music but it was noticeable during silent passages and between tracks. I auditioned the Mini Galaxy first in my main
system and then in my bedroom for a little late-night Internet radio via headphones and laptop. Connecting my IBM to
the Mini Galaxy via the USB connection was dramatically superior to driving my headphones directly from the laptop.
What was thin and lightweight became significantly fuller and richer sounding.
Recent CD/LP acquisitions which have seen plenty of air time over the course of this review included a wildly quirky
yet utterly captivating 1971 live BBC performance of Mahler's Ninth conducted by the late avantgarde
composer/conductor Bruno Maderna [BBC Legends 4179-2]; a delightful Replacements retrospective [Rhino 70013];
Dylan's surprisingly good Modern Cool [Columbia 87606]; and Rudy Van Gelder's remaster of Eric Dolphy's smokin'
classic Out There [Prestige 8101].
Sonically, the Galaxy exhibited most of the characteristic signature of every EL 84 amp I've
heard to date: quick, incisive slightly lean bass, sparkling grain-free highs and a smooth
detailed midrange without any trace of bloat or excessive warmth. How it differed from my
EL84-equipped Manley Mahi monoblocks was in areas such as weight and frequency
extension. More on that anon.
s for the Galaxy's music-recreating abilities, don't let the puny size fool you. This little
hottie had no trouble filling my room with music. If you auditioned this amp blindfolded,
you'd undoubtedly guess you were listening to a bigger amp. The Galaxy was rhythmically
alive and -- providing I used the appropriate speakers -- thoroughly competent and
convincing. Rendering of spatial cues and instrumental timbre was better than expected.
Music was not projected forward of the speakers but more along their plane, with a decent
rendering of depth.
Tonal balance was open and neutral; that is, not too rich or warm nor overly cool or
analytical. The amp's presentation was crisp - detailed with enough immediacy and
coherence to maintain my attention.
Bass performance was more about quickness and timbre than weight or power. After all,
this is a quite small amp with limited power reserves. Don't expect to play AC/DC at 100dB
levels unless of course you own very sensitive speakers like Ed Schilling's Fostex 126E-
equipped Horns or Gemme's now discontinued Concerti 108, both of which played to
extremely high levels with the wee Audio Space. In fact and in many respects, I preferred
the Audio Space over my Manley separates when driving the aforementioned single-driver
speakers. While not as weighty and ballsy as the Californians, the smaller amp was a tad
smoother in the treble. I suspect the 4" Fostex drivers are a little peaky up high, hence my
preference for the Audio Space which conversely sounded slightly rolled off and reticent on
my highly revealing Green Mountain Audio Callistos. I suspect their 4-ohm impedance
additionally presented the Galaxy with a somewhat difficult load.
I heard more low-level resolution from the Manley trio which was also quicker, more incisive
and with tighter, fuller yet more controlled bass. There was also greater body, bloom and
rendering of space. At nearly four times the price and with substantially more robust power supplies, this came as no
surprise but was still heart-warming. More money doesn't always buy better sound after all.
Page 4 of 66moons audio reviews: Audio Space Mini Galaxy 1
2011-5-24http://www.6moons.com/audioreviews/audiospace2/mini