Avid NewsCutter 6.7 User guide

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Avid

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Avid

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NewsCutter

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Products

Advanced Guide

2

Copyright and Disclaimer

Product specifications are subject to change without notice and do not represent a commitment on the part of

Avid Technology, Inc.

The software described in this document is furnished under a license agreement. You can obtain a copy of that license by

visiting Avid's Web site at www.avid.com. The terms of that license are also available in the product in the same directory as

the software. The software may not be reverse assembled and may be used or copied only in accordance with the terms of the

license agreement. It is against the law to copy the software on any medium except as specifically allowed in the license

agreement.

Avid products or portions thereof are protected by one or more of the following United States Patents: 4,746,994; 4,970,663;

5,045,940; 5,267,351; 5,309,528; 5,355,450; 5,396,594; 5,440,348; 5,452,378; 5,467,288; 5,513,375; 5,528,310; 5,557,423;

5,577,190; 5,583,496; 5,584,006; 5,627,765; 5,640,601; 5,644,364; 5,654,737; 5,715,018; 5,719,570; 5,724,605; 5,726,717;

5,729,673; 5,745,637; 5,752,029; 5,754,851; 5,799,150; 5,812,216; 5,828,678; 5,842,014; 5,852,435; 5,999,406; 6,038,573;

6,061,758; 6,141,007; 6,211,869; 6,532,043; 6,546,190; 6,596,031; 6,636,869; 6,747,705; 6,763,523; 6,766,357; 6,813,622;

6,847,373; 7,081,900; D352,278; D372,478; D373,778; D392,267; D392,268; D392,269; D395,291; D396,853; D398,912.

Other patents are pending.

This document is protected under copyright law. An authorized licensee of NewsCutter may reproduce this publication for the

licensee’s own use in learning how to use the software. This document may not be reproduced or distributed, in whole or in

part, for commercial purposes, such as selling copies of this document or providing support or educational services to others.

This document is supplied as a guide for NewsCutter and NewsCutter XP. Reasonable care has been taken in preparing the

information it contains. However, this document may contain omissions, technical inaccuracies, or typographical errors. Avid

Technology, Inc. does not accept responsibility of any kind for customers’ losses due to the use of this document. Product

specifications are subject to change without notice.

The following disclaimer is required by Sam Leffler and Silicon Graphics, Inc. for the use of their TIFF library:

Permission to use, copy, modify, distribute, and sell this software [i.e., the TIFF library] and its documentation for any purpose

is hereby granted without fee, provided that (i) the above copyright notices and this permission notice appear in all copies of

the software and related documentation, and (ii) the names of Sam Leffler and Silicon Graphics may not be used in any

advertising or publicity relating to the software without the specific, prior written permission of Sam Leffler and Silicon

Graphics.

THE SOFTWARE IS PROVIDED “AS-IS” AND WITHOUT WARRANTY OF ANY KIND, EXPRESS, IMPLIED OR

OTHERWISE, INCLUDING WITHOUT LIMITATION, ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A

PARTICULAR PURPOSE.

IN NO EVENT SHALL SAM LEFFLER OR SILICON GRAPHICS BE LIABLE FOR ANY SPECIAL, INCIDENTAL, INDIRECT

OR CONSEQUENTIAL DAMAGES OF ANY KIND, OR ANY DAMAGES WHATSOEVER RESULTING FROM LOSS OF USE,

DATA OR PROFITS, WHETHER OR NOT ADVISED OF THE POSSIBILITY OF DAMAGE, AND ON ANY THEORY OF

LIABILITY, ARISING OUT OF OR IN CONNECTION WITH THE USE OR PERFORMANCE OF THIS SOFTWARE.

The following disclaimer is required by the Independent JPEG Group:

This software is based in part on the work of the Independent JPEG Group.

This Software may contain components licensed under the following conditions:

Redistribution and use in source and binary forms are permitted provided that the above copyright notice and this paragraph

are duplicated in all such forms and that any documentation, advertising materials, and other materials related to such

distribution and use acknowledge that the software was developed by the University of California, Berkeley. The name of the

University may not be used to endorse or promote products derived from this software without specific prior written

permission. THIS SOFTWARE IS PROVIDED ``AS IS'' AND WITHOUT ANY EXPRESS OR IMPLIED WARRANTIES,

INCLUDING, WITHOUT LIMITATION, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A

PARTICULAR PURPOSE.

Permission to use, copy, modify, and distribute this software and its documentation for any purpose and without fee is hereby

granted, provided that the above copyright notice appear in all copies and that both that copyright notice and this permission

notice appear in supporting documentation. This software is provided "as is" without express or implied warranty.

3

Permission to use, copy, modify, and distribute this software and its documentation for any purpose and without fee is hereby

granted, provided that the above copyright notice appear in all copies and that both that copyright notice and this permission

notice appear in supporting documentation. This software is provided "as is" without express or implied warranty.

Permission to use, copy, modify, distribute, and sell this software for any purpose is hereby granted without fee, provided that

the above copyright notice appear in all copies and that both that copyright notice and this permission notice appear in

supporting documentation, and that the name of Daniel Dardailler not be used in advertising or publicity pertaining to

distribution of the software without specific, written prior permission. Daniel Dardailler makes no representations about the

suitability of this software for any purpose. It is provided "as is" without express or implied warranty.

Permission to use, copy, modify, and distribute this software for any purpose without fee is hereby granted, provided that this

entire notice is included in all copies of any software which is or includes a copy or modification of this software and in all

copies of the supporting documentation for such software.

THIS SOFTWARE IS BEING PROVIDED "AS IS", WITHOUT ANY EXPRESS OR IMPLIED WARRANTY. IN PARTICULAR,

NEITHER THE AUTHOR NOR AT&T MAKES ANY REPRESENTATION OR WARRANTY OF ANY KIND CONCERNING THE

MERCHANTABILITY OF THIS SOFTWARE OR ITS FITNESS FOR ANY PARTICULAR PURPOSE.

This product includes software developed by the University of California, Berkeley and its contributors.

The following

disclaimer is required by Paradigm Matrix:

Portions of this software licensed from Paradigm Matrix.

The following disclaimer is required by Nexidia Inc.:

Manufactured under license from the Georgia Tech Research Corporation, U.S.A. Patent Pending.

The following disclaimer is required by Ray Sauers Associates, Inc.:

“Install-It” is licensed from Ray Sauers Associates, Inc. End-User is prohibited from taking any action to derive a source code

equivalent of “Install-It,” including by reverse assembly or reverse compilation, Ray Sauers Associates, Inc. shall in no event be

liable for any damages resulting from reseller’s failure to perform reseller’s obligation; or any damages arising from use or

operation of reseller’s products or the software; or any other damages, including but not limited to, incidental, direct, indirect,

special or consequential Damages including lost profits, or damages resulting from loss of use or inability to use reseller’s

products or the software for any reason including copyright or patent infringement, or lost data, even if Ray Sauers Associates

has been advised, knew or should have known of the possibility of such damages.

The following disclaimer is required by Videomedia, Inc.:

“Videomedia, Inc. makes no warranties whatsoever, either express or implied, regarding this product, including warranties with

respect to its merchantability or its fitness for any particular purpose.”

“This software contains V-LAN ver. 3.0 Command Protocols which communicate with V-LAN ver. 3.0 products developed by

Videomedia, Inc. and V-LAN ver. 3.0 compatible products developed by third parties under license from Videomedia, Inc. Use

of this software will allow “frame accurate” editing control of applicable videotape recorder decks, videodisc recorders/players

and the like.”

The following disclaimer is required by Altura Software, Inc. for the use of its Mac2Win software and Sample

Source Code:

The following disclaimer is required by Ultimatte Corporation:

Certain real-time compositing capabilities are provided under a license of such technology from Ultimatte Corporation and are

subject to copyright protection.

The following disclaimer is required by 3Prong.com Inc.:

Certain waveform and vector monitoring capabilities are provided under a license from 3Prong.com Inc.

The following disclaimer is required by Interplay Entertainment Corp.:

4

The “Interplay” name is used with the permission of Interplay Entertainment Corp., which bears no responsibility for Avid

products.

This product includes portions of the Alloy Look & Feel software from Incors GmbH.

This product includes software developed by the Apache Software Foundation (http://www.apache.org/

).

This product may include the JCifs library, for which the following notice applies:

Party Software directory on the installation CD.

Avid Interplay contains components licensed from LavanTech. These components may only be used as part of and in

connection with Avid Interplay.

Attn. Government User(s). Restricted Rights Legend

U.S. GOVERNMENT RESTRICTED RIGHTS. This Software and its documentation are “commercial computer software” or

“commercial computer software documentation.” In the event that such Software or documentation is acquired by or on behalf

of a unit or agency of the U.S. Government, all rights with respect to this Software and documentation are subject to the terms

of the License Agreement, pursuant to FAR §12.212(a) and/or DFARS §227.7202-1(a), as applicable.

Trademarks

888 I/O, Adrenaline, AirPlay, AirSPACE, AirSPACE HD, AirSpeed, AniMatte, AudioSuite, AudioVision, AutoSync, Avid,

Avid DNA, Avid DNxcel, Avid DNxHD, AVIDdrive, AVIDdrive Towers, Avid DS Assist Station, Avid ISIS,

Avid Learning Excellerator, Avid Liquid, Avid Mojo, AvidNet, AvidNetwork, Avid Remote Response, AVIDstripe, Avid Unity,

Avid Unity ISIS, Avid Xpress, AVoption, AVX, CamCutter, ChromaCurve, ChromaWheel, DAE, Dazzle, Deko, DekoCast, D-Fi,

D-fx, DigiDelivery, Digidesign, Digidesign Audio Engine, Digidesign Intelligent Noise Reduction, DigiDrive,

Digital Nonlinear Accelerator, DigiTranslator, DINR, DNxchange, do more, D-Verb, Equinox, ExpertRender, Face Robot,

FACE ROBOT, FieldPak, Film Composer, FilmScribe, FluidMotion, FXDeko, HIIP, HyperSPACE, HyperSPACE HDCAM,

IllusionFX, Image Independence, iNEWS, iNEWS ControlAir, Instinct, Interplay, Intraframe, iS9, iS18, iS23, iS36, IsoSync,

LaunchPad, Lightning, Lo-Fi, Magic Mask, make manage move | media, Marquee, Matador, Maxim, MCXpress,

Media Browse, Media Composer, MediaDock, MediaDock Shuttle, Media Fusion, Media Illusion, MediaLog, Media Reader,

Media Recorder, MEDIArray, MediaShare, MediaStream, Meridien, MetaSync, MissionControl, NaturalMatch, Nearchive,

NetReview, NewsCutter, Nitris, OMF, OMF Interchange, OMM, Open Media Framework, Open Media Management, PCTV,

Pinnacle MediaSuite, Pinnacle Studio, Pinnacle Systems, ProEncode, Pro Tools, QuietDrive, Recti-Fi, RetroLoop, rS9, rS18,

Sci-Fi, ScriptSync, SecureProductionEnvironment, Show Center, Softimage, Sound Designer II, SPACE, SPACEShift,

SpectraGraph, SpectraMatte, SteadyGlide, Symphony, TARGA, Thunder, Thunder station, Trilligent, UnityRAID, Vari-Fi,

Video RAID, Video Slave Driver, VideoSPACE, and Xdeck are either registered trademarks or trademarks of Avid Technology,

Inc. in the United States and/or other countries.

Adobe and Photoshop are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States

and/or other countries. Apple and Macintosh are trademarks of Apple Computer, Inc., registered in the U.S. and other

countries. Windows is either a registered trademark or trademark of Microsoft Corporation in the United States and/or other

countries. All other trademarks contained herein are the property of their respective owners.

Footage

Arizona Images — KNTV Production — Courtesy of Granite Broadcasting, Inc.,

Editor/Producer Bryan Foote.

Canyonlands — Courtesy of the National Park Service/Department of the Interior.

Eco Challenge Morocco — Courtesy of Discovery Communications, Inc.

News material provided by WFTV Television Inc.

“Tigers: Tracking a Legend” — Courtesy of www.wildlifeworlds.com, Carol Amore, Executive Producer.

Tornados + Belle Isle footage — Courtesy of KWTV News 9.

WCAU Fire Story — Courtesy of NBC-10, Philadelphia, PA.

Women in Sports – Paragliding — Courtesy of Legendary Entertainment, Inc.

GOT FOOTAGE?

Editors — Filmmakers — Special Effects Artists — Game Developers — Animators — Educators — Broadcasters — Content

creators of every genre — Just finished an incredible project and want to share it with the world?

Send us your reels and we may use your footage in our show reel or demo!*

For a copy of our release and Avid’s mailing address, go to www.avid.com/footage.

*Note: Avid cannot guarantee the use of materials submitted.

Avid NewsCutter Products Advanced Guide • 0130-07610-01 • March 2007

Contents

Using This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Symbols and Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

If You Need Help. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Accessing the Online Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

How to Order Documentation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Avid Educational Services. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Chapter 1 Working with the Project Window: Advanced. . . . . . . . . . . . . . . . . . . . . 35

Working with User Profiles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Understanding User Profiles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Managing User Profiles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Managing Folders and Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Guidelines for Project Organization . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Creating a Folder in a Project. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Managing Bins and Memory. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Saving Bins Automatically . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Using the Info Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Viewing Memory. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Accessing the Hardware Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Customizing the Appearance of the Avid User Interface . . . . . . . . . . . . . . . . . . . . . 44

Changing Interface Component Colors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Changing Button and Toolbar Styles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Changing Font and Point Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Customizing Your Workspace. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Creating a New Workspace Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Linking User Settings and Workspaces . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Switching Between Workspaces . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

6

Deleting a Workspace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Assigning a Workspace Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Sharing Bins and Projects in an Avid Unity Environment. . . . . . . . . . . . . . . . . . . . . 53

Understanding Avid Unity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Sharing Methods . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Opening a Shared Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Working with Locks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

Default Locking Mechanism . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

Overriding the Default Locking Mechanism . . . . . . . . . . . . . . . . . . . . . . . . 57

Restrictions and Limitations for Locked Bins . . . . . . . . . . . . . . . . . . . . . . . 57

Suggestions for Improving Performance When Working with Shared Bins. . . . 58

Shared Bin and Project Limitations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Shared Bin Lock Icon Limitation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Drive Filtering in Networked Workflows. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Chapter 2 Using Tools. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Using the Tools Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Using the Deck Controller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Using the Command Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

Understanding Button Mapping. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

Mapping User-Selectable Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67

Using the Blank Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Mapping Modifier Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Mapping Menu Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Activating Commands from the Command Palette . . . . . . . . . . . . . . . . . . . . . . 69

Using the Avid Calculator. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

Using the Console Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

Displaying System Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Reviewing a Log of Errors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Getting Information with the Console . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Using the Console Window to Access Network Drives . . . . . . . . . . . . . . . . . . . 72

Using the Hardware Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Using External Controllers as Editing Control Surfaces. . . . . . . . . . . . . . . . . . . . . . 73

7

Chapter 3 Logging: Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

Preparing Log Files for Import. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

Converting Log Files with Avid Log Exchange. . . . . . . . . . . . . . . . . . . . . . . . . . 76

Using Drag-and-Drop Conversion for Log Files . . . . . . . . . . . . . . . . . . . . . . . . 79

Compatible Log Formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

Understanding Avid Log Specifications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Avid Log Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Global Headings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Column Headings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Data Entries. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Sample Avid Log . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Creating Avid Logs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Double-Checking Log Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Logging Directly into a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Tips for Logging Preroll, Logging Timecode, and Naming Tapes . . . . . . . . . . . 91

Logging with Avid-Controlled Decks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Pausing the Deck While Logging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Using a Memory Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

Logging with Non-Avid-Controlled Decks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

Setting the Pulldown Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

Modifying Clip Information Before Capturing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Exporting Shot Log Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Chapter 4 Capturing Media: Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Advanced Capture Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Capturing Across Timecode Breaks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Selecting the Preroll Method . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Capturing to Multiple Media Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

General Settings for Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Settings for Film and 24p Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Disabling Video Resolutions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Understanding Drop-Frame and Non-Drop-Frame Timecode . . . . . . . . . . . . . . . . 113

8

Preparing for Audio Input: Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114

Creating Tone Media. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114

Using the Passthrough Mix Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

Resizing the Passthrough Mix Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

Monitoring Audio with the Passthrough Mix Tool . . . . . . . . . . . . . . . . . . . 115

Changing an Audio Level in the Passthrough Mix Tool . . . . . . . . . . . . . . 116

Adjusting Pan Values in the Passthrough Mix Tool . . . . . . . . . . . . . . . . . 117

Changing the Audio Hardware Calibration Setting . . . . . . . . . . . . . . . . . . . . . 117

Calibrating Audio Input Channels. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

Calibrating Audio Output Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Using the Console Window to Check Audio Levels. . . . . . . . . . . . . . . . . . . . . 119

Preparing for Video Input: Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Limitation When Using Consumer Decks or Decks

Without Time-Base Correctors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Saving Video Input Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Saving a Custom Default Setting for the Video Input Tool . . . . . . . . . . . . . . . 122

Adjusting Video Levels for Tapes Without Color Bars. . . . . . . . . . . . . . . . . . . 122

Using Function Keys When Capturing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Special Capture Procedures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Logging Errors to the Console Window. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Creating Subclips While Capturing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126

Creating Timed Subclips While Capturing. . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

Adding Locators On-the-Fly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

Naming a New Tape from the Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128

Controlling Decks from the Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129

Working in Quick Record Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

Adding Extra Text Fields in the Capture Tool . . . . . . . . . . . . . . . . . . . . . . . . . 131

Mapping the Record Button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Ejecting Tapes with a Button or Key . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134

Returning to the Previous Place in the Select Tape Dialog Box . . . . . . . . . . . 134

Understanding DV Capture Offset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134

Capturing DV Material with Offset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136

Delaying Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137

9

Capturing in Satellite Mode or No Device Control. . . . . . . . . . . . . . . . . . . . . . . . . . 137

Setting a Timed Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141

Capturing to the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143

Patching When Capturing to the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144

Remote Play, Capture, and Punch-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145

Selecting Remote Play and Capture Settings . . . . . . . . . . . . . . . . . . . . . . . . . 146

Enabling Remote Capture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147

Enabling Remote Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148

Setting up Your System for Remote Punch-In . . . . . . . . . . . . . . . . . . . . . . . . . 149

Avid Serial Driver and Remote Play and Capture . . . . . . . . . . . . . . . . . . . . . . 151

Modifying the Pulldown Phase After Capturing. . . . . . . . . . . . . . . . . . . . . . . . . . . . 152

DV and HDV Scene Extraction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154

Setting Up DV and HDV Scene Extraction Before Capturing. . . . . . . . . . . . . . 154

Setting Up DV Scene Extraction After Capturing . . . . . . . . . . . . . . . . . . . . . . . 155

Support for Panasonic VariCam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156

Chapter 5 Importing Files: Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157

Importing Photoshop Graphics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157

Importing Single-Layer Photoshop Graphics . . . . . . . . . . . . . . . . . . . . . . . . . . 158

Importing Multilayered Photoshop Graphics . . . . . . . . . . . . . . . . . . . . . . . . . . 158

Example of Multilayered Photoshop Graphics Import . . . . . . . . . . . . . . . . 159

Support for Multilayered Photoshop Graphics Import . . . . . . . . . . . . . . . . 161

Preserving Layer Effects in Multilayered Photoshop Graphics . . . . . . . . . 162

Importing Multilayered Photoshop Files . . . . . . . . . . . . . . . . . . . . . . . . . . 163

Importing Media from XDCAM Devices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164

Connecting the XDCAM Device . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166

Working with XDCAM HD Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166

Playing XDCAM Media on an Avid Symphony. . . . . . . . . . . . . . . . . . . . . . . . . 167

Setting the XDCAM Import Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167

Importing XDCAM Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168

Automatically Importing Proxy Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169

Importing All Proxy Media from an XDCAM Disc . . . . . . . . . . . . . . . . . . . 170

Copying XDCAM Proxy Media to a Local Drive or a Server . . . . . . . . . . . 171

Manually Importing XDCAM Media from the XDCAM Disc . . . . . . . . . . . . 172

10

Importing Essence Marks as Locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

Editing the Proxy Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174

Batch Importing High-Resolution Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176

Editing and Finishing High-Resolution Media . . . . . . . . . . . . . . . . . . . . . . . . . 179

Importing Editcam Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179

Importing Sequences from Pro Tools through Interplay. . . . . . . . . . . . . . . . . . . . . 181

Chapter 6 Working with Bins: Advanced. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183

Advanced Bin Procedures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184

Displaying Custom Bin Views . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184

Customizing Bin Views in Text View . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184

Saving a Custom Bin View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185

Assigning Colors to Bin Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186

Sifting Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187

Sifting Timecodes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188

Locking and Unlocking Items in a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190

Selecting Offline Items in a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191

Selecting Media Relatives for an Object . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191

Selecting Unreferenced Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192

Using Text View: Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193

Manipulating Bin Columns. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193

Duplicating Bin Columns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194

Adding Customized Columns to a Bin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194

Changing a Custom Bin Column Heading. . . . . . . . . . . . . . . . . . . . . . . . . . . . 195

Managing Clip Information in Text View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195

Moving Within Column Cells. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195

Modifying Clip Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196

Modifying Data Directly. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197

Using the Modify Command to Modify Data . . . . . . . . . . . . . . . . . . . . . . . 198

Copying Information Between Columns . . . . . . . . . . . . . . . . . . . . . . . . . . 201

Copying Information from Another Cell in a Custom Column. . . . . . . . . . 201

Selecting a Film Gauge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201

Tracking 3-Perf Counts. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202

Selecting an Edgecode Type . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203

11

Sorting Clips in Text View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203

Displaying Timecodes in a 24p or 25p Project. . . . . . . . . . . . . . . . . . . . . . . . . 205

Frame Counting for Timecodes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205

Adding Timecode Columns to a Bin or the Media Tool . . . . . . . . . . . . . . . 205

Adding Timecode Values to the Timecode Columns. . . . . . . . . . . . . . . . . 206

Bin Column Headings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206

Working with Restricted Material. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209

Displaying or Outputting Restricted Material . . . . . . . . . . . . . . . . . . . . . . . . . . 209

Disassociating Restrictions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210

Viewing Restriction Comments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211

Changing Restriction Comments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211

Searching the Database for Restrictions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211

Printing Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212

Preparing Digital Bars and Tone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213

Importing Color Bars and Other Test Patterns . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213

Creating Leader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215

Creating Video Leader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215

Creating Audio Leader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215

Chapter 7 Managing Media Files: Advanced. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217

Using Panasonic DVCPRO P2 Equipment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217

Panasonic P2 Formats. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218

P2 Files and Folders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218

Workflow for Editing with P2 Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219

Installing the Panasonic P2 Drivers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220

Preparing to Mount P2 Cards as Drives . . . . . . . . . . . . . . . . . . . . . . . . . . 220

Mounting P2 Cards as Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221

Copying P2 Files to a FireWire or Network Drive . . . . . . . . . . . . . . . . . . . 222

Copying P2 Files to a Local Media Drive. . . . . . . . . . . . . . . . . . . . . . . . . . 222

Changing P2 Cards in the Card Reader . . . . . . . . . . . . . . . . . . . . . . . . . . 223

Importing P2 Clips and Media Directly from a P2 Card or a Copy

of a P2 Card. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223

Dragging P2 Master Clips from the Media Tool to a Bin . . . . . . . . . . . . . . 224

Working with Spanned Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227

12

Sharing P2 Clips and Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228

Exporting Your Clip or Sequence to a P2 Card. . . . . . . . . . . . . . . . . . . . . . . . 228

Deleting P2 Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229

Finding a Related Media File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230

Relinking Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231

Relink Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233

Relinking Clips to a New Project Format. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235

Relinking by Resolution. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236

Relinking to Selected Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237

Relinking Consolidated Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238

Relinking Moved Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238

Unlinking Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239

Using Videotapes for Archiving and Restoring Media Files . . . . . . . . . . . . . . . . . . 239

Archiving Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240

Archive to Videotape Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243

Restoring an Archive from Videotape . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244

Chapter 8 Script-Based Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247

Lined Script Basics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 248

Explanation of Symbols. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249

Lining in the Digital Realm. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250

Script Integration Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251

Using Script Integration in Video Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251

Script Window Basics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252

Script Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253

Importing a Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253

Selecting Text Encoding for Scripts. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254

Opening, Closing, and Saving the Script Window. . . . . . . . . . . . . . . . . . . . . . 255

Displaying Clip and Sequence Information in a Script Window. . . . . . . . . . . . 256

Exploring the Script Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256

Adjusting the Script Margins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256

Manipulating Script Text. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257

Changing the Font of the Script. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257

Selecting Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257

13

Cutting, Copying, and Pasting Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259

Removing Script Text. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260

Searching Through Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260

Using Page and Scene Numbers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260

Adding a Page or Scene Number . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260

Changing a Page or Scene Number . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 261

Deleting a Page or Scene Number . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 262

Searching for a Page or Scene Number . . . . . . . . . . . . . . . . . . . . . . . . . . 262

Conducting a Text Search . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 262

Linking Clips to the Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263

Interpolating Position for Script Integration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265

Manipulating Slates. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265

Selecting Slates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265

Resizing Slates. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 266

Holding Slates On Screen in the Script Window . . . . . . . . . . . . . . . . . . . . . . . 266

Hiding Slate Frames. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 266

Showing One Take Per Slate. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267

Moving a Slate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 268

Deleting a Slate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 268

Manipulating Takes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269

Selecting Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269

Adding Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269

Deleting Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269

Displaying Take Numbers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270

Changing the Representative Frame for a Take . . . . . . . . . . . . . . . . . . . . . . . 270

Loading Takes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271

Playing Takes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271

Adjusting Take Lines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271

Indicating Off-Screen Dialog . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 272

Using Color Indicators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 272

Using Script Marks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273

Placing Script Marks Manually . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274

Using Real-Time Screening and Marking. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275

14

Marking with ScriptSync . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277

Loading and Playing Marked Segments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280

Moving a Script Mark. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 281

Deleting a Script Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 281

Finding Clips and Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282

Finding Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282

Finding Clips and Bins from the Script Window. . . . . . . . . . . . . . . . . . . . . . . . 282

Editing with the Script Window. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283

Assembling a Rough Cut. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283

Splicing a Script Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284

Revising the Script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284

Interactive Screenings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284

Chapter 9 Viewing and Marking Footage: Advanced . . . . . . . . . . . . . . . . . . . . . . . 287

Displaying the Info Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287

Displaying Timecode in the Timecode Window . . . . . . . . . . . . . . . . . . . . . . . . . . . 289

Adjusting the Play Delay Offset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290

Using the Tool Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291

Playing Selected Clips in a Loop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292

Using Locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292

Ways to Use Locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293

Adding Locators While Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 294

Finding Locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 295

Editing Locator Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 295

Marking an Area Using Locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 296

Moving to the Previous or Next Locator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 296

Deleting Locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297

Using the Locators Window. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297

Viewing Locators in the Locators Window . . . . . . . . . . . . . . . . . . . . . . . . 298

Working in the Locators Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 298

Exporting and Importing Locators. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300

Creating a Locator Text (.txt) File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300

Copying and Pasting Locators Using the Locators Window. . . . . . . . . . . 301

Printing the Contents of the Locators Window . . . . . . . . . . . . . . . . . . . . . 302

15

Chapter 10 Creating and Editing Sequences: Advanced. . . . . . . . . . . . . . . . . . . . . 305

Playback Performance Tips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305

Playing a Limited Duration of a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 306

Autosyncing Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307

Understanding Autosyncing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307

Creating an Autosynced Subclip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 308

Managing Sync with Multiple Tracks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 308

Using Sync Lock. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309

Syncing with Tail Leader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309

Syncing with Locators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311

Using Add Edit When Trimming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312

Ganging Footage in Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313

Synchronizing Metadata Using MetaSync . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313

Chapter 11 Using the Timeline: Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315

Timeline Views: Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 316

Displaying the Timeline Top Toolbar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 316

Displaying Timecode Tracks in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . 316

Assigning Local Colors to Clips in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . 317

Displaying Local and Source Colors in the Timeline . . . . . . . . . . . . . . . . . . . . 317

Changing the Timeline Background Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318

Changing the Timeline Track Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318

Showing Locators in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318

Navigating in the Timeline: Advanced. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319

Using the Full-Screen Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319

Displaying Source Material in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . 320

IN to OUT Highlighting in the Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321

Using Advanced Timeline Techniques . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321

Bin Editing into the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 322

Bin Editing Directly into a Sequence Using the Keyboard . . . . . . . . . . . . . . . . 322

Editing with the Film Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323

Editing in Heads or Heads Tails View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 324

Performing a Quick Edit Using the Top and Tail Commands. . . . . . . . . . . . . . 324

16

Adding an Edit (Match Framing). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325

Adding Edits to Filler Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326

Removing Match-Frame Edits. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326

Detecting Duplicate Frames. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327

Adjusting Handle Length in Dupe Detection. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328

Finding Black Holes and Flash Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 330

Printing the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331

Chapter 12 Working in Trim Mode: Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333

Creating Overlap Edits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333

Extending an Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 334

Maintaining Sync While Trimming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335

Adding Black When Trimming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335

Trimming with Sync-Locked Tracks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336

Slipping or Sliding Segments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337

Selecting Segments for Slip or Slide Trimming . . . . . . . . . . . . . . . . . . . . . . . . 339

Slipping or Sliding Segments in a Four-Frame Display. . . . . . . . . . . . . . . . . . 339

Performing the Slip or Slide Trim. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340

Chapter 13 Working with Audio: Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343

Audio Gain Staging and an Audio Editing Workflow . . . . . . . . . . . . . . . . . . . . . . . 344

Rendering and Unrendering Order for Audio Effects. . . . . . . . . . . . . . . . . . . . 345

Viewing Clip Gain and Automation Gain Values . . . . . . . . . . . . . . . . . . . . . . . 346

Bypassing Existing Volume Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 346

About Adjusting Volume While Playing a Clip Gain Effect . . . . . . . . . . . . . . . 346

Adjusting Volume While Playing a Clip Gain Effect . . . . . . . . . . . . . . . . . 347

Improving Response Time When Adjusting Volume . . . . . . . . . . . . . . . . 348

Using External Fader Controllers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 348

Adjusting the Volume of Individual Keyframes . . . . . . . . . . . . . . . . . . . . . . . . 351

Adjusting the Pan of Individual Keyframes . . . . . . . . . . . . . . . . . . . . . . . . . . . 351

Using an External Fader Controller or Mixer to Record Automation Gain. . . . 352

Using the Digi 002 and Command|8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353

Using the Digi 002 with Avid DNA Hardware (Windows Only) . . . . . . . . . . . . 354

Using the Command|8 with Your Avid Editing System . . . . . . . . . . . . . . . . . . 356

17

Configuring the Digi 002 or Command|8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 356

Mapping Buttons and Menu Commands . . . . . . . . . . . . . . . . . . . . . . . . . . 357

Button Layouts on the Digi 002 and Command|8 . . . . . . . . . . . . . . . . . . . 360

Using Buttons to Change Focus in the Avid Editing

Application Interface. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 361

Using a Foot Pedal as a Foot Switch . . . . . . . . . . . . . . . . . . . . . . . . . . . . 362

Switching Between the Digi 002 and Command|8 . . . . . . . . . . . . . . . . . . 362

Using a Digi 002 or Command|8 to Record Automation Pan . . . . . . . . . . . . . . 362

Using the Latch Mode Feature on the Digi 002 and Command|8 . . . . . . . . . . 363

Configuring USB-to-MIDI Software for External Controllers . . . . . . . . . . . . . . . . . . 364

Installing USB-to-MIDI Software. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 364

Testing the Fader Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365

Switching Between MIDI Connections on the USB-to-MIDI Converter . . . . . . 366

Troubleshooting the MIDI Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367

Using the FaderMaster Pro and MCS-3000X . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367

MCS-3000X Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368

Using the Snap Mode Feature on the MCS-3000X . . . . . . . . . . . . . . . . . . . . . 369

Ganging Faders on the FaderMaster Pro. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 370

Using the Yamaha 01V/96 or the Yamaha 01V . . . . . . . . . . . . . . . . . . . . . . . . . . . 370

Setting Up the Yamaha 01V/96 or Yamaha 01V . . . . . . . . . . . . . . . . . . . . . . . 370

Initializing the Yamaha 01V/96 or Yamaha 01V . . . . . . . . . . . . . . . . . . . . 371

Configuring the Yamaha 01V/96 or Yamaha 01V to Recognize

Control Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 371

Starting the Avid System with the Yamaha 01V/96 or the

Yamaha 01V Attached . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 373

Operating the Yamaha 01V/96 and Yamaha 01V . . . . . . . . . . . . . . . . . . . . . . 373

Soloing Avid System Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 374

Using the Audio EQ Tool. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375

Audio EQ Tool Features. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 376

Applying Audio EQ Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 378

Saving Audio EQ Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 381

Removing Audio EQ Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382

18

Audio EQ Examples . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382

Low Shelf Example. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382

Small Octave Range Example . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 383

Using Audio EQ Templates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 384

Applying an EQ Template. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 385

Creating Your Own Templates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 386

Adding an EQ Template to the Audio EQ Tool Fast Menu. . . . . . . . . . . . 386

Adjusting EQ While Playing an Audio Effect . . . . . . . . . . . . . . . . . . . . . . . . . . 387

Recording Voice-Over Narration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 388

Connecting Voice-Over Recording Hardware . . . . . . . . . . . . . . . . . . . . . . . . . 388

Recording Voice-Over Narration Using the Capture Tool . . . . . . . . . . . . . . . . 388

Understanding the Audio Punch-In Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 390

Recording Voice-Over Narration Using Audio Punch-in . . . . . . . . . . . . . . . . . 393

Monitoring Previously Recorded Tracks While

Recording Voice-Over Narration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 396

Using Peak Hold While Recording Voice-Over Narration . . . . . . . . . . . . . . . . 396

Using a GPI Device with the Audio Punch-In Tool. . . . . . . . . . . . . . . . . . . . . . . . . 396

Understanding GPI Trigger Signals. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 397

GPI Signal Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 398

Example of Linking GPI Actions to Trigger Signals . . . . . . . . . . . . . . . . . 398

Connecting a V-LAN VLXi Controller and GPI . . . . . . . . . . . . . . . . . . . . . . . . 399

Configuring a V-LAN VLXi Controller and GPI . . . . . . . . . . . . . . . . . . . . . . . . 399

Working with GPI Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 400

Creating a GPI Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 400

GPI Settings Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 401

Editing a GPI Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 402

Deleting a GPI Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 403

Displaying Audio Formats in Bins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 403

Using Automatic Voice-Over . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 403

19

Chapter 14 Using AudioSuite Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 407

Understanding Digidesign AudioSuite Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . 407

Installing AudioSuite Plug-Ins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 407

Using Digidesign AudioSuite Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 408

Applying an AudioSuite Plug-in to a Clip in the Timeline . . . . . . . . . . . . . . . . . 409

Using an AudioSuite Plug-In Dialog Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 410

AudioSuite Fast Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 411

Rendering AudioSuite Plug-in Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 411

Creating New Master Clips with AudioSuite Plug-Ins. . . . . . . . . . . . . . . . . . . . 412

AudioSuite Controls for Creating New Master Clips . . . . . . . . . . . . . . . . . 412

Mono, Stereo, and Multichannel Processing in AudioSuite Plug-Ins. . . . . 414

Using AudioSuite Plug-ins to Create New Master Clips . . . . . . . . . . . . . . 415

Using AudioSuite Effect Templates. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 416

Using AudioSuite Plug-Ins in Stereo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 417

AudioSuite Plug-in Limitations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 417

Troubleshooting AudioSuite Plug-Ins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 418

Core AudioSuite Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 418

Chorus AudioSuite Plug-In. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 420

D-Verb AudioSuite Plug-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 422

Compressor AudioSuite Plug-In. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 423

Limiter AudioSuite Plug-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 425

Expander-Gate AudioSuite Plug-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 426

Gate AudioSuite Plug-In. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 428

DeEsser AudioSuite Plug-In. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 429

EQ AudioSuite Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 430

Flanger AudioSuite Plug-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 434

Invert AudioSuite Plug-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 435

Duplicate AudioSuite Plug-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 435

Delay AudioSuite Plug-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 436

Multi-Tap Delay AudioSuite Plug-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 437

Normalize AudioSuite Plug-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 438

Gain AudioSuite Plug-In. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 438

Ping-Pong Delay AudioSuite Plug-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 439

20

Reverse AudioSuite Plug-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 439

DC Offset Removal AudioSuite Plug-In. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 440

Signal Generator AudioSuite Plug-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 440

Time Compression Expansion AudioSuite Plug-In . . . . . . . . . . . . . . . . . . . . . 440

Pitch Shift AudioSuite Plug-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 443

Time Shift AudioSuite Plug-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 444

Non-Core AudioSuite Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 448

Chapter 15 Exporting and Transferring Material: Advanced . . . . . . . . . . . . . . . . . . 451

Exporting Using Send To Templates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 452

Send To DigiDelivery. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 453

Send To Digidesign Pro Tools. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 455

Send to DVD Authoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 458

Send to DVD One Step . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 460

Send to Sorenson Squeeze . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 462

Send To Avid DS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 464

Send To Third-Party Applications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 466

Exporting OMFI and AAF Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 468

Exporting Through OMF Interchange . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 468

Exporting Through AAF. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 468

Selecting an OMFI or an AAF Transfer Method . . . . . . . . . . . . . . . . . . . . . . . 469

Exporting As an OMFI or an AAF File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 469

Guidelines for Exporting AAF Files to Pro Tools . . . . . . . . . . . . . . . . . . . . . . . 471

Exporting Projects and Bins Using AFE Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . 473

Exporting Video in DV Stream Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 474

Exporting QuickTime Movies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 477

Exporting As a QuickTime Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 477

Exporting As a QuickTime Reference Movie. . . . . . . . . . . . . . . . . . . . . . . . . . 479

Using Avid Codecs for QuickTime. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 481

Exporting As an AVI File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 485

Installing or Copying the Avid Codecs for QuickTime on Other Systems . . . . . . . 487

Exporting from a Third-Party QuickTime or AVI Application . . . . . . . . . . . . . . . . . 488

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