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Supplementary Owner’s Manual for Version 1.04
ENGLISH ENGLISH
ENGLISH ENGLISH
This document discusses the functions that have been added in versions 1.03 and 1.04.
Please read this along with the FR-7x owner’s manual.
Contents
1. Two orchestral sounds in the treble section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Playing two orchestra sounds in the Treble section (Layer Timbre). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Editing the second orchestral sound (Layer Param). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
MIDI parameters of the second orchestral sound (Layer Timbre) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
2. Guitar mode for the Orchestral Chord section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
3. Other added functionality. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Expression Pedal. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Additional option for ‘Bass&Chd Mode’. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Enhanced velocity sensitivity. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
General noise parameter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
New MIDI functions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
4. Appendix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
‘3 Bs Rows Belgium’ button layout. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Updated parameter list . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
New entry in the ‘Troubleshooting’ chapter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Copyright © 2011 ROLAND EUROPE. All rights reserved. No part of this publication may be reproduced in any form without the written permission of Roland Europe S.p.a.
Roland is either a registered trademark or a trademark of Roland Corporation in the United States and/or other countries.
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Two orchestral sounds in the treble section
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Starting with system version 1.03, the FR-7x allows you to play two orchestral sounds simultaneously (as a layer). Each
note you play will then be sounded by two sounds (strings and violin, for example), which may come in handy for expres-
sive purposes.
Playing two orchestra sounds in
the Treble section (Layer Timbre)
Select the first orchestral sound:
1.
Switch on the FR-7x.
2.
Press the [ORCHESTRA] register.
3.
Press one of the registers [1]~[13] to select
the desired orchestral sound.
See “Orchestral sounds for the treble section” on
p. 29 in the Owner’s Manual for details.
Select the second orchestral sound (“Orch. Layer” sec-
tion):
4.
Press the [MENU/WRITE] button.
5.
Rotate the [DATA/ENTER] knob clockwise or
press the [DOWN] button to select the
“MENU 6 – Orchestra Edit” function group.
See “Selecting parameters” on p. 62 for how to select
parameters.
6.
Press the [DATA/ENTER] knob to enter that
group.
7.
Rotate the [DATA/ENTER] knob or the [UP]/
[DOWN] buttons to select the “6.12 Layer
Timbre” parameter.
8.
Press the [DATA/ENTER] knob to activate the
“PATCH” parameter.
9.
Rotate the [DATA/ENTER] knob to select the
second orchestral sound you want to play.
In this example, we selected the “Strings” sound.
Play few notes on the treble keyboard. You will hear
the selected orchestral sound together with the main
orchestral sound. Select “Off” if you no longer need a
second orchestral sound.
10.
Press the [DATA/ENTER] knob to confirm
your selection.
11.
Press the [EXIT/JUMP] button twice to
return in the main page.
NOTE
The following sounds cannot be layered with another
orchestral sound: any TW Organ sound, “HighLand”, “Zam-
pogna”.
Editing the second orchestral
sound (Layer Param)
Like for the first orchestral sound, the FR-7x provides
several parameters that allow you to edit the second
orchestral sound.
The available parameters are: Volume, Octave, Panpot,
Reverb Send, Chorus Send, Delay Send and Aftertouch
Pitch, Expr. Pedal.
They can be set on the new “6.13 Layer Param” page of
the “ORCH. EDIT” group. See “Selecting parameters” on
p. 62 for how to select the “6.13 Layer Param” page.
This page looks as follows:
The “PARAM” filed allows you to select the parameter
you wish to edit, and the “VALUE” field is used to set the
desired value for the selected parameter.
The table below lists the parameters you can select and
their setting ranges.
1. Two orchestral sounds in the treble section
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Editing the second orchestral sound (Layer Param)
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PARAM VALUE Description
Volume Off, -40~”STD”~+40
Default setting: “STD”
This parameter allows you to set the volume of the selected “Layer Timbre”
sound. This is a relative parameter, which means that its value is added to or
subtracted from the standard value (“STD”).
Octave -3~0~+3
Default setting: Depending
on the sound
This parameter allows you to transpose the selected “Layer Timbre” sound in
octave steps.
Panpot 63~1 Treb., 0, 1~63 Bass
Default setting: 30 Treb.
This parameter allows you to change the selected “Layer Timbre” sound’s
placement in the stereo sound field (i.e. between the left and right speakers)
to create a livelier sound image.
Rev. Send
0~127
Use these parameters to set the reverb, chorus or delay send level (how much
effect should be applied to the selected “Layer Timbre” sound). The higher the
value you set, the more the sound will be processed by the effect in question.
Cho. Send
Dly. Send
Aftert Pitch Off, 1/4 Down, 1/2 Down,
1/4 Up, 1/2 Up
Default setting: Off
The treble keyboard of the piano-type model generates aftertouch messages
(on the button-type model, aftertouch can be generated with the Master
bar). “Aftertouch” refers to the fact that you press a key even further down
after playing a note.
This effect allows you to bend the pitch down (temporarily lower the note) by
a quarter (“1/4 Down”) or a semi-tone (“1/2 Down”). Select “1/4 Up” or “1/2
Up” to bend the notes up a quarter or a semi-tone. Select “Off” to switch off
the selected “Layer Timbre” sound’s aftertouch recognition.
Expr. Pedal Off, On
Default setting: Off
Set this parameter to “On” if you wish to control the selected “Layer Timbre”
sound’s volume with an optional EV-series expression pedal connected to the
FBC-7.
Set this parameter to “Off” if you wish to control the selected “Layer Timbre”
sound’s volume with your movements of the bellows or via your playing
dynamics. See “Orchestral sounds and bellows/velocity control” on p. 128 in
the owner’s manual.
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Editing the second orchestral sound (Layer Param)
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MIDI parameters of the second orchestral sound (Layer Timbre)
6.14 Layer MIDI Tx
A “6.14 Layer MIDI Tx” page has been added to the “6
ORCH. EDIT” menu. It contains a series of MIDI parame-
ters for the layer section you need to set one by one.
See “Parameters” on p. 114 in the owner’s manual for a
description of the available MIDI parameters.
These settings are saved along with all other Set
parameters, which allows you to use different MIDI set-
tings for each Set.
12.1 RealTime RX-TX
The “PART” parameter on the “12.1 RealTime RX-TX”
page now also allows you to select “Orch.Layer”, i.e. the
“Layer Timbre” part. Use “CHANNEL” to assign it the
desired MIDI channel.
See “MIDI channel numbers” on p. 109 in the owner’s
manual for details about this parameter.
12.4 Expression MIDI TX
The “PART” parameter on the “12.4 Expression MIDI TX”
page now also allows you to select “Orch.Layer”, i.e. the
“Layer Timbre” part. Use “VALUE” to assign it the desired
setting.
See “Specifying which parts transmit expression
messages” on p. 110 in the owner’s manual for details
about this parameter.
PART CHANNEL
Treble
1~16, Off
Bass/Free
Chord
OrcBass
Orchestra
Orc Chord
Orc Free Bs
Basic Ch.
Orch Layer
(new option)
Control Ch.
PART VALUE
All
On, Off
Treble
Orch.
Bass&Chd
Orch.Bs
Orch.Chd
Orch.Fbs
Orch.Layer
(new option)
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Guitar mode for the Orchestral Chord section
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The FR-7x’s Guitar mode allows you to play realistic guitar parts. When you activate this mode, all chord buttons trigger
6-note chords (like on a guitar) rather than the 3-note chords typical of an accordion.
This setting has been added to the “7.2 Lowest note”
parameter (see page 79 in the owner’s manual). Rather
than simply specify the lowest notes the chords can
play, you can also choose one of thee guitar chord voic-
ings (tablatures).
To select the “7.2 Lowest note” parameter,
see “Selecting parameters” on p. 62 in the
owner’s manual.
The display now looks more or less as follows:
Choose a “Gtr Table” option to take advantage of the
FR-7x’s Guitar mode, or a note to specify the lower
limit. See the table below:
Default setting: F
NOTE
Guitar mode can also be interesting for other sounds than
guitar. Feel free to experiment.
2. Guitar mode for the Orchestral Chord section
G maj G maj
Chords usually played by
the chord buttons.
Chords played by the chord buttons when Gui-
tar mode is on.
VALUE Description
C, C#, D, Eb, E, F,
F#, G, Ab, A, Bb,
B
The note you select will be the lowest
note the chords you play. See also the
explanation for “7.2 Lowest note” on
p. 79.
Gtr Table1,
Gtr Table2,
Gtr Table3
Select one of these options to take
advantage of the FR-7x’s Guitar mode.
The numbers (1~3) represent different
chord voicings (tablatures).
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Other added functionality
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The following functions have also been added to the FR-7x’s original parameter set:
Expression Pedal
5.12 ORCH.BS EDIT Expression Pedal
6.11 ORCH. EDIT Expression Pedal
7.11 ORCH.CHD EDIT Expression Pedal
8.9 ORCH.FBS EDIT Expression Pedal
The “Expression Pedal” parameter of the various orches-
tral sections allows you to specify for each orchestral
sound whether its volume should be controlled using
an optional EV-series expression pedal connected to the
FBC-7 or not.
This allows for flexible control of the orchestral sounds
you are using. One example would be to activate
Expression Pedal control of the bass section’s TW organ
sounds, while the strings sound’s volume is controlled
via the bellows.
To select the desired “Expression Pedal”
parameter, see “Selecting parameters” on
p. 62 in the owner’s manual.
The display now looks more or less as follows
(depending on which page you selected):
The following table shows the available settings for
the “Expression Pedal” parameter.
Additional option for ‘Bass&Chd
Mode’
10.8 Bass&Chd Mode
A new “Belgium” setting (“Bs Rows Belgium”) is now
available for playing bass and chord notes. It simulates
the typical button layout used in Belgium where the
the bass and chord buttons are vertically aligned.
Selecting this mode obviously does not rearrange the
physical buttons. It will, however, make it easier for
players accustomed to a Belgian bass button layout, to
play the FR-7x. See the illustration on p. 10 for the note
assignments to the bass and chord buttons.
To select the “10.8 Bass&Chd Mode” param-
eter, see “Selecting parameters” on p. 62 in
the owner’s manual.
The display now looks more or less as follows:
The following table shows the available settings for
the “Bass&Chd Mode” parameter.
3. Other added functionality
VALUE Description
On
The volume of the selected sound can
be changed with an optional EV-series
pedal connected to the FBC-7 (which
needs to be connected to the FR-7x).
Off
The volume of the selected sound can
be changed via bellows movements or
your playing dynamics (see “Orches-
tral sounds and bellows/velocity con-
trol” on p. 128).
TYPE Description
2 Bs Rows, 3 Bs Rows
A-7th, 3 Bs Rows A-5
dim, 3 Bs Rows B-7th,
3 Bs Rows B-5 dim, 3
Bs Rows Bx-7th
See the explanation on page 89
in the owner’s manual.
VALUE Description
Standard layout
Belgian layout
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Enhanced velocity sensitivity
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Default setting: 2 Bs Rows
Enhanced velocity sensitivity
10.16 Orch.Bass Touch
10.17 Orch.Chord Touch
The velocity sensitivity can now be set separately for
the orchestral bass and the orchestral chord sections.
They thus no longer need to use the same setting.
To select the “10.16 Orch.Bass Touch” or the
“10.17 Orch.Chord Touch” parameter, see
“Selecting parameters” on p. 62 in the
owner’s manual.
The display now looks more or less as follows
(depending on which page you selected):
“10.16 Orch.Bass Touch” allows you to specify the
velocity sensitivity of the bass buttons when they are
used to play one of the orchestral sounds.
“10.17 Orch.Chord Touch” has the same function for
the chord buttons.
Neither has any effect on the “TW Lower” or “TW
Pedal” organ sounds.
See “10.15 Orchestra Touch” on p. 92 in the owner’s
manual for the available settings and their meaning.
10.18 Drum Touch
This newly added parameter allows you to specify the
velocity sensitivity of the drums sounds you can assign
to the bass and/or chord buttons. See “3.7 Bass Drum”
on p. 72, “3.8 Chord Drum” on p. 73 and “5.7 Bass
Drum” on p. 77 in the owner’s manual.
To select the “10.18 Drum Touch” parame-
ter, see “Selecting parameters” on p. 62 in
the owner’s manual.
The following table shows the available settings for
the “Drum Touch” parameter:
General noise parameter
10.21 Kbd&Button Noises
This is a global filter for all typical noises of acoustic
accordions the FR-7x can simulate (i.e. a general on/off
switch for all noises and all registers).
To select the “10.21 Kbd&Button Noises”
parameter, see “Selecting parameters” on
p. 62 in the owner’s manual.
The display now looks more or less as follows:
The following table shows the available settings for
the “Kbd&Button Noises” parameter:
The parameters affected by this setting are (refer-
ences are to the owner’s manual):
“2.5 Valve Noise” on p. 67
“3.4 Button Noise” on p. 72
“4.4 Button Noise” on p. 75
3 Bs Rows Belgium
(new option)
Simulates a “straight” Belgian
bass & chord keyboard. See the
illustration on page 10 for the
note assignments.
TYPE Description
VALUE Description
Normal, Fixed Low,
Fixed Med, Fixed High
Default setting:
Normal
“
Normal
” means that the drum
sounds’ level and timbre are con-
trolled by how hard/fast you
press the bass or chord buttons.
“
Fixed Low
”, “
Fixed Med
” and
“
Fixed High
” mean that the
drum sounds always use the
same value, no matter how hard
or lightly you press the bass and
chord buttons (no dynamic con-
trol). “Low” means that a low
value is used, “Med” represents a
medium value and “High” a high
value.
VALUE Description
Off
All noises are filtered, irrespective
of the registers you select and
how you set them.
On
(Default setting)
The noises you selected are
reproduced.
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New MIDI functions
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New MIDI functions
3.12 Bass MIDI TX
3.13 Chord MIDI TX
5.11 MIDI TX (orchestra bass)
7.10 MIDI TX (orchestra chord)
A new “Drum Tx” filter has been added to allow you to
specify whether or not the Drum Link note messages
should be transmitted to the MIDI OUT socket.
To select the desired parameter (3.12, 3.13,
5.11 or 7.10), see “Selecting parameters” on
p. 62 in the owner’s manual.
The display now looks more or less as follows
(depending on which page you selected):
The new “Drum Tx” parameter at the end has the fol-
lowing meaning:
See “Parameters” on p. 114 for a description of the
parameters that are not discussed here.
12.7 2nd Bass MIDI Out
This parameter allows you to define a second MIDI
channel for the transmission of the bass notes you play
on the FR-7x. This additional channel may come in
handy for certain MIDI modules you may want to con-
trol from the FR-7x.
To select the “12.7 2nd Bass MIDI Out”
parameter, see “Selecting parameters” on
p. 62 in the owner’s manual.
The display now looks more or less as follows:
The following table shows the available settings for
the “2nd Bass MIDI Out” parameter:
MESSAGE Description
Off The note messages of drums
notes generated by the buttons
in question are not transmitted
to the MIDI OUT socket.
On
(Default setting)
The note messages of the drums
notes are transmitted to the MIDI
OUT socket.
Parameter Settings Description
CHANNEL
Tx Off
(Default)
The bass notes are not
transmitted on a second
MIDI channel.
1~16 The bass notes are trans-
mitted on this MIDI chan-
nel.
OCTAVE –3~0~3
Default: 0
This parameter allows you
to transpose the bass
notes transmitted on the
second MIDI channel up
to three octaves up or
down.
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12.8 Chord Tx Mode
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12.8 Chord Tx Mode
This parameter allows you to specify how the note mes-
sages of the chord section should be transmitted to the
MIDI OUT socket. This setting is only used if the chord
section is set to transmit MIDI note messages: “Note Tx”
must be on (see p. 114 in the owner’s manual).
To select the “12.8 Chord Tx Mode” parame-
ter, see “Selecting parameters” on p. 62 in
the owner’s manual.
The display now looks more or less as follows:
“D-Mode” may be useful if you wish to use the FR-7x
to control an external arranger keyboard or module.
VALUE Description
Normal
(Default setting)
The note numbers of all chord notes
are transmitted via MIDI.
D-Mode Each chord button only transmits one
note number according to the follow-
ing system:
Major chords: 48~59*
Minor chords: 60~71
7th chords: 72~83
Dim chords: 84~95
* All note numbers are specified in the order C~B. Example: Note
number 48 represents a C major chord, note number 49 a C#
major chord, etc.
Accordion
The FR-7x transmits only the notes of
the chords it plays without adding
any other note degrees.
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Appendix
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‘3 Bs Rows Belgium’ button layout
Updated parameter list
Following the addition of the parameters discussed in this document, the “Available parameters” list on page 63 in the
owner’s manual needs to be revised as follows. Note that some existing parameters now have different numbers.
1. Tuning
1.1 Master Tune
. . . . . . . . . . . . . . . . . . . . .p. 64 (OM)*
1.2 Transpose
. . . . . . . . . . . . . . . . . . . . . . .p. 64 (OM)
1.3 Scale
. . . . . . . . . . . . . . . . . . . . . . . . . . .p. 64 (OM)
1.4 Scale Edit
. . . . . . . . . . . . . . . . . . . . . . .p. 64 (OM)
1.5 Scale Assign
. . . . . . . . . . . . . . . . . . . . .p. 65 (OM)
2. Treble Edit
2.1 Reed Type
. . . . . . . . . . . . . . . . . . . . . . .p. 65 (OM)*
2.2 Register
. . . . . . . . . . . . . . . . . . . . . . . . .p. 66 (OM)
2.3 Reed Volume
. . . . . . . . . . . . . . . . . . . .p. 66 (OM)
2.4 Treble Octave
. . . . . . . . . . . . . . . . . . . .p. 66 (OM)
2.5 Valve Noise
. . . . . . . . . . . . . . . . . . . . . .p. 67 (OM)
2.6 Musette Detune
. . . . . . . . . . . . . . . . . .p. 67 (OM)
2.7 Bellows Detune
. . . . . . . . . . . . . . . . . .p. 67 (OM)
2.8 Reverb Send
. . . . . . . . . . . . . . . . . . . . .p. 67 (OM)
2.9 Chorus Send
. . . . . . . . . . . . . . . . . . . . .p. 67 (OM)
2.10 Delay Send
. . . . . . . . . . . . . . . . . . . . .p. 67 (OM)
2.11 Aftertouch Pitch
. . . . . . . . . . . . . . . . .p. 67 (OM)
2.12 Bass Link
. . . . . . . . . . . . . . . . . . . . . . .p. 68 (OM)
2.13 Orchestra Link
. . . . . . . . . . . . . . . . . .p. 68 (OM)
2.14 Orchestra Chord Link
. . . . . . . . . . . . .p. 69 (OM)
2.15 MIDI TX
. . . . . . . . . . . . . . . . . . . . . . . .p. 70 (OM)
2.16 Name
. . . . . . . . . . . . . . . . . . . . . . . . . .p. 70 (OM)
3. Bass Edit
3.1 Reed Type
. . . . . . . . . . . . . . . . . . . . . . .p. 71 (OM)*
3.2 Register
. . . . . . . . . . . . . . . . . . . . . . . . .p. 71 (OM)
3.3 Reed Volume
. . . . . . . . . . . . . . . . . . . .p. 71 (OM)
3.4 Button Noise
. . . . . . . . . . . . . . . . . . . . .p. 72 (OM)
3.5 Reed Growl
. . . . . . . . . . . . . . . . . . . . . .p. 72 (OM)
3.6 Bellows Detune
. . . . . . . . . . . . . . . . . .p. 72 (OM)
3.7 Bass Drum
. . . . . . . . . . . . . . . . . . . . . . .p. 72 (OM)
3.8 Chord Drum
. . . . . . . . . . . . . . . . . . . . .p. 73 (OM)
3.9 Reverb Send
. . . . . . . . . . . . . . . . . . . . .p. 73 (OM)
3.10 Chorus Send
. . . . . . . . . . . . . . . . . . . .p. 73 (OM)
3.11 Delay Send
. . . . . . . . . . . . . . . . . . . . .p. 73 (OM)
3.12 Bass MIDI TX
. . . . . . . . . . . . . . . . . . . .p. 73 (OM), p. 8 (Add)
3.13 Chord MIDI TX
. . . . . . . . . . . . . . . . . .p. 73 (OM), p. 8 (Add)
3.14 Name
. . . . . . . . . . . . . . . . . . . . . . . . . .p. 73 (OM)
4. Free Bass Edit
4.1 Reed Type
. . . . . . . . . . . . . . . . . . . . . . . p. 74 (OM)*
4.2 Register
. . . . . . . . . . . . . . . . . . . . . . . . p. 74 (OM)
4.3 Reed Volume
. . . . . . . . . . . . . . . . . . . . p. 74 (OM)
4.4 Button Noise
. . . . . . . . . . . . . . . . . . . . p. 75 (OM)
4.5 Reed Growl
. . . . . . . . . . . . . . . . . . . . . p. 75 (OM)
4.6 Bellows Detune
. . . . . . . . . . . . . . . . . . p. 75 (OM)
4.7 Reverb Send
. . . . . . . . . . . . . . . . . . . . . p. 75 (OM)
4.8 Chorus Send
. . . . . . . . . . . . . . . . . . . . . p. 75 (OM)
4.9 Delay Send
. . . . . . . . . . . . . . . . . . . . . . p. 75 (OM)
4.10 MIDI TX
. . . . . . . . . . . . . . . . . . . . . . . p. 75 (OM)
4.11 Name
. . . . . . . . . . . . . . . . . . . . . . . . . p. 75 (OM)
5. Orch.Bass Edit
5.1 Timbre
. . . . . . . . . . . . . . . . . . . . . . . . . p. 76 (OM)*
5.2 Lowest Note
. . . . . . . . . . . . . . . . . . . . . p. 76 (OM)
5.3 Octave
. . . . . . . . . . . . . . . . . . . . . . . . . p. 76 (OM)
5.4 Release Time
. . . . . . . . . . . . . . . . . . . . p. 76 (OM)
5.5 Volume
. . . . . . . . . . . . . . . . . . . . . . . . . p. 76 (OM)
5.6 Panpot
. . . . . . . . . . . . . . . . . . . . . . . . . p. 77 (OM)
5.7 Bass Drum
. . . . . . . . . . . . . . . . . . . . . . p. 77 (OM)
5.8 Reverb Send
. . . . . . . . . . . . . . . . . . . . . p. 77 (OM)
5.9 Chorus Send
. . . . . . . . . . . . . . . . . . . . . p. 77 (OM)
5.10 Delay Send
. . . . . . . . . . . . . . . . . . . . . p. 77 (OM)
5.11 MIDI TX
. . . . . . . . . . . . . . . . . . . . . . . p. 77 (OM), p. 8 (Add)
5.12 Expression pedal
. . . . . . . . . . . . . . . . p. 6 (Add)
6. Orchestra Edit
6.1 Timbre
. . . . . . . . . . . . . . . . . . . . . . . . . p. 78 (OM)*
6.2 Octave
. . . . . . . . . . . . . . . . . . . . . . . . . p. 78 (OM)
6.3 Volume
. . . . . . . . . . . . . . . . . . . . . . . . . p. 78 (OM)
6.4 Panpot
. . . . . . . . . . . . . . . . . . . . . . . . . p. 78 (OM)
6.5 Bellows Detune
. . . . . . . . . . . . . . . . . . p. 78 (OM)
6.6 Reverb Send
. . . . . . . . . . . . . . . . . . . . . p. 78 (OM)
6.7 Chorus Send
. . . . . . . . . . . . . . . . . . . . . p. 78 (OM)
6.8 Delay Send
. . . . . . . . . . . . . . . . . . . . . . p. 78 (OM)
6.9 Aftertouch Pitch
. . . . . . . . . . . . . . . . . p. 79 (OM)
6.10 MIDI TX
. . . . . . . . . . . . . . . . . . . . . . . p. 79 (OM)
6.11 Expression Pedal
. . . . . . . . . . . . . . . . p. 6 (Add)
6.12 Layer Timbre
. . . . . . . . . . . . . . . . . . . p. 2 (Add)
6.13 Layer Param
. . . . . . . . . . . . . . . . . . . . p. 2 (Add)
6.14 Layer MIDI Tx
. . . . . . . . . . . . . . . . . . . p. 4 (Add)
4. Appendix
10.8 Bass&Chd Mode
FREE BASS
ORCH BASS
3 Bs Rows Belgium
E3C#3 F#3 B3 E3 A3 D3 G3 C3 F3 Bb3 Eb3 Ab3 C#3 F#3 B3 A3 D3 C3G3
F3G3 C3 F3 Bb3 Eb3 Ab3 C#3 F#3 C#3 F#3B3 E3 A3 D3 G3 C3 Bb3 Eb3 Ab3
C#3Eb3 Ab3 C#3 F#3 B3 E3 A3 D3 A3 D3G3 C3 F3 Bb3 Eb3 Ab3 F#3 B3 E3
C#MEbM AbM C#M F#M BM EM AM DM AM DMGM CM FM BbM EbM AbM F#M BM EM
C#mEbm Abm C#m F#m Bm Em Am Dm Am DmGm Cm Fm Bbm Ebm Abm F#m Bm Em
C#7Ab7 C#7 F#7 B7 E7 A7 D7 A7 D7 G7G7 C7 F7 Bb7 Eb7 Ab7 F#7 B7 E7
ORCH CHORD
ORCH FREE BS
“7th”= 1-3-7
FR-7x_V104_UK.fm Page 10 Monday, April 4, 2011 9:57 AM
Appendix
V-Accordion
r
11
7. Orch. Chord Edit
7.1 Timbre
. . . . . . . . . . . . . . . . . . . . . . . . . p. 79 (OM)*
7.2 Lowest note
. . . . . . . . . . . . . . . . . . . . . p. 79 (OM), p. 5 (Add)
7.3 Octave
. . . . . . . . . . . . . . . . . . . . . . . . . . p. 80 (OM)
7.4 Volume
. . . . . . . . . . . . . . . . . . . . . . . . . p. 80 (OM)
7.5 Panpot
. . . . . . . . . . . . . . . . . . . . . . . . . p. 80 (OM)
7.6 Chord Drum
. . . . . . . . . . . . . . . . . . . . . p. 80 (OM)
7.7 Reverb Send
. . . . . . . . . . . . . . . . . . . . . p. 80 (OM)
7.8 Chorus Send
. . . . . . . . . . . . . . . . . . . . . p. 80 (OM)
7.9 Delay Send
. . . . . . . . . . . . . . . . . . . . . . p. 80 (OM)
7.10 MIDI TX
. . . . . . . . . . . . . . . . . . . . . . . . p. 80 (OM), p. 8 (Add)
7.11 Expression Pedal
. . . . . . . . . . . . . . . . p. 6 (Add)
8. Orch.FBass Edit
8.1 Timbre
. . . . . . . . . . . . . . . . . . . . . . . . . p. 81 (OM)*
8.2 Octave
. . . . . . . . . . . . . . . . . . . . . . . . . . p. 81 (OM)
8.3 Volume
. . . . . . . . . . . . . . . . . . . . . . . . . p. 81 (OM)
8.4 Panpot
. . . . . . . . . . . . . . . . . . . . . . . . . p. 81 (OM)
8.5 Reverb Send
. . . . . . . . . . . . . . . . . . . . . p. 81 (OM)
8.6 Chorus Send
. . . . . . . . . . . . . . . . . . . . . p. 81 (OM)
8.7 Delay Send
. . . . . . . . . . . . . . . . . . . . . . p. 81 (OM)
8.8 MIDI TX
. . . . . . . . . . . . . . . . . . . . . . . . . p. 81 (OM)
8.9 Expression Pedal
. . . . . . . . . . . . . . . . . p. 6 (Add)
9. Set Common
9.1 Reverb Macro
. . . . . . . . . . . . . . . . . . . . p. 82 (OM)*
9.2 Reverb Parameters
. . . . . . . . . . . . . . . p. 82 (OM)
9.3 Chorus Macro
. . . . . . . . . . . . . . . . . . . . p. 83 (OM)
9.4 Chorus Parameters
. . . . . . . . . . . . . . . p. 84 (OM)
9.5 Delay Macro
. . . . . . . . . . . . . . . . . . . . . p. 85 (OM)
9.6 Delay Parameters
. . . . . . . . . . . . . . . . . p. 85 (OM)
9.7 Name
. . . . . . . . . . . . . . . . . . . . . . . . . . p. 86 (OM)
9.8 Master Bar Recall
. . . . . . . . . . . . . . . . . p. 86 (OM)
9.9 Icon
. . . . . . . . . . . . . . . . . . . . . . . . . . . . p. 86 (OM)
10. System
10.1 LCD Contrast
. . . . . . . . . . . . . . . . . . . p. 86 (OM)*
10.2 Bellows Curves
. . . . . . . . . . . . . . . . . p. 86 (OM)
10.3 Pedal Controller
. . . . . . . . . . . . . . . . p. 87 (OM)
10.4 Sustain Routing A
. . . . . . . . . . . . . . . p. 88 (OM)
10.5 Sustain Routing B
. . . . . . . . . . . . . . . p. 88 (OM)
10.6 Function Switch
. . . . . . . . . . . . . . . . p. 88 (OM)
10.7 Function Switches Edit
. . . . . . . . . . . p. 88 (OM)
10.8 Bass&Chd Mode
. . . . . . . . . . . . . . . . p. 89 (OM), p. 6 (Add)
10.9 Free Bass Mode
. . . . . . . . . . . . . . . . . p. 90 (OM)
10.10 Stereo Width
. . . . . . . . . . . . . . . . . . p. 90 (OM)
10.11 Output Level
. . . . . . . . . . . . . . . . . . p. 92 (OM)
10.12 Auto Power Off
. . . . . . . . . . . . . . . p. 92 (OM)
10.13 Start-Up
. . . . . . . . . . . . . . . . . . . . . . p. 92 (OM)
10.14 Start-Up Name
. . . . . . . . . . . . . . . . p. 92 (OM)
10.15 Orchestra Touch
. . . . . . . . . . . . . . . p. 92 (OM)
10.16 Orch.Bass Touch
. . . . . . . . . . . . . . . p. 92 (OM), p. 7 (Add)
10.17 Orch.Chord Touch
. . . . . . . . . . . . . . p. 7 (Add)
10.18 Drum Touch
. . . . . . . . . . . . . . . . . . . p. 7 (Add)
10.19 Start/Stop MIDI TX
. . . . . . . . . . . . . p. 93 (OM)**
10.20 Treble Release T.
. . . . . . . . . . . . . . . p. 92 (OM)**
10.21 Kbd&Button Noises
. . . . . . . . . . . . p. 7 (Add)
10.22 Expansion
. . . . . . . . . . . . . . . . . . . . p. 92 (OM)**
10.23 Treble Mode
(FR-7xb only) . . . . . . . p. 92 (OM)**
11. Utility
11.1 Battery Status
. . . . . . . . . . . . . . . . . . p. 97 (OM)*
11.2 Copy SET
. . . . . . . . . . . . . . . . . . . . . . p. 97 (OM)
11.3 Copy Effects
. . . . . . . . . . . . . . . . . . . . p. 97 (OM)
11.4 Export All FR-7x
. . . . . . . . . . . . . . . . p. 98 (OM)
11.5 Export Set
. . . . . . . . . . . . . . . . . . . . . p. 98 (OM)
11.6 Import All FR-7x
. . . . . . . . . . . . . . . . p. 99 (OM)
11.7 Import Set
. . . . . . . . . . . . . . . . . . . . . p. 99 (OM)
11.8 Restore Data
. . . . . . . . . . . . . . . . . . . p. 99 (OM)
11.9 FR-7/5 Import
. . . . . . . . . . . . . . . . . . . p. 100 (OM)
11.10 Treble Reg. on current Set
. . . . . . . p. 100 (OM)
11.11 Bass Reg. on current Set
. . . . . . . . p. 101 (OM)
11.12 FreeBass Reg. on current Set
. . . . . p. 101 (OM)
11.13 Factory Reset
. . . . . . . . . . . . . . . . . . p. 102 (OM)
12. MIDI
12.1 RealTime RX-TX
. . . . . . . . . . . . . . . . . p. 109 (OM), p. 4 (Add)*
12.2 Ext. Seq. Playback
. . . . . . . . . . . . . . . p. 109 (OM)
12.3 Bellows TX Resolution
. . . . . . . . . . . p. 110 (OM)
12.4 Expression MIDI TX
. . . . . . . . . . . . . . p. 110 (OM), p. 4 (Add)
12.5 Global Filters
. . . . . . . . . . . . . . . . . . . p. 111 (OM)
12.6 Bank for ‘Send PC’
. . . . . . . . . . . . . . p. 111 (OM)
12.7 2nd Bass MIDI Out
. . . . . . . . . . . . . . p. 8 (Add)
12.8 Chord Tx Mode
. . . . . . . . . . . . . . . . . p. 9 (Add)
(*)
“OM”: Owner’s Manual
“Add”: Addendum (this document)
(**)
The numbers of these System parameters have changed.
New entry in the ‘Troubleshooting’ chapter
Please add the following entry to the “Troubleshooting” section in the Owner’s Manual:
■The bellows exhibits an erratic behavior
If the bellows doesn’t work as expected, causing
notes to sound even while it is not moved, its sensors
may need resetting.
To do so, close the bellows, switch off the FR-7x, then
press and hold the [UP] and [DOWN] buttons while
switching the FR-7x back on. If this operation doesn’t
solve the problem, please contact your Roland dealer.
FR-7x_V104_UK.fm Page 11 Monday, April 4, 2011 9:57 AM
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