Steinberg Sequel 2.0 User manual

Operation Manual

Original Sequel Operation Manual by Steve Kostrey, Michael Baggley

Revision and Quality Control for this version:

Cristina Bachmann, Heiko Bischoff, Marion Bröer, Sabine Pfeifer

The information in this document is subject to change without notice and does not represent a commitment on the part

of Steinberg Media Technologies GmbH. The software described by this document is subject to a License Agreement

and may not be copied to other media except as specifically allowed in the License Agreement. No part of this publica-

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Table of Contents

4

Table of Contents

6 Introduction

7 Welcome

7 About this manual

7 Key command conventions

8 System requirements and installation

9 About this chapter

9 Minimum requirements

9 Installing Sequel

9 Activating Sequel

10 Register your software

10 Read on…

11 Tutorial 1: Recording

12 The tutorials

12 Recording audio

17 Recording instrument parts

19 Tutorial 2: Editing

20 Introduction

20 Editing audio events

23 Editing instrument parts

26 Tutorial 3: Mixing

27 Introduction

27 Setting levels

27 Setting Pan

28 Mute and Solo

28 Adding EQ

29 Audio effects

31 Adding automation

33 Exporting

35 Tutorial 4: Live Pads and

Chain Play mode

36 Introduction

36 Arranger parts

36 Live Mode

37 Chain Play Mode

38 The Pilot Zone

39 Introduction

39 The Sequel menu (Mac only)

39 The File, Project and Edit menus

42 The Automation buttons

43 The Edit Remote Control Assignment button

43 Minimizing, maximizing and closing

43 The ruler

44 The Tuner

44 The Transport controls

46 The Metronome

46 Computer Usage

46 The Pilot Zone display

48 The Virtual Keyboard

49 The Arrange Zone

50 Introduction

50 The Track list buttons

51 Resizing the Arrange Zone

51 About tracks and track controls

56 Timeline and grid

56 Zooming in the Arrange Zone

57 Working with the Smart Tool

59 The Multi Zone

60 Introduction

60 The Mixer Page

62 The Track Inspector Page

67 The MediaBay Page

70 The Editor Page

75 The Arranger Page

77 The Program Settings Page

79 Advanced features

80 Introduction

80 Adding silence

81 Audio quantization and warp

83 Smart Transpose

85 One button record

85 Remote-controlling Sequel

5

Table of Contents

88 Setting up your system

89 About this chapter

89 General notes on how to set up your system

89 Defragmenting the hard disk (Windows only)

89 MIDI requirements

89 Audio hardware

91 Setting up audio

94 Setting up MIDI

94 Optimizing audio performance

96 Key commands

97 Introduction

97 The available key commands

99 Effects reference

100 Introduction

100 Track/Global Effects

101 Instrument parameters

102 Index

1

Introduction

7

Introduction

Welcome

Congratulations and thank you for your purchase of Stein-

berg Sequel 2. You have now become a member of the

world's largest community of music production software

users. Looking back at more than 20 years of innovation in

computer-based music production, Steinberg has always

been the driving force behind software technology.

Sequel is an entry-level sequencer designed to be an

easy-to-use, all-inclusive music production platform. Se-

quel provides all of the tools needed to record, edit and

mix music.

Sequel 2 can be used in the ‘traditional’ way to record, edit

and mix audio or virtual instruments. For example, a home

musician could record himself playing an instrument (either

an acoustic or a virtual instrument) or singing. An electric

guitar can be plugged directly into an audio interface and

then be recorded with Sequel’s on-board effects.

Music enthusiasts may want to take a wholly different ap-

proach to creating music. Their starting point is Sequel’s

extensive library of loops and phrases. Pieces of music can

be assembled based entirely on loops and without actually

playing a single note on a keyboard or instrument. Typi-

cally, this is a more DJ-oriented workflow and very popular

especially for current dance and electronic music styles.

Another key-application of Sequel 2 is live performance.

The concept of mixing and remixing is familiar to practically

everyone today and has become a creative act in its own

right, sometimes totally unrelated to creating new music it-

self. Sequel provides all the tools necessary to mixing and

remixing music.

The act of performing music on stage using a computer

has become standard in today’s music and club scene.

The goal of performing music on stage might be some-

one’s primary motivation to use his/her computer for mak-

ing music. Sequel puts a special focus on the live aspect

of making music, which separates it from traditional se-

quencers. Instead of linear playback, it has special tools to

perform and interact, by mixing and re-combining sections

of a song or project.

After you have registered Sequel online, take some time to

explore the community section at www.sequel-music.net.

You will find lots of useful information and get to know other

users in our discussion forums. Registering at www.stein-

berg.net/mysteinberg also gives you access to special of-

fers from Steinberg in the future.

Have fun creating your own music!

The Steinberg Sequel Team

About this manual

This manual is divided into three sections. The first section

guides you through several tutorials showing you how to

use Sequel.

The second section gives you a brief description of every

feature in Sequel. At the end of this manual you will find

useful tips for your work with Sequel and information on

how to set up your computer.

We are sure that after you have completed these sections

you will be on your way to having a lot of fun and making

exciting music.

Key command conventions

Many of the default key commands in Sequel use modifier

keys, some of which are different depending on the oper-

ating system. For example, the default key command for

Undo is [Ctrl]+[Z] under Windows and [Command]+[Z]

under Mac OS X.

When key commands with modifier keys are described in

this manual, they are shown with the Windows modifier

key first, in the following way:

[Win modifier key]/[Mac modifier key]+[key]

For example, [Ctrl]/[Command]+[Z] means “press [Ctrl] un-

der Windows or [Command] under Mac OS X, then press

[Z]”. Similarly, [Alt]/[Option]+[X] means “press [Alt] under

Windows or [Option] under Mac OS X, then press [X]”.

2

System requirements and installation

9

System requirements and installation

About this chapter

This chapter describes the requirements and installation

procedures for the Windows version and the Mac version

of Sequel.

Minimum requirements

Ö The following requirements are based on performance

measurements for a typical project with an average 12

tracks (incl. 3 to 5 instrument tracks), global effects, com-

pressor and EQ per track, measured at 512 samples buffer

size. Slower computers can still be used, but only using

fewer tracks and/or higher buffer size.

To use Sequel, your computer must meet the following

minimum requirements:

Windows

• Windows XP (Home SP2), Windows Vista (Home Basic)

• Intel Pentium or AMD Athlon 2 GHz Desktop, 1.7 GHz Mobile

or Dual Core 1.6 GHz

•1 GB RAM

• 6 GB of free hard disk space

• Windows DirectX compatible audio hardware; ASIO compati-

ble audio hardware recommended for low latency performance.

• Display resolution of 1280x800 pixels

• DVD ROM drive required for installation

• Internet connection required for license activation

Macintosh

• Mac OS X 10.4

• Power Mac G5 1.8 GHz or Core Solo 1.5 GHz

•1 GB RAM

• 6 GB of free hard disk space

• Display resolution of 1280x800 pixels

• CoreAudio compatible audio hardware

• DVD ROM drive required for installation

• Internet connection required for license activation

Installing Sequel

The installation procedure puts all files in the right places,

automatically.

Windows

1. Insert the Sequel DVD into the DVD drive of your com-

puter.

2. Locate and double-click the file called “Setup.exe” on

the Sequel installation DVD.

3. Follow the instructions on screen.

Macintosh

1. Insert the Sequel DVD into the DVD drive of your com-

puter.

2. Double-click the file called “Sequel.mpkg”.

3. Follow the instructions on screen.

Whether you install Sequel on a Mac or Windows com-

puter you will need to activate Sequel.

Activating Sequel

After installing Sequel you will have to activate the pro-

gram on your computer.

• As the last step in the installation, the Syncrosoft License

Control Center is opened. The “License Download Wizard”

is displayed.

• If the Licencse Download Wizard is not opened auto-

matically, open the Wizards menu and select the License

Download function to open it.

• Follow the instructions and enter your Sequel activation

code.

10

System requirements and installation

Register your software

We encourage you to register your software! By doing so

you are entitled to technical support and kept aware of up-

dates and other news regarding Sequel. There are two

ways to register:

• In Sequel, open the File menu and select the “User

Registration…” option.

This is an Internet link that will open the Registration page of the Steinberg

web site. To register, follow the instructions on screen. When you launch

Sequel, you will also be prompted to launch the registration process.

• Included on the Sequel installation DVD you can find a

registration form in pdf format. To register, print out the

form, enter all required information and send it to Steinberg.

Read on…

…to learn how to use Sequel:

• First, you will find tutorials that will get you up and run-

ning quickly.

These tutorials refer to projects located in the default project folder, and

a video file that you will find on the program DVD.

• Detailed descriptions of all program functions can be

found in the chapters covering the various Sequel “zones”.

• At the end of this manual you will find information on

more advanced techniques, tips on how to set up your

computer system for audio work, the effects reference,

and a list of the Sequel keyboard shortcuts.

3

Tutorial 1: Recording

12

Tutorial 1: Recording

The tutorials

The following chapters provide a quick introduction to Se-

quel. But first, please take a look at the figure below, as it

gives you an overview of the Sequel program interface:

In this first tutorial, we are going to show you how the Pilot

Zone, Arrange Zone, and Multi Zone work together when

recording audio events and Instrument parts.

Recording audio

In this section, we are going to take a look at recording a

guitar line, adding a drum loop and playing it back. Make

sure that you have your audio card set up correctly, see

the chapter “Setting up your system” on page 88.

Creating a new project

By default, Sequel creates a new project when you boot

up the program. You can change this on the Program Set-

tings Page. See the chapter “The Program Settings Page”

on page 77 for more details.

To create a new project if a project is already open

• Open the Project menu and select the option “New

Project”.

This will create a new project with nothing in it and close

the project that was already open. If this project contains

unsaved changes, you will be asked whether these

changes should be saved.

The Pilot Zone is described

in the chapter “The Pilot

Zone” on page 38.

Details on the Arrange

Zone can be found in the

chapter “The Arrange

Zone” on page 49.

The Multi Zone and its various

pages are described in the

chapter “The Multi Zone” on

page 59.

!

You’re not done yet! So far we’ve created a blank

Sequel project. We still need to save the project.

13

Tutorial 1: Recording

Setting the save folder

In order to save projects in Sequel, it is important to make

sure you know where the projects are going to be saved.

1. Go to the Program Settings Page.

2. Click on the “Project Location” button.

3. A dialog opens allowing you to browse you computer

and find a suitable location. When you installed Sequel it

automatically created a location for saving projects.

4. You can click “Create” to create a new folder if you

would like to save your projects elsewhere.

5. Let’s leave it set to the default folder Sequel has cre-

ated. Click “OK”.

To save a project

1. Open the Project menu and select the “Save Project”

option.

2. Type in a name for your project – you can use “First

Sequel Project” for example.

3. Click “OK”.

The project will automatically be saved in the folder you

specified on the Program Settings Page.

Adding an audio track

Ö The following sections make references to tutorial

projects, located in the default Sequel project folder.

Now let’s add an audio track to record onto. For our exam-

ple we are going to record a guitar. You can also record

bass or whatever instrument you want. The method is the

same for any instrument you wish to record.

Ö By default, the audio input for the track is set to the

first input available in the “Input Selection” pop-up menu.

To be able to see the Input selection, make sure the track

height is set to Large at the bottom of the track list.

1. Click the “Add New Track” button above the track list.

2. In the dialog that appears, select the “Audio” button.

3. Select “empty” and click “OK”. This adds an audio

track to the project.

4. Double-click the track name and change it to “Guitar”.

!

Load the project called “Recording” found in the

“Sequel Tutorial 1” folder.

Click here to select a

different input.

14

Tutorial 1: Recording

Turning on the Metronome click

We’ll want to have a click or metronome play in the back-

ground as we record the guitar so that what we record

aligns with the bars and beats displayed in the ruler.

• Activate the Metronome button in the Pilot Zone.

The metronome is automatically set to add a two bars pre-

count before recording starts.

We now need to set the speed or tempo of our project. This

directly affects the speed of the metronome click. You can

change the tempo in the Tempo display field. For more on

changing tempo, see “The Tempo (TEMPO)” on page 47.

We have a default setting of 120 which means 120 BPM

or beats per minute. We can leave it at that.

Adding a drum loop

Let’s add some drums to the project.

Ö Adding a drum loop to your project is not only great for

supporting the metronome when you are recording bass

or guitar, it's also great if you aren’t a drummer or if you

don’t have the ability to record drums at home.

1. Select the MediaBay Page in the Multi Zone.

2. In the Category column, select “Drum&Perc”.

3. In the Sub Category column, select “Beats”.

4. In the Style column, select a style that suits the style of

guitar line you would like to record.

5. Activate the Preview button and browse through the

list on the right until you find a suitable loop.

6. Drag the selected drum loop into the Arrange Zone

and line it up with bar 1, just below the guitar track.

!

You can adjust the metronome volume using the

“Metronome Level” slider on the Program Settings

Page in the Multi Zone.

Choose a drum loop… …and drag it into the Arrange Zone.

15

Tutorial 1: Recording

7. Use the Repeat function to make the loop 4 bars long.

Just click in the middle of the right edge of the event and drag right until

the loop is repeated to the beginning of bar 5. See “Repeating events”

on page 57 for more detailed information on repeating.

8. Rename the track “Drums”.

Ö Note that the tempo of the project has now changed to

match the drum loop. When you drag a file into a project

and it is the first file to be added, its tempo will define the

project tempo.

Read more about defining or changing the project tempo in “The Tempo

(TEMPO)” on page 47.

Setting levels

In our example, we have a guitar playing through an ampli-

fier with a microphone in front of the amplifier’s speaker.

This microphone is plugged directly into the Steinberg

MI|4 microphone input. We have set the level on the MI|4

so that we have enough volume without clipping.

Activating the Record Ready button will allow us to hear

the guitar. You should see the audio coming in to the right

of the track.

Do the best you can to send the maximum amount of vol-

ume to the audio inputs of your audio card before you hear

any distortion. Most audio cards show some kind of level

or volume indication. If yours doesn’t, don’t worry; we can

change the amount using the track volume slider.

Tuning your instrument

Sequel features a built-in tuner for tuning instruments like

guitar or bass.

1. Make sure that the guitar track is selected and that the

Record Ready button is activated so that we can hear the

input.

2. Activate the Tuner in the Pilot Zone.

3. Pluck a string on your guitar.

The Tuner automatically detects which string you are hit-

ting as long as it is in fairly close proximity to the right tun-

ing. The tuning indicator will move left or right. If it moves

to the left, the string is flat. If it moves to the right, the

string is sharp.

The Tuner also displays the current note and octave that

your string is tuned to. In our case, the D string is a little

flat, so the tuner is displaying “d 2”.

4. Tune up each of your instrument’s strings.

5. Deactivate the Tuner.

You are now ready to record!

Indicator moves left and right Note and octave

16

Tutorial 1: Recording

Recording the guitar

1. Click in the ruler at the position where you want the re-

cording to start to move the project cursor to this position.

You can also click the the “Jump to Previous Marker” and “Jump to Next

Marker” buttons in the Pilot Zone to position the project cursor in the Ar-

range Zone.

2. Make sure that Cycle is deactivated (not highlighted).

3. Activate the “Record Ready” button for the track you

want to record on.

4. Click the “Record” button to record the guitar – you

will automatically get two bars of precount.

This is indicated by two cursors: a red cursor appears at the position

where you start recording and a black one jumps two bars back and ad-

vances towards the record position. This allows you to see the remaining

count in time and the record start position at the same time. The red cursor

will not be shown if the record start position is set to the first bar.

5. Press the space bar when you are finished, to stop re-

cording.

Congratulations! You have just recorded your first piece of

audio in Sequel. Move ahead to the next section to learn

how to play it back.

Playback

To listen to what you have just recorded, you have to play

it back. Playback in Sequel is easy, but there are a few

tricks to learn so that you’ll be playing back with precision!

To start playback

There are a few ways to start playback in Sequel.

• Click on the play button.

• Press the space bar on your computer keyboard – this toggles

between start and stop.

• Press the [Enter] key on the numerical computer keypad.

• Double-click in the lower half of the ruler.

To stop playback

• Click on the play button during playback.

• Press the space bar on your computer keyboard – this toggles

between start and stop.

• Press the [0] key on the numerical computer keypad.

Cycle playback

Sequel has the ability to cycle (or “loop”) a section of your

project. To set the cycle location, you need to use the left

and right locators.

1. Let’s draw in a cycle region from bar 2 to 3. This tells

Sequel that we want to cycle the section between bars 2

and 3. Turn snap on to help you create a precise region.

You can press [J] on your computer keyboard to toggle Snap on and off.

2. Move the mouse pointer up to the top of the ruler. It will

turn into a pencil. Click and drag from bar 2 to bar 3.

!

Load the project “Playback” found in the “Sequel

Tutorial 1” folder.

17

Tutorial 1: Recording

3. Make sure the Cycle button is activated.

4. Click the “Jump to previous marker” or “Jump to next

marker” buttons until the song position cursor is sitting di-

rectly on bar 2.

5. Press the space bar to start playback. Sequel will play

looping over and over again until you press the space bar

a second time.

Recording instrument parts

In this section we are going to take a look at recording in-

strument parts into a project using instrument tracks.

Creating an instrument track

Let’s start by adding an instrument track to our project.

1. Click the “Add New Track” button in the Pilot Zone.

2. In the dialog that appears, select the “Instrument” but-

ton.

3. Use the “Category” filter and choose a sound that fits in

with your song. We are going to select a Synth Pad sound.

4. Rename the track “Synth”. Feel free to give this track a

different name if you chose a different type of sound.

Recording

Now that we have a track and we have our sound, let’s

record something. Recording instrument parts is very sim-

ilar to recording audio events. Make sure you read the be-

ginning of this chapter where we discuss recording audio.

Ö Sequel automatically finds and uses any MIDI devices

that we have on our computer.

Ö The MIDI input to an instrument track is always set to

“All Inputs”.

1. Activate the “Record Ready” button for the track and

press a few keys on your MIDI keyboard. You should see

and hear the MIDI signals coming in to the right of the track.

2. Make sure the Cycle button is turned off.

3. Press the [.] key on your numeric keypad to set the

song position to bar 1. This will ensure that we start re-

cording at the start of the song.

4. Press the [*] key on your numeric keypad to start re-

cording. Record 4 bars.

5. Press the space bar when you are finished.

6. Turn off “Record Ready” so that we don’t hear the in-

put any more.

!

Load the project called “Recording MIDI” found in

the “Sequel Tutorial 1” folder.

18

Tutorial 1: Recording

Congratulations! You have just recorded your first instru-

ment part in Sequel.

Press the [.] key on your numeric keypad to set the song

position cursor to bar 1 and press the space bar to listen

back.

Move ahead to the next chapter to learn how to edit the

audio events and instrument parts we’ve recorded.

!

Load the project “MIDI Playback” found in the “Se-

quel Tutorial 1” folder.

4

Tutorial 2: Editing

20

Tutorial 2: Editing

Introduction

In this chapter, we are going to show you how the Pilot

Zone, Arrange Zone, and Multi Zone work together when

editing audio events and instrument parts. Refer to the

chapters “The Pilot Zone” on page 38, “The Arrange Zone”

on page 49 and “The Multi Zone” on page 59 if you aren’t

sure about a specific function.

Ö The following sections make references to tutorial

projects, located in the default Sequel project folder.

Editing audio events

In this section we are going to look at some of the audio

editing functions that are available in Sequel.

Let’s take a look at how to edit events. This includes re-

name, resize, move, copy, repeat, and erase.

Importing

You can import audio events by simply dragging them

from the MediaBay Page or your desktop and dropping

them in the Arrange Zone.

Renaming

Renaming events is easy in Sequel. It’s important to rename

your audio files to keep your project clean and organized.

Let’s rename the audio event on the drum track “Drums”:

1. Double-click the name field on the event.

2. Type in “Drums” and when you are done, press [Enter]/

[Return].

The name has now changed to “Drums”.

Resizing

You can resize an event by adjusting start and/or end of

the event. Used in combination with splitting and repeat-

ing, this is usually all the editing you’ll need.

1. Click on the event you would like to resize. In our case

let’s resize the “Guitar” and “Synth” events.

2. Position the cursor over one of the triangles at the

lower left or right of the event. Click and adjust the “Gui-

tar” and “Synth” events so that there isn’t as much empty

space on the left and right of the event.

Splitting

Splitting is used to cut events.

You can split or cut an event wherever you want or you

can split them evenly at positions defined by the bars and

beats position grid displayed in the Arrange Zone.

!

Load the project “Event Operations” found in the

“Sequel Tutorial 2” folder.

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