Availability to print saturated red on HP Designjet Z3100 Photo Printer
APPENDIX: Important notes about soft proofing and ICC profiles
Using Adobe® Photoshop’s Info palette you can read out both the original image’s
“Actual Colors” and the “Proof Colors” in soft proofing (preview) mode. If you convert the
original image to the printer’s profile using the “Image > Mode > Convert to Profile”
menu you can read out the converted image device values as “Actual Color” and the
corresponding colorimetry as “Lab
Color”.
The values shown in the Info palette
as “Lab Color” depend on the
“Conversion Options” chosen in the
“Color Settings” menu. If you select
Engine: ACE, Intent: Absolute
Colorimetric, Use Black Point
Compensation disabled, and Use
Dither disabled, the Lab values shown
behave like a virtual colorimeter.
Paper white will be displayed with an
L* value smaller than 100, and
printer black with an L* value greater
than 0. If Relative Colorimetric and
Black Point Compensation were
selected, the paper and black values
would be 100 and 0 respectively,
which obviously does not correspond
to any real print.
Screenshot from Adobe® PhotoShop CS2 MAC OS X version.
Not only Info palette “Lab Color” values, but also soft proofing in general and especially
out of gamut warning are affected by the Color Settings menu configuration. Some
factory printer profiles, specifically Epson, have Relative Colorimetric intent tags that have
Black Point Compensation built in (which does not conform to the ICC specification),
which will make their gamut appear larger than it really is, and will result in fewer colors
being apparently out of gamut then there really are. If the Color Settings menu is
configured to use Absolute Colorimetric without Black Point Compensation and device
black (e.g. RGB 0,0,0) values read out as Lab 0,0,0 in the Info palette, then you know
there is something wrong with the profile. You should not trust soft proofing and
especially out of gamut warning in this case.
March 2007 Page 7 of 9