Avid AirSpeed 5000 2.5 User guide

Category
Software
Type
User guide
Avid
®
AirSpeed
®
5000
Remote Console Operator’s Guide
2
Legal Notices
Product specifications are subject to change without notice and do not represent a commitment on the part of Avid Technology, Inc.
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Copyright 2003-2007 of MOG Solutions
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Copyright © 1988–1997 Sam Leffler
Copyright © 1991–1997 Silicon Graphics, Inc.
Permission to use, copy, modify, distribute, and sell this software [i.e., the TIFF library] and its documentation for any purpose is
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This Software may contain components licensed under the following conditions:
Copyright (c) 1989 The Regents of the University of California. All rights reserved.
Redistribution and use in source and binary forms are permitted provided that the above copyright notice and this paragraph are
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granted, provided that the above copyright notice appear in all copies and that both that copyright notice and this permission notice
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Copyright 1995, Trinity College Computing Center. Written by David Chappell.
3
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granted, provided that the above copyright notice appear in all copies and that both that copyright notice and this permission notice
appear in supporting documentation. This software is provided "as is" without express or implied warranty.
Copyright 1996 Daniel Dardailler.
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Modifications Copyright 1999 Matt Koss, under the same license as above.
Copyright (c) 1991 by AT&T.
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©1993–1998 Altura Software, Inc.
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4
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© DevelopMentor
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Copyright Jarle (jgaa) Aase 2000 - 2009
COPYRIGHT file which is included in the distribution:
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The warlib C++ Library is free software; you can redistribute it and/or modify it under the terms of the GNU Lesser General Public
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Trademarks
003, 192 Digital I/O, 192 I/O, 96 I/O, 96i I/O, Adrenaline, AirSpeed, ALEX, Alienbrain, AME, AniMatte, Archive, Archive II, Assistant
Station, AudioPages, AudioStation, AutoLoop, AutoSync, Avid, Avid Active, Avid Advanced Response, Avid DNA, Avid DNxcel, Avid
DNxHD, Avid DS Assist Station, Avid Ignite, Avid Liquid, Avid Media Engine, Avid Media Processor, Avid MEDIArray, Avid Mojo, Avid
Remote Response, Avid Unity, Avid Unity ISIS, Avid VideoRAID, AvidRAID, AvidShare, AVIDstripe, AVX, Beat Detective, Beauty
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Choreography, Digital Nonlinear Accelerator, DigiTest, DigiTranslator, DigiWear, DINR, DNxchange, Do More, DPP-1, D-Show, DSP
Manager, DS-StorageCalc, DV Toolkit, DVD Complete, D-Verb, Eleven, EM, Euphonix, EUCON, EveryPhase, Expander,
ExpertRender, Fader Pack, Fairchild, FastBreak, Fast Track, Film Cutter, FilmScribe, Flexevent, FluidMotion, Frame Chase, FXDeko,
HD Core, HD Process, HDpack, Home-to-Hollywood, HYBRID, HyperSPACE, HyperSPACE HDCAM, iKnowledge, Image
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Interplay, inTONE, Intraframe, iS Expander, iS9, iS18, iS23, iS36, ISIS, IsoSync, LaunchPad, LeaderPlus, LFX, Lightning, Link &
Sync, ListSync, LKT-200, Lo-Fi, MachineControl, Magic Mask, Make Anything Hollywood, make manage move | media, Marquee,
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Compressor, Smack!, Soft SampleCell, Soft-Clip Limiter, SoundReplacer, SPACE, SPACEShift, SpectraGraph, SpectraMatte,
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HD, SYNC I/O, Synchronic, SynchroScope, Syntax, TDM FlexCable, TechFlix, Tel-Ray, Thunder, TimeLiner, Titansync, Titan, TL
Aggro, TL AutoPan, TL Drum Rehab, TL Everyphase, TL Fauxlder, TL In Tune, TL MasterMeter, TL Metro, TL Space, TL Utilities,
tools for storytellers, Transit, TransJammer, Trillium Lane Labs, TruTouch, UnityRAID, Vari-Fi, Video the Web Way, VideoRAID,
VideoSPACE, VTEM, Work-N-Play, Xdeck, X-Form, Xmon and XPAND! are either registered trademarks or trademarks of Avid
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Footage
Arizona Images — KNTV Production — Courtesy of Granite Broadcasting, Inc.,
Editor/Producer Bryan Foote.
Canyonlands — Courtesy of the National Park Service/Department of the Interior.
Ice Island — Courtesy of Kurtis Productions, Ltd.
Tornados + Belle Isle footage — Courtesy of KWTV News 9.
WCAU Fire Story — Courtesy of NBC-10, Philadelphia, PA.
Women in Sports – Paragliding — Courtesy of Legendary Entertainment, Inc.
News material provided by WFTV Television Inc.
Avid AirSpeed 5000 Remote Console Operator’s Guide v2.5 • 9320-65103-00 Rev C • March 2013 (03/21/13)
This document is distributed by Avid in online (electronic) form only, and is not available for purchase in printed form.
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Contents
Using This Guide. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Symbols and Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
If You Need Help. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Avid Training Services . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Chapter 1 Installing and Configuring the Remote Console . . . . . . . . . . . . . . . . . . . . . 14
Standalone Transfer Engine Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Configuration Requirements for AirSpeed 5000 Server . . . . . . . . . . . . . . . . . . . . . . 16
Standalone Software Requirements. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Software Requirements for the Avid Editing Client . . . . . . . . . . . . . . . . . . . . . . 17
AirSpeed 5000 Installation and Configuration Checklist . . . . . . . . . . . . . . . . . . . . . . . . . 18
Installing the AirSpeed 5000 Remote Console Application . . . . . . . . . . . . . . . . . . . 19
Installing the Interplay Transfer Engine on the Avid Editor (Standalone Mode). . . . 20
Connecting to AirSpeed 5000 Servers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Configuring Transfers for AirSpeed 5000 Servers (Standalone Mode) . . . . . . . . . . 23
Manually Configuring the Interplay Transfer Engine for a Standalone Environment 24
Starting the Interplay Transfer Engine on the Avid Editor . . . . . . . . . . . . . . . . . . . . 31
Starting the AirSpeed 5000 Remote Console Application . . . . . . . . . . . . . . . . . . . . 31
Configuring the Standalone Settings for the Avid Editor . . . . . . . . . . . . . . . . . . . . . 33
Verifying your Remote Console is Configured Properly . . . . . . . . . . . . . . . . . . . . . . 34
Chapter 2 Getting Started with the Remote Console . . . . . . . . . . . . . . . . . . . . . . . . . . 35
User Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Main Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
File Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Options Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
View Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
About Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Channels Pane. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Transport Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Inventory Pane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
7
Headframes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Clip Properties Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Filter Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Status Bar. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
View Playlists Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Channel in Normal View. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Channel in Advanced Transport View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Channel Status Descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Timecode Displays . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Media Timeline (scrub bar) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Media Timeline Context Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Timescale Bar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Timescale Bar Context Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Media Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Subclip Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Channel in Mini-bar View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Playlist Information Bar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Playlist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Proxy Viewer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Right-Click Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Chapter 3 Working with the Remote Console . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Working with Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Selecting Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Changing the Sort Order of Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Showing or Hiding Columns in the Inventory Pane . . . . . . . . . . . . . . . . . . . . . . . . . 81
Reordering Columns in the Inventory Pane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Filtering on a Clip Name or Video ID . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Viewing Clip Properties and Modifying Clip Behavior . . . . . . . . . . . . . . . . . . . . . . . 85
Playing Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Cueing and Playing Clips Directly from the Current Video ID Field. . . . . . . . . . 86
Cueing and Taking Clips via the Next Video ID Field . . . . . . . . . . . . . . . . . . . . 87
Recording Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Crash Recording Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
8
Cueing Clips for Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Recording Clips with Only a Video ID Specified (no Duration or Name) . . . . . . 88
Recording Clips with Both a Video ID and Duration Specified . . . . . . . . . . . . . 89
Recording Clips with Only a Name Specified (no Duration or Video ID) . . . . . . 89
Recording Clips with Only a Duration Specified (No Video ID or Name) . . . . . 89
Modifying In/Out Points for Clips in the Inventory Pane . . . . . . . . . . . . . . . . . . . . . . 90
Creating Subclips in Normal View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Working with Proxy Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Manually Creating Proxy Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Viewing Proxy Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Creating Subclips Using the Proxy Viewer . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Editing the In and Out Points of a Clip in the Proxy Viewer. . . . . . . . . . . . . . . . 94
Deleting Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Protecting or Unprotecting Clips from Deletion . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Transferring Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Transferring Clips to Shared Storage (Interplay Production and Team Modes) 96
Transferring Clips to an Avid Editor (Standalone Mode) . . . . . . . . . . . . . . . . . . 96
Transferring Clips to an Avid Editor (Team Mode) . . . . . . . . . . . . . . . . . . . . . . 97
Performing an Edit While Capture (EWC) with Drag and Drop . . . . . . . . . . . . . 97
Performing an Edit While Capture (EWC) with Auto Transfer . . . . . . . . . . . . . . 99
Importing .AAF Files into the Avid Editor (Macintosh Team Mode). . . . . . . . . 102
Working with Playlists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Creating Playlists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Basic Playlist Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Opening Playlists. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Clearing Playlists. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Taking Control of a Playlist for a Channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Setting Loop Behavior in the Playlist. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Working with Clips in the Playlist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Reordering Clips within the Playlist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Modifying In/ Out Points for Clips in the Playlist . . . . . . . . . . . . . . . . . . . . . . . 109
Setting the Follow Behavior for Clips in the Playlist . . . . . . . . . . . . . . . . . . . . 109
Deleting Clips from the Playlist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
9
Cueing a Playlist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Cueing From a Specific Clip in the Playlist . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Playing Clips in the Playlist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Pausing Clips in the Playlist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Stopping and Unloading Clips in the Playlist . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Showing All Media in the Advanced Transport View. . . . . . . . . . . . . . . . . . . . 111
Working in the Advanced Transport View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Playing Clips in the Advanced Transport View. . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Recording Clips in the Advanced Transport View . . . . . . . . . . . . . . . . . . . . . . . . . 115
Stepping Forward and Backward . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Going to a Specific Position in a Clip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Creating Subclips in the Advanced Transport View . . . . . . . . . . . . . . . . . . . . . . . . 118
Sub-clipping from Left or Right. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Appendix A Keyboard Shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Inventory Pane Keyboard Shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Channel Keyboard Shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Proxy Viewer Keyboard Shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Playlist Keyboard Shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Advanced Transport View Keyboard Shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
10
11
1 Using This Guide
Congratulations on your purchase of an Avid AirSpeed 5000 Remote Console.
The AirSpeed 5000 Remote Console is an application that is installed on a PC on your network.
The AirSpeed 5000 Remote Console is able to connect to one or more AirSpeed 5000 or
AirSpeed Multi Stream servers on your network. Once connected, you can see the channels and
inventory on the server(s). Then you can use the AirSpeed 5000 Remote Console to do the
following:
Cue and play clips
Cue and record clips
Retransfer clips
Manage clip inventory
Create playlists and play the clips out on their associated channels
Create subclips
Preview clips via proxy media
This guide contains all the installation, configuration, and task-oriented instructions, conceptual
information, and reference material you need to install, configure and use the Avid AirSpeed
5000 Remote Console.
This guide is intended for all users, from beginning to advanced.
n
The documentation describes the features and hardware of all models. Therefore, your system
might not contain certain features and hardware that are covered in the documentation.
Symbols and Conventions
12
Symbols and Conventions
Avid documentation uses the following symbols and conventions:
Symbol or Convention Meaning or Action
n
A note provides important related information, reminders,
recommendations, and strong suggestions.
c
A caution means that a specific action you take could cause harm to
your computer or cause you to lose data.
w
A warning describes an action that could cause you physical harm.
Follow the guidelines in this document or on the unit itself when
handling electrical equipment.
> This symbol indicates menu commands (and subcommands) in the
order you select them. For example, File > Import means to open the
File menu and then select the Import command.
This symbol indicates a single-step procedure. Multiple arrows in a list
indicate that you perform one of the actions listed.
(Windows), (Windows
only), (Macintosh), or
(Macintosh only)
This text indicates that the information applies only to the specified
operating system, either Windows or Macintosh OS X.
Bold font Bold font is primarily used in task instructions to identify user interface
items and keyboard sequences.
Italic font Italic font is used to emphasize certain words and to indicate variables.
Courier Bold font
Courier Bold font identifies text that you type.
Ctrl+key or mouse action Press and hold the first key while you press the last key or perform the
mouse action. For example, Command+Option+C or Ctrl+drag.
If You Need Help
13
If You Need Help
If you are having trouble using your Avid product:
1. Retry the action, carefully following the instructions given for that task in this guide. It is
especially important to check each step of your workflow.
2. Check the latest information that might have become available after the documentation was
published:
- If the latest information for your Avid product is provided as printed release notes, they
ship with your application and are also available online.
If the latest information for your Avid product is provided as a ReadMe file, it is
supplied on your Avid installation CD or DVD as a PDF document
(README_product.pdf) and is also available online.
You should always check online for the most up-to-date release notes or ReadMe
because the online version is updated whenever new information becomes available. To
view these online versions, select ReadMe from the Help menu, or visit the Knowledge Base
at www.avid.com/readme.
3. Check the documentation that came with your Avid application or your hardware for
maintenance or hardware-related issues.
4. Visit the online Knowledge Base at www.avid.com/onlinesupport. Online services are
available 24 hours per day, 7 days per week. Search this online Knowledge Base to find
answers, to view error messages, to access troubleshooting tips, to download updates, and to
read or join online message-board discussions.
Avid Training Services
Avid makes lifelong learning, career advancement, and personal development easy and
convenient. Avid understands that the knowledge you need to differentiate yourself is always
changing, and Avid continually updates course content and offers new training delivery methods
that accommodate your pressured and competitive work environment.
To learn about Avid's new online learning environment, Avid Learning Excellerator (ALEX),
visit http://learn.avid.com.
For information on courses/schedules, training centers, certifications, courseware, and books,
please visit www.avid.com/training or call Avid Sales at 800-949-AVID (800-949-2843).
1 Installing and Configuring the Remote
Console
The AirSpeed 5000 Remote Console is an application that can be installed on a PC on your
network. Once on your network, a single instance of Remote Console from one PC can connect
to any combination of up to ten AirSpeed Multi Stream and AirSpeed 5000 servers per channel.
An AirSpeed Multi Stream or AirSpeed 5000 server can accept connections from up to ten
AMSAPI clients per channel. A connecting client will typically open one connection for each
channel. This could include Remote Console clients, as well as 3rd-party products that use
AMSAPI to communicate with the system.
n
FTP connections, Avid Interplay Capture, Avid Capture Manager and Avid iNEWS Command do
not count against the total connections to a single server.
n
There is a version of the AirSpeed 5000 Remote Console software included in the AirSpeed 5000
server installation. There is no need for additional installation of the AirSpeed 5000 Remote
Console software on the AirSpeed 5000 server.
n
In Interplay Production mode, we support up to five (5) devices in the same Studio.
Once configured and connected to an AirSpeed 5000 server (or servers), you can see the
channels and inventory on the server(s) you are connected to. Then, remotely from your PC, you
can use the AirSpeed 5000 Remote Console application to do the following:
Cue and play clips
Cue and record clips
Retransfer clips
Manage clip inventory
Create Playlists and play the clips out on their associated channels
Create subclips
Preview clips via proxy media
Standalone Transfer Engine Overview
15
This chapter describes how to install and configure the AirSpeed 5000 Remote Console for your
environment.
The following topics are included:
Standalone Transfer Engine Overview
AirSpeed 5000 Installation and Configuration Checklist
Standalone Transfer Engine Overview
When AirSpeed 5000 is configured with a standalone Transfer Engine it operates in
environments where you have local storage without Interplay. In a Standalone environment, the
Transfer Engine (TM) application uses FTP functionality to act as the transfer agent between the
Avid editors and the AirSpeed 5000 Remote Console application.
With a Standalone Transfer Engine configuration, AirSpeed 5000 uses only its own internal
storage or local Avid editor storage for storing clips and supports playing out to air via drag and
drop using the AirSpeed 5000 Remote Console.
In this configuration, clips are visible through the Remote Console inventory pane and can be
used to drag and drop files directly to the editor bin for editing. The standalone configuration
supports playout automation applications such as DNF controllers and other solutions using
VDCP or AMSAPI.
n
Interplay Transfer Engine does not support Studio playout.
Standalone Transfer Engine Overview
16
Video servers configured with a Standalone Transfer Engine support the standard features of
your video server model (AirSpeed 5000) with the exception of the features listed below:
Avid Studio Playout
Interplay Capture
CaptureManager
Frame Chase™ Editing
Edit While Capture (EWC) functionality with Avid Editor systems
H.264 media transfers to the Editor (not for Standalone or Team)
For more information, see the following topic:
Standalone Software Requirements
Configuration Requirements for AirSpeed 5000 Server
Before configuring the AirSpeed 5000 Remote Console for standalone environment, each
AirSpeed 5000 server that you want to connect to must have been configured with the following:
Site-specific settings need to be applied for the AirSpeed 5000 to operate with a Standalone
Transfer Engine.
A site-specific host name/domain name must have been created for the AirSpeed 5000,
including an IP address and mask for the network interface.
•The E: drive must be shared with at least Read Only privileges.
Once these requirements are met, and you have installed all of the necessary hardware and
software for your site, you can configure the AirSpeed 5000 Remote Console for a Standalone
environment. For more information on specific tasks involved when configuring your AirSpeed
5000 with a Standalone Transfer Engine, see AirSpeed 5000 Installation and Configuration
Checklist” on page 18.
n
Prior to proceeding with AirSpeed 5000 configuration, ensure that your AirSpeed 5000 is
installed and connected as described in the AirSpeed 5000 Setup Guide, and in the AirSpeed
5000 Administrator’s Guide.
Standalone Transfer Engine Overview
17
Standalone Software Requirements
For the AirSpeed 5000 system to function properly in a Standalone environment, it is necessary
to configure a standalone Transfer Engine. Depending on the Editor software version of
NewsCutter, Media Composer, or Symphony you are using, you must have a compatible Avid®
Interplay™ Transfer Engine and Client software version.
The following table lists the minimum supported Editor and Interplay Transfer software
versions.
To verify the latest supported software versions, search for the latest AirSpeed 5000 ReadMe on
the Avid Knowledge Base.
All of the documentation for configuration is available on the Avid Knowledge Base. This
documentation assists users in configuration of the Standalone Transfer Engine. The Avid
Interplay Transfer Setup and User’s Guide, and the Avid Interplay Transfer v1.0 Readme are
available at the top level of the Avid Interplay Transfer CD-ROM. For the latest versions of the
documentation, see the Knowledge Base.
Software Requirements for the Avid Editing Client
In order for the Standalone AirSpeed 5000 Remote Console to work in a Standalone
environment, each Avid Editing client must have the following software loaded:
An Avid editing application (e.g., Media Composer, NewsCutter, or Symphony)
A Standalone version of the AirSpeed 5000 Remote Console application
Avid Interplay Transfer Engine
Avid Interplay Transfer Client
System Requirements
Editor Version Interplay Transfer Software
NewsCutter v9.0.4 or later Avid Interplay Transfer Engine v2.5 or later
Media Composer v5.0.4 or
later
Avid Interplay Transfer Engine v2.5 or later
Symphony v5.0.4 or later Avid Interplay Transfer Engine v2.5 or later
AirSpeed 5000 Installation and Configuration Checklist
18
AirSpeed 5000 Installation and Configuration
Checklist
The following table provides a checklist of tasks that must be performed on the Avid Editor
when configuring your Avid editing application in a Standalone Transfer Engine environment.
Depending on your site’s configuration, some tasks are optional.
Install the AirSpeed 5000 Remote Console application, as described in “Installing the
AirSpeed 5000 Remote Console Application” on page 19.
Install the Interplay Transfer Engine, as described in “Installing the Interplay Transfer
Engine on the Avid Editor (Standalone Mode)” on page 20.
Connect to an AirSpeed 5000 server, as described in “Connecting to AirSpeed 5000
Servers” on page 21.
For Team and Interplay Production modes, after you connect to a server, you can begin
using the Remote Console, as described in “Getting Started with the Remote Console” on
page 35
(Standalone only) There are two methods for configuring the AirSpeed 5000 and related
software when using a Standalone Transfer Engine (Interplay Transfer Engine). Select
one of the following methods:
The AirSpeed 5000 Remote Console (File > Configure Transfer Engine) “Automatic
Configuration” method, as described in “Configuring Transfers for AirSpeed 5000
Servers (Standalone Mode)” on page 23.
The “Manual Configuration” method to configure the Avid Interplay Transfer Engine
Configuration window for a Standalone Transfer Engine, as described in “Manually
Configuring the Interplay Transfer Engine for a Standalone Environment” on
page 24.
(Standalone only) Configure the Standalone settings for the Avid editor, as described in
“Configuring the Standalone Settings for the Avid Editor” on page 33.
(Standalone only) Start the Interplay Transfer Engine on the Avid editor, as described in
“Starting the Interplay Transfer Engine on the Avid Editor” on page 31.
(Standalone only) Start the Remote Console, as described in “Starting the AirSpeed 5000
Remote Console Application” on page 31.
Once started, verify that your Standalone configuration works by connecting to an
AirSpeed 5000 server. for more information, see “Connecting to AirSpeed 5000 Servers”
on page 21.
AirSpeed 5000 Installation and Configuration Checklist
19
Installing the AirSpeed 5000 Remote Console Application
This topic contains information on how to install the AirSpeed 5000 Remote Console application
for your environment.
To install the AirSpeed 5000 Remote Console application:
1. On the Avid editor, locate the AvidAirSpeed5000RemoteConsole.zip file, and un-compress
it to your desktop.
2. Double-click Setup.exe to run the installer.
n
If you are upgrading your AirSpeed 5000 Remote Console from a previous version, the installer
will install the application for the same environment. If you want to change your environment,
you must uninstall via Add/Remove Programs, and then reinstall the Remote console
application.
3. Click Next when prompted.
The License Agreement dialog box opens.
4. Accept the terms of the license agreement, and click Next.
The Usage Type dialog box opens.
5. Select the option for your environment, and click Next.
The Editor Support dialog box opens.
6. Select the appropriate Editor support option for your environment, and click Next.
AirSpeed 5000 Installation and Configuration Checklist
20
7. Click Install.
The AirSpeed 5000 Remote Console application will automatically be installed on your
Avid editor.
8. Depending on the environment for your site, do one of the following:
t If your site is configured in an Interplay or Team environment, your next step is to
launch the AirSpeed 5000 Remote Console. For more information, see “Starting the
AirSpeed 5000 Remote Console Application” on page 31.
t If your site is configured in a Standalone environment, your next step is to install the
Interplay Transfer Engine on the Avid Editor. For more information, see “Installing the
Interplay Transfer Engine on the Avid Editor (Standalone Mode)” on page 20.
Installing the Interplay Transfer Engine on the Avid Editor (Standalone
Mode)
If your site is configured in a Standalone mode, the next step is to install the Interplay Transfer
Engine on each Avid editor.
n
These instructions are only a subset of the instructions for installation and configuration of the
standalone Transfer Engine. See the Avid Interplay Transfer Setup and User’s Guide
documentation for complete installation and configuration instructions.
To install the Interplay Transfer Engine on the Avid editor:
1. Insert the Avid Interplay Transfer CD-ROM and double-click the Launch.exe file.
The Main Menu page opens.
2. Click Avid Transfer Server.
The Welcome window opens.
3. Click Next.
n
Make sure that the FTP services get installed with the Interplay Transfer Engine.
4. Click the applicable country, and click Next.
5. Click Ye s to accept the license agreement.
n
If you do not accept the license agreement, the Interplay Transfer Engine installation ends
without completing.
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Avid AirSpeed 5000 2.5 User guide

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Software
Type
User guide

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