Ableton Live - 5.0 Owner's manual

Category
Software
Type
Owner's manual

This manual is also suitable for

1
Live Version 5.2 for Windows and Mac OS
Created by Bernd Roggendorf, Gerhard Behles, Robert Henke, awi, Reiner Rudolph, Stefan
Haller, Torsten Slama, Eduard Mueller, Stefan Franke, Frank Hoffmann, Andreas Zapf, Hans-
Thomas Mueller, Henrik Hahn, Ralf Suckow, Gregor Klinke, Matthias Mayrock, Friedemann
Schautz, Ingo Koehne.
Reference Manual by Rose Knudsen, Gerhard Behles, Jakob Rang, Robert Henke, Torsten
Slama.
Loops and samples provided by Big Fish Audio.
Web: www.bigshaudio.com
E-mail: info@bigshaudio.com
Address: 11003 Penrose Street, Suite C, Los Angeles, CA 91352
Copyright 2006 Ableton AG. All rights reserved.
This manual, as well as the software described in it, is furnished under license and may be used or copied only in accordance with
the terms of such license. The content of this manual is furnished for informational use only, is subject to change without notice and
should not be construed as a commitment by Ableton. Ableton assumes no responsibility or liability for any errors or inaccuracies
that may appear in this book.
Except as permitted by such license, no part of this publication may be reproduced, stored in a retrieval system or transmitted, in
any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of Ableton.
Macintosh, Audio Units and QuickTime are registered trademarks of Apple Computer, Inc. Windows is a registered trademark
of Microsoft Corporation. VST is a trademark of Steinberg Media Technologies GmbH. ReWire is a trademark of Propellerhead
Software AB. Mackie Control is a trademark of LOUD Technologies Inc. Ogg Vorbis and FLAC are trademarks of Xiph.Org. Ableton
is a trademark of Ableton AG. All other product and company names are trademarks or registered trademarks of their respective
holders.
Chapter 1
Welcome to Live
1.1 The Ableton Team Says: Thank You
Live is the result of musicians wanting a better way to create, produce and perform music
using a computer. A great deal of effort has been put into making Live easy and fun to
use, yet at the same time capable of helping you create music with unlimited depth and
sophistication. This effort continues even as you read these lines... in fact, a new, improved
Live version might already be available for download! Please check on our website now
1
,
or choose Check for Updates from the Help menu.
We hope you enjoy using Live and that it enhances your creative process. Should you have
suggestions about how we can improve Live, please let us know
2
.
1
http://www.ableton.com/downloads
2
1
1.2. WHAT'S NEW IN LIVE 5? 2
Your Ableton Team.
1.2 What's New in Live 5?
1.2.1 Remix Features
Support for MP3, Ogg Vorbis, Ogg FLAC and FLAC compressed audio les
Auto-Warp
Complex Warp Mode for warping music containing beats, tones and textures
Clip scrub, nudge and improved transport controls
1.2.2 Organizational Tools for Files and Sets
File search function
Better browsing for les and folders
Live Clip format for easy storage and retrieval of clip and device settings
Import and export of Live Sets and their components directly from the Browser
Open Recent Set command
1.2.3 Clip and Track Enhancements
Track Freeze for conserving CPU resources and simplifying project sharing
1.2. WHAT'S NEW IN LIVE 5? 3
Track Delay controls to control for human, acoustic and hardware delays
Multi-selection clip editing
Clip deactivation option
1.2.4 Working with Arrangements
Launchable Arrangement Locators
New Arrangement Transport
Track I/O in the Arrangement View
1.2.5 Editing MIDI
Detailed and adaptive MIDI quantization options
Preview in the MIDI Editor
MIDI note deactivation option
1.2.6 MIDI and Key Remote Control
Mackie Control support
Improved mapping for the crossfader
1.2. WHAT'S NEW IN LIVE 5? 4
1.2.7 Resources
Valuable library of clips, device presets and Live Sets
Library expansion and customization with Live Packs
New interactive built-in program lessons
1.2.8 Live Effects and Instruments
Beat Repeat for reorganizing and shredding beats and vocals
Phaser and Flanger
Auto Pan for LFO-driven manipulation of amplitude and panning
Saturator for subtle-to-drastic distortion effects
Arpeggiator
New features for Simpler and Operator
1.2.9 Using Devices
Browser-based device preset management
Device groups for saving multi-effect combinations together with instruments
Device delay compensation for Live and plug-in instruments and effects
Live can receive MIDI messages from plug-ins
VST Plug-ins can be stored in various directories
1.2. WHAT'S NEW IN LIVE 5? 5
1.2.10 Miscellaneous
(PC) /
Ctrl
(Mac) context menus for many commands and settings
Zoom-adaptive or xed grid options
Count-in recording
Monitoring status easily visible when the In/Out section is hidden
Files, Sets and presets can be dragged into Live from the Explorer (Windows) / Finder
(Mac)
Chapter 2
First Steps
When you install Live and run it for the rst time, you will be presented with the Products
Preferences tab.
If you own Live, you can authorize your copy of the software by selecting it from the listed
products and clicking the Unlock button at the bottom of the window. Please see the chapter
on unlocking Live should you have questions or concerns that arise during the unlocking
process.
If you do not (yet) own Live, you can close the Preferences and proceed, as Live will run in
Demo Mode by default. In Demo Mode, you will be able to work with all of Live's features
with the exception of saving and exporting.
6
2.1. LEARN ABOUT LIVE 7
2.1 Lear n About Live
Live comes with a set of interactive lessons to take you step by step through the key features
of the program. The lessons are organized in a table of contents, which can be opened
directly in the program via the Help menu. We highly recommend following the lessons.
Many users have told us that the lessons helped them get familiar with the program very
quickly.
We also recommend that you read the Live Basics chapter, which encapsulates everything
that Live is and can do, and is therefore a worthwhile read for both beginners and expe-
rienced users. The remaining chapters of this manual serve as in-depth reference for the
material introduced in Live Basics.
2.1.1 Using the Info View and Index
Live's Info View tells you the name and function of the user interface element currently under
the mouse.
2.2. SETTING UP PREFERENCES 8
The Info View.
If you require more information on a specic user interface element or topic, please consult
this reference manual. The index, found at the end of the manual, contains the names of all
user interface elements and will lead you to the relevant section.
2.2 Setting up Preferences
Live's Preferences dialog is where you can nd various settings that govern how Live looks,
behaves and interfaces with the outside world. This dialog is accessed with the Options
menu's (Windows) / Live menu's (Mac OS X) Preferences entry.
Live's Preferences are distributed over several tabs:
The Audio Preferences are used to set up Live's audio connections with the outside
world via an audio interface. Please take the time to follow the program's built-in
Setting up Audio I/O lesson, which will walk you through all the steps required to
set up and optimize the settings for any given system. To access the lesson, choose
2.3. THE MAIN LIVE SCREEN 9
Lessons Table of Contents from the Help menu.
The MIDI/Sync Preferences are used to help Live recognize MIDI devices for three
separate and distinct purposes:
Playing MIDI notes. To learn how to route an external device into Live for MIDI
input, or how to send MIDI to an external device, please see the chapter on
routing.
Controlling parts of the interface remotely. This subject is covered in detail in the
chapter on remote control.
Syncing the program with an external sequencer or drum machine, either as a
master or a slave. Please see the manual section on sync for details.
The Plug-In Preferences pertain to the use of plug-in virtual instruments and effects,
as described in the chapter on using plug-ins.
The Default Preferences allow customizing the default state for new projects and their
components, as well as selecting options for new recordings.
The Misc(ellaneous) Preferences include various options. Here, you can select Live's
system language and a color scheme, or skin, for the Live user interface.
The Products Preferences are used to manage licensing and installation of the Live
platform, and add-on components like the Operator instrument and Live Pack library
packages.
2.3 The Main Live Screen
Most of your work in Live happens in the main Live screen. This screen consists of a number
of views. Each view manages a specic aspect of your project. As screen space is limited,
the Live views cannot all be up at the same time.
2.3. THE MAIN LIVE SCREEN 10
Each one of the selector buttons at the screen borders calls up a specic view; click this one,
for instance, to access the Live devices:
A View Selector.
To hide one of Live's views and free up screen space, click on the triangle-shaped button
next to it. To restore the view, click the button again.
A View Show/Hide
Button.
You can run Live in Full Screen Mode by selecting Full Screen from the View menu. To
leave Full Screen Mode, click the button that appears in the lower right corner of the screen.
Full Screen Mode can also be toggled by pressing the F11 key.
You can adjust the main window's horizontal split by dragging.
2.3. THE MAIN LIVE SCREEN 11
Adjusting the Main
Window Split.
Chapter 3
Unlocking Live
Live is protected against illegal use by a copy protection scheme. This scheme has been
designed to meet the highest security standards while avoiding hassles for the customer. If
you nd this procedure to be an inconvenience, please understand that the copy protection
secures your investment: It allows Ableton to provide you with support and to continue
developing Live.
Authorization of Ableton products takes place in the Preferences' Products tab, which will
appear when you start Live for the rst time.
Here you can choose to authorize (unlock) or purchase any Ableton products available to
you, for example the Operator instrument.
Please note that products such as Operator are sold separately from Live but are unlocked
using the same procedure described in the following sections. They can also be individually
set to Demo Mode in the Products tab so that you can try them out.
12
13
The Products Tab in the
Preferences.
Clicking on any product listed in the Products tab will give you the option of unlocking or
buying that product. Please click the Unlock button here to complete the unlocking process
in two steps. If you have not yet purchased the product, you can do so online by clicking the
Buy button. You can always return to the Products Preferences tab later or visit the Ableton
webshop
1
to make a purchase. Live's Preferences are available via the Options menu (or
the Live menu in Mac OS X).
Selecting the Unlock
Button in the Products
Tab.
1
http://www.ableton.com/shop
3.1. STEP 1: ENTERING YOUR SERIAL NUMBER 14
3.1 Step 1: Entering Your Serial Number
As an owner of Live, you have received a Serial Number from Ableton, either via e-mail (if
you ordered Live directly from Ableton), or on a card as part of the Live package.
The Fields for Entering
Your Serial Number.
After selecting Unlock in the Products tab, you will be presented with six elds for typing
in your Serial Number. Each eld holds four characters. The Serial Number is composed of
numbers 0..9 and letters A..F. If you accidentally type the wrong string into a eld, the eld
will turn red. When you have successfully entered the Serial Number, click the Ok button
to proceed.
The Serial Number identies your ownership of Live. Because your Serial Number is a
valuable good, you should keep it in a safe place and out of reach of unauthorized hands.
Please be aware that sharing your Serial Number will render it unusable. The only way for
Ableton technical support to help you get back your Serial Number if you lose it is via your
registration data. Therefore, please register your product
2
, as otherwise you might lose
your property!
3.2 Step 2: Unlocking Live
The second step of authorizing Live is called unlocking. Unlocking means associating
your Serial Number with a specic computer. Please be aware that the standard Live license
grants you the right to use Live on only one computer at a time. You can, however, unlock
2
http://www.ableton.com/register
3.2. STEP 2: UNLOCKING LIVE 15
Live with your Serial Number more than once under the legal and technical conditions
described later.
3.2.1 The Unlock Key
For unlocking, you require an Unlock Key that can only be created by the Ableton server.
Unlocking therefore requires access to the Internet. The computer from which you connect
to the Internet does not have to be the same computer for which you wish to unlock Live,
but it does make things easier.
3.2.2 The Challenge Code
The Ableton server creates the Unlock Key from your Serial Number and a so-called Chal-
lenge Code. The Challenge Code is a ngerprint that Live takes of your computer's
components. For details, please see the corresponding section.
3.2.3 Unlocking Online
Unlocking Live Online.
If the computer you want to unlock Live for is connected to the Internet, the only thing you
need to do is press the Unlock Online button. Live will then create a connection to the
Ableton server, send your Serial Number and Challenge Code, and receive the Unlock Key
3.2. STEP 2: UNLOCKING LIVE 16
from the server. No information other than this is exchanged between your computer and
the Ableton server.
3.2.4 Unlocking Ofine
Unlocking Live Ofine.
If the computer you want to unlock Live for is not connected to the Internet, you can use
any other computer to access the Ableton server's web interface
3
. This is a website with
elds for entering your Serial Number and the Challenge Code, which you can copy from
Live's Unlock dialog.
The Live Unlocking Web
Site.
3
http://www.ableton.com/unlock
3.2. STEP 2: UNLOCKING LIVE 17
If you have entered your Serial Number and Challenge Code correctly, another website will
appear to provide you with the Unlock Key. There now are two options for transferring the
Unlock Key to the computer that is to be unlocked:
Follow the weblink to download the Unlock Key as a le. Transfer the le to the target
computer via a diskette or CD-ROM. Then, press the Unlock dialog's Load Unlock Key
button to load the Unlock Key le.
The Unlock Key Can Be
Downloaded as a Text
File.
OR it might be more convenient to print the webpage with the Unlock Key on it. On the
target computer, press the Enter Unlock Key button to open a dialog with elds for typing
in the Unlock Key. Typing it in is easier than it rst appears, because the elds will turn red
if you type the wrong string.
3.2. STEP 2: UNLOCKING LIVE 18
Manually Enter Your
Unlock Key.
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Ableton Live - 5.0 Owner's manual

Category
Software
Type
Owner's manual
This manual is also suitable for

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