

U-CONTROL UMX

USB Cable (included)

PC/MAC

Fig. 1.1: Power supply via USB.

Fig. 1.2: The battery compartment on the bottom side of the UMX.

Open the battery compartment by pressing the shutter clamp carefully in

the direction of the battery compartment, while pulling the cover of the

compartment upwards.

• Please note the following points when inserting the batteries:

• The +symbol of the batteries must coincide with the + symbol of the

compartment! Incorrect polarity will damage the electronics!

• Do not mix old and new batteries! When you change the batteries,

alwayschange all 3 batteries at the same time.

• Do not use damaged batteries. The UMX could be damaged due to the

leakage of chemicals.

• If you do not use the unit for an extended period of time, please remove the

batteries from the compartment. Here again, the batteries could leak and

damage thedevice.

After inserting the batteries, please close the battery compartment and make

sure the shutter clamp snaps into place again. If you neither want to connect

the power supply over USB nor operate the device with batteries, there is yet

another possibility to connect the UMX over an external power supply unit.

Pleaseobserve the correct operational data (DC 9 V; 100 mA) and correct polarity

of the connector plug; you will nd information about this above the DC input on

the rear of the unit. Reverse polarity can damage theelectronics.

1.3 Online registration

Please register your new BEHRINGER equipment right after your purchase

by visiting http://behringer.com and read the terms and conditions of our

warrantycarefully.

Should your BEHRINGER product malfunction, it is our intention to have it

repaired as quickly as possible. To arrange for warranty service, please contact

the BEHRINGER retailer from whom the equipment was purchased. Shouldyour

BEHRINGER dealer not be located in your vicinity, you may directly contact

one of our subsidiaries. Corresponding contact information is included in the

original equipment packaging (Global Contact Information/European Contact

Information). Should your country not be listed, please contact the distributor

nearest you. A list of distributors can be found in the support area of our website

(http://behringer.com).

Registering your purchase and equipment with us helps us process your repair

claims more quickly and eciently.

Thank you for your cooperation!

6 U-CONTROL UMX610/UMX490 User Manual

1.4 System requirements

For USB operation, a current WINDOWS PC or MAC with a USB connection is

sucient. Both USB 1.1 and USB 2.0 aresupported.

◊ The UMX supports the USB MIDI compatibility of WINDOWS XP, Vista and

MAC OS X operating systems.

◊ The UMX can also be operated as a stand-alone MIDI controller with no

PC connected. Software control via MIDI is also possible, provided your

computer has a MIDI interface.

2. Introduction to MIDI

2.1 MIDI control for beginners

Application possibilities for the UMX models are truly wide-ranging. We’ll start

with a couple of general explanations and examples that should quickly let you

get a good understanding of MIDI basics.

The denition of the MIDI standard began in 1982 with the cooperation of various

international companies (MIDI: Musical Instrument Digital Interface). At that

time, musicians were looking for a possibility of managing the communication of

electronic musical instruments of dierent makes with one another.

What exactly does the UMX do?

Simply put, this is a remote control for all kinds of MIDI equipment. Using the

faders, rotary knobs and buttons, the foot pedal and the keyboard, an entire

array of control instructions can be generated, which in turn can control the most

diverse functions of external devices.

What kinds of equipment can I control with the UMX?

You can basically control any device supporting the MIDI format. Both hardware

and software MIDI devices are controlled in exactly the same way. The only

dierence is in the wiring. Here are a couple of suggestions on how you can use

your UMX:

• Editing sound parameters of (virtual) synthesizers, sound samplers,

GM/GS/XG sound generators

• Controlling parameters on eects equipment/software plug-ins such as

eects processors, reverbs, compressors, equalizers

• Remotely controlling software mixers (volume, panorama, mute functions,

etc.) Remotely controlling transport functions (playback, forward, stop, etc.)

on sequencers, hard disk recorders, drum computers, etc. Live control of

volume and sound parameters on expanders

• Remotely controlling groove boxes, step sequencers, MIDI generators and

other “live” software

• Program changes and volume control on sound generators (just like on a

master keyboard)

• Can be used by band keyboardists, solo entertainers, organists,

electronicmusic performers, DJs, sound engineers, home/project studio

owners, theater technicians, etc.

And how does it work?

Remote control is realized by assigning the individual control elements of the

UMX to individual MIDI parameters. Whenever one of these control elements is

operated, the UMX generates the control data assigned to this control element,

which are then transferred to external devices over a data link. Thus, for example,

the VOLUME/DATA fader is factory-set to send data controlling the volume level

of achannel.

The data connection is usually a standard MIDI cable with a 5-pin DIN plug on

each end. Such cables should not exceed a length of 15 meters. With the UMX

there is one more data connection available: the USB cable to the host computer.

Here, the cable should not exceed a length of 5 meters.

The data transmission takes place over 16 channels.

The control data generated by the individual control elements are also called

MIDI messages, which can be divided into 3 major groups:

• Channel Messages: Here, channel-specic control information is

transmitted. An example of a channel message is the note-on instruction.

As soon as a key is played on the keyboard of the UMX, the device generates

an instruction which contains the pitch, channel number and velocity.

Thereceiving sound generator “knows” which tone has to be played.

• System Messages: These messages are not channel-specic but relate to

the entire system to which they are sent. They are divided into 3 groups:

System Exclusive Messages (for operating system backup, updates,

management of memory contents); System Real-Time Messages (e.g. for

remote control of other devices); System Common Messages (e.g. for the

synchronization of several devices).

• Control Messages: Also known as Control Changes or Controllers,

abbreviated as “CC… (Control Change)”. Thereare 128 controllers in total,

which are numbered from0to127.

◊ Please refer to Table 6.1 to find out which type of controller you are

currently working with.

◊ MIDI data are only control data and contain no audible audio

information! The data transmission takes place over 16 channels.

What settings do I have to make? Where? How?

Basically, which control element generates which controller must be set on the

UMX, and how incoming controller commands should be interpreted must be

set on the receiving device. Regarding controller assignment, there are two

possibleprinciples:

• You use the preset controller conguration set in the factory (see Fig. 3.1).

Inthis case, you only need to make the assignments on the receiving device.

• You use your own controller conguration set up in ASSIGN mode. How to

assign controllers to the UMX is described in Chapter 4 “Operation”.

7 U-CONTROL UMX610/UMX490 User Manual

2.2 USB mode and stand-alone operation

The UMX can be operated as a USB interface or stand-alone device. The two

modes are dierent with respect to the MIDI signal ow.

2.2.1 USB mode

When the UMX is linked via USB to a computer, the signal ow is as shown

below(Fig. 2.1).

Sound-Module

PC/MAC

MIDI

(intern)

OUT

USB

(intern)

Fig 2.1: Block diagram of MIDI signal ow

After the UMX has been connected to the host computer, a virtual MIDI IN and

MIDI OUT interface is emulated.

MIDI data generated in the UMX are rst sent over the USB interface to the

host computer, where they are received at the emulated MIDI IN. A sequencer

software running on the host computer receives the MIDI data via the MIDI IN

and relays them to the emulated MIDI OUT—if all sequencer parameters are set

properly. The data are then sent back to the UMX via the USB interfaces on the

computer/UMX, where they are looped through to the physical MIDI OUT (14).

Fromhere, the MIDI data are sent to the devices connected to the MIDI OUT.

The MIDI OUT connector (14) can also be used as a normal MIDI interface,

independently of the sequencer software operating the UMX.

2.2.2 Stand-alone operation

When the UMX is not linked via USB to a computer, it is automatically set to

stand-alone mode. In this case, the UMX can only send out MIDI data from its

MIDI OUT connector.

3. Control Elements and

Connections

◊ The following factory settings refer to GLOBAL MIDI channel 1.

(1) The KEYBOARD of the UMX has 49 or 61 large, velocity-sensitive keys for

maximum playing comfort. The keyboard not only provides for playing,

butalso functions as an encoder in the context of the assignment procedure.

(2) The MODULATION wheel is factory-set to function as a conventional

modulation wheel (MIDI CC 1). In ASSIGN mode, any MIDI controller can

be assigned to it. When you release the MODULATION wheel, it retains its

adjusted value.

(3) The PITCH BEND wheel is normally used to change the pitch in real

time. Inthis way, a sound can be “bent” upwards/downwards by several

semitones while playing. As a default factory setting, pitch bending is

assigned to this wheel. However, in ASSIGN mode you can assign any MIDI

control command to the pitch wheel.

(4) Ex works, the VOLUME/DATA fader controls the volume of the notes played

on the keyboard (MIDI CC 7). In ASSIGN mode, it can be set to control any

MIDI controller.

(5) The ASSIGN button allows you to assign dierent functions to the various

control elements.

The basic principle is always the same:

1) Press the ASSIGN button and keep it pressed. The status LED above the

button lights up. The UMX signals that it has entered ASSIGN mode.

2) Select the control element to which you would like to assign a new MIDI

function by operating it.

3) Release the ASSIGN button.

4) Depending on the choice you made, you may have to dene an additional

value range (see below for more details).

5) Press the ENTER key on the keyboard to conrm your assignments.

Todiscard your assignments either press the CANCEL key or the ASSIGN

button again. Ineither case, the ASSIGN LED goes out and the UMX quits

ASSIGN mode.

(6) The USER MEMORY button is used to recall the internal memory.

Theinternal memory contains all assignment information set in ASSIGN

mode. Any changes that were made after USER MEMORY selection are

automatically saved without further user prompts. The USER MEMORY is

retained even after the unit is switched o.

(7) The two OCTAVE SHIFT buttons are preset to shift the keyboard range

by up to three octaves up or down. The associated LEDs help you identify

the current octave setting (see Table 3.1). Since the OCTAVE SHIFT buttons

can also be assigned to any MIDI controller, we would like to refer you to

Chapters 4.2.8 and 4.2.9 for detailed information.

(8) The eight high-resolution rotary controls R1 – R8 generate continuous

controller information. They are the controllers that are shown above

the buttons in the table 10. All rotary controllers can be assigned to any

controller in ASSIGN mode.

(9) The eight buttons B1 – B8 generate switch controllers. Again, they are

assigned to various default functions (see table on the device). Like the

rotary controls, the buttons can be freely assigned to any controller in

ASSIGN mode.

(10) The table shows the factory-set controller assignments.

(11) Keyboard legend: Informs you about the special functions performed by

individual keys on the keyboard. The individual elements of the keyboard

legend are described in detail in Chapter 4 “Operation”.

8 U-CONTROL UMX610/UMX490 User Manual

(10) (11)(9)(8)(6)

(5)

(4)

(7)

(3) (2) (1)

Fig. 3.1: Top view of the UMX

Operation Octave shift LED

press once Shift one octave up or down LED on

press 2nd time Shift 2 octaves up or down ashing

press 3rd time Shift 3 octaves up or down ashing

press both buttons Reset (all octave shifts are reversed) LED o

Tab. 3.1: LED activity depending on the OCTAVE SHIFT status

(12) (13) (14) (15) (16)

Fig. 3.2: Rear panel connectors

(12) Use this socket to supply the UMX with current from an external power

supply unit (not included).

(13) The USB connector of the UMX. The connector (type B) on the device is

connected using the cable supplied to a free slot on the host computer

(where you will nd a type A connector). It is compatible with the USB 1.1

and/or USB 2.0 standards.

(14) In addition to the connection to the computer, you can use the MIDI OUT

to connect additional MIDI devices, so that the UMX transforms into a

fully-featured, easily accessible MIDI interface for your host computer.

(15) Use the FOOTSWITCH connector to connect a sustain pedal. This port

is factory-set and assigned to the MIDI parameter “Foot Pedal” (CC 64),

whichrepresents a switch controller. When the pedal is pressed (and held)

in normal Play mode, it generates a controller with the value 127. When the

pedal is released, the controller falls back to 0 (typical piano sustain pedal

behavior). Apart from that the pedal assignment is the same as the button

assignment, i.e. you can assign any MIDI controller to it.

(16) The POWER switch is used to switch the unit on and o.

◊ Please close all programs if you want to switch off the UMX while the

computer is running or terminate the USB connection.

4. Operation

In the following, we will explain the operation of the UMX in detail. Please note

the dierentiation between push-buttons (refer to control elements (10) and

keys (control element (1))! Please do not confuse these!

4.1 Play mode

The UMX is in the PLAY mode immediately after it is switched on. Here you can

immediately begin to play, modify the ltering process via the rotary controls,

execute panning, control software synthesizers and so on.

4.1.1 The factory memory

The FACTORY MEMORY is the installed memory in which the basic settings of the

UMX are dened. The controller map described under (10) is the most important

item of the FACTORY MEMORY. These settings are automatically loaded after each

start of the device and control many useful parameters.

Instructions which are changed within a session are discarded when the device is

switched o. We have equipped the UMX with a USER MEMORY, in order to still be

able to store changed allocations.

4.1.2 The user memory

Settings which are stored in the USER MEMORY remain stored in the internal

Flash ROM and are retained after the device is switched o.

Change to the USER MEMORY by pressing push-button (6). If you call up the

USERMEMORY for the rst time, the settings of the FACTORY MEMORY will be

used initially. As soon as you execute changes in the existing controller map,

theyare automatically stored without requiring any further action.

In the USER MEMORY, allocations including channel information of the following

control elements can be permanently stored:

• FOOT SWITCH connector

• OCTAVE SHIFT buttons

• VOLUME/DATA fader

• PITCH BEND wheel

• MODULATION wheel

• Rotary controls R1 – R8

• Push-Buttons B1 – B8

9 U-CONTROL UMX610/UMX490 User Manual

4.2 Assign mode

As already mentioned in previous chapters, the ASSIGN Mode is a powerful tool to

optionally recongure the UMX into an ultra-comfortable controller.

The basic logic of the allocation process has been introduced to you in Chapter3

“Control Elements and Connections”. In the following we will oer you more

detailed information to enable you to use the UMX even more eciently.

4.2.1 Setting the global channel

The UMX recognizes two separate classications in regard to MIDI channels.

Thereis a GLOBAL CHANNEL and 16 SINGLE CHANNELs.

The GLOBAL MIDI CHANNEL is the channel through which all MIDI commands are

sent in the factory setting: messages by various control elements, as well as the

Note On and Note O commands. To change this channel, proceed as follows:

1) Press the ASSIGN button and hold it down.

2) Press the

CH SELECT

key.

3) Release the ASSIGN push-button.

4) Dene the GLOBAL CHANNEL by operating one of the keys ( CH 1 ) through

( CH 16 ) on the keyboard.

5) Finally, press the ENTER key. In order to discard your assignments,

pleasepress the CANCEL key or press the ASSIGN push-button again.

TheASSIGN LED will go o in all 3 cases.

◊ The factory setting for the GLOBAL CHANNEL is channel 1.

4.2.2 Individual channel assignment

The assignment of individual control elements to dened channels is useful if you

want to control several external devices independently from each other.

Example:

You are playing synthesizer A through channel 2 with the keyboard and have a

sequencer program controlling another synthesizer B through channel 5. You can

now control the lter frequency of device B through one of the eight jog/shuttle

controls in real time and simultaneously continue to play device A without

changing the lter frequency.

1) Press the ASSIGN push-button and hold it down.

2) Activate the control element, for which another channel than the

GLOBALCHANNEL is to be set. If this is a controller or fader, briey move the

control element; when you have decided on a push-button, press this push-

button once. The UMX now “knows” which control element you would like to

assign to a SINGLE CHANNEL.

3) Release the ASSIGN push-button.

4) Press one of the 16 channel keys ( CH 1 ) through ( CH 16 ).

5) Finally, press the ENTER key. In order to discard your assignments,

pleaseselect the CANCEL key or press the ASSIGN push-button again.

TheASSIGN LED will go o in all 3 cases.

◊ All control elements of the UMX follow the GLOBAL CHANNEL in their

channel settings (factory settings). This means that a control element

is always in the GLOBAL CHANNEL until you assign it to another channel.

Please also consider this when you change the GLOBAL CHANNEL,

since various elements will also change accordingly!

4.2.3 Global channel assignment

1) Press the ASSIGN push-button and hold it down.

2) Activate the control element for which the GLOBAL CHANNEL is to be set.

If this is a controller or fader, briey move the control element; when you

have decided on a push-button, press this push-button once. TheUMX

now “knows” to which control element you would like to assign a

GLOBALCHANNEL.

3) Release the ASSIGN push-button.

4) Press the ( GLOBAL ) key.

5) Finally, press the ENTER key. In order to discard your assignments,

pleasepress the CANCEL key or press the ASSIGN push-button again.

TheASSIGN LED will go o in all 3 cases.

4.2.4 The panic key combination

Imagine that you have been working continuously on one song for several hours

and a note suddenly “hangs up”. If you now execute a PANIC command, a sound

producing device receiving this command becomes silent immediately.

1) Press the ASSIGN push-button and hold it down.

2) Press one of the two PANIC keys,

RESET ALL

NOTES OFF

3) Release the ASSIGN push-button. The device will automatically return to the

normal play mode.

◊ The command “All Notes Off” will be sent immediately after you have

pressed one of the two keys.

4.2.5 The snapshot send command

The SNAPSHOT command triggers the transmission of all parameters including

their current values. All control element assignments as well as their temporary

settings on the respective channels are transmitted to the MIDI OUT socket and to

the USB output of the UMX.

It is possible by this method to transfer the complete UMX mapping to a

sequencer software at the beginning of a song. This is to make sure the song

is played with the last valid controller values. Apart from this, the SNAPSHOT

allows you to reset the correct values in an external device where parameters

haveshifted.

1) Press the ASSIGN push-button and hold it down.

2) Press the

SNAP SEND

key on the keyboard.

3) Release the ASSIGN push-button. The device automatically returns to the

normal play mode.

◊ The SNAPSHOT command is transmitted immediately after activating

the keyboard.

4.2.6 Local o

The LOCAL OFF in the UMX has the eect that value entries made via the control

elements are neither transmitted to the MIDI OUT socket nor to the USB OUT. Itis

therefore possible in the LOCAL OFF mode, for example, to read just the rotary

controls without transmitting data to the generally selected external devices.

1) Press the ASSIGN push-button and hold it down.

2) Press the

LOCAL OFF

key.

3) Release the ASSIGN push-button again and complete the desired settings on

the control elements.

4) Then, press the ENTER key or the CANCEL key. The LED of the ASSIGN key

goes o in both cases and you are in normal play mode again.

10 U-CONTROL UMX610/UMX490 User Manual

4.2.7 Control elements assignment

We explained in Chapter 4.2.2 how an individual channel can be assigned to

each control element. You will now nd out how to assign new controllers and

achannel.

a) The assignment for rotary controls R1 – R8, the MODULATION

controller, the PITCH BEND wheel, as well as the DATA fader.

1) Press the ASSIGN push-button and hold it down.

2a) If you would like to assign one of the eight rotary controls, turn the

respective controller.

2b) If you assign the MODULATION controller, please activate one of

the keys located below the lettering

MOD WHEEL ASSIGN

MODULA

VOLUME

. You can bypass step 5, if you decide on the

MODULA

or the

VOLUME

key. The MIDI controller “MODULATION”

(CC 1) or “CHANNEL VOLUME” (CC7) is then directly assigned to

the MODULATION controller without having to enter a controller

numberrst.

2c) If you assign the PITCH BEND wheel, please activate one of the

keys located below the lettering

PB WHEEL ASSIGN

PITCH BEND

. Youcan bypass step 5, if you decide on the

PITCH BEND

key. Theoriginal pitch bend function is then directly assigned to the

PITCH BEND wheel.

2d) If you complete an assignment for the DATA fader, please activate

one of the keys located below the lettering

SLIDER ASSIGN

VOLUME

. You can bypass step 5 if you decide on the

VOLUME

key. Theoriginal volume function is then directly assigned

to the DATAfader.

3) Release the ASSIGN push-button again.

4) Press one of the 16 channel push-buttons ( CH 1 ) through ( CH 16 )

to dene the channel.

5) Press the number keys on the keyboard in sequence until you have

completely entered the desired controller number. Only value entries

between 0 and 127 are possible. Greater values are ignored by

thedevice.

Examples:

• Press keys ( 1 ) and ( 4 ) if you have decided on CC 14, forexample.

• Press keys ( 1 ), ( 0 ) and ( 7 ) if you would like to select CC 107.

6) Finally press the ENTER key. In order to discard your assignments,

pleasepress the CANCEL key or press the ASSIGN push-button again.

TheLED of the ASSIGN push button will go o in all 3 cases.

b) Assigning push-buttons B1 – B8 and the optional sustain pedal

connected to the socket ( 15 ).

1) Press the ASSIGN push-button and hold it down.

2) Press the related control element once (however, it is not necessary to

continue pressing it).

3) Release the ASSIGN push-button again.

4) Press one of the 16 channel push-buttons ( CH 1 ) through ( CH 16 ) to

dene the channel.

5) Press the number keys on the keyboard in sequence until you have

completely entered the desired controller number. Only value entries

between 0 and 127 are possible. Greater values are ignored by

thedevice.

6) Finally, press the ENTER key. In order to discard your assignments,

please press the CANCEL key or press the ASSIGN push-button again.

The LED of the ASSIGN push button will go o in all 3 cases.

Please note two exceptions in conjunction with the push-buttons and/or the

sustain pedal.

◊ If you assign CC 07 (Channel Volume) to the push-buttons, a channel

volume of 0 is triggered each time you press the push-button.

This means the channel is always mute. This feature is very useful for

live operation.

◊ If you use controller CC 10 (panning) for the push-buttons or the

sustain pedal, pressing the control element transmits value 64.

This results in hearing the content of the channel in the center of the

stereo panorama.

4.2.8 Program and bank change

You have three dierent options achieving a program change in external

devices with the UMX. This is a very powerful function, which will enable you

to use the full spectrum of all of your sound producers. Options a) and b) will

allow you to select any programs by means of a dened selection procedure,

whichalways has to be completed. The process is generally accelerated in the

third option c), so that you will be able to directly select programs by pressing the

push-buttononce.

a) If you are sure that you want to select from 128 dierent programs

only, you will achieve the ASSIGN mode program change by the

following method. As soon as the quantity of 128 is exceeded,

however, you must apply the process described under paragraph b).

1) Press the ASSIGN push-button and hold it down.

2) Press one of the 16 white channel keys ( CH 1 ) through ( CH 16 ) on

the keyboard. You have now dened the channel by which the program

change will be transmitted.

3) Release the ASSIGN push-button.

4) Press the

PROGRAM

key.

5) Press the number keys in sequence until you have completely entered

the desired program number. Only value entries between 0 and 127 are

possible. Greater values are ignored by the device.

Examples:

• Press ( 1 ) and ( 5 ) if you have decided on program 15, forexample.

• Press ( 1 ), ( 2 ) and ( 7 ) if you would like to select program 127.

6) Press the ENTER key. In order to discard your assignments, please press

the CANCEL key or press the ASSIGN push button again. The ASSIGN LED

will go o in all 3 cases.

b) If you have more than 128 programs, you must apply the following

process to achieve a program change. In this case, your programs

will be organized in banks which are activated by a special MIDI

command: the BANK SELECT command. In the following section,

thiscommand is briey described. A brief introduction for this is

listed in the following:

The BANK SELECT command consists of two parts: an MSB part and an LSB part.

The MSB part describes a value range of 128 dierent values and is the more

important part of the DATA BASE SELECT command for many external devices.

The LSB part describes each of the 128 MSBs in another 128 individual stages.

Both are individually numbered from 0to127.

11 U-CONTROL UMX610/UMX490 User Manual

The enormous value range of a total of 128 x 128 = 16,384 dierent values is

therefore available to you via the BANK SELECT command. This theoretically

means that you could use external devices which support the same amount of

dierent banks.

If you consider that each of these banks again contains another 128 individual

programs, you will receive the unbelievably large number of 2,097,152 dierent

options to organize these programs.

1) Press the ASSIGN push-button and hold it down.

2) Press one of the 16 channel keys ( CH 1 ) through ( CH 16 ), orpress the

( GLOBAL ) key.

3) Release the ASSIGN push-button.

4) Press the

BANK MSB

key. Then press the number keys in sequence until

you have completely entered the desired BANK MSB number. Only value

entries between 0 and 127 are possible. Greater values are ignored by

the device.

The BANK MSB has now been dened.

Examples:

• Press ( 1 ) and ( 4 ) if you have decided on MSB 14, forexample.

• Press ( 1 ), ( 0 ) and ( 7 ) if you would like to select MSB 107.

5) Now dene the

BANK LSB

by pressing the key. Then enter the number

value of the BANK LSB with the already familiar procedure (see step 4).

Thesame entry rules apply as for the BANK MSB.

You have dened the bank in which the desired program will be called

up in steps 4 and 5. Now all you have to dene is the program itself:

6) Press the

PROGRAM

key and then press the number keys in sequence

until you have completely entered the desired program number.

Onlyentries between 0and 127 are possible, greater values are ignored

by the device.Ready!

7) Finally, press the ENTER key. In order to discard your assignments,

pleasepress the CANCEL key or press the ASSIGN push-button again.

TheASSIGN LED will go o in all 3 cases.

Example:

You want to select preset No. 49 in bank 25 of an external device on channel

14 via the UMX. Only the LSB will be used to describe the bank, since the bank

number remains less than 128. The MSB in this case equals 0.

1) Press and hold the ASSIGN push-button.

2) Press the channel key ( CH 14 ).

3) Release the ASSIGN push-button.

4) Then, press the

BANK MSB

key or the ( 0 ) key

5) Press

BANK LSB

key and then describe bank 25 with push-buttons ( 2 )

and ( 5 ).

6) Dene the program: Press the

PROGRAM

key and then the ( 4 ) and

( 9 ) keys for program 49.

7) Press the ENTER key.

c) Direct program selection through the two OCTAVE SHIFT

push-buttons.

1) Press the ASSIGN push-button and hold it down.

2) Select the OCTAVE SHIFT push-button which you want to assign to the

program change function.

3) Release the ASSIGN push-button again.

4) Dened the channel by which the program change will be transmitted.

Press one of the 16 channel keys ( CH 1 ) through ( CH 16 ) on

thekeyboard.

5) Press the

PROG DIR

key. Then press the number keys on the

keyboard in sequence until you have completely entered the desired

preset number. Onlyvalue entries between 0 and 127 are possible.

Greatervalues are ignored by the device.

6) Finally, press the ENTER key. In order to discard your assignments,

pleaseselect the CANCEL key or press the ASSIGN push-button again.

TheASSIGN LED will go o in all 3 cases.

◊ As soon as you have assigned the direct program selection to one

or both OCTAVE SHIFT push-buttons simultaneously, pressing both

push-buttons will not activate ANYTHING!

4.2.9 Other functions of the octave shift buttons

The OCTAVE SHIFT push-buttons of the device are in their initial state every time

the UMX is switched on (see Table 3.1). Further special functions can be assigned

to both push-buttons in the ASSIGN mode in addition to the already covered

functions regarding direct program change and octave transposition:

a) Transposition in individual semitone steps

b) Sequential scrolling in program libraries

c) Optional controller functions

◊ As soon as you assign a function to one of the two push-buttons,

the second push-button will automatically assume the same function,

however, it is still restricted in its functionality. It is not capable of

sending data until you assign a function to this push-button with the

ASSIGN procedure.

a) Transposition in individual semitone steps

1) Press the ASSIGN push-button and hold it down.

2) Press the

TRANSP +/-

key.

3) Release the ASSIGN push-button.

4) Finally, press the ENTER key. In order to discard your assignments,

pleasepress the CANCEL key or press the ASSIGN push-button again.

TheASSIGN LED will go o in all 3 cases.

Pressing the right hand one of the two push-buttons causes a shift by one

semitone upward pressing the left hand one leads to a shift by one semitone

downward. Pressing both push-buttons cancels all transpositions.

◊ A keyboard can consist of a maximum of 128 semitones according to

the MIDI standard. If you have reached the lower or upper end of this

tone range with the transposition function, you cannot exceed the

highest or lowest tone despite continued pressing of the transposition

push-button. This also applies to the transposition in octave steps.

12 U-CONTROL UMX610/UMX490 User Manual

b) Sequential scrolling in program libraries.

Most sound producers have the option to store presets in a separate bank

(frequently called a User Bank). If the sequence of songs to be played at a concert

is dened by your band, you can store all of the sounds used for the gig in the

User Bank in the sequence they occur in the concert and completely concentrate

on your playing. A cumbersome search for sounds in the sound producers is no

longer required thanks to the OCTAVE SHIFT push-buttons.

1) Press the ASSIGN push-button and hold it down.

2) Press the

PROG +/-

key.

3) Release the ASSIGN push-button.

4) Finally, press the ENTER key. In order to discard your assignments,

pleasepress the CANCEL key or press the ASSIGN push-button again.

TheASSIGN LED will go o in all 3 cases.

Pressing the right hand one of the two push-buttons now causes your external

device to switch one preset number upward to be switched upward in your

external device; pressing the left hand causes a step downward in your preset

library. By pressing both push-buttons you jump to Preset 0 in the current bank.

Please note that you must assign an individual MIDI channel to the OCTAVESHIFT

push-buttons if you do not want to work in the GLOBAL CHANNEL (refer to

Chapter 4.2.2).

◊ In case of the stepwise search function, the channel assignment always

affects both the push-buttons. The assignment of a separate channel

to one of the 2 push-buttons is not supported.

c) Optional controller functions

Please note that the OCTAVE SHIFT push-buttons generate switch controllers in

the event of a controller assignment. One of the two values 0 or 127 will always

be produced.

◊ There are two exceptions: if you assign controller CC 07 (Channel Volume)

to the OCTAVE SHIFT push-buttons, pressing one of the push-buttons

will always generate the value 0. In case of controller CC 10 (panning),

pressing a push-button will always produce the value 64.

◊ Please note that pressing both push-buttons simultaneously does not

generate anything when assigning a controller.

1) Press the ASSIGN button and keep it pressed.

2) Press the one of the two OCTAVE SHIFT buttons to which you want to

assign a controller.

3) Release the ASSIGN button.

4) Assign the channel. Press one of the 16 channel keys ( CH 1 ) to

( CH 16 ). You can assign each of both the OCTAVE SHIFT buttons to an

individual MIDI channel.

5) Press the

key to be found under

BUTTON ASSIGN

6) Press the number keys on the keyboard to enter the controller number

of your choice (as described in Chapter 4.2.7).

7) Conrm your selection with ENTER. To discard your assignments either

press the CANCEL key or the ASSIGN button again. In all 3 cases the

ASSIGN LED goes out.

4.2.10 Velocity sensitivity

The sensitivity of the UMX can be regulated so that the velocity of the keys has an

eect on the volume level.

1) Press the ASSIGN button and keep it pressed.

2) Use the number keys to enter the keyboard velocity (see Table 4.1).

3) Release the ASSIGN button.

4) Conrm your selection with ENTER. To discard your assignments either press

the CANCEL key or the ASSIGN button again. In all 3 cases the ASSIGN LED

goes out.

KEY EFFECT ON KEY VELOCITY

OFF: velocity value is xed to 110.

Change of key pressure has no eect on volume level.

SOFT: key pressure is very sensitive; low velocity changes create high changes

in volume level

MEDIUM: key pressure is “normal”; (very) hard hit notes are (very) loud,

(very)soft hit notes produce (very) low volume

3 HARD: key pressure is more unsusceptible compared to all other settings

4-9 invalid input

Tab. 4.1: Eect of RANGE denition on keyboard velocity

4.2.11 The factory reset command

To reset all settings on your UMX, proceed as follows:

1) Press the ASSIGN push-button and hold it down.

2a) To cause a temporary FACTORY RESET, simultaneously press both

OCTAVESHIFT push-buttons. All temporarily changed control elements are

returned to their factory settings. The USER MEMORY, however, is retained

and will not be reset.

2b) Simultaneously press the ( 8 ), ( 9 ) and ( 0 ) keys to perform

a complete FACTORY RESET. In this case, the USER memory is also

overwritten, in addition to resetting all control elements of the

FACTORYMEMORY.

3) Release the ASSIGN push-button again. The LED of the ASSIGN push-button

stays on.

4) Finally, press the ENTER key. If you do not wish to perform the RESET

command, please press either the CANCEL key or press the ASSIGN

push-button again.

13 U-CONTROL UMX610/UMX490 User Manual

5. Specications

USB Connections

Type Type B; USB 1.1

MIDI Connections

Type 5-pin DIN plug

Control Elements

Controller 1 control wheel with center reset

1 control wheel without center reset

8 rotary knobs

1 fader

Buttons 12 buttons

Keyboard

UMX610 61 keys; velocity-sensitive

UMX490 49 keys; velocity-sensitive

Switch Plug

Foot pedal ¼" mono jack with automatic

polarity recognition

Power Supply

USB

Battery 3 x 1.5 Volt (Type “AA”)

Power connector 2 mm DC jack, negative center 9 V,

100mA DC, regulated

USA/Canada 120 V~, 60 Hz

China/Korea 220 V~, 50 Hz

UK/Australia 230 V~, 50 Hz

Europe 230 V~, 50 Hz

Japan 100 V~, 50–60 Hz

Power consumption

UMX610 max. 0.9 W

UMX490 max. 0.9 W

Dimensions/Weight

Dimensions (W x H x D)

UMX610 approx. 8 ⁄ x 3 ⁄ x 38 ⁄"

approx. 215 x 97 x 990 mm

UMX490 approx. 8 ⁄ x 3 ⁄ x 32 ⁄"

approx. 215 x 97 x 825 mm

Weight

UMX610 approx. 10 ⁄ lbs / 4.69 kg

UMX490 approx. 8 ⁄ lbs / 3.90 kg

BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts,

modifications may be made from time to time to existing products without prior notice. Specifications and

appearance may differ from those listed or illustrated.

14 U-CONTROL UMX610/UMX490 User Manual

6. Appendix

Standard MIDI Controller (CC) Numbers

00 Bank select 32 Bank select LSB 64 Damper Pedal (Sustain) 96 Data Entry +1 (Increment)

01 Modulation 33 Modulation LSB 65 Portamento On/O 97 Data Entry -1 (Decrement)

02 Breath Controller 34 Breath Controller LSB 66 Sostenuto On/O 98 NRPN LSB

03 Controller 3 (undened) 35 Controller 35 (undened) 67 Soft Pedal On/O 99 NRPN MSB

04 Foot Controller 36 Foot Controller LSB 68 Legato Footswitch 100 RPN LSB

05 Portamento Time 37 Portamento Time LSB 69 Hold 2 101 RPN MSB

06 Data Entry MSB 38 Data Entry LSB 70

Sound Controller 1

(Sound Variation)

102 Controller 102 (undened)

Channel Volume

(formerly Main Volume)

Channel Volume LSB

(formerly Main Volume)

Sound Controller 2

(Resonance/Timbre)

103 Controller 103 (undened)

08 Balance 40 Balance LSB 72 Sound Controller 3 (Release Time) 104 Controller 104 (undened)

09 Controller 9 (undened) 41 Controller 41 (undened) 73 Sound Controller 4 (Attack Time) 105 Controller 105 (undened)

10 Pan 42 Pan LSB 74

Sound Controller 5

(Cut-o Frequency/Brightness)

106 Controller 106 (undened)

11 Expression 43 Expression LSB 75 Sound Controller 6 (Decay Time) 107 Controller 107 (undened)

12 Eect Control 1 44 Eect Control 1 LSB 76 Sound Controller 7 (Vibrato Rate) 108 Controller 108 (undened)

13 Eect Control 2 45 Eect Control 2 LSB 77 Sound Controller 8 (Vibrato Depth) 109 Controller 109 (undened)

14 Controller 14 (undened) 46 Controller 46 (undened) 78 Sound Controller 9 (Vibrato Delay) 110 Controller 110 (undened)

15 Controller 15 (undened) 47 Controller 47 (undened) 79 Sound Controller 10 (undened) 111 Controller 111 (undened)

16 General Purpose 1 48 General Purpose 1 LSB 80 General Purpose 5 112 Controller 112 (undened)

17 General Purpose 2 49 General Purpose 2 LSB 81 General Purpose 6 113 Controller 113 (undened)

18 General Purpose 3 50 General Purpose 3 LSB 82 General Purpose 7 114 Controller 114 (undened)

19 General Purpose 4 51 General Purpose 4 LSB 83 General Purpose 7 115 Controller 115 (undened)

20 Controller 20 (undened) 52 Controller 52 (undened) 84 Portamento Control 116 Controller 116 (undened)

21 Controller 21 (undened) 53 Controller 53 (undened) 85 Controller 85 (undened) 117 Controller 117 (undened)

22 Controller 22 (undened) 54 Controller 54 (undened) 86 Controller 86 (undened) 118 Controller 118 (undened)

23 Controller 23 (undened) 55 Controller 55 (undened) 87 Controller 87 (undened) 119 Controller 119 (undened)

24 Controller 24 (undened) 56 Controller 56 (undened) 88 Controller 88 (undened) 120 All Sound O

25 Controller 25 (undened) 57 Controller 57 (undened) 89 Controller 89 (undened) 121 Reset All Controllers

26 Controller 26 (undened) 58 Controller 58 (undened) 90 Controller 90 (undened) 122 Local Control On/O

27 Controller 27 (undened) 59 Controller 59 (undened) 91 Eects 1 Depth (Reverb) 123 All Notes O

28 Controller 28 (undened) 60 Controller 60 (undened) 92 Eects 2 Depth (Tremolo) 124 Omni Mode O

29 Controller 29 (undened) 61 Controller 61 (undened) 93 Eects 3 Depth (Chorus) 125 Omni Mode On

30 Controller 30 (undened) 62 Controller 62 (undened) 94 Eects 4 Depth (Celeste/Detune) 126 Poly Mode O/Mono Mode On

31 Controller 31 (undened) 63 Controller 63 (undened) 95 Eects 5 Depth (Phaser) 127 Poly Mode On/Mono Mode O

Tab. 6.1: MIDI controller overview

15 U-CONTROL UMX610/UMX490 User Manual

FEDERAL COMMUNICATIONS

COMMISSION COMPLIANCE

INFORMATION

Responsible Party Name: MUSIC Group Services US Inc.

Address: 18912 North Creek Parkway,

Suite 200 Bothell, WA 98011,

USA

Phone/Fax No.: Phone: +1 425 672 0816

Fax: +1 425 673 7647

U-CONTROL UMX610/UMX490

complies with the FCC rules as mentioned in the followingparagraph:

This equipment has been tested and found to comply with the limits for a ClassB

digital device, pursuant to part 15 of the FCC Rules. These limits are designed

to provide reasonable protection against harmful interference in a residential

installation. This equipment generates, uses and can radiate radio frequency

energy and, if not installed and used in accordance with the instructions, may cause

harmful interference to radio communications. However, there is no guarantee that

interference will not occur in a particular installation. If this equipment does cause

harmful interference to radio or television reception, which can be determined

by turning the equipment o and on, the user is encouraged to try to correct the

interference by one or more of the followingmeasures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit dierent from that to which the

receiver is connected.

• Consult the dealer or an experienced radio/TV technician forhelp.

This device complies with Part 15 of the FCC rules. Operation is subject to the

following two conditions:

(1) this device may not cause harmful interference, and

(2) this device must accept any interference received, including interference that may

cause undesired operation.

Important information:

Changes or modications to the equipment not expressly approved by MUSIC Group

can void the user’s authority to use the equipment.

U-CONTROL UMX610/UMX490

We Hear You

Behringer U-Control UMX610, U-CONTROL UMX490 User manual

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