Korg PA1000 User manual

Category
Digital pianos
Type
User manual

This manual is also suitable for

Pa1000 | User Manual
© KORG Italy 2020. All rights reserved PART NUMBER: MAN0010131
Address
KORG ITALY SpA
Via Cagiata, 85
60027 Osimo (AN)
Italy
Web
www.korg.com
ENGLISH | OS Version 1.5 | MAN0010131
9E
Pa1000
Important safety instructions
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings. Install
in accordance with the manufacturer’s in-
structions.
8. Do not install near any heat sources such as
radiators, heat registers, stoves, or other ap-
paratus (including amplifiers) that produce
heat.
9. Do not defeat the safety purpose of the po-
larized or grounding-type plug. A polarized
plug has two blades with one wider than the
other. A grounding type plug has two blades
and a third grounding prong. The wide blade
or the third prong are provided for your safe-
ty. If the provided plug does not fit into your
outlet, consult an electrician for replacement
of the obsolete outlet.
10. Protect the power cord from being walked on
or pinched particularly at plugs, convenience
receptacles, and the point where they exit
from the apparatus.
11. Only use attachments/accessories specified
by the manufacturer.
12. Use only with the cart, stand, tripod, bracket,
or table specified by the manufacturer, or
sold with the apparatus. When a cart is used,
use caution when moving the cart/apparatus
combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning
storms or when unused for long periods of
time.
14. Refer all servicing to qualified service per-
sonnel. Servicing is required when the appa-
ratus has been damaged in any way, such as
power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into
the apparatus, the apparatus has been ex-
posed to rain or moisture, does not operate
normally, or has been dropped.
The ventilation should not be impeded by
covering the ventilation openings with items,
such as newspapers, table-cloths, curtains,
etc.
No naked flame sources, such as lighted can-
dles, should be placed on the apparatus.
Do not install this equipment in a confined
space such as a box for the conveyance or
similar unit.
WARNING – This apparatus shall be connect-
ed to a mains socket outlet with a protective
earthing connection.
Turning off the standby switch does not com-
pletely isolate this product from the power
line, so remove the plug from the socket if
not using it for extended periods of time,
or before cleaning. Please ensure that the
mains plug or appliance couple remains read-
ily accessible.
Mains powered apparatus shall not be ex-
posed to dripping or splashing and that no
objects filled with liquids, such as vases, shall
be placed on the apparatus.
Install this product near the wall socket and
keep the power plug easily accessible.
The marking plate is located at the bottom
of the instrument. The model number, serial
number, power requirements, etc., are locat-
ed on this plate.
Serial number
Please record the model number, serial num-
ber, and date of purchase below. Keep this
manual, as use these information as a record
of your purchase.
Model ________________________________
Serial No. _____________________________
Purchase Date ________________________
|a
WARNING – Do not ingest bat-
tery, chemical burn hazard. This
product contains a coin/button
cell battery.
If the coin/button cell battery is swallowed
it can cause severe internal burns in just 2
hours and can lead to death.
Keep new and used batteries away from chil-
dren. If the battery compartment does not
close securely, stop using the product and
keep it away from children.
If you think the battery may have been swal-
lowed or placed inside any part of the body
seek immediate medical attention.
WARNING – Date/time Lithium button cell
battery inside. Danger of explosion if the
battery is incorrectly replaced. Replace only
with the same or equivalent type. The inter-
nal date/time Lithium button cell battery is
user replaceable.
Do not expose batteries to excessive heat,
such as direct sunshine, fire or the like.
Dispose of used batteries according to the
battery manufacturer’s instructions.
The lightning flash with arrowhead symbol
within an equilateral triangle, is intended
to alert the user to the presence of uninsu-
lated “dangerous voltage” within the prod-
uct’s enclosure that may be of sufficient
magnitude to constitute a risk of electric
shock to persons.
The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operating and main-
tenance (servicing) instructions in the lit-
erature accompanying the product.
This symbol is intended to identify Class II
equipment with functional earthing (ground-
ing).
b|
Other notices
Automatic power-off
To avoid wasting power, Pa1000 will by default
automatically enter standby mode after two
hours of non-active use (playing, pressing but-
tons or using the touch-screen). Please save any
edited data (Keyboard Sets, Styles, Songs, and
so on) before taking a prolonged pause.
Data handling
Data in memory may sometimes be lost due to
incorrect user action. Be sure to save important
data to the internal drive or to an external USB
device. KORG will not be responsible for dam-
ages caused by data loss.
Display handling
Be very careful not to apply too much pressure
on the display while carrying the instrument, or
it might break.
Note about the LCD display
The integrated LCD display is a precision de-
vice, and careful attention has been paid to its
product quality. Although you may notice some
of the issues listed below, please be aware that
these are due to the characteristics of LCD
screens, and are not malfunctions.
• There may be pixels in the screen that are al-
ways dark (unlit) or always bright (lit).
• Depending on the displayed content, the
brightness of the screen may appear uneven.
• Depending on the displayed content, horizon-
tal stripes of shading may be visible.
• Depending on the displayed content, flickering
or moiré patterns may be visible.
Cleaning
If the exterior becomes dirty, wipe it with a
clean, dry cloth. Do not use liquid cleaners such
as benzene or thinner, or cleaning compounds
or flammable polishes.
Use a soft cotton cloth to clean the display.
Some materials, such as paper towels, could
cause scratches and damage it. Computer wipes
are also suggested, provided they are specifi-
cally designed for LCD screens.
Do not spray any liquid on the LCD screen direct-
ly. Always apply the solution to your cloth first,
then clean the screen.
Example screens
Some pages of the manuals show snapshots of
the screen along with an explanation of func-
tions and operations. All sound, style, song or
parameter names, as well as shown values, are
merely examples and may not always match the
actual display you are working on.
Trademarks
Acrobat and PDF are registered trademarks of
Adobe Systems Incorporated. Mac and iOS are
registered trademarks of Apple, Inc. Android is a
trademark of Google Inc. MS-DOS and Windows are
registered trademarks of Microsoft Corporation.
All other trademarks or registered trademarks
are the property of their respective holders.
Open source notice
Portions of this product’s software are copy-
right ©2007 “The FreeType Project” (www.
freetype.org). All rights reserved.
|c
Copyright warning
• This professional device is intended only for
use with works for which you yourself own
the copyright, for which you have received
permission from the copyright holder to pub-
licly perform, record, broadcast, sell, and du-
plicate, or in connection with activities which
constitute “fair use” under copyright law.
If you are not the copyright holder, have not re-
ceived permission from the copyright holder, or
have not engaged in fair use of the works, you
may be violating copyright law, and may be li-
able for damages and penalties.
KORG TAKES NO RESPONSIBILITY FOR ANY
INFRINGEMENT COMMITTED THROUGH USE OF
KORG PRODUCTS.
• The content that is built into this product or
included with it may not be extracted, recorded,
or stored in a form similar to its original state,
and distributed or made publicly available on the
internet.
The content of this product (such as sound pro-
grams, style data, accompaniment patterns,
MIDI data, PCM sample data, audio data, oper-
ating system etc.) is the copyrighted property
of KORG Inc. or is copyrighted material used
by KORG Inc. under license from a third party.
You do not need permission from KORG Inc. to
use the above content to produce or perform
musical works, or to record and distribute such
works.
Disclaimer
The information contained in this manual have
been carefully revised and checked through.
Due to our constant efforts to improve our prod-
ucts, the specifications might differ to those
in the manual. KORG is not responsible for any
differences found between the specifications
and the contents of the instruction manual – all
specifications being subject to change without
prior notice.
Liability
KORG products are manufactured under strict
specifications and voltages required by each
country. These products are warranted by the
KORG distributor only in each country. Any
KORG product not sold with a warranty card or
carrying a serial number disqualifies the prod-
uct sold from the manufacturer’s/distributor’s
warranty and liability. This requirement is for
your own protection and safety.
Service and user’s assistance
For service, please contact your nearest
Authorized KORG Service Center. For more in-
formation on KORG products, and to find soft-
ware and accessories for your keyboard, please
contact your local Authorized KORG distributor.
For up-to-date information, please point your
web browser to our web site.
Keep your keyboard up-to-date
Your instrument can be constantly updated as
new versions of the operating system are re-
leased by KORG. You can download the operat-
ing system from our web site. Please, read the
instructions supplied with the operating system.
d|
|i
Contents
Part I 1 Let’s start!
3 Introduction
3 Welcome to Pa1000!
7 Before starting to play…
9 Overview of the instrument
15 Setting up the pedals, audio connections, music stand
15 Connecting the pedals
16 Turning the integrated speakers on and off
16 Connecting the headphones
17 Connecting the audio outputs
18 Installing the music stand
19 Powering up
19 Turning the instrument on
20 Calibrating the touch screen
21 Tilting the display
21 Adjusting the display brightness
22 Listening to the Demo Songs
23 Interface basics
23 The main page
24 The user interface in detail
31 Navigating through the pages
34 Selecting the musical resources
Part II 35 Playing and singing
37 Playing the Sounds
38 Choosing your preferred set of Sounds
39 Choosing the Keyboard Sets
45 Playing and controlling the Sounds
47 Tempo and Metronome
47 Tempo
49 Metronome
51 Playing the Styles
51 Choosing the Styles
56 Playing a manual accompaniment (Bass & Lower Backing)
57 Playing the automatic accompaniment
64 Adjusting the accompaniment volume
66 Manually playing the Bass line
67 Playing the Pads
67 Choosing the Pad sets
68 Playing the Pads
ii|
69 Playing the Songs
69 Choosing the Songs
74 Playing a Song
76 Mixing two Songs
77 Playing along with the Song
80 Adjusting the volume levels
81 Playing all the Songs in a folder
83 Playing a Jukebox list
86 Lyrics, chords, markers and score
86 Choosing one of the Players
87 Reading the lyrics and chords contained in a Song
89 Reading the lyrics and chords loaded as a text file
91 Reading the lyrics and chords loaded as a CDG file
92 Moving through a Song with the markers
95 Reading the music score
98 Searching for files and other items
98 Using the Search function
Part III 103 SongBook
105 Using the SongBook
105 Choosing the SongBook Entries
115 Using the Set Lists
119 Editing the SongBook
119 Creating and editing the SongBook Entries
129 Creating and editing the Set Lists
133 Deleting all the SongBook Entries and Set Lists
134 Using the SongBook with a personal computer
Part IV 135 Customizing and editing the Sound sets
137 Customizing the Keyboard Sets
137 Playing different Sounds with the left and right hand
142 Playing two or three Sounds at the same time
143 Choosing different Sounds
145 Mixing the Keyboard Sounds
148 Transposing the Upper Sounds to a different octave
149 Using the Ensemble to add harmony
152 Advanced editing of the Sound sets
152 The editing procedure
155 Mixing the Sounds
157 Adding effects
168 Equalizing the Sounds
171 Octave transpose and fine tuning
172 Programming the sound routing and polyphony
175 Quick editing of Drum Kits
|iii
178 Quick editing of Sounds
180 Programming the key and velocity range
182 Editing the Digital Drawbars
186 Writing the Sound sets
186 Writing the Keyboard Sets to the library
188 Writing Keyboard Sets into a Style
190 Writing Keyboard Sets into a SongBook Entry
193 Writing Style Settings, Song Settings and MIDI Song Sounds
Part V 195 Customizing, recording and editing the Styles and Pads
197 Customizing the Styles
197 Setting the Chord Recognition
201 Automatically holding chords and Lower notes (Memory)
203 Recognizing the root note (Bass Inversion)
204 Setting how velocity controls the accompaniment
205 Mixing the grouped Accompaniment Sounds
207 Editing the Style Settings
207 Mixing the individual Accompaniment Sounds
211 Changing the Sounds of the accompaniment parts
214 Setting the Style controls
217 Choosing and mixing the Pads
220 Writing the Style Settings
220 Writing the Style Settings
222 The Chord Sequencer
222 Recording Chord Sequences
225 Playing back Chord Sequences
226 Managing the Chord Sequences
229 Recording the Styles and Pads
229 How are Styles and Pads made?
235 Programming the Style Settings, then recording the musical sequences
236 Accessing the Style/Pad Record mode
238 Listening to the recorded Style
239 Setting the recording parameters
244 Assigning Sounds to the Style Element and Pads
247 Choosing the original key/chord and the note transposition table
250 Recording a Style or Pad in Realtime Record mode
254 Recording a Style or Pad in Step Record
259 Recording a Guitar track
272 Editing the Styles and Pads
272 Editing the track parameters
278 Editing the Chord Table
279 Checking the available Chord Variations
280 Editing the track type, trigger, tension
282 Editing the Style/Pad sequences
iv|
294 Editing the MIDI events
298 Copying the Style track settings
299 Importing and exporting the Styles and Pads
299 Importing a Standard MIDI File to a Chord Variation
302 Importing a Standard MIDI File to a Style
305 Importing a MIDI Groove to a Style or Pad
306 Exporting a Chord Variation
308 Converting a MIDI Song to a Style
308 The Style Creator Bot
310 Writing the new/edited Style or Pad
310 Writing the Styles
312 Writing the Pads
Part VI 313 Customizing, recording and editing the Songs
315 Customizing the Songs
315 How to play a Song – Song Play vs. Sequencer mode
316 Special tracks (Melody, Drum & Bass), Fast Play
318 Mixing the Song Sounds
322 Changing the Sounds of the MIDI Song tracks
323 Writing the Song Play Settings
323 Writing the default Players’ settings
324 Listening the MIDI Songs in Sequencer mode
324 Loading and listening a MIDI Song
327 Recording MIDI Songs
327 Multitrack Song Recording
334 Step Recording a Song
339 Quick Recording a Backing Sequence Song
347 Step Recording a Backing Sequence Song
352 Editing the MIDI Songs
352 Editing the Song tracks
364 Editing the MIDI events
368 Saving MIDI Songs
368 Saving the MIDI Song
370 Recording MP3 Songs
370 Recording and saving an MP3 Song
374 Creating text files (lyrics)
374 Creating text files on a personal computer
Part VII 379 Customizing and editing the Sounds
381 Listening and customizing the Sounds
381 Accessing the Sound mode
382 Listening to individual Sounds
383 Customizing the Sound
|v
386 Editing the Sounds
388 Setting the Sound’s basic parameters
394 Setting the oscillator’s basic parameters
401 Programming the Damper pedal
405 Equalizing the Sound
406 Setting the Drum Kit’s basic parameters
410 Equalizing the Drum Kit
412 Mixing the Drum Kit layers
413 Mixing and retriggering the drum samples
415 Modulating pitch
420 Programming the pitch envelope (Pitch EG)
424 Programming the filters
427 Modulating the filters
432 Programming the filter envelope (Filter EG)
436 Programming amplitude and pan
438 Modulating amplitude
441 Programming the amplitude envelope (Amp EG)
445 Programming the LFO
450 Adding effects to the Sound
453 Sound Edit utilities
455 AMS (Alternate Modulation Sources)
458 Writing the Sounds
458 Writing the edited Sound
460 Making new sounds with Sampling
462 Loading samples and multisamples
466 Recording samples or audio grooves
468 Editing the samples
472 Editing the loop
475 Getting information on the Sampling memory
477 Writing, exporting or deleting the samples
481 Creating multisamples
485 Writing, exporting or deleting the multisamples
488 Creating new Sounds from multisamples
489 Creating new Drum Kits from percussive samples
490 Assigning the new Sound or Drum Kit to a part/track
491 Creating Audio Groove Slices with Time Slicing
497 Writing the Audio Groove Slices
498 Using the Audio Groove Slices in a Style or Pad
500 Using the Audio Groove Slices in other Sounds
Part VIII 501 Audio and video connections
503 Connecting an external display
506 Connecting the audio outputs and setting the final effects
506 Connecting the audio outputs
507 Programming the master effects
vi|
511 Connecting the audio inputs
511 Connecting a line audio device, a microphone, a guitar
513 Setting the routing and mixing the effects
517 Shaping the sound of the lead voice
522 Talking with your audience
524 Using the effects and voice harmonization
524 Choosing a Voice/Guitar Preset
529 Harmonizing your voice
531 Doubling your voice
532 Using the effects
535 Controlling the Voice/Guitar Processor via MIDI
538 Editing the Voice/Guitar Presets
539 Choosing, enabling and mixing the effects
540 Editing the harmony voices
548 Editing the Double voice
550 Editing the Voice/Guitar Effects
551 Creating new presets by assembling FX blocks
554 Writing a Voice/Guitar Preset
Part IX 557 Effects for the Sounds, Voice, Guitar
559 The effects
559 Editing the effects
566 Adapting the reverb to the room size
567 Effects list
569 Effect parameters
569 REV (Reverbs)
580 DEL (Delay)
615 MOD (Modulation)
664 DYN (Dynamics)
676 AMP (Amplifier)
716 FILT (EQ and Filters)
744 FREQ (Frequency)
757 MISC (Miscellaneous)
Part X 803 KAOSS Effects
805 Using the KAOSS effects
805 The KAOSS page
807 Choosing the KAOSS Presets
809 KAOSS Preset list
812 Using the KAOSS effects
|vii
Part XI 815 Controllers
817 Hand controllers
817 Programming the joystick
819 Programming the keyboard’s velocity and aftertouch
821 Programming the assignable knobs
823 Programming the assignable switches
826 Foot controllers
826 Programming the damper pedal
827 Programming the assignable pedal/footswitch
835 Calibrating the pedals and setting their polarity
Part XII 837 Global settings and preferences
839 Customizing the user interface
839 Display and control panel preferences
841 Program Change and activity indicators
843 Automatic selection and locking
843 Automatically choosing Styles and Keyboard Sets
845 Locking parameters to prevent changes
849 System preferences
849 Setting the date and time for file saving
850 Automatic power off
851 Master Transpose and Tuning
851 Master Tuning
852 Master Transpose
857 Scale
857 Main Scale
859 Sub-Scale
863 Quarter Tone Sub-Scale (Scale Presets)
868 Retuning the Style while playing
Part XIII 871 MIDI
873 Connecting MIDI devices
873 Introduction to MIDI
878 Connecting to another device: an overview
879 Connecting Pa1000 to a personal computer or tablet
881 Installing the KORG USB-MIDI Driver
883 Connecting Pa1000 to an external controller
886 Quick settings using MIDI Presets
893 Synchronizing Tempo with other instruments
895 MIDI data routing, processing and transposing
901 Programming the MIDI channels
905 Control Change messages
908 Controlling the Arranger and Players via MIDI
viii|
Part XIV 911 File management
913 Managing files in the internal memory
913 Copying, renaming and deleting
916 The Local data
917 The Direct data
921 Renaming the User/Direct banks
922 Managing files on disk
922 Overview on file management
927 Loading musical resources and settings
934 Saving musical resources and settings
938 Copying files and folders
941 Deleting files and folders
942 Selecting more items at once
944 Exporting playlists
947 Managing media
947 Formatting storage devices
949 Backing up and restoring musical resources
953 Connecting the internal drive to a personal computer
955 Storage device organization
958 Changing the media display preferences
959 Protecting storage devices and files
961 Care of storage devices
962 If you can’t write, save or copy
Part XV 963 Appendix
965 Musical Resources
966 Styles
973 Keyboard Set Library
978 Sounds
1005 DNC Sounds and controls
1009 Drum Kits
1011 Multisamples
1021 Drum Samples
1041 Pads
1046 Recognized chords
1048 Installing the options
1048 Replacing the clock backup battery
1052 Installing a microSD card
1055 Shortcuts
1058 Troubleshooting
1060 Specs
|1
PART I: LET’S
START!
2| Let’s start!
Introduction |3
01 Introduction
Welcome to Pa1000!
Many thanks and congratulations on purchasing the KORG Pa1000
Professional Arranger! We’re sure it’ll give you countless hours of great
tones that will feel as good as they sound.
Slim, powerful and easy to use
With the elegant cabinet, Pa1000 provides a professional and stylish look,
that will be much appreciated on stage or at home. The main panel’s logical
layout ensures easy access to buttons, knobs and all controls.
Using your Pa1000 is easy, thanks to the touch screen and the clean, clearly
laid-out, modern user interface, based on icons reproducing real objects in
the real world. The tilting display will make access easy under any circum-
stances.
The real solo and band experience
Pa1000 has been designed to assist you equally well during live performance
and songwriting. The detailed natural sounds and finely crafted styles have
been created by some of the finest musicians in the music industry. You will
feel you are playing in a real band – no matter what your musical tastes are.
The naturally responsive 61-note semi-weighted keyboard is designed for
musicians of all levels, from beginners to demanding keyboard players, and
gives you a completely authentic feel and full control of expression.
More than just recorded sounds
The huge, realistic collection of classic and contemporary keyboard, band
and orchestral sounds, includes new multi-layer stereo grand pianos (with
damper and body resonance) and electric pianos; wind instruments, basses
and stunning acoustic and electric guitars; plus digital drawbars with leak-
age and key on/off noises.
Sounds have been recorded with the most up-to-date technologies, and
KORGs own proprietary EDS-X (Enhanced Definition Synthesis-eXpanded)
4| Let’s start!
sound engine allows for fine detail to be accurately reproduced. The inte-
grated sampler and sound editor allow to fill the vast user memory with
newly created or imported sounds.
All these authentic sounds become alive with KORG’s DNC (Defined Nuance
Control) system, allowing the performer to accurately and expressively in-
troduce the most subtle nuances and sound articulation. For example, the
joystick and assignable switches can introduce the growl of a saxophone,
breath elements found in trumpet, clarinet and harmonica, and add authen-
ticity to the pizzicato and bowed sounds of a string section. You will even
hear keys opening when saxophone notes are going up, and closing when
going down!
Listen the natural way
Each Pa1000 sound goes through separate EQs and studio-quality effect
processors, which further refine your sound before coming through high-
quality stereo audio outputs. Effects run from the standard reverbs and
delays through to the more unusual effects (like a Vocoder), realistic amp
simulators and carefully recreated vintage effects. The final mastering ef-
fects make the sound louder, clearer, fuller, and more polished.
The sound of the super high-fidelity integrated speakers is clear and detailed
even at the lowest volume level, for the pleasure of the late-night rehearsing
musician.
A band always ready to play with you
Ultra-realistic sounds in the Pa1000 are always ready to play along with you,
in the style best fitting your music. The high number of included Styles will
satisfy any music genre, but can also be expanded by adding new Styles. You
may also create your Styles, customize the existing ones, or easily convert
MIDI Songs to Styles.
There are eight accompaniment parts which will follow your chords. The
Auto Fill function will automatically choose a Fill for you. You can play in the
simplest way or with the rich harmonization of a competent jazz player. We
have programmed them to sound natural, and give you the feeling of a real
band, ready to play with you at any time.
The convenient Chord Sequencer function records your chord progressions
on-the-fly allowing the users to immediately play along with their own chord
sequence, which is useful not only for practice, but for freeing up a hand
while performing live. Chord Sequences can also be saved in Styles and
SongBook Entries for easy recall.
Introduction |5
Play and write songs
Play Songs in MID and MP3 formats with KORG’s patented XDS Crossfade
Dual Sequencer/Player. With both Songs and Styles, you can show lyrics for
your singer and chords for your fellow guitarist. Any MIDI Song track can be
converted into a readable score. Markers allow for jumping back to a passage
you wish to repeat, for example in a piece you are studying or rehearsing.
Use the video output to display lyrics or score on an external monitor, mak-
ing it perfect for karaoke or band leading.
You can record a MIDI Song using a full-featured Sequencer, or by using the
Styles to record your live performance. Even easier, just record what you
sing and play (including MP3 Songs) as an MP3 file, and listen to it anywhere
you like.
Your music book
What is a huge collection of Styles and Songs, without an effective form of
organization? Pa1000 has the one best known to musicians: the SongBook,
a music database allowing for fast song retrieving based on name, artist,
genre or tempo. Styles and Songs are easily recalled by the SongBook.
Particularly useful for live use, the SongBook can assign songs from any cus-
tom Set List to dedicated buttons on the control panel. Your entire show will
be under your fingers, with immediate access to any Style, Song and Sounds
needed for your performance.
The SongBook can even be edited from a personal computer through our
free editor. It can also be synchronized with most modern tablets to become
your handy external digital music sheet reader (third-party software need-
ed).
Sing naturally
Connect a dynamic microphone, and adjust parameters such as the EQ,
Compressor, Gate, Reverb and Delay to make the vocals sound smooth and
studio-produced. The Vocal Remover will even let you remove the voice from
MP3 Songs, and let you sing along with them.
For years, KORG has teamed with TC•Helicon®, the world leaders in vocal
harmonies, to create and constantly improve the included Voice Processor.
TCHelicon’s Voice Processor ensures that your vocals have the highest pos-
sible sound quality, and adds up to three realistic voices to your voice.
To ensure professional vocal performance, 2 knobs and 3 buttons controlling
the most important vocal functions have been added to the top panel within
easy reach.
6| Let’s start!
Refine your guitar’s pure sound
Guitar FXs let you add pedal and studio effects to a guitar connected to the
dedicated Guitar input on the back of the instrument. We selected some of
the best guitar effects from the KORG collection, to add the sound of all-
tube amplifiers, realistic distortion, chorus or delay pedals, and the highest-
quality studio reverbs.
Creative control with the KAOSS effects
KAOSS effects give you creative control on your performance. From subtle
morphing between Variations and Drum Kit types, fine mixing between ac-
companiment Sounds, live reshaping of ongoing rhythms, to the most radi-
cal note-crunching effects of DJ heritage, to tape delay and arpeggios, you
can add ‘liquid mixing’ to any Style or MIDI Song with the aid of easy-to-use
computer-assisted composition features. Break the boundaries of preset
music!
Open to the world, ready to the future
The use of standard file formats, like MID or MP3 for songs, or WAV and AIFF
for samples, opens up a world of possibilities when exchanging files. The USB
ports allow for connecting Pa1000 to any external storage device, personal
computer, smartphone, tablet or external controller without the need for a
dedicated MIDI interface. However, you can connect Pa1000 to any existing
MIDI musical instrument, thanks to its complete set of programmable MIDI
ports.
Even more!
There is more, much more, but to know more, you need to explore Pa1000
in depth. Pa1000 is the most evocative, powerful, easy-to-use complete
Arranger ever produced. Enjoy your musical life with the new Pa1000!
  • Page 1 1
  • Page 2 2
  • Page 3 3
  • Page 4 4
  • Page 5 5
  • Page 6 6
  • Page 7 7
  • Page 8 8
  • Page 9 9
  • Page 10 10
  • Page 11 11
  • Page 12 12
  • Page 13 13
  • Page 14 14
  • Page 15 15
  • Page 16 16
  • Page 17 17
  • Page 18 18
  • Page 19 19
  • Page 20 20
  • Page 21 21
  • Page 22 22
  • Page 23 23
  • Page 24 24
  • Page 25 25
  • Page 26 26
  • Page 27 27
  • Page 28 28
  • Page 29 29
  • Page 30 30
  • Page 31 31
  • Page 32 32
  • Page 33 33
  • Page 34 34
  • Page 35 35
  • Page 36 36
  • Page 37 37
  • Page 38 38
  • Page 39 39
  • Page 40 40
  • Page 41 41
  • Page 42 42
  • Page 43 43
  • Page 44 44
  • Page 45 45
  • Page 46 46
  • Page 47 47
  • Page 48 48
  • Page 49 49
  • Page 50 50
  • Page 51 51
  • Page 52 52
  • Page 53 53
  • Page 54 54
  • Page 55 55
  • Page 56 56
  • Page 57 57
  • Page 58 58
  • Page 59 59
  • Page 60 60
  • Page 61 61
  • Page 62 62
  • Page 63 63
  • Page 64 64
  • Page 65 65
  • Page 66 66
  • Page 67 67
  • Page 68 68
  • Page 69 69
  • Page 70 70
  • Page 71 71
  • Page 72 72
  • Page 73 73
  • Page 74 74
  • Page 75 75
  • Page 76 76
  • Page 77 77
  • Page 78 78
  • Page 79 79
  • Page 80 80
  • Page 81 81
  • Page 82 82
  • Page 83 83
  • Page 84 84
  • Page 85 85
  • Page 86 86
  • Page 87 87
  • Page 88 88
  • Page 89 89
  • Page 90 90
  • Page 91 91
  • Page 92 92
  • Page 93 93
  • Page 94 94
  • Page 95 95
  • Page 96 96
  • Page 97 97
  • Page 98 98
  • Page 99 99
  • Page 100 100
  • Page 101 101
  • Page 102 102
  • Page 103 103
  • Page 104 104
  • Page 105 105
  • Page 106 106
  • Page 107 107
  • Page 108 108
  • Page 109 109
  • Page 110 110
  • Page 111 111
  • Page 112 112
  • Page 113 113
  • Page 114 114
  • Page 115 115
  • Page 116 116
  • Page 117 117
  • Page 118 118
  • Page 119 119
  • Page 120 120
  • Page 121 121
  • Page 122 122
  • Page 123 123
  • Page 124 124
  • Page 125 125
  • Page 126 126
  • Page 127 127
  • Page 128 128
  • Page 129 129
  • Page 130 130
  • Page 131 131
  • Page 132 132
  • Page 133 133
  • Page 134 134
  • Page 135 135
  • Page 136 136
  • Page 137 137
  • Page 138 138
  • Page 139 139
  • Page 140 140
  • Page 141 141
  • Page 142 142
  • Page 143 143
  • Page 144 144
  • Page 145 145
  • Page 146 146
  • Page 147 147
  • Page 148 148
  • Page 149 149
  • Page 150 150
  • Page 151 151
  • Page 152 152
  • Page 153 153
  • Page 154 154
  • Page 155 155
  • Page 156 156
  • Page 157 157
  • Page 158 158
  • Page 159 159
  • Page 160 160
  • Page 161 161
  • Page 162 162
  • Page 163 163
  • Page 164 164
  • Page 165 165
  • Page 166 166
  • Page 167 167
  • Page 168 168
  • Page 169 169
  • Page 170 170
  • Page 171 171
  • Page 172 172
  • Page 173 173
  • Page 174 174
  • Page 175 175
  • Page 176 176
  • Page 177 177
  • Page 178 178
  • Page 179 179
  • Page 180 180
  • Page 181 181
  • Page 182 182
  • Page 183 183
  • Page 184 184
  • Page 185 185
  • Page 186 186
  • Page 187 187
  • Page 188 188
  • Page 189 189
  • Page 190 190
  • Page 191 191
  • Page 192 192
  • Page 193 193
  • Page 194 194
  • Page 195 195
  • Page 196 196
  • Page 197 197
  • Page 198 198
  • Page 199 199
  • Page 200 200
  • Page 201 201
  • Page 202 202
  • Page 203 203
  • Page 204 204
  • Page 205 205
  • Page 206 206
  • Page 207 207
  • Page 208 208
  • Page 209 209
  • Page 210 210
  • Page 211 211
  • Page 212 212
  • Page 213 213
  • Page 214 214
  • Page 215 215
  • Page 216 216
  • Page 217 217
  • Page 218 218
  • Page 219 219
  • Page 220 220
  • Page 221 221
  • Page 222 222
  • Page 223 223
  • Page 224 224
  • Page 225 225
  • Page 226 226
  • Page 227 227
  • Page 228 228
  • Page 229 229
  • Page 230 230
  • Page 231 231
  • Page 232 232
  • Page 233 233
  • Page 234 234
  • Page 235 235
  • Page 236 236
  • Page 237 237
  • Page 238 238
  • Page 239 239
  • Page 240 240
  • Page 241 241
  • Page 242 242
  • Page 243 243
  • Page 244 244
  • Page 245 245
  • Page 246 246
  • Page 247 247
  • Page 248 248
  • Page 249 249
  • Page 250 250
  • Page 251 251
  • Page 252 252
  • Page 253 253
  • Page 254 254
  • Page 255 255
  • Page 256 256
  • Page 257 257
  • Page 258 258
  • Page 259 259
  • Page 260 260
  • Page 261 261
  • Page 262 262
  • Page 263 263
  • Page 264 264
  • Page 265 265
  • Page 266 266
  • Page 267 267
  • Page 268 268
  • Page 269 269
  • Page 270 270
  • Page 271 271
  • Page 272 272
  • Page 273 273
  • Page 274 274
  • Page 275 275
  • Page 276 276
  • Page 277 277
  • Page 278 278
  • Page 279 279
  • Page 280 280
  • Page 281 281
  • Page 282 282
  • Page 283 283
  • Page 284 284
  • Page 285 285
  • Page 286 286
  • Page 287 287
  • Page 288 288
  • Page 289 289
  • Page 290 290
  • Page 291 291
  • Page 292 292
  • Page 293 293
  • Page 294 294
  • Page 295 295
  • Page 296 296
  • Page 297 297
  • Page 298 298
  • Page 299 299
  • Page 300 300
  • Page 301 301
  • Page 302 302
  • Page 303 303
  • Page 304 304
  • Page 305 305
  • Page 306 306
  • Page 307 307
  • Page 308 308
  • Page 309 309
  • Page 310 310
  • Page 311 311
  • Page 312 312
  • Page 313 313
  • Page 314 314
  • Page 315 315
  • Page 316 316
  • Page 317 317
  • Page 318 318
  • Page 319 319
  • Page 320 320
  • Page 321 321
  • Page 322 322
  • Page 323 323
  • Page 324 324
  • Page 325 325
  • Page 326 326
  • Page 327 327
  • Page 328 328
  • Page 329 329
  • Page 330 330
  • Page 331 331
  • Page 332 332
  • Page 333 333
  • Page 334 334
  • Page 335 335
  • Page 336 336
  • Page 337 337
  • Page 338 338
  • Page 339 339
  • Page 340 340
  • Page 341 341
  • Page 342 342
  • Page 343 343
  • Page 344 344
  • Page 345 345
  • Page 346 346
  • Page 347 347
  • Page 348 348
  • Page 349 349
  • Page 350 350
  • Page 351 351
  • Page 352 352
  • Page 353 353
  • Page 354 354
  • Page 355 355
  • Page 356 356
  • Page 357 357
  • Page 358 358
  • Page 359 359
  • Page 360 360
  • Page 361 361
  • Page 362 362
  • Page 363 363
  • Page 364 364
  • Page 365 365
  • Page 366 366
  • Page 367 367
  • Page 368 368
  • Page 369 369
  • Page 370 370
  • Page 371 371
  • Page 372 372
  • Page 373 373
  • Page 374 374
  • Page 375 375
  • Page 376 376
  • Page 377 377
  • Page 378 378
  • Page 379 379
  • Page 380 380
  • Page 381 381
  • Page 382 382
  • Page 383 383
  • Page 384 384
  • Page 385 385
  • Page 386 386
  • Page 387 387
  • Page 388 388
  • Page 389 389
  • Page 390 390
  • Page 391 391
  • Page 392 392
  • Page 393 393
  • Page 394 394
  • Page 395 395
  • Page 396 396
  • Page 397 397
  • Page 398 398
  • Page 399 399
  • Page 400 400
  • Page 401 401
  • Page 402 402
  • Page 403 403
  • Page 404 404
  • Page 405 405
  • Page 406 406
  • Page 407 407
  • Page 408 408
  • Page 409 409
  • Page 410 410
  • Page 411 411
  • Page 412 412
  • Page 413 413
  • Page 414 414
  • Page 415 415
  • Page 416 416
  • Page 417 417
  • Page 418 418
  • Page 419 419
  • Page 420 420
  • Page 421 421
  • Page 422 422
  • Page 423 423
  • Page 424 424
  • Page 425 425
  • Page 426 426
  • Page 427 427
  • Page 428 428
  • Page 429 429
  • Page 430 430
  • Page 431 431
  • Page 432 432
  • Page 433 433
  • Page 434 434
  • Page 435 435
  • Page 436 436
  • Page 437 437
  • Page 438 438
  • Page 439 439
  • Page 440 440
  • Page 441 441
  • Page 442 442
  • Page 443 443
  • Page 444 444
  • Page 445 445
  • Page 446 446
  • Page 447 447
  • Page 448 448
  • Page 449 449
  • Page 450 450
  • Page 451 451
  • Page 452 452
  • Page 453 453
  • Page 454 454
  • Page 455 455
  • Page 456 456
  • Page 457 457
  • Page 458 458
  • Page 459 459
  • Page 460 460
  • Page 461 461
  • Page 462 462
  • Page 463 463
  • Page 464 464
  • Page 465 465
  • Page 466 466
  • Page 467 467
  • Page 468 468
  • Page 469 469
  • Page 470 470
  • Page 471 471
  • Page 472 472
  • Page 473 473
  • Page 474 474
  • Page 475 475
  • Page 476 476
  • Page 477 477
  • Page 478 478
  • Page 479 479
  • Page 480 480
  • Page 481 481
  • Page 482 482
  • Page 483 483
  • Page 484 484
  • Page 485 485
  • Page 486 486
  • Page 487 487
  • Page 488 488
  • Page 489 489
  • Page 490 490
  • Page 491 491
  • Page 492 492
  • Page 493 493
  • Page 494 494
  • Page 495 495
  • Page 496 496
  • Page 497 497
  • Page 498 498
  • Page 499 499
  • Page 500 500
  • Page 501 501
  • Page 502 502
  • Page 503 503
  • Page 504 504
  • Page 505 505
  • Page 506 506
  • Page 507 507
  • Page 508 508
  • Page 509 509
  • Page 510 510
  • Page 511 511
  • Page 512 512
  • Page 513 513
  • Page 514 514
  • Page 515 515
  • Page 516 516
  • Page 517 517
  • Page 518 518
  • Page 519 519
  • Page 520 520
  • Page 521 521
  • Page 522 522
  • Page 523 523
  • Page 524 524
  • Page 525 525
  • Page 526 526
  • Page 527 527
  • Page 528 528
  • Page 529 529
  • Page 530 530
  • Page 531 531
  • Page 532 532
  • Page 533 533
  • Page 534 534
  • Page 535 535
  • Page 536 536
  • Page 537 537
  • Page 538 538
  • Page 539 539
  • Page 540 540
  • Page 541 541
  • Page 542 542
  • Page 543 543
  • Page 544 544
  • Page 545 545
  • Page 546 546
  • Page 547 547
  • Page 548 548
  • Page 549 549
  • Page 550 550
  • Page 551 551
  • Page 552 552
  • Page 553 553
  • Page 554 554
  • Page 555 555
  • Page 556 556
  • Page 557 557
  • Page 558 558
  • Page 559 559
  • Page 560 560
  • Page 561 561
  • Page 562 562
  • Page 563 563
  • Page 564 564
  • Page 565 565
  • Page 566 566
  • Page 567 567
  • Page 568 568
  • Page 569 569
  • Page 570 570
  • Page 571 571
  • Page 572 572
  • Page 573 573
  • Page 574 574
  • Page 575 575
  • Page 576 576
  • Page 577 577
  • Page 578 578
  • Page 579 579
  • Page 580 580
  • Page 581 581
  • Page 582 582
  • Page 583 583
  • Page 584 584
  • Page 585 585
  • Page 586 586
  • Page 587 587
  • Page 588 588
  • Page 589 589
  • Page 590 590
  • Page 591 591
  • Page 592 592
  • Page 593 593
  • Page 594 594
  • Page 595 595
  • Page 596 596
  • Page 597 597
  • Page 598 598
  • Page 599 599
  • Page 600 600
  • Page 601 601
  • Page 602 602
  • Page 603 603
  • Page 604 604
  • Page 605 605
  • Page 606 606
  • Page 607 607
  • Page 608 608
  • Page 609 609
  • Page 610 610
  • Page 611 611
  • Page 612 612
  • Page 613 613
  • Page 614 614
  • Page 615 615
  • Page 616 616
  • Page 617 617
  • Page 618 618
  • Page 619 619
  • Page 620 620
  • Page 621 621
  • Page 622 622
  • Page 623 623
  • Page 624 624
  • Page 625 625
  • Page 626 626
  • Page 627 627
  • Page 628 628
  • Page 629 629
  • Page 630 630
  • Page 631 631
  • Page 632 632
  • Page 633 633
  • Page 634 634
  • Page 635 635
  • Page 636 636
  • Page 637 637
  • Page 638 638
  • Page 639 639
  • Page 640 640
  • Page 641 641
  • Page 642 642
  • Page 643 643
  • Page 644 644
  • Page 645 645
  • Page 646 646
  • Page 647 647
  • Page 648 648
  • Page 649 649
  • Page 650 650
  • Page 651 651
  • Page 652 652
  • Page 653 653
  • Page 654 654
  • Page 655 655
  • Page 656 656
  • Page 657 657
  • Page 658 658
  • Page 659 659
  • Page 660 660
  • Page 661 661
  • Page 662 662
  • Page 663 663
  • Page 664 664
  • Page 665 665
  • Page 666 666
  • Page 667 667
  • Page 668 668
  • Page 669 669
  • Page 670 670
  • Page 671 671
  • Page 672 672
  • Page 673 673
  • Page 674 674
  • Page 675 675
  • Page 676 676
  • Page 677 677
  • Page 678 678
  • Page 679 679
  • Page 680 680
  • Page 681 681
  • Page 682 682
  • Page 683 683
  • Page 684 684
  • Page 685 685
  • Page 686 686
  • Page 687 687
  • Page 688 688
  • Page 689 689
  • Page 690 690
  • Page 691 691
  • Page 692 692
  • Page 693 693
  • Page 694 694
  • Page 695 695
  • Page 696 696
  • Page 697 697
  • Page 698 698
  • Page 699 699
  • Page 700 700
  • Page 701 701
  • Page 702 702
  • Page 703 703
  • Page 704 704
  • Page 705 705
  • Page 706 706
  • Page 707 707
  • Page 708 708
  • Page 709 709
  • Page 710 710
  • Page 711 711
  • Page 712 712
  • Page 713 713
  • Page 714 714
  • Page 715 715
  • Page 716 716
  • Page 717 717
  • Page 718 718
  • Page 719 719
  • Page 720 720
  • Page 721 721
  • Page 722 722
  • Page 723 723
  • Page 724 724
  • Page 725 725
  • Page 726 726
  • Page 727 727
  • Page 728 728
  • Page 729 729
  • Page 730 730
  • Page 731 731
  • Page 732 732
  • Page 733 733
  • Page 734 734
  • Page 735 735
  • Page 736 736
  • Page 737 737
  • Page 738 738
  • Page 739 739
  • Page 740 740
  • Page 741 741
  • Page 742 742
  • Page 743 743
  • Page 744 744
  • Page 745 745
  • Page 746 746
  • Page 747 747
  • Page 748 748
  • Page 749 749
  • Page 750 750
  • Page 751 751
  • Page 752 752
  • Page 753 753
  • Page 754 754
  • Page 755 755
  • Page 756 756
  • Page 757 757
  • Page 758 758
  • Page 759 759
  • Page 760 760
  • Page 761 761
  • Page 762 762
  • Page 763 763
  • Page 764 764
  • Page 765 765
  • Page 766 766
  • Page 767 767
  • Page 768 768
  • Page 769 769
  • Page 770 770
  • Page 771 771
  • Page 772 772
  • Page 773 773
  • Page 774 774
  • Page 775 775
  • Page 776 776
  • Page 777 777
  • Page 778 778
  • Page 779 779
  • Page 780 780
  • Page 781 781
  • Page 782 782
  • Page 783 783
  • Page 784 784
  • Page 785 785
  • Page 786 786
  • Page 787 787
  • Page 788 788
  • Page 789 789
  • Page 790 790
  • Page 791 791
  • Page 792 792
  • Page 793 793
  • Page 794 794
  • Page 795 795
  • Page 796 796
  • Page 797 797
  • Page 798 798
  • Page 799 799
  • Page 800 800
  • Page 801 801
  • Page 802 802
  • Page 803 803
  • Page 804 804
  • Page 805 805
  • Page 806 806
  • Page 807 807
  • Page 808 808
  • Page 809 809
  • Page 810 810
  • Page 811 811
  • Page 812 812
  • Page 813 813
  • Page 814 814
  • Page 815 815
  • Page 816 816
  • Page 817 817
  • Page 818 818
  • Page 819 819
  • Page 820 820
  • Page 821 821
  • Page 822 822
  • Page 823 823
  • Page 824 824
  • Page 825 825
  • Page 826 826
  • Page 827 827
  • Page 828 828
  • Page 829 829
  • Page 830 830
  • Page 831 831
  • Page 832 832
  • Page 833 833
  • Page 834 834
  • Page 835 835
  • Page 836 836
  • Page 837 837
  • Page 838 838
  • Page 839 839
  • Page 840 840
  • Page 841 841
  • Page 842 842
  • Page 843 843
  • Page 844 844
  • Page 845 845
  • Page 846 846
  • Page 847 847
  • Page 848 848
  • Page 849 849
  • Page 850 850
  • Page 851 851
  • Page 852 852
  • Page 853 853
  • Page 854 854
  • Page 855 855
  • Page 856 856
  • Page 857 857
  • Page 858 858
  • Page 859 859
  • Page 860 860
  • Page 861 861
  • Page 862 862
  • Page 863 863
  • Page 864 864
  • Page 865 865
  • Page 866 866
  • Page 867 867
  • Page 868 868
  • Page 869 869
  • Page 870 870
  • Page 871 871
  • Page 872 872
  • Page 873 873
  • Page 874 874
  • Page 875 875
  • Page 876 876
  • Page 877 877
  • Page 878 878
  • Page 879 879
  • Page 880 880
  • Page 881 881
  • Page 882 882
  • Page 883 883
  • Page 884 884
  • Page 885 885
  • Page 886 886
  • Page 887 887
  • Page 888 888
  • Page 889 889
  • Page 890 890
  • Page 891 891
  • Page 892 892
  • Page 893 893
  • Page 894 894
  • Page 895 895
  • Page 896 896
  • Page 897 897
  • Page 898 898
  • Page 899 899
  • Page 900 900
  • Page 901 901
  • Page 902 902
  • Page 903 903
  • Page 904 904
  • Page 905 905
  • Page 906 906
  • Page 907 907
  • Page 908 908
  • Page 909 909
  • Page 910 910
  • Page 911 911
  • Page 912 912
  • Page 913 913
  • Page 914 914
  • Page 915 915
  • Page 916 916
  • Page 917 917
  • Page 918 918
  • Page 919 919
  • Page 920 920
  • Page 921 921
  • Page 922 922
  • Page 923 923
  • Page 924 924
  • Page 925 925
  • Page 926 926
  • Page 927 927
  • Page 928 928
  • Page 929 929
  • Page 930 930
  • Page 931 931
  • Page 932 932
  • Page 933 933
  • Page 934 934
  • Page 935 935
  • Page 936 936
  • Page 937 937
  • Page 938 938
  • Page 939 939
  • Page 940 940
  • Page 941 941
  • Page 942 942
  • Page 943 943
  • Page 944 944
  • Page 945 945
  • Page 946 946
  • Page 947 947
  • Page 948 948
  • Page 949 949
  • Page 950 950
  • Page 951 951
  • Page 952 952
  • Page 953 953
  • Page 954 954
  • Page 955 955
  • Page 956 956
  • Page 957 957
  • Page 958 958
  • Page 959 959
  • Page 960 960
  • Page 961 961
  • Page 962 962
  • Page 963 963
  • Page 964 964
  • Page 965 965
  • Page 966 966
  • Page 967 967
  • Page 968 968
  • Page 969 969
  • Page 970 970
  • Page 971 971
  • Page 972 972
  • Page 973 973
  • Page 974 974
  • Page 975 975
  • Page 976 976
  • Page 977 977
  • Page 978 978
  • Page 979 979
  • Page 980 980
  • Page 981 981
  • Page 982 982
  • Page 983 983
  • Page 984 984
  • Page 985 985
  • Page 986 986
  • Page 987 987
  • Page 988 988
  • Page 989 989
  • Page 990 990
  • Page 991 991
  • Page 992 992
  • Page 993 993
  • Page 994 994
  • Page 995 995
  • Page 996 996
  • Page 997 997
  • Page 998 998
  • Page 999 999
  • Page 1000 1000
  • Page 1001 1001
  • Page 1002 1002
  • Page 1003 1003
  • Page 1004 1004
  • Page 1005 1005
  • Page 1006 1006
  • Page 1007 1007
  • Page 1008 1008
  • Page 1009 1009
  • Page 1010 1010
  • Page 1011 1011
  • Page 1012 1012
  • Page 1013 1013
  • Page 1014 1014
  • Page 1015 1015
  • Page 1016 1016
  • Page 1017 1017
  • Page 1018 1018
  • Page 1019 1019
  • Page 1020 1020
  • Page 1021 1021
  • Page 1022 1022
  • Page 1023 1023
  • Page 1024 1024
  • Page 1025 1025
  • Page 1026 1026
  • Page 1027 1027
  • Page 1028 1028
  • Page 1029 1029
  • Page 1030 1030
  • Page 1031 1031
  • Page 1032 1032
  • Page 1033 1033
  • Page 1034 1034
  • Page 1035 1035
  • Page 1036 1036
  • Page 1037 1037
  • Page 1038 1038
  • Page 1039 1039
  • Page 1040 1040
  • Page 1041 1041
  • Page 1042 1042
  • Page 1043 1043
  • Page 1044 1044
  • Page 1045 1045
  • Page 1046 1046
  • Page 1047 1047
  • Page 1048 1048
  • Page 1049 1049
  • Page 1050 1050
  • Page 1051 1051
  • Page 1052 1052
  • Page 1053 1053
  • Page 1054 1054
  • Page 1055 1055
  • Page 1056 1056
  • Page 1057 1057
  • Page 1058 1058
  • Page 1059 1059
  • Page 1060 1060
  • Page 1061 1061
  • Page 1062 1062
  • Page 1063 1063
  • Page 1064 1064
  • Page 1065 1065
  • Page 1066 1066
  • Page 1067 1067
  • Page 1068 1068
  • Page 1069 1069
  • Page 1070 1070
  • Page 1071 1071
  • Page 1072 1072
  • Page 1073 1073
  • Page 1074 1074
  • Page 1075 1075
  • Page 1076 1076
  • Page 1077 1077
  • Page 1078 1078
  • Page 1079 1079
  • Page 1080 1080
  • Page 1081 1081
  • Page 1082 1082

Korg PA1000 User manual

Category
Digital pianos
Type
User manual
This manual is also suitable for

Ask a question and I''ll find the answer in the document

Finding information in a document is now easier with AI