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XPS-10

Roland XPS-10 Owner's manual

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1
Eects List
Multi-Eects Parameters (MFX1–3, MFX)
The multi-eects feature 78 dierent kinds of eects. Some of the eects consist of two or more dierent eects connected in series.
FILTER (10 types)
01 Equalizer (EQUALIZER) p. 1
02 Spectrum (SPECTRUM) p. 2
03 Isolator (ISOLATOR) p. 2
04 Low Boost (LOW BOOST) p. 2
05 Super Flt (SUPER FILTER) p. 2
06 Step Flt (STEP FILTER) p. 2
07 Enhancer (ENHANCER) p. 2
08 AutoWah (AUTO WAH) p. 2
09 Humanizer (HUMANIZER) p. 2
10 Sp Sim (SPEAKER SIMULATOR) p. 2
MODULATION (12 types)
11 Phaser (PHASER) p. 3
12 Step Ph (STEP PHASER) p. 3
13 MltPhaser (MULTI STAGE PHASER) p. 3
14 InfPhaser (INFINITE PHASER) p. 3
15 Ring Mod (RING MODULATOR) p. 3
16 Step Ring (STEP RING MODULATOR) p. 3
17 Tremolo (TREMOLO) p. 3
18 Auto Pan (AUTO PAN) p. 3
19 Step Pan (STEP PAN) p. 3
20 Slicer (SLICER) p. 3
21 Rotary (ROTARY) p. 3
22 VK Rotary (VK ROTARY) p. 4
CHORUS (12 types)
23 Chorus (CHORUS) p. 4
24 Flanger (FLANGER) p. 4
25 Step Flg (STEP FLANGER) p. 4
26 Hexa-Cho (HEXA-CHORUS) p. 4
27 Tre Cho (TREMOLO CHORUS) p. 4
28 Space-D (SPACE-D) p. 4
29 3D Chorus (3D CHORUS) p. 4
30 3DFlanger (3D FLANGER) p. 4
31 3DStepFlg (3D STEP FLANGER) p. 4
32 Band Cho (2BAND CHORUS) p. 4
33 Band Flg (2BAND FLANGER) p. 5
34 BndStpFlg (2BAND STEP FLANGER) p. 5
DYNAMICS (8 types)
35 Overdrive (OVERDRIVE) p. 5
36 Dist (DISTORTION) p. 5
37 VS OD (VS OVERDRIVE) p. 5
38 VS Dist (VS DISTORTION) p. 5
39 GtrAmpSim (GUITAR AMP SIMULATOR) p. 5
40 Comp (COMPRESSOR) p. 5
41 Limiter (LIMITER) p. 5
42 Gate (GATE) p. 5
DELAY (13 types)
43 Delay (DELAY) p. 6
44 Long Dly (LONG DELAY) p. 6
45 SerialDly (SERIAL DELAY) p. 6
46 Mod Delay (MODULATION DELAY) p. 6
47 3TapDelay (3TAP PAN DELAY) p. 6
48 4TapDelay (4TAP PAN DELAY) p. 6
49 MltTapDly (MULTI TAP DELAY) p. 6
50 Revse Dly (REVERSE DELAY) p. 6
51 S Delay (SHUFFLE DELAY) p. 6
52 3D Delay (3D DELAY) p. 6
53 AnalogDly (ANALOG DELAY) p. 7
54 AnaLngDly (ANALOG LONG DELAY) p. 7
55 Tape Echo (TAPE ECHO) p. 7
LO-FI (5 types)
56 LoFiNoise (LO-FI NOISE) p. 7
57 LoFiComp (LO-FI COMPRESS) p. 7
58 LoFiRadio (LO-FI RADIO) p. 7
59 Telephone (TELEPHONE) p. 7
60 Phono (PHONOGRAPH) p. 7
PITCH (3 types)
61 Pitch Sft (PITCH SHIFTER) p. 7
62 2Voice PS (2VOICE PITCH SHIFTER) p. 7
63 Step PS (STEP PITCH SHIFTER) p. 7
REVERB (2 types)
64 Reverb (REVERB) p. 8
65 Gated Rev (GATED REVERB) p. 8
COMBINATION (12 types)
66
OD->Cho (OVERDRIVE
"
CHORUS)
p. 8
67
OD->Flg (OVERDRIVE
"
FLANGER)
p. 8
68
OD->Dly (OVERDRIVE
"
DELAY)
p. 8
69
Dist->Cho (DISTORTION
"
CHORUS)
p. 8
70
Dist->Flg (DISTORTION
"
FLANGER)
p. 8
71
Dist->Dly (DISTORTION
"
DELAY)
p. 8
72
Eh->Cho (ENHANCER
"
CHORUS)
p. 8
73
Eh->Flg (ENHANCER
"
FLANGER)
p. 8
74
Eh->Dly (ENHANCER
"
DELAY)
p. 8
75
Cho->Dly (CHORUS
"
DELAY)
p. 9
76
Flg->Dly (FLANGER
"
DELAY)
p. 9
77
Cho->Flg (CHORUS
"
FLANGER)
p. 9
PIANO (1 type)
78 SymReso (SYMPATHETIC RESONANCE) p. 9
About Note
Some eect settings (such as Rate or Delay Time) can be specied in
terms of a note value. The note value for the current setting is
shown following the numerical value.
note:
Double note
Dotted whole note
Dotted half note
Dotted thirty-second note
Whole note
Double-note triplet
Sixteenth-note triplet
Thirty-second note
Sixty-fourth-note triplet Sixty-fourth note
Thirty-second-note triplet
Dotted eighth noteQuarter-note tripletEighth note
Half-note tripletQuarter note
Dotted quarter note
Whole-note triplet
Half note
Sixteenth note
Eighth-note triplet
Dotted sixteenth note
NOTE
If you specify the delay time as a note value, slowing down the
tempo will not change the delay time beyond a certain length.
This is because there is an upper limit for the delay time; if the
delay time is specied as a note value and you slow down the
tempo until this upper limit is reached, the delay time cannot
change any further. This upper limit is the maximum value that
can be specied when setting the delay time as a numerical
value.
Chorus Send and Reverb Send
The depth of chorus and reverb applied to the sound processed by
the multi-eect is determined by the “Eect Edit” settings “MFX
CHO LVL” and “MFX REV LVL.”
For details, refer to “Editing Eect Settings (EFFECTS EDIT)” (Owner’s
Manual: p. 27).
01: Equalizer (EQUALIZER)
This is a three-band stereo equalizer (low, mid, high).
Parameter Value Explanation
Low Gain -15–+15 dB Gain of the low range
Mid Gain -15–+15 dB Gain of the middle range
High Gain -1–+15 dB Gain of the high range
Level 0–127 Output Level
Copyright © 2014 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
01
XPS-10
Eects List
2
02: Spectrum (SPECTRUM)
This is a stereo spectrum. Spectrum is a type of lter which modies
the timbre by boosting or cutting the level at specic frequencies.
Parameter Value Explanation
BND-250Hz
-15–+15 dB Gain of each frequency bandBND-1000Hz
BND-4000Hz
Level 0–127 Output Level
03: Isolator (ISOLATOR)
This is an equalizer which cuts the volume greatly, allowing you to
add a special eect to the sound by cutting the volume in varying
ranges.
Parameter Value Explanation
Bst/Cut Lo
-60–+4 dB
These boost and cut each of the
High, Middle, and Low frequency
ranges.
At -60 dB, the sound becomes
inaudible. 0 dB is equivalent to the
input level of the sound.
Bst/Cut Md
Bst/Cut Hi
Level 0–127 Output Level
04: Low Boost (LOW BOOST)
Boosts the volume of the lower range, creating powerful lows.
Parameter Value Explanation
Boost Gain 0–+12 dB
Amount by which the lower range
will be boosted
Level 0–127 Output level
05: Super Flt (SUPER FILTER)
This is a lter with an extremely sharp slope. The cuto frequency
can be varied.
Parameter Value Explanation
FilterType
LPF, BPF, HPF,
NOTCH
Filter type
Frequency range that will pass
through each lter
LPF: frequencies below the cuto
BPF: frequencies in the region of the
cuto
HPF: frequencies above the cuto
NOTCH: frequencies other than the
region of the cuto
Filter Cuto 0–127
Filter cuto frequency value
Increasing this setting will raise the
frequency.
Level 0–127 Output level
06: Step Flt (STEP FILTER)
This is a lter whose cuto frequency can be modulated in steps.
You can specify the pattern by which the cuto frequency will
change.
Parameter Value Explanation
FilterType
LPF, BPF, HPF,
NOTCH
Filter type
Frequency range that will pass
through each lter
LPF: frequencies below the cuto
BPF: frequencies in the region of the
cuto
HPF: frequencies above the cuto
NOTCH: frequencies other than the
region of the cuto
Parameter Value Explanation
Rate
0.05–10.00 Hz,
note
Rate of modulation
Level 0–127 Output level
07: Enhancer (ENHANCER)
Controls the overtone structure of the high frequencies, adding
sparkle and tightness to the sound.
Parameter Value Explanation
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Level 0–127 Output Level
08: AutoWah (AUTO WAH)
Cyclically controls a lter to create cyclic change in timbre.
Parameter Value Explanation
Polarity UP, DOWN
Sets the direction in which the
frequency will change when the
auto-wah lter is modulated.
UP: The lter will change toward a
higher frequency.
DOWN: The lter will change toward
a lower frequency.
Level 0–127 Output Level
09: Humanizer (HUMANIZER)
Adds a vowel character to the sound, making it similar to a human
voice.
Parameter Value Explanation
Vowel1 a, e, i, o, u Selects the vowel 1.
Vowel2 a, e, i, o, u Selects the vowel 2.
Rate
0.05–10.00 Hz,
note
Frequency at which the two vowels
switch
Level 0–127 Output level
10: Sp Sim (SPEAKER SIMULATOR)
Simulates the speaker type.
Parameter Value Explanation
Type
(See the table
below.)
Type of speaker
Level 0–127 Output Level
Specications of each Speaker Type
The speaker column indicates the diameter of each speaker unit (in
inches) and the number of units.
Type Cabinet Speaker Microphone
SMALL 1 small open-back enclosure 10 dynamic
SMALL 2 small open-back enclosure 10 dynamic
MIDDLE open back enclosure 12 x 1 dynamic
JC-120 open back enclosure 12 x 2 dynamic
BUILT-IN 1 open back enclosure 12 x 2 dynamic
BUILT-IN 2 open back enclosure 12 x 2 condenser
BUILT-IN 3 open back enclosure 12 x 2 condenser
BUILT-IN 4 open back enclosure 12 x 2 condenser
BUILT-IN 5 open back enclosure 12 x 2 condenser
BG STACK 1 sealed enclosure 12 x 2 condenser
BG STACK 2 large sealed enclosure 12 x 2 condenser
MS STACK 1 large sealed enclosure 12 x 4 condenser
MS STACK 2 large sealed enclosure 12 x 4 condenser
METAL STACK large double stack 12 x 4 condenser
2-STACK large double stack 12 x 4 condenser
3-STACK large triple stack 12 x 4 condenser
Eects List
3
11: Phaser (PHASER)
A phase-shifted sound is added to the original sound and
modulated.
Parameter Value Explanation
Mode
4-STAGE, 8-STAGE,
12-STAGE
Number of stages in the phaser
Rate
0.05–10.00 Hz,
note
Frequency of modulation
Mix 0–127 Level of the phase-shifted sound
Level 0–127 Output Level
12: Step Ph (STEP PHASER)
The phaser eect will be varied gradually.
Parameter Value Explanation
Mode
4-STAGE, 8-STAGE,
12-STAGE
Number of stages in the phaser
StepRate
0.10 - 20.00 Hz,
note
Rate of the step-wise change in the
phaser eect
Mix 0–127 Level of the phase-shifted sound
Level 0–127 Output Level
13: MltPhaser (MULTI STAGE PHASER)
Extremely high settings of the phase dierence produce a deep
phaser eect.
Parameter Value Explanation
Mode
4-STAGE, 8-STAGE,
12-STAGE,
16-STAGE,
20-STAGE,
24-STAGE
Number of phaser stages
Rate
0.05–10.00 Hz,
note
Frequency of modulation
Mix 0–127 Level of the phase-shifted sound
Level 0–127 Output Level
14: InfPhaser (INFINITE PHASER)
A phaser that continues raising/lowering the frequency at which
the sound is modulated.
Parameter Value Explanation
Mode 1, 2, 3, 4
Higher values will produce a deeper
phaser eect.
Speed -100–+100
Speed at which to raise or lower the
frequency at which the sound is
modulated (+: upward / -: downward)
Level 0–127 Output level
15: Ring Mod (RING MODULATOR)
This is an eect that applies amplitude modulation (AM) to the
input signal, producing bell-like sounds. You can also change the
modulation frequency in response to changes in the volume of the
sound sent into the eect.
Parameter Value Explanation
Frequency 0–127
Adjusts the frequency at which
modulation is applied.
Level 0–127 Output level
16: Step Ring (STEP RING MODULATOR))
This is a ring modulator that uses a 16-step sequence to vary the
frequency at which modulation is applied.
Parameter Value Explanation
Rate
0.05–10.00 Hz,
note
Rate at which the 16-step sequence
will cycle
Level 0–127 Output level
17: Tremolo (TREMOLO)
Cyclically modulates the volume to add tremolo eect to the sound.
Parameter Value Explanation
Mod Wave
TRI, SQR, SIN,
SAW1, SAW2
Modulation Wave
TRI: triangle wave
SQR: square wave
SIN: sine wave
SAW1/2: sawtooth wave
SAW1 SAW2
Rate
0.05–10.00 Hz,
note
Frequency of the change
Level 0–127 Output Level
18: Auto Pan (AUTO PAN)
Cyclically modulates the stereo location of the sound.
Parameter Value Explanation
Mod Wave
TRI, SQR, SIN,
SAW1, SAW2
Modulation Wave
TRI: triangle wave
SQR: square wave
SIN: sine wave
SAW1/2: sawtooth wave
SAW1 SAW2
L
R
L
R
Rate
0.05–10.00 Hz,
note
Frequency of the change
Level 0–127 Output Level
19: Step Pan (STEP PAN)
This uses a 16-step sequence to vary the panning of the sound.
Parameter Value Explanation
Rate
0.05–10.00 Hz,
note
Rate at which the 16-step sequence
will cycle
Level 0–127 Output level
20: Slicer (SLICER)
By applying successive cuts to the sound, this eect turns a
conventional sound into a sound that appears to be played as a
backing phrase. This is especially eective when applied to
sustain-type sounds.
Parameter Value Explanation
Rate
0.05–10.00 Hz,
note
Rate at which the 16-step sequence
will cycle
Level 0–127 Output level
21: Rotary (ROTARY)
The Rotary eect simulates the sound of the rotary speakers often
used with the electric organs of the past.
Eects List
4
Parameter Value Explanation
Speed SLOW, FAST
Simultaneously switch the rotational
speed of the low frequency rotor and
high frequency rotor.
SLOW: Slows down the rotation
FAST: Speeds up the rotation
Slow Spd 0.05–10.00 Hz Rotational speed for SLOW setting
Fast Spd 0.05–10.00 Hz Rotational speed for FAST setting
Level 0–127 Output level
22:VK Rotary (VK ROTARY)
This type provides modied response for the rotary speaker, with
the low end boosted further.
This is a rotary eect taken from the VK.
Parameter Value Explanation
Speed SLOW, FAST
Simultaneously switch the rotational
speed of the low frequency rotor and
high frequency rotor.
SLOW: Slows down the rotation
FAST: Speeds up the rotation
Slow Spd 0.05–10.00 Hz Rotational speed for SLOW setting
Fast Spd 0.05–10.00 Hz Rotational speed for FAST setting
Level 0–127 Output level
23: Chorus (CHORUS)
This is a stereo chorus.
Parameter Value Explanation
Rate
0.05–10.00 Hz,
note
Frequency of modulation
Depth 0–127 Depth of modulation
Level 0–127 Output level
24: Flanger (FLANGER)
This is a stereo anger. (The LFO has the same phase for left and
right.) It produces a metallic resonance that rises and falls like a jet
airplane taking o or landing. A lter is provided so that you can
adjust the timbre of the anged sound.
Parameter Value Explanation
Rate
0.05–10.00 Hz,
note
Frequency of modulation
Depth 0–127 Depth of modulation
Level 0–127 Output level
25: Step Flg (STEP FLANGER)
This is a anger in which the anger pitch changes in steps. The
speed at which the pitch changes can also be specied in terms of a
note-value of a specied tempo.
Parameter Value Explanation
StepRate
0.10–20.00 Hz,
note
Rate (period) of pitch change
Level 0–127 Output level
26: Hexa-Cho (HEXA-CHORUS)
Uses a six-phase chorus (six layers of chorused sound) to give
richness and spatial spread to the sound.
Parameter Value Explanation
Rate
0.05–10.00 Hz,
note
Frequency of modulation
Depth 0–127 Depth of modulation
Level 0–127 Output level
27: Tre Cho (TREMOLO CHORUS)
This is a chorus eect with added Tremolo (cyclic modulation of
volume).
Parameter Value Explanation
Tre Rate
0.05–10.00 Hz,
note
Modulation frequency of the tremolo
eect
Level 0–127 Output level
28: Space-D (SPACE-D)
This is a multiple chorus that applies two-phase modulation in
stereo.
It gives no impression of modulation, but produces a transparent
chorus eect.
Parameter Value Explanation
Rate
0.05–10.00 Hz,
note
Frequency of modulation
Depth 0–127 Depth of modulation
Level 0–127 Output level
29: 3D Chorus (3D CHORUS)
This applies a 3D eect to the chorus sound. The chorus sound will
be positioned 90 degrees left and 90 degrees right.
Parameter Value Explanation
Rate
0.05–10.00 Hz,
note
Frequency of modulation
Depth 0–127 Depth of modulation
Level 0–127 Output level
30: 3DFlanger (3D FLANGER)
This applies a 3D eect to the anger sound. The anger sound will
be positioned 90 degrees left and 90 degrees right.
Parameter Value Explanation
Rate
0.05–10.00 Hz,
note
Frequency of modulation
Depth 0–127 Depth of modulation
Level 0–127 Output level
31: 3DStepFlg (3D STEP FLANGER)
This applies a 3D eect to the step anger sound. The anger sound
will be positioned 90 degrees left and 90 degrees right.
Parameter Value Explanation
StepRate
0.10–20.00 Hz,
note
Rate (period) of pitch change
Level 0–127 Output level
32: Band Cho (2BAND CHORUS)
A chorus eect that lets you apply an eect independently to the
low-frequency and high-frequency ranges.
Parameter Value Explanation
Lo Rate
0.05–10.00 Hz,
note
Rate at which the low-range chorus
sound is modulated
Hi Rate
0.05–10.00 Hz,
note
Rate at which the high-range chorus
sound is modulated
Depth 0–127 Depth of modulation
Level 0–127 Output level
Eects List
5
33: Band Flg (2BAND FLANGER)
A anger that lets you apply an eect independently to the
low-frequency and high-frequency ranges.
Parameter Value Explanation
Lo Rate
0.05–10.00 Hz,
note
Rate at which the low-range anger
sound is modulated
Hi Rate
0.05–10.00 Hz,
note
Rate at which the high-range anger
sound is modulated
Depth 0–127
Modulation depth for the anger
sound
Level 0–127 Output level
34: BndStpFlg (2BAND STEP FLANGER)
A step anger that lets you apply an eect independently to the
low-frequency and high-frequency ranges.
Parameter Value Explanation
LStpRate
0.10–20.00 Hz,
note
Rate at which the steps will cycle for
the low-range anger sound
HStpRate
0.10–20.00 Hz,
note
Rate at which the steps will cycle for
the high-range anger sound
Level 0–127 Output level
35: Overdrive (OVERDRIVE)
Creates a soft distortion similar to that produced by vacuum tube
ampliers.
Parameter Value Explanation
AmpType
SMALL, BUILT-IN,
2-STACK, 3-STACK
Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack amp
3-STACK: large triple stack amp
Drive 0–127
Degree of distortion
Also changes the volume.
Level 0–127 Output level
36: Dist (DISTORTION)
Produces a more intense distortion than Overdrive.
Parameter Value Explanation
AmpType
SMALL, BUILT-IN,
2-STACK, 3-STACK
Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack amp
3-STACK: large triple stack amp
Drive 0–127
Degree of distortion
Also changes the volume.
Level 0–127 Output level
37: VS OD (VS OVERDRIVE)
This is an overdrive that provides heavy distortion.
Parameter Value Explanation
AmpType
SMALL, BUILT-IN,
2-STACK, 3-STACK
Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack amp
3-STACK: large triple stack amp
Drive 0–127
Degree of distortion
Also changes the volume.
Level 0–127 Output level
38: VS Dist (VS DISTORTION)
This is a distortion eect that provides heavy distortion.
Parameter Value Explanation
AmpType
SMALL, BUILT-IN,
2-STACK, 3-STACK
Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack amp
3-STACK: large triple stack amp
Drive 0–127
Degree of distortion
Also changes the volume.
Level 0–127 Output level
39: GtrAmpSim (GUITAR AMP SIMULATOR)
This is an eect that simulates the sound of a guitar amplier.
Parameter Value Explanation
Type
JC-120,
CLEAN TWIN,
MATCH DRIVE,
BG LEAD,
MS1959I,
MS1959II,
MS1959I+II,
SLDN LEAD,
METAL 5150,
METAL LEAD,
OD-1,
OD-2 TURBO,
DISTORTION,
FUZZ
Type of guitar amp
Amp Gain
LOW, MIDDLE,
HIGH
Amount of pre-amp distortion
Level
LOW, MIDDLE,
HIGH
Output level
40: Comp (COMPRESSOR)
Flattens out high levels and boosts low levels, smoothing out
uctuations in volume.
Parameter Value Explanation
Threshold 0–127
Adjusts the volume at which
compression begins
Level 0–127 Output level
41: Limiter (LIMITER)
Compresses signals that exceed a specied volume level,
preventing distortion from occurring.
Parameter Value Explanation
Threshold 0–127
Adjusts the volume at which
compression begins
Level 0–127 Output level
42: Gate (GATE)
Cuts the reverb’s decay according to the volume of the sound sent
into the eect. Use this when you want to create an articial-
sounding decrease in the reverb’s decay.
Parameter Value Explanation
Threshold 0–127
Volume level at which the gate
begins to close
Level 0–127 Output level
Eects List
6
43: Delay (DELAY)
This is a stereo delay.
Parameter Value Explanation
DelayTime 0–1300 ms, note
Adjusts the time until the delay
sound is heard.
Feedback -98–+98 %
Adjusts the amount of the delay
sound that’s fed back into the eect.
Negative (-) settings invert the phase.
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
44: Long Dly (LONG DELAY)
A delay that provides a long delay time.
This is a monaural delay.
Parameter Value Explanation
DelayTime 0–2600 ms, note
Delay time from when the original
sound is heard to when the delay
sound is heard
Feedback -98–+98 %
Adjusts the amount of the delay
sound that’s fed back into the eect.
Negative (-) settings invert the phase.
Balance
D100:0W–
D0:100W
Volume balance of the original sound
(D) and delay sound (W)
45: SerialDly (SERIAL DELAY)
This delay connects two delay units in series.
Parameter Value Explanation
Dly1Time 0–1300 ms, note
Delay time from when sound is input
to delay 1 until the delay sound is
heard
Dly2Time 0–1300 ms, note
Delay time from when sound is input
to delay 2 until the delay sound is
heard
Feedback -98–+98 %
Adjusts the amount of the delay
sound that’s fed back into the eect.
Negative (-) settings invert the phase.
Balance
D100:0W–
D0:100W
Volume balance of the original sound
(D) and delay sound (W)
46: Mod Delay (MODULATION DELAY)
Adds modulation to the delayed sound.
Parameter Value Explanation
DelayTime 0–1300 ms, note
Adjusts the time until the delay
sound is heard.
Feedback -98–+98 %
Adjusts the amount of the delay
sound that’s fed back into the eect.
Negative (-) settings invert the phase.
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
47: 3TapDelay (3TAP PAN DELAY)
Produces three delay sounds; center, left and right.
Parameter Value Explanation
DelayTime 0–860 ms, note
Delay time from the original sound
until the delay sound is heard.
Feedback -98–+98 %
Adjusts the amount of the delay
sound that’s fed back into the eect.
Negative (-) settings invert the phase.
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
48: 4TapDelay (4TAP PAN DELAY)
This eect has four delays.
Parameter Value Explanation
DelayTime 0–650 ms, note
Adjusts the time from the original
sound until delay sounds are heard
Delay1Fback -98–+98 %
Adjusts the amount of the delay
sound that’s fed back into the eect.
Negative (-) settings invert the phase.
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
49: MltTapDly (MULTI TAP DELAY)
This is a variation of delay in which four delayed sounds are heard.
Parameter Value Explanation
DelayTime 0–650 ms, note
Adjusts the time from the original
sound until delay sounds are heard
Delay1Fback -98–+98 %
Adjusts the amount of the delay
sound that’s fed back into the eect.
Negative (-) settings invert the phase.
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the eect sound (W)
50: Revse Dly (REVERSE DELAY)
This is a reverse delay that adds a reversed and delayed sound to
the input sound.
Parameter Value Explanation
Rev Delay 0–1300 ms, note
Delay time from when sound is input
into the reverse delay until the delay
sound is heard
RevDlyFback -98–+98 %
Adjusts the amount of the delay
sound that’s fed back into the eect.
Negative (-) settings invert the phase.
Balance
D100:0W–
D0:100W
Volume balance of the original sound
(D) and delay sound (W)
51: S Delay (SHUFFLE DELAY)
Adds a shue to the delay sound, giving the sound a bouncy delay
eect with a swing feel.
Parameter Value Explanation
DelayTime 0–2600 ms, note
Adjusts the time until the delay
sound is heard.
Shue Rate 0–100
Adjusts the ratio (as a percentage) of
the time that elapses before Delay B
sounds relative to the time that
elapses before the Delay A sounds.
When set to 100, the delay times are
the same.
Feedback -98–+98 %
Adjusts the amount of the delay
that’s feedback into the eect.
Negative (-) settings invert the phase.
52: 3D Delay (3D DELAY)
This applies a 3D eect to the delay sound. The delay sound will be
positioned 90 degrees left and 90 degrees right.
Parameter Value Explanation
DelayTime 0–860 ms, note
Adjusts the delay time from the
direct sound until the delay sound is
heard.
CenterFback -98–+98 %
Adjusts the proportion of the delay
sound that is fed back into the eect.
Negative (-) settings will invert the
phase.
Eects List
7
Parameter Value Explanation
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the eect sound (W)
53: AnalogDly (ANALOG DELAY)
A stereo delay in which the delay time can be varied smoothly.
Parameter Value Explanation
DelayTime 0–1300 ms, note
Adjusts the time until the delay is
heard.
Feedback -98–+98 %
Adjusts the amount of the delay
that’s fed back into the eect.
Negative (-) settings invert the phase.
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
54: AnaLngDly (ANALOG LONG DELAY)
A delay in which the delay time can be varied smoothly, and
allowing an extended delay to be produced.
This is a monaural delay.
Parameter Value Explanation
DelayTime 0–2600 ms, note
Adjusts the time until the delay is
heard.
Feedback -98–+98 %
Adjusts the amount of the delay
that’s fed back into the eect.
Negative (-) settings invert the phase.
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
55: Tape Echo (TAPE ECHO)
A virtual tape echo that produces a realistic tape delay sound. This
simulates the tape echo section of a Roland RE-201 Space Echo.
Parameter Value Explanation
Repeat Rate 0–127
Tape speed
Increasing this value will shorten the
spacing of the delayed sounds.
Intensity 0–127 Amount of delay repeats
Echo Level 0–127 Volume of the echo sound
56: LoFiNoise (LO-FI NOISE)
In addition to a lo- eect, this adds various types of noise such as
white noise and disc noise.
Parameter Value Explanation
Noise Level 0–127 Volume of the white noise
DscNoisLevel 0–127 Volume of the record noise
Level 0–127 Output level
57: LoFiComp (LO-FI COMPRESS)
This is an eect that intentionally degrades the sound quality for
creative purposes.
Parameter Value Explanation
Level 0–127 Output level
58: LoFiRadio (LO-FI RADIO)
In addition to a Lo-Fi eect, this eect also generates radio noise.
Parameter Value Explanation
Radio Detune 0–127
Simulates the tuning noise of a radio.
As this value is raised, the tuning
drifts further.
Radio Noise 0–127 Volume of the radio noise
Level 0–127 Output level
59: Telephone (TELEPHONE)
This eect produces a mued sound, like that heard through a
telephone.
Parameter Value Explanation
Level 0–127 Output level
60: Phono (PHONOGRAPH)
Simulates a sound recorded on an analog record and played back
on a record player. This eect also simulates the various types of
noise that are typical of a record, and even the rotational
irregularities of an old turntable.
Parameter Value Explanation
TotalNoise 0–127 Volume of overall noise
TotalWow/Flt 0–127
Depth of overall rotational
irregularity
Level 0–127 Output level
61: Pitch Sft (PITCH SHIFTER)
A stereo pitch shifter.
Parameter Value Explanation
Coarse -24–+12 semi
Adjusts the pitch of the pitch shifted
sound in semitone steps.
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the pitch shifted
sound (W)
62: 2Voice PS (2VOICE PITCH SHIFTER)
Shifts the pitch of the original sound. This 2-voice pitch shifter has
two pitch shifters, and can add two pitch shifted sounds to the
original sound.
Parameter Value Explanation
P1Coarse -24–+12 semi
Adjusts the pitch of Pitch Shift 1 in
semitone steps.
P2Coarse -24–+12 semi
Settings of the Pitch Shift 2 sound.
The items are the same as for the
Pitch Shift 1 sound.
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the pitch shifted
sound (W)
63: Step PS (STEP PITCH SHIFTER)
A pitch shifter in which the amount of pitch shift is varied by a
16-step sequence.
Parameter Value Explanation
Rate 0.05–10.0 Hz, note
Rate at which the 16-step sequence
will cycle
Balance
D100:0W–
D0:100W
Volume balance of the original sound
(D) and pitch-shifted sound (W)
Eects List
8
64: Reverb (REVERB)
Adds reverberation to the sound, simulating an acoustic space.
Parameter Value Explanation
Type
ROOM1, ROOM2,
STAGE1, STAGE2,
HALL1, HALL2
Type of reverb
ROOM1: dense reverb with short
decay
ROOM2: sparse reverb with short
decay
STAGE1: reverb with greater late
reverberation
STAGE2: reverb with strong early
reections
HALL1: reverb with clear
reverberance
HALL2: reverb with rich reverberance
Time 0–127 Time length of reverberation
65: Gated Rev (GATED REVERB)
This is a special type of reverb in which the reverberant sound is cut
o before its natural length.
Parameter Value Explanation
Type
NORMAL,
REVERSE, SWEEP1,
SWEEP2
Type of reverb
NORMAL: conventional gated reverb
REVERSE: backwards reverb
SWEEP1: the reverberant sound
moves from right to left
SWEEP2: the reverberant sound
moves from left to right
Gate Time 5–500 ms
Adjusts the time from when the
reverb is heard until it disappears.
66: OD->Cho (OVERDRIVE
"
CHORUS)
Parameter Value Explanation
Od Drive 0–127
Degree of distortion
Also changes the volume.
Cho Rate
0.05–10.00 Hz,
note
Frequency of modulation
Chorus Depth 0–127 Depth of modulation
Level 0–127 Output level
67: OD->Flg (OVERDRIVE
"
FLANGER)
Parameter Value Explanation
Od Drive 0–127
Degree of distortion
Also changes the volume.
Fln Rate
0.05–10.00 Hz,
note
Frequency of modulation
Fln Depth 0–127 Depth of modulation
Level 0–127 Output level
68: OD->Dly (OVERDRIVE
"
DELAY)
Parameter Value Explanation
Od Drive 0–127
Degree of distortion
Also changes the volume.
DelayTime 0–2600 ms, note
Adjusts the delay time from the
direct sound until the delay sound is
heard.
Delay Fback -98–+98 %
Adjusts the proportion of the delay
sound that is fed back into the eect.
Negative (-) settings will invert the
phase.
Level 0–127 Output level
69: Dist->Cho (DISTORTION
"
CHORUS)
Parameter Value Explanation
Dst Drive 0–127
Degree of distortion
Also changes the volume.
Cho Rate
0.05–10.00 Hz,
note
Frequency of modulation
Chorus Depth 0–127 Depth of modulation
Level 0–127 Output level
70: Dist->Flg (DISTORTION
"
FLANGER)
Parameter Value Explanation
Dst Drive 0–127
Degree of distortion
Also changes the volume.
Fln Rate
0.05–10.00 Hz,
note
Frequency of modulation
Fln Depth 0–127 Depth of modulation
Level 0–127 Output level
71: Dist->Dly (DISTORTION
"
DELAY)
Parameter Value Explanation
Dst Drive 0–127
Degree of distortion
Also changes the volume.
DelayTime 0–2600 ms, note
Adjusts the delay time from the
direct sound until the delay sound is
heard.
Delay Fback -98–+98 %
Adjusts the proportion of the delay
sound that is fed back into the eect.
Negative (-) settings will invert the
phase.
Level 0–127 Output level
72: Eh->Cho (ENHANCER
"
CHORUS)
Parameter Value Explanation
Enhancer Mix 0–127
Level of the overtones generated by
the enhancer
Cho Rate
0.05–10.00 Hz,
note
Frequency of modulation
Chorus Depth 0–127 Depth of modulation
Level 0–127 Output level
73: Eh->Flg (ENHANCER
"
FLANGER)
Parameter Value Explanation
Enhancer Mix 0–127
Level of the overtones generated by
the enhancer
Fln Rate
0.05–10.00 Hz,
note
Frequency of modulation
Fln Depth 0–127 Depth of modulation
Level 0–127 Output level
74: Eh->Dly (ENHANCER
"
DELAY)
Parameter Value Explanation
Enhancer Mix 0–127
Level of the overtones generated by
the enhancer
DelayTime 0–2600 ms, note
Adjusts the delay time from the
direct sound until the delay sound is
heard.
Delay Fback -98–+98 %
Adjusts the proportion of the delay
sound that is fed back into the eect.
Negative (-) settings will invert the
phase.
Eects List
9
Parameter Value Explanation
Level 0–127 Output level
75: Cho->Dly (CHORUS
"
DELAY)
Parameter Value Explanation
Cho Rate
0.05–10.00 Hz,
note
Frequency of modulation
DelayTime 0–2600 ms, note
Adjusts the delay time from the
direct sound until the delay sound is
heard.
Delay Fback -98–+98 %
Adjusts the proportion of the delay
sound that is fed back into the eect.
Negative (-) settings will invert the
phase.
Level 0–127 Output level
76: Flg->Dly (FLANGER
"
DELAY)
Parameter Value Explanation
Fln Rate
0.05–10.00 Hz,
note
Frequency of modulation
DelayTime 0–2600 ms, note
Adjusts the delay time from the
direct sound until the delay sound is
heard.
Delay Fback -98–+98 %
Adjusts the proportion of the delay
sound that is fed back into the eect.
Negative (-) settings will invert the
phase.
Level 0–127 Output level
77: Cho->Flg (CHORUS
"
FLANGER)
Parameter Value Explanation
Cho Rate
0.05–10.00 Hz,
note
Modulation frequency of the chorus
eect
Fln Rate
0.05–10.00 Hz,
note
Modulation frequency of the anger
eect
Level 0–127 Output level
78: SymReso (SYMPATHETIC RESONANCE)
On an acoustic piano, holding down the damper pedal allows other
strings to resonate in sympathy with the notes you play, creating
rich and spacious resonances. This eect simulates these
sympathetic resonances.
Parameter Value Explanation
Lid 1–6
This simulates the actual changes in
sound that occur when the lid of a
grand piano is set at dierent
heights.
Chorus Parameters
The XPS-10’s Chorus eect unit can also be used as a stereo delay
unit.
These settings allow you to select chorus or delay, and the
characteristics of the selected eect type.
Parameter Value Explanation
Chorus Type
00: OFF
01: CHORUS
02: DELAY
03: GM2 CHORUS
Selects either Chorus or Delay.
00: OFF
Neither Chorus or Delay is used.
01: CHORUS
Chorus is used.
02: DELAY
Delay is used.
03: GM2 CHORUS
GM2 Chorus is used.
Chorus Level
(Delay Level)
0–127 Volume of the chorus sound
01: CHORUS
Rate
0.05–10.00 Hz,
note
Frequency of modulation
Depth 0–127 Depth of modulation
02: DELAY
Delay Time 0–1000 ms, note
Adjusts the delay time from the
direct sound until the delay sound is
heard.
Feedback -98–+98 %
Adjusts the proportion of the delay
sound that is fed back into the eect.
Negative (-) settings will invert the
phase.
03: GM2 CHORUS
Rate 0–127 Frequency of modulation
Depth 0–127 Depth of modulation
NOTE
If you specify the delay time as a note value, slowing down the
tempo will not change the delay time beyond a certain length.
This is because there is an upper limit for the delay time; if the
delay time is specied as a note value and you slow down the
tempo until this upper limit is reached, the delay time cannot
change any further. This upper limit is the maximum value that
can be specied when setting the delay time as a numerical
value.
note:
Double note
Dotted whole note
Dotted half note
Dotted thirty-second note
Whole note
Double-note triplet
Sixteenth-note triplet
Thirty-second note
Sixty-fourth-note triplet Sixty-fourth note
Thirty-second-note triplet
Dotted eighth noteQuarter-note tripletEighth note
Half-note tripletQuarter note
Dotted quarter note
Whole-note triplet
Half note
Sixteenth note
Eighth-note triplet
Dotted sixteenth note
Eects List
10
Reverb Parameters
These settings allow you to select the desired type of reverb, and its
characteristics.
Parameter Value Explanation
Reverb Type
00: OFF
01: REVERB
02: SRV ROOM
03: SRV HALL
04: SRV PLATE
05: GM2 REVERB
Type of reverb
00: OFF
Reverb is not used.
01: REVERB
Normal reverb
02: SRV ROOM
This simulates typical room
acoustic reections.
03: SRV HALL
This simulates typical concert hall
acoustic reections.
04: SRV PLATE
This simulates a reverb plate, a
popular type of articial reverb
unit that derives its sound from
the vibration of a metallic plate.
05: GM2 REVERB
GM2 Reverb
Reverb Level 0–127 Volume of the reverb sound
01: REVERB
Type
ROOM1
ROOM2
STAGE1
STAGE2
HALL1
HALL2
DELAY
PAN-DELAY
Type of reverb/delay
ROOM1:
short reverb with high density
ROOM2:
short reverb with low density
STAGE1:
reverb with greater late
reverberation
STAGE2:
reverb with strong early
reections
HALL1:
very clear-sounding reverb
HALL2:
rich reverb
DELAY:
conventional delay eect
PAN-DELAY:
delay eect with echoes that
pan left and right
Time 0–127
Time length of reverberation
(Type: ROOM1–HALL2)
Delay time
(Type: DELAY, PAN-DELAY)
02: SRV ROOM
03: SRV HALL
04: SRV PLATE
Size 1–8 Size of the simulated room or hall
Time 0–127 Time length of reverberation
05: GM2 REVERB
Character 0–7
Type of reverb
0–5: reverb
6, 7: delay
Time 0–127 Time length of reverberation
/