Viscount Sonus 40 Owner's manual

Category
Sequencer
Type
Owner's manual
Reference Manual
- English
Ver. USA - 1.15
Physis Organs
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Reference Manual
Physis Organs
INDEX
1. Important notes .............................................................................................................................. 3
1.1 Looking after the product .............................................................................................................................. 3
1.2 Notes about the manual .................................................................................................................................. 3
2. Introduction.................................................................................................................................... 5
3. General description ........................................................................................................................ 6
4. Programming section and main screen ........................................................................................28
4.1 Error messages – Main screen ..................................................................................................................... 29
5. Setting the volumes (Volumes function) .......................................................................................30
6. Tuning the instrument (Tuning menu) ........................................................................................ 31
7. The organ styles (Styles menu) .....................................................................................................32
8. Selecting and regulating the voices (Voices menu) ...................................................................... 33
8.1 Regulating the volume (Volume Level function)....................................................................................... 34
8.2 Regulating the audio parameters (Edit Parameters function) ..................................................................34
8.3 Selecting the alternative voices (Alternative Voice function)................................................................... 36
8.4 Selecting and adjusting the orchestral voices ............................................................................................. 37
8.5 Saving different orchestral voices and parameters in the combinations ................................................ 39
9. Instrument general settings ..........................................................................................................40
9.1 Adjusting the tremolos (1st Tremolo and 2nd Tremolo functions) ....................................................... 41
9.2 Selecting the reverberation style (Reverberation function) ...................................................................... 41
9.3 Adjusting the internal equalizer (Int. Ampl. Equalizer function) ........................................................... 43
9.4 Arranging the voices in the internal amplification (Int. Amp. Panning function) ................................ 44
9.5 Stereophonic balance of the side speakers (Int. Amp. Tune-Up function)........................................... 48
9.6 Commands and controls optrions (Programmable functions)................................................................ 49
9.7 Programming the [SWS] piston function (Sws Programming function) ............................................... 52
9.8 Regulating the rear outputs equalizer (Ext. Out Equalizer function) ..................................................... 54
9.9 Settings of rear audio outputs connected to sub-woofer systems (Ext. Sub Parameters function) .. 55
9.10 Setting the routing of the voices on the rear audio outputs (Ext. Out Router function) ................ 56
9.11 Regulating the volume of the rear outputs (Ext. Out Volume function) ............................................ 61
9.12 Configuration of the external audio outputs (Ext. Out Config function) .......................................... 62
9.13 Automatic resize of External Routers (Ext. Out Resize function) ...................................................... 63
9.14 Fine adjustment of the Air Pressure parameter (Air Supply Config function) .................................. 64
10. Utilities and MIDI functions (Util. & MIDI menu) ..................................................................65
10.1 Regulating the internal clock (Set Date & Time function) .................................................................... 67
10.2 Controlling the access to the organ settings (Lock Organ function) .................................................. 67
10.3 Restoring factory settings (Restore Fact. Sett. function) ........................................................................ 69
10.4 Upgrading the operating system (Op. Sys. Upgrade function) ............................................................ 70
10.5 MIDI functions............................................................................................................................................ 71
11. File managements functions (File Manag. menu) ...................................................................... 74
11.1 File management (Dir function) ................................................................................................................ 75
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Physis Organs
11.2 Loading organ combinations and/or settings (Load function)............................................................. 76
11.3 Saving as file of organ combinations and/or settings (Save function) ................................................ 78
11.4 Copying and duplicating a file (Copy function) ...................................................................................... 79
11.5 Renaming files (Rename function) ............................................................................................................ 81
11.6 Deleting files (Delete funcion)................................................................................................................... 82
11.7 Editing of lists of songs (Songlist function) ........................................................................................... 83
11.8 Operating system version (O. S. Info function) ...................................................................................... 84
11.9 Error messages – File management functions ........................................................................................ 85
12. Playing and recording of musical sequences (Sequencer).........................................................88
12.1 Playing back a piece (Play mode)............................................................................................................... 88
12.2 Recording a piece (Record mode) ............................................................................................................. 90
12.3 Play options of the sequencer (Play Options menu) .............................................................................. 95
12.4 Error messages – Sequencer ...................................................................................................................... 95
13. Stop Local Off ..............................................................................................................................97
14. Appendix ......................................................................................................................................97
14.1 Temperament ............................................................................................................................................... 97
14.2 Temperaments in the Physis organs........................................................................................................ 100
14.3 The windchest in the pipe organs ........................................................................................................... 109
14.4 Content of the .set, .sty, .cmb and .all files ............................................................................................ 111
14.5 What is MIDI ............................................................................................................................................. 113
14.6 Detailed MIDI implementation ............................................................................................................... 115
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Reference Manual
Physis Organs
1. IMPORTANT NOTES
1.1 LOOKING AFTER THE PRODUCT
Do not apply excessive force to the organs structures or the controls (knobs, stops, push-buttons, etc.).
When possible, do not place the instrument close to units which generate strong interference, such as
radios, TVs, computer videos, etc.
Do not place the organ close to heat sources, in damp or dusty places or in the vicinity of strong magnetic
fields.
Do not expose the instrument to direct sunlight.
Never insert foreign bodies inside the instrument or pour liquids of any kind into it.
For cleaning, use only a soft brush or compressed air; never use detergents, solvents or alcohol.
Always use good quality screened cables for connection to amplification or diffusion systems. When
disconnecting cables from sockets, always take hold of the connector and not the cable itself; when
winding cables, do not knot or twist them.
Before making the connections ensure that the other units (especially amplification and diffusion systems)
you are about to connect are switched off. This will prevent noisy or even dangerous signal peaks.
Connect the net cable to an earthed socket.
Check that the voltage corresponds to the voltage shown on the serial number plate of the organ.
If the organ is to be out of use for lengthy periods, disconnect the plug from the power socket.
1.2 NOTES ABOUT THE MANUAL
Take good care of this manual.
This manual is an integral part of the instrument. The descriptions and illustrations in this publication
are not binding.
While the instrument’s essential characteristics remain the same, the manufacturer reserves the right to
make any modifications to parts, details or accessories considered appropriate to improve the product or
for requirements of a constructional or commercial nature, at any time and without undertaking to
update this publication immediately.
All rights reserved; the reproduction of any part of this manual, in any form, without the manufacturer’s
specific written permission is forbidden.
All the trademarks referred to in this manual are the property of the respective manufacturers.
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Reference Manual
Physis Organs
Read all the information carefully in order to obtain the best performances from your product and waste
no time.
The codes or numbers in square brackets ([]) indicate the names of the buttons, sliders, trimmers and
connectors on the instrument. For example, [ENTER] refers to the ENTER button.
Illustrations and screens showed are for information purposes only and may differ from your product.
The instructions provided in this manual only concern the instrument's operating system version that
was up to date when the document was released. Therefore, such instructions might not describe faithfully
your current operating system release. Please, visit the website www.viscountinstruments.com to check
for the newest operating system release and manual.
This user manual is updated to version 1.14.8 of the instrument's operating system.
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Reference Manual
Physis Organs
2. INTRODUCTION
Dear Customer,
Thank you for choosing the organ Viscount.
The Company, a world leader in the construction
of fine classical organs, has installed in this
instrument the latest and most sophisticated
technology dedicated to the high fidelity
reproduction of pipe organ sounds, with
impressive flexibility and remakable quality of
timbre.
After years of research exploring musical synthesis
techniques, our Research and Development unit,
is the FIRST in the world to create the sounds of
a pipe organ by using the “physical modeling
technology” upon which the Physis is based.
Instead of using “sound samples” from pipe
organs (previously the standard method) this
revolutionary sound generation system involves the
real-time calculation of the waveform generated
by a precise mathematical model based on the
sound emission physics of a pipe organ,
incorporating the principal physical parameters ie. construction geometry, materials used, and pertaining air
pressure, etc.
The fact that the simple reproduction of memorized “sound” has been disregarded, permits the achievement
of unimaginable realism, with the level of detail previously only created by a traditional pipe organ.
For example, the mathematical model allows the production of a different sound for each key since it provides
the virtual reproduction of the original instrument by assigning a different pipe to each note, similar to a pipe
organ. Furthermore, it will generate a different sound for each consecutive pressure of the same note, thus
simulating the precise condition of the air volume inside the pipe as it is pressed.
The organ also permits the “physical” editing of the sounds produced, by adjusting the parameters - just as
the organ builder constructs the pipes. If however, “editing” is not your forte, you may choose your sound
from a big library of pre-programmed pipe organ voices already in the instrument’s memory.
To conclude we suggest that you visit our web-site www.viscountinstruments.com where you will find
information, updates, documents and news about our unique range of instruments.
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Reference Manual
Physis Organs
3. GENERAL DESCRIPTION
UNICO 800
25 26
27
21
14
11
2014 16 17 18 19 21
23
14
7
1
2 5 3 424 13
22
2121
10 14
31
15 15
14 32 33
7
Reference Manual
Physis Organs
UNICO 700
27
2625
21
14 24 28
152014
16
17 18 19 1621 21
7
1
2 5 5 3 4
8
9
10
11 12 13
22
23
8
Reference Manual
Physis Organs
UNICO 600
56789101112
GEN. SUB 1 2 3 4 L(+R) R MIC GAIN
PROG. OUT
PROG. OUT INPUTOUT
27
-
+
EXT.
+12V DC
300 mA
-
+
EXT.
+12V DC
300 mA
24
21
25
28
14
14
20 15 19 2117 18 21 17
23
3 412 13
9
24101 2
7
22
6
26
8
viscount
11
9
Reference Manual
Physis Organs
UNICO 500
Schalmei
4'
8'
Trompete
16'
Posaune
Contra
Bombarde
32'
Clarine
4'
8'
Trompete
Fagott
16'
IV
Mixture
4'
bass
Choral-
Oktav-
bass
8'
Choir
to
Pedal
8'
Gedackt
16'
Gedackt
8'
Dulciana
Prinzipal
16'
Vox Humana
8’
Tremolo
Clarion
4’
V
Cornet
V
Mixture
2
3
Quinte
Super-
oktave
2'
4'
Oktave
Spitzflöte
4'
Unda
Maris
8'
8'
Gedackt
Prinzipal
8'
Hohlflöte
8'
4'
Rohrflöte
2
3
Nasard
2'
Blockflöte
3
5
Terz
Tremolo
4'
Gemshorn
Oktave
4'
Gamba
8'
Prinzipal
8'
Vox
Celeste
8'
Tremolo
II
Sesquialtera
1'
Sifflöte
1
3
Larigot
4'
Offenflöte
Prinzipal
8'
4'
Prestant
Doublette
2'
Mixture
IV
Humana
Vox
8'
Oboe
8'
Trompete
8'
16'
Contra
Trompete
Regal
16'
8'
Spanische
Trompete
8'
Krumm-
horn
Swell Swell Great GreatPedal
Cello Chimes Oboe Harps Strings
Choir
Piano
Choir
Harpsich.
On
Reed Mixtur Pedal Swell Great Choir
Console
On
Speaker
Ext.
CRESCENDO
M. BANK
PEDAL SWELL
POWER
0
1
AMPLIFICAT. CANCEL MIDI
SEQUENC.
VOLUMES
FIELD
EXIT
ENTER
FIELD VALUE VALUE
ORCHESTRA
GREAT CHOIR
UNICO 500
viscount
CHOIR SWELL CRESCENDO
56789101112
GEN. SUB 1 2 3 4 L(+R) R MIC GAIN
PROG. OUT
PROG. OUT INPUTOUT
MASTER
VOLUME
THRU OUT
MIDI
IN REVERB
VOLUME
USB PHONES
MEM.
BANK
MEM.
BANK
S
HR1234
78910
HR1234
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HR 1 2 534 6SW/P
HR 1 2 534 6G/P
HR 1 2 534 656 C/P C
T
SWS
A.P
SW/C
SW/G C/G
M.SOLO
M.SOLO
M.SOLO
O.SOLO
PREV NEXT
+-
27
-
+
EXT.
+12V DC
300 mA
-
+
EXT.
+12V DC
300 mA
8
25
28
24
21
14
14
20 15 19 2117 18 21 17
3 4
23
12 131 2
7
22
9
11106
26
Great
to
Pedal
Swell
to
Pedal
Swell
to
Great
Choir
to
Great
Swell
to
Choir
Contra
Violone
32'
Open
Wood
16'
Sub
Bass
16'
16'
Double
Diapason
Erzahler
8'
Concert
Flute
8'
10
Reference Manual
Physis Organs
UNICO 400
GT/PD
SW/PD
CHR/PD
TUTTI
SW/CHR
SW/GT
CHR/GT
6
7
8
1
2
3
4
5
NEXT
PREV
10
9
On
Reed Mixtur Pedal Swell Great Choir
Console
On
Speaker
Ext.
CRESCENDO
M. BANK
AMPLIFICAT. CANCEL MIDI
SEQUENC.
VOLUMES
FIELD
EXIT
ENTER
FIELD VALUE VALUE
ORCHESTRA
MASTER
VOLUME
THRU OUT
MIDI
IN REVERB
VOLUME
USB PHONES
Fluit
Celeste
8’
SWELL
Prestant
16’
Prestant
8’
Holpijp
8’
Quint
1/
1
3
Octaaf
4’
Roerfluit
4’
Quint
2/
2
3
Super
Octaaf
2’
Cornet
V
Prestant
16’
Fagot
16’
Trumpet
8’
Vox
Humana
8’
TremoloClarion
4’
PEDAL
Contra
Bourdon
32’
Subbas
16’
Gedekt
16’
Octaaf-
bas
8’
Gedekt
8’
Quint
1/
1
3
Koraal-
bas
4’
Fluit
4’
Contra
Bombarde
32’
Bombarde
16’
Trumpet
8’
Great
to
Pedal
POWER
0
1
Mixtuur
V
Prestant
8’
Quintadeen
8’
Bourdon
8’
Prestant
4’
Open
Fluit
4’
Octaaf
2’
Terts
1/
3
5
Larigot
1/
1
3
Sifflet
1’
Sesquialter
II
Mixtuur
IV
Chamade
Trompete
8’
Tremolo
Swell
to
Choir
UNICO 400
viscount
CHOIR
CHOIR SWELL CRESCENDO
MIDI
REVERS.
32’ FLUTE
REVERS.
32’ REED
REVERS.
GREAT
Bourdon
16’
Prestant
8’
Roerfluit
8’
Gamba
8’
Vox
Celeste
8’
Octaaf
4’
Koppel-
fluit
4’
Quint
2/
2
3
Woudfluit
2’
Terts
1/
3
5
Cymbal
III
Regal
16’
Trompet
8’
Hobo
8’
Kromhorn
8’
Tremolo
MEM.
BANK
MEM.
BANK
S
HR1234
78910
HR1234
56
HR 1 2 534 6SW/P
HR 1 2 534 6G/P
HR 1 2 534 656 C/P C
T
SWS
A.P
SW/C
SW/G C/G
M.SOLO
M.SOLO
M.SOLO
O.SOLO
PREV NEXT
+-
56789101112
GEN. SUB 1 2 3 4 L(+R) R MIC GAIN
PROG. OUT
PROG. OUT INPUTOUT
27
-
+
EXT.
+12V DC
300 mA
-
+
EXT.
+12V DC
300 mA
14
21
24
20 15 2117 18 21 17197
8
1
2
22
6 9 1110 12 13
4
3
23
14
28
25 26
Clarion
4’
Clarion
4’
Swell
to
Pedal
Choir
to
Pedal
Swell Swell Great GreatPedal
Cello Chimes Oboe Harps Strings
Choir
Piano
Choir
Harpsich.
Swell
to
Great
Choir
to
Great
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Reference Manual
Physis Organs
UNICO 370
56789101112
GEN. SUB 1 2 3 4 L(+R) R MIC GAIN
PROG. OUT
PROG. OUT INPUTOUT
27
-
+
EXT.
+12V DC
300 mA
-
+
EXT.
+12V DC
300 mA
14
20 10 1417 18 197
1
2
22
6 24 13
4
3
23
32
25 26
6
18 21
11
21
24
14 33
15 15
12
Reference Manual
Physis Organs
UNICO 300
GT / PD
SW / PD
SW / GT
TUTTI
1
2
3
4
5
6
MASTER
VOLUME
THRU OUT
MIDI
IN REVERB
VOLUME
USB PHONES
Fluit
Celeste
8’
SWELL
Prestant
16’
Prestant
8’
Holpijp
8’
Quint
1/
1
3
Octaaf
4’
Roerfluit
4’
Quint
2/
2
3
Super
Octaaf
2’
Cornet
V
Prestant
16’
Fagot
16’
Trumpet
8’
Vox
Humana
8’
TremoloClarion
8’
PEDAL
Contra
Bourdon
32’
Subbas
16’
Gedekt
16’
Octaaf-
bas
8’
Gedekt
8’
Quint
1/
1
3
Koraal-
bas
4’
Fluit
4’
Contra
Bombarde
32’
Bombarde
16’
Trumpet
8’
Swell
to
Pedal
Mixtuur
V
Clarion
8’
Clarion
4’
Clarion
4’
GREAT
Bourdon
16’
Prestant
8’
Roerfluit
8’
Gamba
8’
Vox
Celeste
8’
Octaaf
4’
Koppel-
fluit
4’
Quint
2/
2
3
Woudfluit
2’
Terts
1/
3
5
Cymbal
III
Regal
16’
Trompet
8’
Hobo
8’
Kromhorn
8’
Swell
to
Great
Tremolo
On
Reed Mixtur
Console
On
Speaker
Ext.
AMPLIFICAT. CANCEL
SEQUENC.SEQUENC.
VOLUMES
FIELD
EXIT
ENTER
FIELD VALUE VALUE
ORCHESTRA MIDI
Pedal
Cello
Swell
Harp
Swell
Strings
Great
Chimes
Great
Harpsich.
Pedal Swell Great
UNICO 300
POWER
0
1
HR123456
S
HR 1 2 534 6SW/P
HR 1 2 534 6G/P
viscount
PREV NEXT
SW/G
C
A.P
MEM.
BANK
MEM.
BANK
+-
SWS
T
SWELL CRESCENDO
PROG. OUT INPUTOUT
GEN. SUB 1 2 3 4 L(+R) R MIC GAIN
-
+
EXT.
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300 mA
CRESCENDO
M. BANK
HR123456
27
Clarion
4’
Great
to
Pedal
Kromhorn
8’
26
24
21
25
14
20 1514 1817 14 21 127
6 8 9 11 13
3
10
23
1
2
22
13
Reference Manual
Physis Organs
UNICO 250
56789101112
GEN. SUB 1 2 3 4 L(+R) R MIC GAIN
PROG. OUT
PROG. OUT INPUTOUT
-
+
EXT.
+12V DC
300 mA
-
+
EXT.
+12V DC
300 mA
27
1 2
7
22
24
6
13 3
23
11
20 14 17 18 18 31 21
14
24 25
26
14
24 32 31 21
14 15
21
14
Reference Manual
Physis Organs
PROG. OUT INPUTOUT
GEN. SUB 1 2 3 4 L(+R) R MIC GAIN
-
+
EXT.
+12V DC
300 mA
27
viscount
Swell Great Choir
SWELL GREAT
Swell
to
Great
Choir
to
Great
CHOIR
Choir
to
Great
GT/PD
SW/PD
CH/PD
SW/GT
CH/GT
SW/CH
CHOIR SWELL
Great
to
Pedal
Swell
to
Pedal
Choir
to
Pedal
MEM.
BANK
MEM.
BANK
S
HR 1 2 3 4
78910
HR 1 2 3 4
56
HR 1 2 534 6SW/P
HR 1 2 534 6G/P
HR 1 2 534 65 6 C/P C
T
SWS
A.P
SW/C
SW/G C/G
M.SOLO
M.SOLO
M.SOLO
O.SOLO
PREV NEXT
+-
Tremolo Tremolo Tremolo
PREV
NEXT
MIDI
REVERS.
32’ FLUTE
REVERS.
32’ REED
REVERS.
26
25
14
28
21
11
1
10
22
7
8 9 2 6 13
3 4
23
24
20 15 2117 18 21 1719
14
UNICO CL / CLV 8
15
Reference Manual
Physis Organs
UNICO CL / CLV 7
PROG. OUT INPUTOUT
GEN. SUB 1 2 3 4 L(+R) R MIC GAIN
-
+
EXT.
+12V DC
300 mA
27
SEQUENC.
VOLUMES
FIELD
EXIT
ENTER
FIELD VALUE VALUE
viscount
SWELL
GREAT
Great
to
Pedal
Swell
to
Pedal
Swell
to
Great
Swell Great Swell Great
SW/PD
SW/GT
PREV
SWELL
HR123456
S
HR 1 2 534 6SW/P
HR 1 2 534 6G/P
PREV NEXT
SW/G
C
A.P
MEM.
BANK
MEM.
BANK
+-
SWS
T
HR 1 2 3 4 5 6
21
14
25
26
24
29
20 15
17 18
14
21
9 10 13 3 12
23
111 2 6 24 30
7
22
14
Swell
Swell
Great
Great
TREMOLO
GT/PD
16
Reference Manual
Physis Organs
UNICO CL / CLV 6
CL
6
UNICO
viscount
PROG. OUT INPUTOUT
GEN. SUB 1 2 3 4 L(+R) R MIC GAIN
-
+
EXT.
+12V DC
300 mA
MASTER
VOLUME
REVERB
VOLUME
27
GREAT
Tremolo
Swell
to
Great
Great
to
Pedal
Swell
to
Pedal
SWELL
Tremolo
HR 1 2 3 4 5 6
S
HR 1 2 534 6SW/P
HR 1 2 534 6G/P
PREV NEXT
SW/G
C
A.P
MEM.
BANK
MEM.
BANK
+-
SWS
T
HR 1 2 3 4 5 6
GT / PD
SW/PD
SW/GT
TUTTI
1
2
3
4
5
6
SWELL CRESCENDO
24
21
1 2 3 136
7
29
22
23
11
20 1514 1817 14 21
14
2625
17
Reference Manual
Physis Organs
UNICO CL / CLV 4
viscount
CL
4
UNICO
MASTER
VOLUME
REVERB
VOLUME
PROG. OUT INPUTOUT
GEN. SUB 1 2 3 4 L(+R) R MIC GAIN
-
+
EXT.
+12V DC
300 mA
27
23
11
7
6
1 2 3 13
29
22
14 2120
25
SWELL
Tremolo
GREAT
Tremolo
Swell
to
Great
SWS
SWELL
GREAT/PEDAL
18
Reference Manual
Physis Organs
UNICO CL / CLV 2
CL
2
UNICO
MASTER
VOLUME
REVERB
VOLUME
viscount
PROG. OUT INPUTOUT
GEN. SUB 1 2 3 4 L(+R) R MIC GAIN
-
+
EXT.
+12V DC
300 mA
27
SWELL
GREAT/PEDAL
SWELL
Tremolo
25
23
11
7
29
22
1 13
14
2120
2 3
GREAT
Tremolo
Swell
to
Great
SWS
Great
to
Pedal
Swell
to
Pedal
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Viscount Sonus 40 Owner's manual

Category
Sequencer
Type
Owner's manual

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