Fender FM 212DSP Owner's manual

Fender
Brand
Fender
Model
FM 212DSP
Category
Musical Instrument Amplifier
Type
Owner's manual
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ENGLISH - PAGES ...........6-7
ESPAÑOL - PAGINAS ........8-9
FRANÇAIS - PAGES ..........10-11
ITALIANO - PAGINE .........12-13
DEUTSCH - SEITEN ..........14-15
PORTUGUÊS - PAGINA. . . . . . .16-17
.............18-19
IMPORTANT SAFETY INSTRUCTIONS
The lightning flash with arrowhead symbol within an equilateral triangle is intended
to alert the user to the presence of uninsulated “dangerous voltage” within the
product’s enclosure that may be of sufficient magnitude to constitute a risk of electric
shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the
presence of important operating and maintenance (servicing) instructions in the
literature accompanying the product.
1) Read these instructions.
2) Keep these instructions.
3) Heed all warnings.
4) Follow all instructions.
5) Do not use this apparatus near water.
6) Clean only with dry cloth.
7) Do not block any ventilation openings. Install in accordance with the manufacturer’s
instructions.
8) Do not install near any heat sources such as radiators, heat registers, stoves, or other
apparatus (including amplifiers) that produce heat.
9) Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug
has two blades with one wider than the other. A grounding type plug has two blades and
a third grounding prong. The wide blade or the third prong are provided for your safety. If
the provided plug does not fit into your outlet, consult an electrician for replacement of the
obsolete outlet.
10) Protect the power cord from being walked on or pinched particularly at plugs, convenience
receptacles and the point where they exit from the apparatus.
11) Only use attachments/accessories specified by the manufacturer.
12) Use only with the cart, stand, tripod, bracket, or table specified by the
manufacturer or sold with the apparatus. When a cart is used, use caution
when moving the cart/apparatus combination to avoid injury from tip-
over.
13) Unplug this apparatus during lightning storms or when unused for long
periods of time.
14) Refer all servicing to qualified service personnel. Servicing is required when the apparatus
has been damaged in any way, such as power-supply cord or plug is damaged, liquid has
been spilled or objects have fallen into the apparatus, the apparatus has been exposed to
rain or moisture, does not operate normally, or has been dropped.
15) To completely disconnect this apparatus from the AC mains, disconnect the power supply
cord plug from the AC receptacle.
16) The mains plug of the power supply cord shall remain readily operable.
17) WARNING – To reduce the risk of fire or electric shock, do not expose this apparatus to rain
or moisture.
18) Do not expose this equipment to dripping or splashing and ensure that no objects filled with
liquids, such as vases, are placed on the equipment.
19) Maintain at least 6 inches (15.25 cm) of unobstructed air space behind the unit to allow for
proper ventilation and cooling of the unit.
20) CAUTION – For rack mounted power amplifiers, keep all wiring and materials away from
the sides of the unit and allow the unit to cool down for 2 minutes before pulling from a rack
enclosure.
21) Amplifiers and loudspeaker systems, and ear/headphones (if equipped) are capable of
producing very high sound pressure levels which may cause temporary or permanent
hearing damage. Use care when setting and adjusting volume levels during use.
22) FCC Part 15 Compliance Statement (for digital products, as applicable) - Part 15.21: Changes
or modifications not expressly approved by the party responsible for compliance could void
the user’s authority to operate the equipment. NOTE: The manufacturer is not responsible for
any radio or TV interference caused by unauthorized modifications to this equipment. Such
modifications could void the user’s authority to operate the equipment.
23) WARNING – To maintain product safety, products with internal or external (battery pack)
batteries: •Batteries and/or the product in which they are installed, shall not be exposed to
excessive heat such as sunshine, fire or the like. •There may be a danger of explosion if the
battery is incorrectly connected/replaced. Replace only with the same or equivalent type
battery specified in the instructions or on the product.
24) CAUTION – Unplug unit and allow it to cool before touching/ replacing vacuum tubes.
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66
f e n d e r . c o m
INPUT
AMP TYPE
TREBLE BASSMIDDLE TREBLEAMP TYPE
FX TYPE
MIDDL
E
F EN D E R M U SI C A L IN S T RUM E NT S
CH 1
GAIN
CH 1
VOLUME
FX LEVEL
CH SELECT
CH 2
GAIN
CH 2
VOLUME
BASS
FX TYPE FX LEVEL PHONE
S
A
C
O
U
S
T
I
C
J
A
Z
Z
B
L
A
C
K
F
A
C
E
T
W
E
E
D
B
R
I
T
I
S
H
M
E
T
A
L
H
O
T
R
O
D
R
E
V
E
R
B
C
H
O
R
U
S
+
D
L
Y
+
D
L
Y
+
R
E
V
V
I
B
D
E
L
A
Y
T
R
E
M
O
L
O
F
L
A
N
G
E
A
C
O
U
S
T
I
C
J
A
Z
Z
B
L
A
C
K
F
A
C
E
T
W
E
E
D
B
R
I
T
I
S
H
M
E
T
A
L
H
O
T
R
O
D
R
E
V
E
R
B
C
H
O
R
U
S
+
D
L
Y
+
D
L
Y
+
R
E
V
V
I
B
D
E
L
A
Y
T
R
E
M
O
L
O
F
L
A
N
G
E
       


    



  

 

World's most popular instrument amplifi ers—since 1946.
World's most popular instrument amplifi ers—since 1946.
World's most popular instrument amplifi ers—since 1946.
A. INPUT—

NOTE: Items {B–G} below apply to both Channels.
B. CH (1
2) GAIN—
 


        
  
      

C. CH (1

2) VOLUME—


D. AMP TYPE—
       


        
       

E. TREBLE / MIDDLE / BASS—
    

F. FX TYPE—


G. FX LEVEL—
     


H. CH SELECT—
      



I. PHONES—
     
      

J. POWER LED—

Rear Panel
K. POWER SWITCH—
  

L. POWER CORD SOCKET—
  
     
      
   

M. PWR IN / PRE OUT—
    

    
      
       
   

N. FOOTSWITCH—

       
       

 


FM212 DSPFM212 DSP
Amplifier
Amplifier
Front PanelFront Panel
INPUT
AMP TYPE
TREBLE BASSMIDDLE TREBLEAMP TYPE
FX TYPE
MIDDL
E
F EN D E R M U SI C A L IN S T RUM E NT S
CH 1
GAIN
CH 1
VOLUME
FX LEVEL
CH SELECT
CH 2
GAIN
CH 2
VOLUME
BASS
FX TYPE FX LEVEL PHONE
S
A
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J
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B
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+
D
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+
D
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+
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A
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M
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F
L
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N
G
E
INPUT
AMP TYPE
TREBLE BASSMIDDLE TREBLEAMP TYPE
FX TYPE
MIDDL
E
F EN D E R M U SI C A L IN S T RUM E NT S
CH 1
GAIN
CH 1
VOLUME
FX LEVEL
CH SELECT
CH 2
GAIN
CH 2
VOLUME
BASS
FX TYPE FX LEVEL PHONE
S
A
C
O
U
S
T
I
C
J
A
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Z
B
L
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K
F
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T
A
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R
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V
E
R
B
C
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U
S
+
D
L
Y
+
D
L
Y
+
R
E
V
V
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B
D
E
L
A
Y
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L
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E
A
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A
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B
L
A
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K
F
A
C
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E
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B
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S
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T
A
L
H
O
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O
D
R
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V
E
R
B
C
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O
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U
S
+
D
L
Y
+
D
L
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+
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E
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V
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L
A
Y
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77
f e n d e r . c o m
TYPE:
PR 700
PART NUMBER:
2316600000
PART NUMBER: 2316600000PART NUMBER:
(120V, 60Hz)
2316600000 (120V, 60Hz) 2316600000
2316600900
(120V, 60Hz) drop ship
2316600900 (120V, 60Hz) drop ship2316600900
2316601900 (110V, 60Hz) TW 2316603900 (240V, 50Hz) AUS
2316604900 (230V, 50Hz) UK 2316605900 (220V, 50Hz) ARG
2316606900 (230V, 50Hz) EUR 2316607900 (100V, 50Hz) JPN
2316609900 (220V, 60Hz) ROK
POWER REQUIREMENTS:
POWER REQUIREMENTS: POWER REQUIREMENTS:
360
W
POWER OUTPUT:
100W RMS into 4Ω
POWER OUTPUT: 100W RMS into 4ΩPOWER OUTPUT:
INPUT IMPEDANCE:
>1MΩ
INPUT IMPEDANCE: >1MΩINPUT IMPEDANCE:
FUSES
PRIMARY:
F4A L, 250V for 100V / 120V versions F2A L, 250V for 230V / 240V versions
FOOTSWITCH:
2-button–Channel Select / Effects Bypass (P/N 0070946000)
SPEAKER:
Two 12", 8Ω Fender® Special Design (P/N 0071407000)
DIMENSIONS
HEIGHT:
19.2 in (
49
19.2 in (49 19.2 in (
cm)
49 cm)49
WIDTH:
26.25 in (67 cm)
WIDTH: 26.25 in (67 cm)WIDTH:
DEPTH:
10.4 in (27 cm)
DEPTH: 10.4 in (27 cm)DEPTH:
WEIGHT:
43
lb (
19.5
kg)
19.5 kg) 19.5
Product specifications are subject to change without notice.
FX SELECT
FX SELECT
FX SELECT
FX SELECT
FX SELECT
FX SELECT
FX SELECT
FX SELECT
FX SELECT
FX SELECT
FX SELECT
FX SELECT
FX SELECT
FX SELECT
FX SELECT
FX SELECT
FX SELECT
FX SELECT
FX SELECT
FX SELECT
FX SELECT
FX SELECT
FX SELECT
FX SELECT
FX SELECT
FX SELECT
VIBRATONE
VIBRATONE
VIBRATONE
VIBRATONE
VIBRATONE
VIBRATONE
VIBRATONE
VIBRATONE
VIBRATONE
VIBRATONE
VIBRATONE
VIBRATONE
VIBRATONE
VIBRATONE
VIBRATONE
VIBRATONE
VIBRATONE
VIBRATONE
VIBRATONE
VIBRATONE
VIBRATONE
1 Rotating Speaker Baffle
1 Rotating Speaker Baffle
1 Rotating Speaker Baffle
1 Rotating Speaker Baffle
1 Rotating Speaker Baffle
1 Rotating Speaker Baffle
1 Rotating Speaker Baffle
1 Rotating Speaker Baffle
1 Rotating Speaker Baffle
1 Rotating Speaker Baffle
1 Rotating Speaker Baffle
1 Rotating Speaker Baffle
1 Rotating Speaker Baffle
1 Rotating Speaker Baffle
1 Rotating Speaker Baffle
1 Rotating Speaker Baffle
1 Rotating Speaker Baffle
1 Rotating Speaker Baffle
1 Rotating Speaker Baffle
VIBRATONE 1 Rotating Speaker BaffleVIBRATONE
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
1 ~130ms (Slapback)
1 ~130ms (Slapback)
1 ~130ms (Slapback)
1 ~130ms (Slapback)
1 ~130ms (Slapback)
1 ~130ms (Slapback)
1 ~130ms (Slapback)
1 ~130ms (Slapback)
1 ~130ms (Slapback)
1 ~130ms (Slapback)
1 ~130ms (Slapback)
1 ~130ms (Slapback)
1 ~130ms (Slapback)
1 ~130ms (Slapback)
1 ~130ms (Slapback)
1 ~130ms (Slapback)
1 ~130ms (Slapback)
1 ~130ms (Slapback)
1 ~130ms (Slapback)
1 ~130ms (Slapback)
1 ~130ms (Slapback)
1 ~130ms (Slapback)
1 ~130ms (Slapback)
1 ~130ms (Slapback)
DELAY 1 ~130ms (Slapback) DELAY
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
2 ~300ms
3 ~450ms
3 ~450ms
3 ~450ms
3 ~450ms
3 ~450ms
3 ~450ms
3 ~450ms
3 ~450ms
3 ~450ms
3 ~450ms
3 ~450ms
3 ~450ms
3 ~450ms
3 ~450ms
3 ~450ms
3 ~450ms
REVERB
REVERB
REVERB
REVERB
REVERB
REVERB
REVERB
REVERB
REVERB
REVERB
REVERB
1 Large Room
1 Large Room
1 Large Room
1 Large Room
1 Large Room
1 Large Room
1 Large Room
1 Large Room
1 Large Room
1 Large Room
1 Large Room
1 Large Room
1 Large Room
1 Large Room
2 Concert Hall
2 Concert Hall
2 Concert Hall
2 Concert Hall
2 Concert Hall
2 Concert Hall
2 Concert Hall
2 Concert Hall
2 Concert Hall
2 Concert Hall
2 Concert Hall
2 Concert Hall
2 Concert Hall
2 Concert Hall
2 Concert Hall
2 Concert Hall
2 Concert Hall
2 Concert Hall
3 Classic Fender® Spring Reverb
3 Classic Fender® Spring Reverb
3 Classic Fender® Spring Reverb
3 Classic Fender® Spring Reverb
3 Classic Fender® Spring Reverb
3 Classic Fender® Spring Reverb
3 Classic Fender® Spring Reverb
3 Classic Fender® Spring Reverb
3 Classic Fender® Spring Reverb
3 Classic Fender® Spring Reverb
3 Classic Fender® Spring Reverb
3 Classic Fender® Spring Reverb
3 Classic Fender® Spring Reverb
3 Classic Fender® Spring Reverb
3 Classic Fender® Spring Reverb
3 Classic Fender® Spring Reverb
3 Classic Fender® Spring Reverb
3 Classic Fender® Spring Reverb
3 Classic Fender® Spring Reverb
3 Classic Fender® Spring Reverb
3 Classic Fender® Spring Reverb
3 Classic Fender® Spring Reverb
4 Reverb + Delay
4 Reverb + Delay
4 Reverb + Delay
4 Reverb + Delay
4 Reverb + Delay
4 Reverb + Delay
4 Reverb + Delay
4 Reverb + Delay
4 Reverb + Delay
4 Reverb + Delay
4 Reverb + Delay
4 Reverb + Delay
4 Reverb + Delay
CHORUS
CHORUS
CHORUS
CHORUS
CHORUS
CHORUS
1 Fast Sweep
1 Fast Sweep
1 Fast Sweep
1 Fast Sweep
1 Fast Sweep
1 Fast Sweep
1 Fast Sweep
CHORUS 1 Fast Sweep CHORUS
CHORUS 1 Fast Sweep CHORUS
2 Deep Sweep
2 Deep Sweep
3 Chorus + Delay
3 Chorus + Delay
3 Chorus + Delay
3 Chorus + Delay
3 Chorus + Delay
3 Chorus + Delay
3 Chorus + Delay
4 Chorus + Reverb
4 Chorus + Reverb
4 Chorus + Reverb
4 Chorus + Reverb
4 Chorus + Reverb
4 Chorus + Reverb
4 Chorus + Reverb
FLANGE
1 Light Sweep
FLANGE 1 Light Sweep FLANGE
2 Deep Sweep
TREMOLO
1 Low Intensity
TREMOLO 1 Low Intensity TREMOLO
2 High Intensity
AMP TYPE
ACOUSTIC 1
A super clean amplifier tone with the character of an Acoustasonic™
amplifier good for acoustic finger-picking.
2
A super clean amplifier tone with the character of an Acoustasonic™
amplifier good for acoustic strumming.
amplifier good for acoustic strumming.
amplifier good for acoustic strumming.
amplifier good for acoustic strumming.
amplifier good for acoustic strumming.
amplifier good for acoustic strumming.
JAZZ 1
A clean amplifier tone optimized for jazz styles with the character of the
A clean amplifier tone optimized for jazz styles with the character of the
A clean amplifier tone optimized for jazz styles with the character of the
A clean amplifier tone optimized for jazz styles with the character of the
A clean amplifier tone optimized for jazz styles with the character of the
A clean amplifier tone optimized for jazz styles with the character of the
A clean amplifier tone optimized for jazz styles with the character of the
Fender® Jazz King™ amplifier
Fender® Jazz King™ amplifier
Fender® Jazz King™ amplifier
Fender® Jazz King™ amplifier
Fender® Jazz King™ amplifier
Fender® Jazz King™ amplifier
Fender® Jazz King™ amplifier
Fender® Jazz King™ amplifier
Fender® Jazz King™ amplifier
Fender® Jazz King™ amplifier
Fender® Jazz King™ amplifier
Fender® Jazz King™ amplifier
.
Fender® Jazz King™ amplifier.Fender® Jazz King™ amplifier
TWEED 1
A vintage tone based on early Fender® Tweed Champ® amps.
A vintage tone based on early Fender® Tweed Champ® amps.
A vintage tone based on early Fender® Tweed Champ® amps.
A vintage tone based on early Fender® Tweed Champ® amps.
A vintage tone based on early Fender® Tweed Champ® amps.
A vintage tone based on early Fender® Tweed Champ® amps.
A vintage tone based on early Fender® Tweed Champ® amps.
A vintage tone based on early Fender® Tweed Champ® amps.
A vintage tone based on early Fender® Tweed Champ® amps.
A vintage tone based on early Fender® Tweed Champ® amps.
A vintage tone based on early Fender® Tweed Champ® amps.
A vintage tone based on early Fender® Tweed Champ® amps.
A vintage tone based on early Fender® Tweed Champ® amps.
A vintage tone based on early Fender® Tweed Champ® amps.
A vintage tone based on early Fender® Tweed Champ® amps.
A vintage tone based on early Fender® Tweed Champ® amps.
A vintage tone based on early Fender® Tweed Champ® amps.
A vintage tone based on early Fender® Tweed Champ® amps.
A vintage tone based on early Fender® Tweed Champ® amps.
A vintage tone based on early Fender® Tweed Champ® amps.
A vintage tone based on early Fender® Tweed Champ® amps.
2
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
A fat vintage tone based on early Fender® Tweed Bassman® amps.
BLACKFACE™
BLACKFACE™
1
1
BLACKFACE™ 1BLACKFACE™
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
A bright vintage tone based on early Fender® Blackface™ amplifiers.
2
2
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
A bright, slightly overdriven vintage tone based on early Fender® Blackface™
amplifiers.
amplifiers.
amplifiers.
amplifiers.
amplifiers.
amplifiers.
3
3
3
3
3
3
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
A bright, heavily overdriven vintage tone based on early Fender® Blackface™
amplifiers.
amplifiers.
amplifiers.
amplifiers.
amplifiers.
amplifiers.
amplifiers.
amplifiers.
amplifiers.
amplifiers.
amplifiers.
BRITISH 1
BRITISH 1
BRITISH 1
BRITISH 1
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
A bright jangly tone reminiscent of early British combo amplifiers.
2
2
2
2
2
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
An overdriven vintage tone based on early high-gain British stack amplifiers.
3
3
3
3
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
A high-gain distorted tone based on modern British stack amplifiers.
4
4
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
A super high-gain distorted tone based on modern British combo amplifiers.
HOT ROD 1
HOT ROD 1
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
A high-gain overdriven tone based on the Fender® Hod Rod® series of
amplifiers.
amplifiers.
amplifiers.
amplifiers.
amplifiers.
2
A high-gain distorted tone based on specialized boutique amplifiers
A high-gain distorted tone based on specialized boutique amplifiers
A high-gain distorted tone based on specialized boutique amplifiers
A high-gain distorted tone based on specialized boutique amplifiers
A high-gain distorted tone based on specialized boutique amplifiers
A high-gain distorted tone based on specialized boutique amplifiers
A high-gain distorted tone based on specialized boutique amplifiers
A high-gain distorted tone based on specialized boutique amplifiers
A high-gain distorted tone based on specialized boutique amplifiers
METAL
1
A sustained super high-gain scooped metal tone based on modern heavy
A sustained super high-gain scooped metal tone based on modern heavy
A sustained super high-gain scooped metal tone based on modern heavy
A sustained super high-gain scooped metal tone based on modern heavy
A sustained super high-gain scooped metal tone based on modern heavy
A sustained super high-gain scooped metal tone based on modern heavy
A sustained super high-gain scooped metal tone based on modern heavy
A sustained super high-gain scooped metal tone based on modern heavy
A sustained super high-gain scooped metal tone based on modern heavy
A sustained super high-gain scooped metal tone based on modern heavy
metal amplifiers like the Fender® Metalhead™.
metal amplifiers like the Fender® Metalhead™.
metal amplifiers like the Fender® Metalhead™.
metal amplifiers like the Fender® Metalhead™.
metal amplifiers like the Fender® Metalhead™.
2
A darker super high-gain scooped metal tone.
A darker super high-gain scooped metal tone.
A darker super high-gain scooped metal tone.
A darker super high-gain scooped metal tone.
A darker super high-gain scooped metal tone.
A darker super high-gain scooped metal tone.
FM212 DSPFM212 DSP
Amplifier
Amplifier
Amplifier
Amplifier
Amplifier
Amplifier
Amplifier
Amplifier
Amplifier
Amplifier
SpecificationsSpecifications
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AMPLIFICADOR DE AUDIO
IMPORTADO POR: Instrumentos Musicales Fender S.A. de C.V., Calle Huerta # 132, Col. Carlos Pacheco, C.P. 228890, Ensenada, Baja California, Mexico.
RFC: IMF870506R5A Hecho en Indonesia. Servicio de Cliente: 001-8665045875
A PRODUCT OF:
FENDER MUSICAL INSTRUMENTS CORPORATION
CORONA, CALIFORNIA USA
Fender®, Champ®, Bassman®, Hot Rod®, Accoustasonic™, Jazz King™, Blackface™ and Metalhead™ are registered trademarks of FMIC.
Other trademarks are property of their respective owners.
Copyright © 2009 FMIC. All rights reserved. P/N 070974
REV B
有毒有害物质或元素
(Hazardous Substances’ Name)
部件部件名称
(Part Name)
铅
(PB)
汞
(Hg)
镉
(Cd)
六价铬
(Cr
6+
)
多溴联苯
(PBB)
多溴二苯醚
(PBDE)
部分电子元件
x o o o o o
部分机器加工金属部件
x o o o o o
部分其他附属部件
x o o o o o
O: 表示该有毒有害物质在该部件所有均质材料中的含量均在 SJ/T 11363-2006 规定的现量要求以下
X: 表示该有毒有害物质至少在该部件的某一均质材料中的含量超出 SJ/T 11363-2006 规定的现量要求
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Fender FM 212DSP Owner's manual

Fender
Brand
Fender
Model
FM 212DSP
Category
Musical Instrument Amplifier
Type
Owner's manual
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