Steinberg Nuendo 2.0 User manual

Category
Software
Type
User manual
Operation Manual
Manual by Ludvig Carlson, Anders Nordmark, Roger Wiklander
Quality Control: C. Bachmann, H. Bischoff, S. Pfeifer, C. Schomburg
The information in this document is subject to change without notice and does not rep-
resent a commitment on the part of Steinberg Media Technologies GmbH. The software
described by this document is subject to a License Agreement and may not be copied
to other media except as specifically allowed in the License Agreement. No part of this
publication may be copied, reproduced or otherwise transmitted or recorded, for any
purpose, without prior written permission by Steinberg Media Technologies GmbH.
All product and company names are ™ or ® trademarks of their respective owners.
Windows 2000 and Windows XP are trademarks of Microsoft Corporation. The Mac
logo is a trademark used under license. Macintosh and Power Macintosh are registered
trademarks.
© Steinberg Media Technologies GmbH, 2003.
All rights reserved.
Table of Contents
NUENDO
4 Table of contents
9 About this manual
10 Welcome!
13 VST Connections:
Setting up input and
output busses
14 About this chapter
14 Setting up busses
20 Using the busses
25 Playback and the
Transport panel
26 Background
30 Operations
34 Options and Settings
37 Recording
38 Background
39 Basic recording methods
43 Audio recording specifics
64 MIDI Recording Specifics
76 Options and Settings
81 The Project window
82 Background
84 Window Overview
97 Operations
137 Options
141 Folder tracks
142 About folder tracks
143 Handling folder tracks
145 Working with folder parts
149 Using markers
150 About markers
150 The Marker window
154 Using the Marker track
159 Marker key commands
160 Editing markers in the
Project Browser
161 Fades and crossfades
162 Creating fades
165 The Fade dialogs
168 Creating crossfades
170 The Crossfade dialog
178 Auto Fades and Crossfades
181 The mixer
182 About this chapter
183 Overview
187 Configuring the mixer
194 The audio channel strips
196 The MIDI channel strips
197 The common panel
198 The input & output channels
199 Basic mixing procedures
207 Audio specific procedures
221 MIDI specific procedures
223 Utilities
229 Audio effects
230 About this chapter
230 Overview
232 Insert effects
242 Send effects
253 Making settings for the
effects
256 Installing and managing
effect plug-ins
NUENDO
Table of contents 5
263 VST Instruments
264 Introduction
265 Activating and using VST
Instruments
271 The Instrument Freeze
function
275 Surround sound
276 Background
279 Window overview
281 Operations
293 Automation
294 Background
297 Automation track operations
303 Using Write/Read
automation
309 Working with automation
curves
315 Tips and common methods
316 Options and Settings
317 Remote controlling
the mixer
318 About this chapter
318 Setting Up
320 Operations
322 The Generic Remote device
327 Audio processing and
functions
328 Background
329 Audio processing
351 Applying plug-ins
354 The Offline Process History
dialog
356 Batch Processing
359 Freeze Edits
360 Detect Silence
363 The Spectrum Analyzer
366 Statistics
367 The Sample Editor
368 Background
368 Opening the Sample Editor
369 Window overview
374 Operations
386 Options and settings
389 The Audio Part Editor
390 Background
390 Opening the Audio Part
Editor
391 Window overview
396 Operations
398 Common methods
400 Options and Settings
401 Working with
hitpoints and slices
402 Background
403 Using hitpoints
409 Editing hitpoints
416 Creating slices
417 Creating groove quantize
maps
418 Other Advanced submenu
items
421 The Pool
422 Background
424 Window Overview
428 Operations
447 Options and Settings
NUENDO
6 Table of contents
449 MIDI realtime para-
meters and effects
450 Introduction
451 The Inspector – General
handling
452 Basic track settings
455 Track parameters
459 MIDI effects
465 Merge MIDI in Loop
467 MIDI processing and
quantizing
468 Introduction
469 Quantizing
479 Other MIDI menu functions
484 Dissolve Part
487 The MIDI editors
488 About editing MIDI
489 Opening a MIDI editor
492 The Key Editor – Overview
498 Key Editor operations
523 The Drum Editor – Overview
526 Drum Editor operations
529 Working with drum maps
537 Using drum name lists
538 The List Editor – Overview
540 List Editor operations
547 Common MIDI editor op-
tions and settings
549 The Tempo Track
Editor
550 Background
551 Window overview
554 Operations
560 Options and settings
561 The Beat Calculator
563 Merge Tempo From Tapping
564 The Time Warp tool
575 The Project Browser
576 Background
576 Opening the Project
Browser
576 Window Overview
577 Navigating in the Browser
578 Customizing the View
578 About the Sync Selection
option
579 Editing audio tracks
582 Editing MIDI tracks
585 Editing Automation tracks
585 Editing the Video track
586 Editing the Marker track
587 Editing the Tempo track
587 Editing Time Signatures
588 Deleting Events
589 The Track Sheet
590 Overview
594 Printing the Track Sheet
NUENDO
Table of contents 7
595 Export Audio
Mixdown
596 Introduction
597 Mixing down to an audio file
599 File format specifics
613 Synchronization
614 Background
622 Window Overview
623 Operations
637 Options
639 VST System Link
640 Introduction
641 Preparations
646 Activating VST System Link
653 Application examples
657 Video
658 Background
659 Operations
665 Options
666 The Edit Mode
669 ReWire
670 Introduction
671 Launching and quitting
672 Activating ReWire channels
673 Using the transport and
tempo controls
674 How the ReWire channels
are handled in Nuendo
675 Routing MIDI via ReWire2
676 Considerations and limita-
tions
677 File handling
678 File Operations
702 Options and Settings
705 Customizing
706 Background
707 Working with window
layouts
710 Customizing the Transport
panel
712 Customizing the toolbars
714 Customizing track controls
719 Configuring the main menu
items
722 About preference presets
724 Appearance
724 Where are the settings
stored?
727 Key commands
728 Background
729 Setting up Key Commands
742 Setting up tool modifier keys
743 Index
NUENDO
8 Table of contents
1
About this manual
NUENDO
1 – 10 About this manual
Welcome!
This is the Operation Manual for Steinberg’s Nuendo 2.1. Here you
will find detailed information about virtually all features and functions in
the program.
How to use the manuals and the Help
When it comes to manuals, different users look for information in dif-
ferent ways, depending on their previous knowledge and personal
preferences. You may be looking for a complete description of a pro-
cedure, you may just be trying to find a certain function in the program,
you may have found a function in the program and want it explained –
or you may simply want to learn it all!
Therefore, there are several ways to enter the documentation and get
help:
Use the Table of Contents to browse the manual or the Help and find
the section you need to know more about.
In the pdf version of the Operation Manual (and in the help) you can click directly on a
chapter or section to go there.
Use the Index to look up specific features and functions.
Again, in the pdf (and the help) you can click directly on the page number for an index
entry to go to there. The help also allows you to perform a free search of any term.
In the program you will find Help buttons in most dialogs – click to get
information about that specific dialog.
Similarly, you can press [F1] to get information about the current window.
If you want information about a specific menu item, use the Menu
Reference section in the Help.
All main menu items in Nuendo are listed and explained there.
Finally, you could read the manuals from start to end if you like.
See below for a description of all parts of the Nuendo documentation package.
NUENDO
About this manual 1 – 11
Other documents
Apart from the Operation Manual and the help, the following docu-
ments are included with Nuendo:
Getting Started
In this book (also available in Adobe Acrobat pdf format) you will find:
Requirements, installation and setting up your system.
Basic concepts and terminology.
Basic methods – e.g. how to set values, use tools and menus.
A list of all default key commands.
A number of tutorials, helping you get started with working in Nuendo.
MIDI devices and features
In this pdf document you will find:
Information on how to set up and manage MIDI devices in Nuendo.
Descriptions of the included MIDI effect plug-ins.
Information on how to edit MIDI System Exclusive messages.
Information on how to use the Logical Editor and Input Transformer.
Audio Effects and VST Instruments
In this pdf document you will find:
Descriptions of the included VST audio effect plug-ins.
Descriptions of the included VST instruments.
These descriptions can also be found in the help.
Networking
This pdf document describes how you can use Nuendo’s project shar-
ing and networking features to collaborate with other users of Nuendo
in a TCP/IP based peer-to-peer network.
Remote Control Devices
This pdf document lists the supported MIDI remote control devices
and describes how to set up and use them with Nuendo.
NUENDO
1 – 12 About this manual
Score Layout and Printing
This pdf document describes the score editing features in Nuendo.
Using Nuendo with DSP Factory (Windows only)
In this pdf document you will find detailed information about Nuendo’s
implementation for the Yamaha DSP Factory audio card.
All pdf documents can be opened from the Help menu in the program,
from the Nuendo Documentation subfolder on the Windows Start menu
or from the folder /Library/Documentation/Nuendo/ under Mac OS X.
2
VST Connections: Setting up
input and output busses
NUENDO
2 – 14 VST Connections: Setting up input and output busses
About this chapter
As described in the Getting Started book, Nuendo uses a system of
input and output busses to transfer audio between the program and
the audio hardware.
Input busses let you route audio from the inputs on your audio hardware into
the program. This means that when you record audio, you will always do this
through one or several input busses.
Output busses let you route audio from the program to the outputs on your
audio hardware. When you play back audio, you will always do this through
one or several output busses.
As you can see, the input and output busses are vital when you work
with Nuendo. That’s the reason why you find this chapter in the begin-
ning of the Operation Manual – once you understand the bus system
and set up the busses properly, it will be easy to go on with recording,
playing back, mixing and doing surround work.
Setting up busses
Strategies
You can create any number of busses in Nuendo, in virtually any chan-
nel configuration – mono, stereo or a number of surround formats.
The bus configuration is saved with the projects – therefore it’s a good
idea to add and set up the busses you need and save these in a template
project (see page 682).
When you start working on new projects, you start from this template. That way you
get your standard bus configuration without having to make new bus settings for each
new project. If you need to work with different bus configurations in different projects,
you could either create several different templates or store your configurations as pre-
sets (see page 19). The templates can of course also contain other settings that you
regularly use – sample rate, record format, a basic track layout, etc.
NUENDO
VST Connections: Setting up input and output busses 2 – 15
So, which type of busses do you need? This depends on your audio
hardware, your general audio setup (e.g. surround speaker setup) and
what kind of projects you work with. Here’s an example:
Let’s say you are using audio hardware with eight analog inputs and
outputs and digital stereo connections (10 inputs and outputs all in
all). Furthermore, you work with a surround speaker setup in 5.1 for-
mat. Here’s a list of busses you may wish to add:
Input busses
Most likely you need at least one stereo input bus assigned to an analog input
pair. This would let you record stereo material. If you want to be able to record
in stereo from other analog input pairs as well, you could add stereo input
busses for these too.
Although you can record mono tracks from one side of a stereo input, it may
be a good idea to add a dedicated mono input bus. This could be assigned to
an analog input to which you have connected a dedicated microphone pre-
amp for example. Again, you could have several different mono busses.
You probably want a dedicated stereo input bus assigned to the digital stereo
input, for digital transfers.
If you want to transfer surround material directly to a surround track in Nuendo
(e.g. from surround-configured location recording equipment) you need an in-
put bus in that surround format (here, this would be a 5.1 input bus).
Output busses
You probably want one or several stereo output busses for monitoring and lis-
tening to stereo mixes.
For digital transfers, you need a stereo bus assigned to the digital stereo out-
put as well.
You need a surround bus in the format of your speaker configuration (here,
5.1) assigned to the correct outputs (which in turn are connected to the cor-
rect speakers).
You may want additional surround busses if you tend to work in different sur-
round formats.
Different busses can use the same inputs/outputs on the audio hard-
ware! You may for example want a stereo output bus assigned to the
same outputs as the front stereo channels in your surround bus – this
makes it easy to listen to stereo mixes without having to reconnect.
NUENDO
2 – 16 VST Connections: Setting up input and output busses
Preparations
Before you set up busses, you should name the inputs and outputs on
your audio hardware. For example, if you are using a 5.1 surround
speaker setup, you should name the outputs according to which
speaker they are connected to (Left, Right, Center and so on).
The reason for this is compatibility – it makes it easier to transfer
projects between different computers and setups. For example, if you
move your project to another studio, the audio hardware may be of a
different model. But if both you and the other studio owner have given
your inputs and outputs names according to the surround setup (rather
than names based on the audio hardware model), Nuendo will auto-
matically find the correct inputs and outputs for your busses and you
will be able to play and record without changing the settings.
You name your inputs and outputs in the Device Setup dialog:
1.
Open the Device Setup dialog from the Devices menu.
2.
Select the VST Output Ports device in the list to the left and make
sure the Setup tab is selected.
The available output ports on your audio hardware are listed.
3.
To rename a port, click its name in the list and type a new name.
If needed, you can also disable ports by clicking in the “Visible” col-
umn (so that it says “No”).
Disabled ports won’t show up in the VST Connections window when you are making
bus settings. If you attempt to disable a port that is already used by a bus, you will be
asked whether that is really what you want – note that this will remove the port from the
bus!
4.
Select the VST Input Ports and name them in the same way.
5.
Click OK to close the Device Setup dialog.
If you open a project created on another computer and the port names
don’t match (or the port configuration isn’t the same – e.g. the project is
created on a system with multi-channel i/o and you open it on a stereo
in/out system), a Pending Connections dialog will appear.
This allows you to manually re-route ports used in the project to ports available in your
system.
NUENDO
VST Connections: Setting up input and output busses 2 – 17
The VST Connections window
You add and set up busses in the VST Connections window, opened
from the Devices menu.
There are two tabs in the window, for viewing input busses or output
busses. Depending on which tab you have selected, the window lists
the current input or output busses, with the following three columns:
Column Description
Bus Name Lists the busses. You can select busses and rename them by clicking
on them in this column.
Speakers Indicates the speaker configuration (mono, stereo, surround formats)
of each bus.
ASIO Device
Port
When you have “opened” a bus (by clicking its + button in the Bus
Name column) this column shows which physical input/output on your
audio hardware is used by the bus.
NUENDO
2 – 18 VST Connections: Setting up input and output busses
Adding a bus
1.
Click the Inputs or Outputs tab depending on which type of bus you
want to add.
2.
Click the Add Bus button.
A dialog appears.
3.
Select the desired (channel) configuration.
The pop-up menu contains Mono and Stereo options as well as the most common sur-
round formats. To select another surround format, use the “More...” submenu.
Alternatively you can right-click (Win) or [Ctrl]-click (Mac) in the VST
Connections window and add a bus in the desired format directly
from the context menu that appears.
The new bus appears with the ports visible.
4.
Click in the ASIO Device Port to select an input/output port for a
channel in the bus.
The pop-up menu that appears lists the ports with the names you have given them in
the Device Setup dialog. Repeat this for all channels in the bus.
Adding a child bus
A surround bus is essentially a set of mono channels – 6 channels in
the case of 5.1 format. If you have a mono track in the project, you can
route it to a separate speaker channel in the bus (or route it to the
whole surround bus and use the surround panner to position it in the
surround image). But what if you have a stereo track that you simply
want to route to a stereo channel pair within the bus (Left and Right or
Left Surround and Right Surround for example)? For this you need to
create a
child bus
:
NUENDO
VST Connections: Setting up input and output busses 2 – 19
1. Select the surround bus in the list and right-click (Win) or [Ctrl]-click
(Mac) it.
A pop-up menu appears.
2. Select a channel configuration from the “Add Child Bus” submenu.
As you can see, you can create stereo child busses (routed to various speaker channel
pairs in the surround bus) or other surround bus formats (with fewer channels than the
“parent bus”).
The child bus you created will be available for direct routing in the
mixer. It’s a part of the parent surround bus, which means there will be
no separate channel strip for it.
Although child busses are probably most useful in output busses, you
could also create child busses within a surround input bus – for exam-
ple if you want to record a stereo channel pair (e.g. front left-right) in
the surround bus to a separate stereo track.
Other bus operations
To change the port assignment for a bus you proceed as when you
added it – make sure the channels are visible (by clicking the + button
next to the bus, or by clicking the “+ All” button at the top of the win-
dow) and click in the ASIO Device Port column to select ports.
To remove a bus you don’t need, select it in the list, right-click (Win) or
[Ctrl]-click (Mac) and select “Remove Bus” from the pop-up menu.
You can store and recall bus Presets with the pop-up menu at the top
of the window.
To store the current configuration as a preset, click the store (+) button and enter a name
for the preset. You can then select the stored configuration directly from the Presets pop-
up menu at any time. To remove a stored preset, select it and click the (-) button.
NUENDO
2 – 20 VST Connections: Setting up input and output busses
Using the busses
This section describes briefly how to use the input and output busses
you have created. This is described in more detail in the chapters “Re-
cording” and “The mixer”.
Routing
When you play back an audio track (or any other audio channel in the
mixer – VST Instrument channels, ReWire channels, etc.), you route it
to an output bus. In the same way, when you record on an audio track
you select from which input bus the audio should be sent.
For audio tracks, you can select input and output busses in the In-
spector, using the “In” and “Out” pop-up menus.
For all audio-type channels, you select busses in the Input and Output
Settings panel at the top of each channel strip in the mixer.
For VST Instrument channels, ReWire channels, Group channels and FX channels you
will only be able to select output busses.
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Steinberg Nuendo 2.0 User manual

Category
Software
Type
User manual

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