Roland JUPITER-Xm User manual

Reference Manual

Panel Descriptions ............................ 3

: Top Panel .................................... 3

: Rear Panel

(Connecting Your Equipment)

................ 6

: Bottom Panel ................................. 7

Installing the Batteries ............................ 7

: Turning the JUPITER-Xm On ..................... 7

Turning O the Power............................. 7

: Adjusting the Overall Volume

(Master Volume)

......... 7

: Turning the Built-In Speakers On/O .............. 7

Introduction .................................. 8

: An Overview of the JUPITER-Xm.................. 9

Switching Scenes

([SCENE] Button)

...................... 9

Selecting a Tone

([MODEL BANK] Button)

.................. 9

Selecting a Part or Turning it On/O

([PART] Button)

.......... 9

Assigning the Desired Model or Category to the [1]–[16]

Buttons....................................... 11

Selecting or Turning On/O an Oscillator or Partial

([FUNCTION] Button)

................................ 11

Playing a Pattern You Entered

([STEP EDIT] Button)

........... 11

MENU Screen................................... 11

WRITE Screen................................... 12

: Editing Each Step of the Arpeggio Performance

(STEP EDIT)

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

: Performing with a Connected Mic

(Vocoder)

.......... 14

Adjusting the Mic Settings ......................... 14

Editing the Sound

(TONE EDIT)

.................. 15

: Basic Editing Operations ........................ 15

: Saving a Sound You’ve Created

(WRITE)

............. 15

Correspondence Between Controllers and

Parameters

................................... 16

: JUPITER-8 .................................... 16

Operations When Combined with the [SHIFT] Button....... 17

: JUNO-106 .................................... 19

Operations When Combined with the [SHIFT] Button....... 20

: JX-8P........................................ 21

Operations When Combined with the [SHIFT] Button....... 22

: SH-101 ...................................... 24

Operations When Combined with the [SHIFT] Button....... 25

: XV-5080, RD-PIANO, and Other Tones

(Scene Edit)

..... 26

: XV-5080, RD-PIANO, and Other Tones

(Tone Edit)

...... 27

: EFFECTS

(Common to All Models)

..................... 28

List of SHIFT Operations

(Shortcuts)

............. 30

: COMMON

(Common to All Models)

.................... 30

: RD-PIANO, XV-5080, VOCODER, PR-A, PR-B, PD-C,

PR-D, COMMON, JP-X INT, PR-A DRUM, CMN DRUM

(Scene Edit)

.................................... 30

: RD-PIANO, XV-5080, PR-A, PR-B, PD-C, PR-D,

COMMON, JP-X INT

(Tone Edit)

..................... 31

Settings for the Entire Unit .................... 33

: Making the Power Automatically Turn O After a Time

(Auto O)

...................................... 33

: Returning to the Factory Settings

(Factory Reset)

...... 33

: Editing the System Settings

(System)

............... 33

Saving the System Settings

(System Write)

................ 33

UTILITY Screen................................ 36

: BACKUP ..................................... 36

: RESTORE ..................................... 36

: USER PATTERN EXPORT ......................... 36

: FACTORY RESET ............................... 36

: Formatting a USB Flash Drive

(FORMAT USB MEMORY)

.... 37

Sound Engine Routing Details ................ 38

Error Messages................................ 39

Q&A .......................................... 40

Contents

Panel Descriptions

VOLUME

[VOLUME] knob

Adjusts the overall volume.

[SL1] [SL2] slider

Control the parameters that are assigned to the sliders.

[S1] [S2] [S3] buttons

Control the parameters that are assigned to the buttons.

I-ARPEGGIO

[TYPE] knob

Selects the arpeggio type.

[RHYTHM] knob

Selects the type of rhythm.

[TEMPO] knob

Sets the tempo of the arpeggio.

[HOLD] button

Turns the arpeggio hold function on/o.

When arpeggio hold is on, the pitch of the last-played key is held.

[ON/OFF] button

Turns the arpeggio function on/o.

PLAY DETECTOR [KEYS] button

When this is on, the arpeggio scale changes according to the keys that

you press.

PLAY DETECTOR [BEAT] button

When this is on, the arpeggio pattern changes according to the timing

at which you play the keys.

OSC

[TYPE] knob

Selects the oscillator waveform.

[PITCH] knob

Adjusts the pitch of the oscillator.

[LEVEL] knob

Adjusts the volume of the oscillator.

[MOD] knob

Adjusts the depth of modulation.

[RING] button

Produces a metallic tonal character by multiplying OSC1 and OSC2.

Use the [MOD] knob to adjust the amount of change.

[SYNC] button

Creates a complex waveform by forcibly restarting OSC1 in

synchronization with the cycle of OSC2.

[XMOD] button

Species the amount by which the OSC2 waveform varies the

frequency of OSC1. Use the [MOD] knob to adjust the amount of

change.

LFO

[TYPE] knob

Selects the LFO waveform.

[RATE] knob

Species the LFO’s modulation speed.

[FADE TIME] knob

Species the time from when the tone sounds until the LFO reaches its

maximum amplitude.

Top Panel

1 2 3

7 9 12

* Some controllers are not operable in some modes. For details, refer to “Correspondence Between Controllers and Parameters” (p. 16).

Panel Descriptions

[DEPTH] knob

This species the depth of the LFO.

[LFO 2] button

There are two LFOs. If you press this button to make it light, the controls

of the LFO section make settings for LFO2.

When the button is unlit, this section makes settings for LFO1.

DEPTH [PITCH] button

If you press this button to make it light, the [DEPTH] knob adjusts the

vibrato depth.

DEPTH [FILTER] button

If you press this button to make it light, the [DEPTH] knob adjusts the

wah depth.

DEPTH [AMP] button

If you press this button to make it light, the [DEPTH] knob adjusts the

tremolo depth.

Display

Shows various information for the operation.

[1] [2] knob

Use these knobs to move the cursor or change a value.

PAGE [<] [>] [ ] [ ] buttons

Move the cursor position up/down/left/right.

These buttons also switch between screens.

[EXIT] button

Returns you to the previous screen.

In some screens, this cancels the operation currently being executed.

* By holding down the [EXIT] button and operating a knob or other controller,

you can check its current value. This lets you check a value without modifying

the sound.

[ENTER] button

Press this to conrm a value or execute an operation.

FILTER

[TYPE] knob

Species the type of lter.

[CUTOFF] knob

Adjusts the cuto frequency of the lter.

[RESONANCE] knob

Resonance emphasizes the sound in the region of the lter cuto

frequency.

LPF HPF BPF PKG

Cuto frequency

Resonance

Cut region

[KEY FOLLOW] knob

Allows the lter cuto frequency to vary according to the key that you

play.

If this knob is turned toward the right, the cuto rises for higher notes.

If it is turned toward the left, the cuto falls for higher notes.

VINTAGE FILTER [R] [M] [S] buttons

If a vintage type model is selected, these buttons change the type of

lter.

[R] models a Roland lter, and [M] and [S] model the lters of vintage

synthesizers made by other manufacturers.

AMP

[LEVEL] knob

Adjusts the volume.

ENVELOPE

[A] [D] [S] [R] knobs

A: Attack time

D: Decay time

S: Sustain level

R: Release time

[DEPTH] knob

Used in conjunction with the [PITCH] button and [FILTER] button, this

knob species the depth of each envelope. If the knob is in the center,

no eect is applied.

[PITCH] button

If this button is on (lit), the [A] [D] [S] [R] [DEPTH] knobs edit the PITCH

envelope.

[FILTER] button

If this button is on (lit), the [A] [D] [S] [R] [DEPTH] knobs edit the FILTER

envelope.

[AMP] button

If this button is on (lit), the [A] [D] [S] [R] knobs edit the

AMP envelope.

EFFECTS

[MFX] knob

Adjusts the MFX depth (individually for each part).

[DRIVE] knob

Adjusts the amount of distortion (for all parts together/valid only for

parts whose Part: Output is “DRIVE”).

[REVERB] knob

Adjusts the depth of reverb (individually for each part).

[CHORUS] knob

Adjusts the amount of chorus (individually for each part).

[DELAY] knob

Adjusts the amount of delay (individually for each part).

[DELAY TIME] knob

Adjusts the delay time (for all parts together).

Common section

[TRANSPOSE] button

By holding down this button and using the OCTAVE [DOWN] [UP]

buttons you can transpose the pitch of the keyboard in semitone units.

OCTAVE [DOWN] [UP] button

Shift the pitch of the keyboard in units of one octave.

[STEP EDIT] button

Chooses step edit mode (p. 13).

[PART] button

Chooses part select mode.

[MODEL BANK] button

Chooses sound select mode, allowing you to select sounds of the

various models.

Panel Descriptions

MODEL buttons

[1]–[16] button

These buttons have various functions depending on the mode.

Sound select mode ([MODEL BANK] button)

The buttons select tones of the models that are assigned to the buttons.

* By holding down the [MODEL BANK] button and pressing one of [1]–[16]

buttons, you can specify the model or the Category that is assigned (p.

11).

Part select mode ([PART] button)

The buttons switch the current part ([1]–[5]) or turn parts on/o ([6]–[10]).

* These buttons turn on/o the parts that are played from the keyboard

(ZONE EDIT > Kbd Sw). If you want to turn on/o specic parts when an

arpeggio is playing, hold down the [SHIFT] button and use the [6]–[10]

buttons.

Various performance functions are assigned to buttons [11]–[16].

Scene select mode ([SCENE] button)

The buttons switch scenes.

By holding down the [SHIFT] button and pressing a button, you can switch

between scene banks 1–16.

Function mode ([FUNCTION] button)

The buttons select the oscillator to edit ([1]–[4]) or turn oscillators on/o ([6]–[9]).

Buttons [11]–[16] are assigned the same performance functions as in Part

Select mode.

Step edit mode ([STEP EDIT] button)

The buttons edit each step of the arpeggio that you recorded.

For details, refer to “Editing Each Step of the Arpeggio Performance (STEP

EDIT)” (p. 13)

Others

[MENU] button

The MENU screen appears.

[WRITE] button

Saves sounds and system settings.

[SHIFT] button

If you hold down this button and operate a knob, slider, or button, the

display shows the corresponding edit screen.

* By holding down the [SHIFT] button and operating a knob or other controller,

you can jump to the edit screen for that parameter.

[SCENE] button

Chooses scene select mode.

[FUNCTION] button

Chooses function mode.

Pitch bend/modulation

[PITCH] wheel

This varies the pitch. Moving the wheel toward yourself lowers the

pitch. Moving it away from yourself raises the pitch. When you release

your hand from the wheel, it returns to the center.

[MOD] wheel

This applies vibrato. When the wheel is all the way toward yourself, no

eect is applied. Moving the wheel away from yourself increases he

eect. The wheel does not move from its position when you release

your hand.

PHONES jack

Connect stereo mini-type headphones here.

Panel Descriptions

[L] switch

This turns the power on/o (p. 7).

DC-IN jack

Connect the included AC adaptor here.

* Fasten the AC adaptor cord into the cord guide on the bottom surface as

shown in the illustration.

AC Adaptor

MIDI (OUT/IN) ports

Used for connecting external MIDI devices and for transmission of MIDI

messages.

CTRL jack

Connect an expression pedal (EV-5; sold separately).

* Use only the specied expression pedal. By connecting any other expression

pedals, you risk causing malfunction and/or damage to the unit.

HOLD jack

Connect a pedal switch (DP series; sold separately).

AUX IN jack

Connect an external audio device.

Use a stereo mini plug for this connection.

MIC

[MIC GAIN] knob

Adjusts the volume of the mic input.

MIC IN jack

Connect a dynamic microphone

or electret condenser microphone

(plug-in power system) here.

* A condenser microphone (phantom

powered) cannot be used.

OUTPUT L/R jacks

These are output jacks for audio signals.

OUTPUT (BALANCED) L/R jacks

These are output jacks for audio

signals.

PHONES jack

You can connect a set of headphones here.

USB port

USB MEMORY port

You can connect a USB ash drive here.

Connect or disconnect the USB ash drive while the JUPITER-Xm is

powered-o.

* Never turn o the power or disconnect the USB ash drive during a process,

such as while the “Executing…” display is shown.

USB COMPUTER port

Use a USB cable to connect this port to a USB port of your computer.

This allows the JUPITER-Xm to operate as a USB MIDI device.

1: GND2: HOT

3: COLD

※ 入力端子の場合

1: GND 2: HOT

3: COLD

※ 出力端子の場合

TIP: HOT

RING: COLD

SLEEVE: GND

Pin assignment of MIC IN jack

Pin assignment of OUTPUT (BALANCED) L/R jacks

1: GND2: HOT

3: COLD

※ 入力端子の場合

1: GND

2: HOT

3: COLD

※ 出力端子の場合

TIP: HOT

RING: COLD

SLEEVE: GND

Rear Panel

(Connecting Your Equipment)

* To prevent malfunction and equipment failure, always turn down the volume, and turn o all the units before making any connections.

AUX IN jack

Connect an audio device.

USB port

MIDI port

Connect MIDI devices.

OUTPUT jack

PHONES jack

MIC

OUTPUT (BALANCED) jacks

CTRL jack

HOLD jack

A B

Expression pedal (EV-5)

Pedal switch (DP series)

Mixer

Dynamic microphone

Electret microphone

(mono)

Monitor speaker

(Amplier built-in)

USB ash drive Computer

Headphones

Panel Descriptions

Bottom Panel

Battery compartment

Install eight Ni-MH batteries (AA, HR6).

& “Installing the Batteries” (p. 7)

Installing the Batteries

Eight Ni-MH batteries (AA, HR6) are required to run the JUPITER-Xm on

battery power.

With these batteries you can expect about 3.5 hours of continuous

operation, although this depends on how the JUPITER-Xm is being used.

* When turning the unit over, be careful so as to protect the buttons and knobs

from damage. Also, handle the unit carefully; do not drop it.

* If you handle batteries improperly, you risk explosion and uid leakage. Make

sure that you carefully observe all of the items related to batteries that are listed

in “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (leaet “USING THE

UNIT SAFELY” and Owner’s manual.

1. Turn o the power of the JUPITER-Xm.

2. While pressing inward on the tabs of the bottom panel

battery compartment cover, remove the cover.

3. Insert the batteries into the battery compartment, taking

care to observe the “+” and “–” polarity.

Be sure that the “+” and “-” markings on the batteries are oriented

correctly.

4. Close the battery compartment cover.

Turning the JUPITER-Xm On

1. Power-on the equipment in the order of JUPITER-Xm 0

connected devices.

* In order to protect its circuitry, the JUPITER-Xm waits for a while after being

powered-on before it begins operating.

2. Switch on power to the connected equipment, and raise the

volume to an appropriate level.

* The power to this unit will be turned o automatically after a predetermined

amount of time has passed since it was last used for playing music, or its

buttons or controls were operated (Auto O function).

If you do not want the power to be turned o automatically, disengage the Auto

O function.

& “Making the Power Automatically Turn O After a Time (Auto O)” (p.

33)

5 Unsaved data is lost when the power turns o. Before turning the power o,

save the data that you want to keep.

5 To restore power, turn the JUPITER-Xm on again.

Turning O the Power

1. Power-o the equipment in the order of the connected

devices 0 JUPITER-Xm.

Adjusting the Overall Volume

(Master Volume)

Adjusts the overall volume.

1. Adjust the [VOLUME] knob.

Turning the Built-In Speakers On/O

This unit contains built-in stereo speakers.

Speaker locations

1. Press the [MENU] button.

2. Use the [1] knob to select “System,” and then press the

[ENTER] button.

You can also make this selection by using the PAGE [ ] [ ] buttons

instead of the [1] knob.

3. Use the [1] knob to select “Speaker Out,” and use the [2]

knob to edit the value.

Parameter

[1] knob

Value

[2] knob

Explanation

Speaker Out

OFF Sound is not output from the speakers.

ON Sound is output from the speakers.

AUTO

“OFF” if headphones are connected,

“ON” if headphones are not connected.

Introduction

Model

A “model” is a sound engine that reproduces a specic vintage unit or

a sound engine that is optimized for specic functionality.

For example, there is a model that reproduces the vintage JUPITER-8 synthesizer.

Each model is equipped with dierent unique parameters and eects, and the eect of

operating the knobs and other controllers will also dier. This means that you can use a

single JUPITER-Xm unit as if you owned a variety of units.

There is a model that reproduces the vintage JUPITER-8 and JUNO-106 synthesizer.

You can create tones for each model.

Tone

The sound assigned to a part is called a “tone.”

For each tone you can make settings such as oscillator, lter, and eects (MFX). The

structure and eects of a tone dier depending on the sound engine (model).

Part

To each of the ve parts, you can assign a sound (tone), and specify

pan and EQ settings.

You can assign a tone to each part and play it.

There are ve parts. You can assign a synthesizer tone to each part 1–4, and a rhythm

tone to part 5.

Certain sound engines (models) can be assigned only to part 1.

Scene

Settings for all parts, the I-ARPEGGIO settings, and the scene eect

settings are all saved together as a “scene.”

A scene stores the entire state of your favorite performance settings, including settings

for each part (such as tone number, pan, and volume), settings common to all parts

(such as reverb, delay, and chorus), and sequence data for each part.

It is convenient to save your settings beforehand as scenes, and then switch between

these scenes while you perform.

You can save a total of 256 scenes, which are organized as 16 scenes × 16 banks.

I-Arpeggio

Based on an analysis of your keyboard performance, this plays an

optimal arpeggio pattern using multiple parts.

Simply by selecting a TYPE and RHYTHM, you can use I-ARPEGGIO with a wide variety

of settings.

When thinking of ideas for a song, you can change the settings while trying out

various keyboard performances; when you nd a good phrase use the STEP EDIT

function to capture and edit it, then import it as MIDI data into the DAW on your

computer.

Controller

Keyboard Button / knob / slider Pitch bend / modulation

Tone

Filter type = TVF

TVA

PAN

TVF

3Band EQ

Filter type = VCF

VCFHPF

LFO 1/2

Pitch Env

OSC

Interface

USB computer

(Audio / MIDI)

USB ash drive

(File)

Pedal operation

(CTRL / HOLD)

MIDI input / output

USB computer

(Audio / MIDI)

Microphone input

AUX input

Scene System

System eect

MASTER

EQ/COMP

MIC

NS/COMP

OUTPUT

PHONES

I-ARPEGGIO

PART 1

Tone

MFX PAN/EQ

PART 2

Tone

MFX

PAN/EQ

PART 3

Tone

MFX PAN/EQ

PART 4

Tone

MFX

PAN/EQ

PART 5

Tone (Drum Kit)

PAN/EQ

Scene eect

DRIVE

CHORUS

REVERB

DELAY

Some models can be selected only for PART 1.

Drum kits can be selected only for PART 5.

Speakers

* Bluetooth audio supports only input. Audio cannot be

output to Bluetooth speakers or headphones.

Introduction

Switching Scenes

([SCENE] Button)

The display shows the scene name.

Recalling a scene

Press the [1]–[16] buttons.

Alternatively, turn knob [2].

Recalling a scene bank

Hold down the [SHIFT] button and press the [1]–[16] buttons.

Alternatively, turn knob [1].

Viewing the scene list

Press the [ENTER] button.

MEMO

5 Some scenes have tones assigned to them by the factory settings, but all can

be rewritten.

5 When you use the PAGE [<] [>] buttons to move from the scene screen to an

edit page, the part for editing is selected automatically.

5 You can switch between parts or turn them on/o while you edit in the various

pages.

Selecting a Tone

([MODEL BANK] Button)

Move to the sound select screen for the current part (0 [PART] button).

Use the [1]–[16] buttons to select a model or category, and use knob [2] to

select a tone. Turning knob [1] changes the tone number in steps of ten.

With the factory settings, the models indicated by the labels are assigned

to buttons [1]–[6] (JUPITER-8/JUNO-106/JX-8P/SH-101/XV-5080/RD-Piano).

MEMO

For details on the model and category types, refer to the sound list.

Selecting a Part or Turning it On/O

([PART] Button)

You can use the [1]–[10] buttons to select parts or turn them on/o.

[1]–[5] button

Switch the current part (the part that is aected when you operate panel

knobs and screen settings).

[6]–[10] button

Select the part that you play from the keyboard (KEYBOARD SW 0 “ON”).

Only one part can be played from the keyboard. If you press more than one

button, only the last-pressed part turns on.

[SHIFT] button+ [6]–[10] button

Turn on/o the PART SW of each part.

If the PART SW is OFF, that part is not heard. This is similar to KEYBOARD SW:

OFF, but with the dierence that it also applies to arpeggio playback. This

means that for example, if the drum performance is being held and played

by an arpeggio, you can then press the [PART] button and turn button

An Overview of the JUPITER-Xm

On the JUPITER-Xm, you play or edit the “scene” that you’ve selected. First select a “scene,” and then specify its sound or arpeggio settings. Each scene

contains settings such as I-Arpeggio, tones, and MFX.

Use the [1]–[16] buttons to switch scenes. The [1]–[16] buttons have multiple functions, as follows.

ARP PART ARP COM SCENE TOP SCENE COM SCNE PART SCENE ZONE

SCENE PART

MFX

SCENE EFX

CHO

SCENE EFX

DLY

SCENE EFX

REV

SCENE EFX

TONE COM

TONE

PARTIAL1

TONE

PARTIAL2

TONE

PARTIAL3

TONE

PARTIAL4

TONE MFX

<<<<<<<<< Use the cursor [<] [>] buttons to switch screens. >>>>>>>>>

SCENE TOP screen

Startup screen

Screen that appears when you press the [SCENE] button

Screen that appears when you press the [EXIT] button

several times

Enters the edit screen with a part selected (you can switch parts at any times).

When you use the cursor buttons to return, you return to the screen where you were before accessing the

edit screen.

MODEL

BANK TOP

MODEL BANK TOP screen

Screen that appears when you press the [MODEL BANK]

button or [PART] button

For some models, pages are not divided by partial.

Introduction

[10] on/o to remove or bring back just the drum sound as a performance

eect.

[11]–[16] buttons

The following performance functions are assigned to these buttons. These

functions are active when the [PART] or [FUNCTION] button is lit.

[11 (MONO)] button

When on, that sound plays in mono (single notes).

(SCENE PART EDIT> Mono/Poly)

The mono setting alternates between on (Mono)/o (Poly) each time you press

the [11 (MONO)] button.

[12 (UNISON)] button

If this is on, that sound plays in unison.

(SCENE PART EDIT> Unison Sw)

When “unison” is on, the same tone at a slightly dierent pitch is layered with

the part 1 tone, making the sound thicker.

Unison alternates on/o each time you press the [12 (UNISON)] button.

MEMO

The depth of the eect depends on the settings of the tone that’s selected.

[13 (VELOCITY OFF)] button

If this is on, notes are sounded at a xed velocity value (which you can set); i.e., velocity is

turned o. (SCENE PART EDIT> KBD Velo)

The velocity o setting alternates on/o each time you press the [13

(VELOCITY OFF)] button.

The xed velocity value can be specied in SCENE PART EDIT> KBD Fixed Velo.

[14 (PORTAMENTO)] button

If this is on, portamento is applied to that sound.

(SCENE PART EDIT> Porta Sw)

Portamento is a function that smoothly varies the pitch between the rst-

played note and the next-played note.

Portamento turns on/o each time you press the [PORTAMENTO] button.

MEMO

The way in which portamento applies diers depending on the settings of the

selected tone.

Setting the PORTAMENTO TIME

Hold down the [SHIFT] button and press the [14 (PORTAMENTO)] button.

The setting screen appears.

Use knob [2] to set PORTAMENTO TIME.

[15 (SPLIT)] button

This lets you split the keyboard.

(SCENE ZONE EDIT> Key Rng Low/Key Rng Upp)

If this is on, the PART1 sound is assigned to the upper key region (C#4

and higher) and the PART2 sound is assigned to the lower key region

(C4 and lower), letting you play a keyboard split.

Split point (C4)

PART 2 PART 1

Split turns on/o each time you press the [15 (SPLIT)] button.

If the keyboard does not play sound

Here we explain situations in which playing the keyboard does not produce sound even though the KEYBOARD SW is on.

01 When I-ARPEGGIO is on, and ARP PART EDIT:

Switch” is ON or KEYSW

This part is played by the arpeggio, and cannot be played from the

keyboard.

To play it from the keyboard, set “ARP PART EDIT: Switch” to “OFF.”

How the Keyboard Sw and “ARP PART EDIT: Switch”

settings are related

I-ARPEGGIO on (I-ARPEGGIO [ON/OFF] button lit)

ARP PART EDIT Switch OFF ON KEYSW

Keyboard Sw

OFF

Not played from

keyboard

ARP

Arpeggio

performance

(not played

from keyboard)

Not played from

keyboard

KBD

Playable from

keyboard

ARP

Arpeggio

performance

(not played

from keyboard)

ARP

Arpeggio

performance

(not played

from keyboard)

I-ARPEGGIO o (I-ARPEGGIO [ON/OFF] button unlit)

ARP PART EDIT Switch OFF ON KEYSW

Keyboard Sw

OFF

Not played from

keyboard

Not played from

keyboard

Not played from

keyboard

KBD

Playable from

keyboard

KBD

Playable from

keyboard

KBD

Playable from

keyboard

02 When one of the ASSIGN settings in SCENE

EDIT COMMON is PART FADE 1/2

The volume of parts whose Keyboard Sw is on is controlled by the

controller that is assigned to PART FADE 1/2, so sound might not be

heard depending on the setting of the controller.

If you want to always play the corresponding part from the keyboard,

assign all of the SL1, SL2, and Ctrl settings to something other than PART

FADE 1/2.

Alternatively, if only one Keyboard Sw is on, the PART FADE eect is

disabled, and you can play just the corresponding part.

03 When Part Sw is o

If when the PART button is lit, you hold down the [SHIFT] button and

press a [6]–[10] button, the Part Sw turns on/o. If you accidentally turn

this o, the corresponding part won’t produce sound.

Normally you’ll leave all Part Sw settings on.

04 If a volume or similar setting is lowered

In addition to the above situations, the corresponding part will not

be heard of one of the volume settings is lowered. Since there are

numerous parameters that aect the volume, a simple way to bring back

the sound is to clear the settings by switching scenes. In this case, the

current scene settings will be lost, so save the scene before you try this.

Introduction

[16 (DUAL)] button

This lets you layer two sounds.

(SCENE ZONE EDIT> Key Rng Low/Key Rng Upp)

If this is on, the KEYBOARD SW of PART1 and PART2 is on, letting you

play the two sounds as a layer.

PART 2

PART 1

* The split setting is cleared at this time.

Dual turns on/o each time you press the [16 (DUAL)] button.

Assigning the Desired Model or Category to

the [1]–[16] Buttons

By holding down the [MODEL BANK] button and pressing a [1]–[16]

button, you can assign a MODEL/CATEGORY/USER to each button.

Up to eight models or categories can be assigned to a button.

1. Hold down the [MODEL BANK] button and press the button

([1]–[16]) that you want to assign.

2. Press the PAGE [ ] button.

3. Choose whether you want to assign a model or a category.

4. Press the PAGE [ ] button.

5. Select a model name or a category name to assign it.

* Up to eight models or categories can be assigned to a button.

* You can’t assign both models and categories to a button simultaneously.

6. If you want to save the setting, execute the System Write

operation.

& “Saving the System Settings (System Write)” (p. 33)

What’s the dierences between models and

categories?

Both refer to attributes of tones.

“Models” organize tones by their sound engine or tone bank (e.g., JUPITER,

PR-A).

“Categories” organize tones by the type of instrument or sound (e.g.,

Ac.PIANO, Synth Lead).

When you make assignments for a [MODEL BANK] button, you are

specifying how you intend to look for tones.

Selecting or Turning On/O an Oscillator or

Partial

([FUNCTION] Button)

You can use the [1]–[4] and [6]–[9] buttons to select or turn on/o

oscillators or partials without changing the indication in the display.

[1]–[4] buttons

Select an oscillator or partial of the tone you’re editing. The number of

oscillators that can be selected will dier depending on the model.

For some models, you can select multiple oscillators or partials by pressing

multiple buttons simultaneously, allowing you to edit them together.

[6]–[9] buttons

Turn the tone’s oscillators or partials on/o.

For some models, there is no on/o switch (they are always on), and the

sound is adjusted only by increasing or decreasing the OSC LEVEL.

Playing a Pattern You Entered

([STEP EDIT] Button)

This button selects step edit mode.

In this mode, the arpeggio performance stops, and each part can play a

step-recorded pattern that you entered.

& For details on operation in step edit mode, refer to “Editing Each

Step of the Arpeggio Performance (STEP EDIT)” (p. 13).

MENU Screen

SCENE EDIT

Access the SCENE COMMON EDIT screen.

This is the same screen as you can access from the SCENE/MODEL BANK top

screen by pressing the PAGE [>] button once.

To make other SCENE settings, press PAGE [>] several times.

ARPEGGIO EDIT

Access the ARPEGGIO PART EDIT screen.

This is the same screen as you can access from the SCENE/MODEL BANK top

screen by pressing the PAGE [<] button twice.

Use the PART buttons to select the part whose arpeggio parameters you

want to edit, and then edit the parameters.

If you want to make ARPEGGIO COMMON EDIT settings, press the PAGE [>]

button once.

TONE EDIT

Access the TONE COMMON EDIT screen.

This is the same screen as you can access from the SCENE/MODEL BANK top

screen by pressing the PAGE [>] button nine times.

To make other TONE settings, press the PAGE [>] button several times.

SYSTEM

Edit the SYSTEM parameters.

& “Editing the System Settings (System)” (p. 33)

UTILITY

Execute convenient functions.

& “UTILITY Screen” (p. 36)

Introduction

INFORMATION

View the software version.

WRITE Screen

SCENE

Here’s how to save the scene settings. If saving is needed, the screen

indicates “EDITED.”

If the PART 1–4 tones are indicated as “EDITED,” and you want to save the

complete sound, save the tones rst.

1. Press the [WRITE] button.

The WRITE MENU screen appears.

2. Use the [1] knob or [2] knob to select “SCENE,” and then

press the [ENTER] button.

3. Use the [1] knob or [2] knob to select the save-destination,

and then press the [ENTER] button.

If you want to rename the scene that’s being saved, use the PAGE

[<] [>] buttons to move the cursor and use the [2] knob to specify

characters.

4. Press the [ENTER] button.

A conrmation message appears.

5. To execute, press the [ENTER] button.

If you decide to cancel, press the [EXIT] button.

PART1–4 TONE

Here’s how to save the tone settings of each part.

1. Press the [WRITE] button.

The WRITE MENU screen appears.

2. Use the [1] knob or [2] knob to select “PART* TONE” (* is the

part to which the tone you’re saving is assigned), and then

press the [ENTER] button.

3. Use the [1] knob to select the save-destination, and then

press the [ENTER] button.

If you want to rename the tone that’s being saved, use the PAGE [<] [>]

buttons to move the cursor and use the [2] knob to specify characters.

4. Press the [ENTER] button.

A conrmation message appears.

5. To execute, press the [ENTER] button.

If you decide to cancel, press the [EXIT] button.

SYSTEM

Here’s how to save the system settings.

1. In the SYSTEM screen, press the [WRITE] button.

The SYSTEM WRITE screen appears.

If the WRITE MENU screen appears, use the [1] knob to select

“SYSTEM,” and then press the [ENTER] button.

2. To execute, press the [ENTER] button.

If you decide to cancel, press the [EXIT] button.

SCENE INITIALIZE

Here’s how to initialize the scene settings.

The rst preset tone will be the tone selected for each part.

1. Press the [WRITE] button.

The WRITE MENU screen appears.

2. Use the [1] knob or [2] knob to select “SCENE INITIALIZE,”

and then press the [ENTER] button.

TONE INITIALIZE

Here’s how to initialize the tone of the current part. The initialized state

diers depending on the model that is selected for that part.

You can’t change the model later. You must rst select a sound that uses the

model you want to edit, and then execute TONE INITIALIZE to initialize it.

1. Press the [WRITE] button.

The WRITE MENU screen appears.

2. Use the [1] knob or [2] knob to select “TONE INITIALIZE,”

and then press the [ENTER] button.

Introduction

Editing Each Step of the Arpeggio Performance

(STEP EDIT)

Based on an analysis of your keyboard performance, this plays an optimal arpeggio pattern using multiple parts (I-Arpeggio). Simply by selecting a TYPE

and RHYTHM, you can use I-ARPEGGIO with a wide variety of settings.

I-ARPEGGIO

Rhythm patternRhythm pattern

User patternUser pattern

Arpeggio patternArpeggio pattern

Type

Rhythm

Step edit

TYPE 1

TYPE 2

TYPE

RHYTHM 1

PART 1

PART 2

PART 3

PART 4

PART 5

RHYTHM 2

RHYTHM

One pattern for each part

Part 1Part 1

Part 2Part 2

Part 5 (rhythm)Part 5 (rhythm)

Part 4Part 4

Part 3Part 3

Performance detection

The arpeggio performance is always recorded inside this unit. If you like the performance, you can use the STEP EDIT function to extract and edit it.

The edited pattern can be used as a user pattern for the arpeggiator, or used in your computer as MIDI data.

You can also create a user pattern from a blank state without using recorded data.

1. Press the [STEP EDIT] button.

The arpeggio performance stops, and the STEP EDIT - COPY I-ARPEGGIO

screen appears.

Initialize: Clears the step data of all parts

Current: The current step data

Latest: The most recently recorded data (recorded partway)

1 time before: Data recorded one cycle earlier

2 times before: Data recorded two cycles earlier

3 times before: Data recorded three cycles earlier

4 times before: Data recorded four cycles earlier

You can use the [S3] button to preview the data.

2. Press the [ENTER] button to enter the STEP EDIT screen

shown below.

Operations in STEP EDIT

Item Operating the Unit

Move left/right between

steps

[1] knob

Edit the value

[2] knob

Move vertically

PAGE [

] [ ] buttons

Item Operating the Unit

Move between pages

PAGE [

] [ ] buttons

Exit step edit and return to

the top screen

[EXIT] button

Select a step

16 buttons

Move the note

Press a key

Specify a step and turn the

note on

Press one of the 16 buttons + key

Turn the currently selected

note on/o

[ENTER] button

Enter a tie

Simultaneously press the [1]–[16] buttons of the

starting and ending steps

Move between parts

[PART] button

select the current part

Erase all data from the

currently selected part

[S1] button

Erase all data of the selected

note

While holding down a key + [S1] button

Erase all data of the selected

step

One of the 16 buttons + [S1] button

* The velocity is input as the value that was most recently specied.

3. To audition the performance, use the [S3] button to play

back or stop.

* The number of steps and the settings such as grid and shue are according to

the values specied for the arpeggio.

If you want to change these, exit the STEP screen and use the ARP PART

EDIT screen to edit them.

* You can use the TEMPO knob to change the tempo.

* The arpeggio function cannot be used in the STEP EDIT screen. If you want to

combine edited step data with the arpeggio function for separate parts, exit

the STEP screen, then use ARP PART EDIT => turn SEQ MODE on for separate

parts.

4. When you nish editing, save the result as a scene.

If you want to use the performance as MIDI data in your computer, use

the export function.

& “USER PATTERN EXPORT” (p. 36)

Introduction

Performing with a Connected Mic

(Vocoder)

The “Vocoder” adds eects to a human voice. If you run your voice

through the vocoder, you can give it a toneless, robotic tone. Control the

pitch by playing the keyboard.

1. Connect a microphone to the rear panel MIC IN jack.

NOTE

The JUPITER-Xm supports dynamic microphones and electret

condenser microphone (plug-in power system). It does not support

condenser microphones.

2. Use the rear panel [MIC GAIN] knob to adjust the volume.

Make detailed adjustments to the MIC IN volume after you select the

sound.

Initially, set the knob to approximately the center position.

3. Select part 1, and then press the [MODEL BANK] button to

make it light.

4. Press the [MODEL BANK] button and then press button [15].

5. Use knob [1] to select a vocoder sound (two types).

6. While playing the keyboard, vocalize into the microphone.

Use the [MIC GAIN] knob to make ne adjustments to the volume.

Adjusting the Mic Settings

Depending on the environment in which you’re performing, noise from the

surroundings might be picked up by the mic, causing the vocoder to not

work as you intend.

In this case, adjust the microphone sensitivity and the noise suppressor

(NS) settings, so that it is less likely to pickup noise.

1. Press the [MENU] button.

2. Use the [1] knob to select “System,” and then press the

[ENTER] button.

You can also make this selection by using the PAGE [ ] [ ] buttons

instead of the [1] knob.

3. Use the [1] knob to select a parameter, and use the [2] knob

to edit the value.

MIC IN parameters

Parameter

[1] knob

Value

[2] knob

Explanation

MIC IN

Mic In Gain

-24.0–+24.0 [dB] Adjusts the input level of the MIC IN jack.

Mic Power

0–1

If this is “ON,” plug-in power (5 V) is

supplied to the MIC IN jack.

NS Switch

OFF, ON

Switches the noise suppressor on/o.

The noise suppressor is a function that

suppresses noise during periods of

silence.

NS Threshold

0–127

Adjusts the volume at which noise

suppression starts to be applied.

NS Release

0–127

Adjusts the time from when noise

suppression starts until the volume

reaches 0.

CompSwitch

OFF, ON

Species whether the mic compressor (a

compressor applied to the mic input) is

used (ON) or not used (OFF).

Parameter

[1] knob

Value

[2] knob

Explanation

CompAttack

0.1, 1, 2,... 100 [ms]

Species the time from when the input

to the mic compressor exceeds the

Comp Thres level until the volume is

compressed.

CompRelease

10, 10, … 1000

[ms]

Species the time from when the input to

the mic compressor falls below the Comp

Thres level until compression is no longer

applied.

CompThreshold

-60–0 [dB]

Species the level at which the mic

compressor starts applying compression.

CompRatio

1: 1, 2: 1, …4: 1,

8: 1, 16: 1, 32: 1,

INF: 1

Species the compression ratio for the

mic compressor.

CompKnee

0–30 [dB]

Smooths the transition until the mic

compressor starts to be applied.

Higher values produce a smoother

transition.

CompOutGain

-24.0, -23.5, … 0,

…, +24.0 [dB]

Species the output volume of the mic

compressor.

Rev Send Lev

0–127

Species the amount of reverb that is

applied to the mic input.

Cho Send Lev

0–127

Species the amount of chorus that is

applied to the mic input.

Dly Send Lev

0–127

Species the amount of delay that is

applied to the mic input.

Mic Thru

ON/OFF

If you want the mic to be cut when the

vocoder is o, turn this “OFF.”

4. If you want to save the setting, execute the System Write

operation.

& “Saving the System Settings (System Write)” (p. 33)

Preventing acoustic feedback

Acoustic feedback could be produced depending on the location of

microphones relative to built-in speakers (or the external speakers). This

can be remedied by:

5 Changing the orientation of the microphone(s).

5 Relocating microphone(s) at a greater distance from speakers.

5 Lowering volume levels.

Basic Editing Operations

Selecting the oscillator to edit

When the [FUNCTION] button is lit, press a [1]–[4] button.

(The [1]–[4] buttons correspond to OSC (oscillator) 1–4 respectively.)

The oscillators that can be selected dier depending on the model.

Selecting the oscillators that produce sound

When the [FUNCTION] button is lit, press a [6]–[9] button.

(The [6]–[9] buttons correspond to OSC (oscillator) 1–4 respectively.)

Some oscillators cannot be selected for some models.

Switching pages

Press a PAGE [<] [>] button.

Selecting parameters

Turn the [1] knob.

Editing a value

Turn the [2] knob.

OSC

(Oscillator)

The pitch is determined by the speed at which the waveform repeats. A

waveform that takes one second to repeat is said to have a frequency of 1

Hertz (1 Hz). The higher the frequency, the higher the pitch. Conversely, the

lower the frequency, the lower the pitch.

FILTER

The brightness of a sound can be modied by boosting or cutting specic

frequency ranges. Boosting the high-frequency range produces a brighter

sound, while boosting the low-frequency range produces a darker sound.

LFO

(Low frequency oscillator)

The OSC, FILTER, and AMP can be modulated at a rate specied by the LFO

to create vibrato (by modulating the pitch) or tremolo (by modulating the

volume).

ENVELOPE

The OSC, FILTER, and AMP each have an envelope that operates each time

you play a key, applying time-varying change to the pitch, tonal character,

and volume.

Each aspect of the sound is controlled by its own envelope.

EFFECTS

“Eects” allow you to modify or enhance the sound in various ways, such

as by adding reverberation or delaying the sound.

Saving a Sound You’ve Created

(WRITE)

The sound you create will change if you move a knob or select a dierent

tone, and will be lost when you switch o the JUPITER-Xm’s power.

When you’ve created a sound you like, you should save it as a user tone.

1. Press the [WRITE] button.

The WRITE MENU screen appears.

2. Use the [1] knob or [2] knob to select “PART* TONE” (* is the

part to which the tone you’re saving is assigned), and then

press the [ENTER] button.

3. Use the [1] knob to select the save-destination, and then

press the [ENTER] button.

4. If you want to rename the tone that’s being saved, use the

PAGE [<] [>] buttons to move the cursor and use the [2]

knob to specify characters.

5. Press the [ENTER] button.

A conrmation screen appears.

6. To execute, press the [ENTER] button.

If you decide to cancel, press the [EXIT] button.

Editing the Sound

(TONE EDIT)

Correspondence Between Controllers and Parameters

JUPITER-8

10 11

16 17 18 19 23

24 25 26 27 28 1 2 3 4

12 13

5 6 7

15 14

22 21

29 30 31

32 33 34 35 37 36

Area Controller Parameter

LFO

TYPE LFO WAVEFORM

RATE LFO RATE

FADE TIME LFO DELAY TIME

DEPTH

OSC1 MOD/FILTER

MOD/AMP MOD2

Pitch Select OSC1 MOD

FILTER Select FILTER MOD

AMP Switch to AMP MOD2

OSC

TYPE

OSC1 WAVEFORM /

OSC2 WAVEFORM

Pitch OSC RANGE

LEVEL MIXER OSC1/2

MOD

When XMOD ON:

MOD 1<-2 X-MOD

DEPTH

When SYNC ON:

OSC2 FINE TUNE

SYNC

MOD 1-2 MODE

(SYNC)

XMOD

MOD 1-2 MODE

(XMOD)

OSC1 SEL Select OSC1

OSC2 SEL Select OSC2

FILTER

TYPE FILTER SLOPE

CUTOFF CUTOFF

RESONANCE RESONANCE

KEY-F FLT KEY FOLLOW

[R] FILTER TYPE

[M] FILTER TYPE

[S] FILTER TYPE

AMP

LEVEL AMP LEVEL

Area Controller Parameter

ENV

A ENV1/2-ATTACK

D ENV1/2-DECAY

S ENV1/2-SUSTAIN

R ENV1/2-RELEASE

DEPTH

PIT ENV DEPTH / FLT

ENV DEPTH

Not operable if AMP

is selected

Pitch Switch to ENV-1

FILTER

(ENV-1/2 is set

according to the

FILTER ENV SELECT

status)

AMP Switch to ENV-2

OTHER

MONO MONO

UNISON UNISON

VELOCITY OFF Not eective

PORTAMENTO PORTAMENTO

SPLIT SPLIT

DUAL DUAL

* For other parameters, refer to “Parameter Guide”

(PDF).

Correspondence Between Controllers and Parameters

Operations When Combined with the [SHIFT] Button

Area Controller Condition 1 Condition 2 Jump destination

OSC

[SHIFT] button+

[TYPE] knob

If “OSC 1” is selected

“TONE EDIT”

“JP8: OSC1 WAVEFORM” parameter

If “OSC 2” is selected

“TONE EDIT”

“JP8: OSC2 WAVEFORM” parameter

[PITCH] knob

If “OSC 1” is selected

“TONE EDIT”

“JP8: OSC1 RANGE” parameter

If “OSC 2” is selected and

the “OSC2 MODE” parameter is

“NORMAL”

“TONE EDIT”

“JP8: OSC2 RANGE” parameter

the “OSC2 MODE” parameter is

“LOW FREQ”

“TONE EDIT”

“JP8: LOW FREQ” parameter

[LEVEL] knob

If “OSC 1” is selected

“TONE EDIT”

“JP8: OSC1 LEVEL” parameter

If “OSC 2” is selected

“TONE EDIT”

“JP8: OSC2 LEVEL” parameter

[MOD] knob

When the “SYNC SWITCH” parameter is

“OFF”

“TONE EDIT”

“JP8: CROSS MOD” parameter

When the “SYNC SWITCH” parameter is

“ON”

“TONE EDIT”

“JP8: OSC2 FINE TUNE” parameter

[RING] button ---

[SYNC] button

“TONE EDIT”

“JP8: SYNC SWITCH” parameter

[XMOD] button

“TONE EDIT”

“JP8: SYNC SWITCH” parameter

LFO

[SHIFT] button+

[TYPE] knob

“TONE EDIT”

“JP8: LFO WAVEFORM” parameter

[RATE] knob

“TONE EDIT”

“JP8: LFO RATE” parameter

[FADE TIME] knob

“TONE EDIT”

“JP8: LFO DELAY TIME” parameter

[DEPTH] knob

If “LFO PITCH” is selected

“TONE EDIT”

“JP8: LFO MOD” parameter

If “LFO FILTER” is selected

“TONE EDIT”

“JP8: FILTER MOD” parameter

If “LFO AMP” is selected

“TONE EDIT”

“JP8: AMP MOD-STEP” parameter

FILTER

[SHIFT] button+

[TYPE] knob

“TONE EDIT”

“JP8: FILTER SLOPE” parameter

[CUTOFF] knob

“TONE EDIT”

“JP8: CUTOFF” parameter

[RESONANCE] knob

“TONE EDIT”

“JP8: RESONANCE” parameter

[KEY FOLLOW] knob

“TONE EDIT”

“JP8: FLT KEY FOLLOW” parameter

[R] button

“TONE EDIT”

“JP8: VINTAGE FLT TYPE” parameter

[M] button

“TONE EDIT”

“JP8: VINTAGE FLT TYPE” parameter

[S] button

“TONE EDIT”

“JP8: VINTAGE FLT TYPE” parameter

AMP

[SHIFT] button+ [LEVEL] knob

“TONE EDIT”

“JP8: AMP LEVEL” parameter

Correspondence Between Controllers and Parameters

Area Controller Condition 1 Condition 2 Jump destination

ENV

[SHIFT] button+

[A] knob

If “ENV PITCH” is selected

“TONE EDIT”

“JP8: ENV1 ATTACK” parameter

If “ENV FILTER” is selected

and

the “FLT ENV MODE” parameter is

“ENV1”

“TONE EDIT”

“JP8: ENV1 ATTACK” parameter

the “FLT ENV MODE” parameter is

“ENV2”

“TONE EDIT”

“JP8: ENV2 ATTACK” parameter

If “ENV AMP” is selected

“TONE EDIT”

“JP8: ENV2 ATTACK” parameter

[D] knob

If “ENV PITCH” is selected

“TONE EDIT”

“JP8: ENV1 DECAY” parameter

If “ENV FILTER” is selected

and

the “FLT ENV MODE” parameter is

“ENV1”

“TONE EDIT”

“JP8: ENV1 DECAY” parameter

the “FLT ENV MODE” parameter is

“ENV2”

“TONE EDIT”

“JP8: ENV2 DECAY” parameter

If “ENV AMP” is selected

“TONE EDIT”

“JP8: ENV2 DECAY” parameter

[S] knob

If “ENV PITCH” is selected

“TONE EDIT”

“JP8: ENV1 SUSTAIN” parameter

If “ENV FILTER” is selected

and

the “FLT ENV MODE” parameter is

“ENV1”

“TONE EDIT”

“JP8: ENV1 SUSTAIN” parameter

the “FLT ENV MODE” parameter is

“ENV2”

“TONE EDIT”

“JP8: ENV2 SUSTAIN” parameter

If “ENV AMP” is selected

“TONE EDIT”

“JP8: ENV2 SUSTAIN” parameter

[R] knob

If “ENV PITCH” is selected

“TONE EDIT”

“JP8: ENV1 RELEASE” parameter

If “ENV FILTER” is selected

and

the “FLT ENV MODE” parameter is

“ENV1”

“TONE EDIT”

“JP8: ENV1 RELEASE” parameter

the “FLT ENV MODE” parameter is

“ENV2”

“TONE EDIT”

“JP8: ENV2 RELEASE” parameter

If “ENV AMP” is selected

“TONE EDIT”

“JP8: ENV2 RELEASE” parameter

[DEPTH] knob

If “ENV PITCH” is selected

“TONE EDIT”

“JP8: PIT ENV DEPTH” parameter

If “ENV FILTER” is selected

“TONE EDIT”

“JP8: FLT ENV DEPTH” parameter

FUNC

[SHIFT] button+

[14 (PORTAMENTO)]

button

“TONE EDIT”

“JP8: PORTA TIME” parameter

Correspondence Between Controllers and Parameters

JUNO-106

7 8

13 14 15 19

20 21 22 23 24 1 2 3

4 5

10 11 12 9

18 17

25 26

27 28 29 30 31 32

Controller Parameter

LFO

RATE LFO RATE

FADE TIME LFO DELAY TIME

DEPTH

OSC LFO MOD /

FILTER MOD

Pitch Select OSC1 MOD

FILTER Select FILTER MOD

OSC

Pitch OSC RANGE

LEVEL

Changes depending

on the OSC selection

of 9–12.

Select Parameter

9 PW LEVEL

10 SAW LEVEL

SUB OSC

LEVEL

12 NOISE

MOD PULSE WIDTH

OSC1 SEL OSC1 SEL

OSC2 SEL OSC2 SEL

OSC3 SEL OSC3 SEL

OSC4 SEL OSC4 SEL

FILTER

CUTOFF CUTOFF

RESONANCE RESONANCE

KEY-F FLT KEY FOLLOW

[R] FILTER TYPE

[M] FILTER TYPE

[S] FILTER TYPE

AMP

LEVEL AMP LEVEL

Controller Parameter

ENV

A ENV-ATTACK

D ENV-DECAY

S ENV-SUSTAIN

R ENV-RELEASE

DEPTH FLT ENV DEPTH

FILTER G-AMP

AMP ENV F&A

OTHER

MONO MONO

UNISON UNISON

VELOCITY OFF Not eective

PORTAMENTO PORTAMENTO

SPLIT SPLIT

DUAL DUAL

* For other parameters, refer to “Parameter Guide”

(PDF).

Correspondence Between Controllers and Parameters

Operations When Combined with the [SHIFT] Button

Area Controller Condition Jump destination

OSC

[SHIFT] button+

[TYPE] knob

[PITCH] knob

“TONE EDIT”

“JU: OSC1 RANGE” parameter

[LEVEL] knob

If “OSC 1” is selected

“TONE EDIT”

“JU: PW SWITCH” parameter

If “OSC 2” is selected

“TONE EDIT”

“JU: SAW SWITCH” parameter

If “OSC 3” is selected

“TONE EDIT”

“JU: SUB LEVEL” parameter

If “OSC 4” is selected

“TONE EDIT”

“JU: NOISE LEVEL” parameter

[MOD] knob

“TONE EDIT”

“JU: PLUSE WIDTH MOD” parameter

LFO

[SHIFT] button+

[RATE] knob

“TONE EDIT”

“JU: LFO RATE” parameter

[FADE T] knob

“TONE EDIT”

“JU: LFO DELAY TIME” parameter

[DEPTH] knob

If “LFO PITCH” is selected

“TONE EDIT”

“JU: OSC LFO MOD” parameter

If “LFO FILTER” is selected

“TONE EDIT”

“JU: FILTER MOD” parameter

FILTER

[SHIFT] button+

[CUTOFF] knob

“TONE EDIT”

“JU: CUTOFF” parameter

[RESONANCE] knob

“TONE EDIT”

“JU: RESONANCE” parameter

[KEY FOLLOW] knob

“TONE EDIT”

“JU: FLT KEY FOLLOW” parameter

[R] button

“TONE EDIT”

“JU: VINTAGE FLT TYPE” parameter

[M] button

“TONE EDIT”

“JU: VINTAGE FLT TYPE” parameter

[S] button

“TONE EDIT”

“JU: VINTAGE FLT TYPE” parameter

AMP

[SHIFT] button+ [LEVEL] knob

“TONE EDIT”

“JU: AMP LEVEL” parameter

ENV

[SHIFT] button+

[A] knob

“TONE EDIT”

“JU: ENV ATTACK” parameter

[D] knob

“TONE EDIT”

“JU: ENV DECAY” parameter

[S] knob

“TONE EDIT”

“JU: ENV SUSTAIN” parameter

[R] knob

“TONE EDIT”

“JU: ENV RELEASE” parameter

[DEPTH] knob

“TONE EDIT”

“JU: FLT ENV DEPTH” parameter

FUNC

[SHIFT] button+

[14 (PORTAMENTO)]

button

“TONE EDIT”

“JU: PORTA TIME” parameter

Roland JUPITER-Xm User manual

Related papers

Other documents