Waldorf pulse 2 User manual

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Pulse 2 User Manual 2

Content

Foreword ............................................................................................................................. 4!

The Pulse 2 Development Team ...................................... 5!

We would like to thank ................................................... 5!

Control Features and Connections ......................................................... 6!

Front Panel ...................................................................... 6!

Connections .................................................................... 7!

Introduction ...................................................................................................................... 8!

About this Manual ........................................................... 8!

Symbols .......................................................................... 8!

Highlighted Control Features and Parameters .................. 8!

General Safety Guidelines ............................................... 9!

Suitable Operating Conditions ....................................... 9!

Power Supply .................................................................. 9!

Operation ....................................................................... 9!

Maintenance ................................................................. 10!

Proper Use .................................................................... 10

Setup and Connection ........................................................................................ 11!

Inventory ....................................................................... 11!

Setup ............................................................................. 11!

Connection ................................................................... 11!

The USB Connection ..................................................... 13

Basic Operation ........................................................................................................ 14!

Switching on/ off ............................................................ 14!

The Volume ................................................................... 14!

Selecting Sounds ............................................................ 14!

Editing Parameters ......................................................... 15!

Editing Parameter Controls ............................................. 15!

Storing Sounds ............................................................... 16!

Sound Parameter ..................................................................................................... 18!

Overview of Functions ................................................... 18!

The Oscillator Section (OSC 1-3) ................................... 19!

The LFO Section ............................................................ 24!

The Envelope Section (ENV F and ENV A) ..................... 26!

The Arpeggiator Section (ARP) ....................................... 28!

The Filter Section (VCF) ................................................. 34!

The Amplifier Section (VCA) .......................................... 36!

The Modulation Matrix Menu (Mod) .............................. 38!

The Sound Menu ........................................................... 39

Additional Settings ......................................................................................... 40!

The Global Menu .......................................................... 40!

The Utility Menu ........................................................... 45

Content

3 Pulse 2 User Manual

Sound Synthesis Basics ................................................................................... 47!

Oscillators Introduction ................................................. 47!

Filter Introduction .......................................................... 52!

Appendix .......................................................................................................................... 54!

Updating the Firmware .................................................. 54!

Sending & Receiving System Exclusive Data .................. 55!

Modulation Sources ....................................................... 56!

Modulation Targets ........................................................ 57!

Tips & Tricks ................................................................. 58!

Technical Data .............................................................. 60!

MIDI Controller Numbers .............................................. 61!

Glossary ........................................................................ 64!

Declaration of Conformity ............................................. 69!

Product Warranty & Support .......................................... 72!

Foreword

Pulse 2 User Manual 4

Foreword

Thank you for purchasing the Waldorf Pulse 2 Synthesizer.

You now own a compact analog synthesizer with an asto-

nishing sound. And of course, a very exceptional feature set

as for example the paraphonic modes and the APW wave-

form. If you do decide to read the following quick start ma-

nual we can promise you a lot of fun while reading it and

especially afterwards working with the Pulse 2.

Your Waldorf-team

Hint

Waldorf Music is not liable for any erroneous information

contained in this manual. The contents of this manual may

be updated at any time without prior notice. We made every

effort to ensure the information herein is accurate and that

the manual contains no contradictory information. Waldorf

Music extends no liabilities in regard to this manual other

than those required by local law.

This manual or any portion of it may not be reproduced in

any form without the manufacturer's written consent.

Waldorf Music GmbH, Landskroner Straße 52, D-53474 Bad

Neuenahr, Germany

Foreword

5 Pulse 2 User Manual

The Pulse 2 Development Team

Hardware: Frédéric Meslin, Frank Schneider,

Stefan Stenzel

Software: Stefan Stenzel, Frédéric Meslin

Design: Axel Hartmann

Manual: Holger Steinbrink

Revision: 1.0, September 2013

w Please visit our website pulse2.waldorfmusic.de. Here

you will find the latest firmware version as well as

other downloads for the Pulse 2.

We would like to thank

Christian Bacaj, Willie Eckl, Joachim Flor, Michael von Gar-

nier, Karsten Dubsch, Kurt "Lu" Wangard, 吴 , and not to

forget, the Sound programmers: Jürgen Driessen, Christian

Gritzner, Till Kopper, Dirk Krause, Rob Lee, Dr. Ingo Weid-

ner.

Control Features and Connections

Pulse 2 User Manual 6

Control Features and Connections

Front Panel

a Display

b Selection Buttons

c Selection Dial

d Volume Dial

e MIDI Input Indicator

f Parameter Matrix

g Parameter Matrix Buttons

h Shift Button

i Parameter Matrix Dials

Control Features and Connections

7 Pulse 2 User Manual

Connections

A Stereo headphone jack

B Audio line output left/right (only right: mono)

C Audio line mono input

4 CV/Gate outputs

5 MIDI Out jack

6 MIDI In jack

7 Locking slot

8 USB port

9 Power switch

J

Power supply socket

Introduction

Pulse 2 User Manual 8

Introduction

About this Manual

This manual was written to help you become familiar

with the Pulse 2 synthesizer. It will also aid experienced

users with routine tasks.

To avoid confusion, the terminology in this manual is

based on the Pulse 2 parameter names. You will find a

glossary at the end of this manual; it explains the various

terms used.

Important terms are highlighted in bold letters.

Symbols

m Caution – The comments that follow this symbol

will help you avoiding errors and malfunctions.

w Info – Additional information on a given topic.

+ Instruction – Follow these guidelines to execute a

desired function.

[ Example – Real-world examples to try out.

Highlighted Control Features and Parameters

All of the Pulse 2 buttons, controls and parameters are

highlighted in bold letters throughout the manual.

Example:

• Press the VCF button at the Parameter matrix.

• Move the Cutoff knob.

The Pulse 2 different modes and parameter pages are

illustrated in a depiction of the display.

Introduction

9 Pulse 2 User Manual

General Safety Guidelines

m Please read the following safety tips carefully!

They include several precautions you should al-

ways observe when dealing with electronic

equipment. Read all of the instructions before

operating your device

Suitable Operating Conditions

• Use the device indoors only. Outside it could be

rainy or humid as well as too hot or too cold.

• Never use the device under damp conditions such

as in bathrooms, washrooms or around indoor

swimming pools.

• Do not use the device in extremely dusty or dirty

environments in order maintain the surface fi-

nishing of the Pulse 2.

• Make sure that adequate ventilation is available on

all sides of the device. Do not place the device ne-

ar heat sources such as radiators.

• Do not expose the device to direct sunlight, even if

you have a suitable sunscreen.

• Do not expose the device to extreme vibrations.

Power Supply

• Never use a different power cable than the one that

came with the Pulse 2.

• Unplug the device when you are not using it for

longer periods.

• Never touch the plug with wet hands.

• Always pull the plug when unplugging the device,

never the cable.

Operation

• This device, used on its own or with amplifiers,

speakers or headphones, can generate volume levels

that may result in irreparable damage to your hea-

ring and/or speakers and amplifiers. For this reason

you should always keep the volume at appropriate

levels.

• Never place objects containing liquids on or near

the device.

• Always place the device on a stable base only.

• Make sure no foreign objects find their way into the

chassis. If for some reason this should occur, switch

Introduction

Pulse 2 User Manual 10

the power off, unplug the device and consult a qua-

lified repair center.

Maintenance

• Do not open the device or remove the cover. Refer

all service and repair tasks to qualified personnel.

There are no user serviceable parts inside the chas-

sis.

• Use only a dry, soft cloth or brush to clean the de-

vice. Never use alcohol, cleaning solutions or simi-

lar chemicals. They will damage the surface of the

chassis.

Proper Use

This device is designed exclusively to produce low-

frequency audio signals for the purpose of generating

sound. Any other use is prohibited and voids the war-

ranty extended by Waldorf Music. Waldorf Music is not

liable for damages due to incorrect use.

m Do not leave your Pulse 2 near children, mothers-

in-law or pets. This could lead to critical interac-

tions.

Setup and Connection

11 Pulse 2 User Manual

Setup and Connection

Inventory

The Waldorf Pulse 2 package comes complete with:

• the Waldorf Pulse 2 Synthesizer

• an external power supply with 12V / 500mA

• a printed Quick Start manual

Please ensure all the items above were included. If

something is missing, contact your local dealer.

We recommend that you save the original packing ma-

terial for future transport.

Setup

Place the Pulse 2 on a clean, even surface.

Connections

In order to get started with your Pulse 2 you will need

an AC power outlet. For the connection of the audio

output you will need either a mixing console or an

audio interface. You can also use a suited headphone.

Last but not least you will mostly likely need a MIDI

master keyboard.

You can also use a computer or hardware sequencer to

make use of the Pulse 2 MIDI features.

+ To connect the devices:

1. Turn all units off.

2. Connect the Pulse 2 audio output 2 to your

mixing console or your computer audio inter-

face. Optionally connect a suited stereo

headphone to the Pulse 2´s headphone output

1. If you want to use a mono output only,

connect only the Stereo Out Right/Mono out-

put only with a ¼ inch mono plug.

3. To play the Pulse 2 you need a MIDI master

keyboard. Connect its MIDI Out jack to the

Pulse 2´s MIDI input 6.

4. If you want to use a computer with a MIDI in-

terface, connect your interface´s MIDI Out jack

to the Pulse 2 MIDI In jack 6.

5. Optionally you can connect the Pulse 2 USB

port 8 with a USB cable to your computer. Af-

Setup and Connection

Pulse 2 User Manual 12

ter that the Pulse 2 is automatically available as

a MIDI unit.

6. Connect the power supply cable or the power

cable that came with the Pulse 2 with the Pow-

er supply J jack.

7. If you want to use the external audio input,

please connect it 3 to a line output of your si-

gnal source or a guitar or microphone.

8. If you want to control other devices via

CV/Gate, please connect them to the CV/Gate

outputs 4 of the Pulse 2.

9. Then switch on the computer (if connected),

your Pulse 2, the mixing console and finally

the amplifier or active monitor speakers.

w To check the correct reception of MIDI data send

any MIDI event to the Pulse 2; the MIDI / USB

LED e will light up on any incoming MIDI mes-

sage. If this is not the case please check the MIDI

connection to the Pulse 2 as well as the Global

MIDI configuration.

w If you do not choose to connect a mixing conso-

le, you can patch the Pulse 2 output signals 2 di-

rectly to an amp or to an audio interface. Use an

input usually called Line, Aux or Tape input.

m Before connecting and disconnecting the Pulse 2

to a power supply source, turn your amp’s volume

control all the way down to avoid damage due to

on/off switching noise. The Pulse 2 produces a

high level output signal. Please take care that the

connected playback device is suitable for the high

level of an electronic instrument. Never use the

mic or phono input of the connected amp!

13 Pulse 2 User Manual

The USB Connection

Using a USB cable you can connect the Pulse 2 to your

computer observing the following system requirements:

• Windows PC: Windows XP or newer is recom-

mended, a USB port

• Linux PC, a USB port

• Apple: Intel Mac with Mac OS X 10.5 or newer, a

USB port

• Apple iPad with iPad Camera Connection Kit

The USB connection of the Pulse 2 allows:

• transmitting and receiving MIDI data

• dumping of firmware updates to the Pulse 2

• Sounds / Global parameters backup and recall

with suitable computer software.

w Make sure to use a computer USB port as well as

a USB cable to avoid problems with data trans-

mission.

w Keep also in mind that we often offer new firm-

ware updates. Please read also the chapter "Up-

dating the Firmware".

Basic Operation

Pulse 2 User Manual 14

Basic Operation

Switching on / off

The Pulse 2 is equipped with a Power switch 8. Flick

it to switch on the Pulse 2. The display a is lit and

shows the installed firmware version. After that, the

Pulse 2 is ready for some action. Flick the Power

switch again to switch off the Pulse 2.

m Don´t forget to save an edited sound program,

before switching off the Pulse 2. Otherwise, your

edits are lost forever.

The Volume

The Volume dial d controls the Pulse 2 master volu-

me. The volume setting is global and affects the level of

the audio outputs 2 and the headphone output 1.

Selecting Sounds

The Pulse 2 offers 500 sound programs. Use the

Selection dial b or the Selection buttons c to

select these sounds. Turning the dial clockwise or pres-

sing the right button increases the sound program num-

ber, turning the dial counterclockwise or pressing the

left button decreases it. When you are at the end of the

last sound program and turn the Selection dial further,

you will jump to sound program 001 again.

w Everytime you select sound program 500, the

Pulse 2 will automatically create a random sound

patch.

w If you turn the Selection dial b while pressing

the Shift button, you can select a desired sound

category (class), e.g. ARP or POLY. This is perfect

for a faster selection of sounds. To select all

sounds without limitation, you need to set Class

to ALL.

Basic Operation

15 Pulse 2 User Manual

Editing Parameters

In order to change or edit a sound in the Pulse 2, you

must access the appropriate parameters. In spite of the

Pulse 2 compactness it uses a sophisticated user inter-

face allowing fast editing of any parameter. The change

of any value is done with the dials in the Parameter

matrix i.

The dials control all parameter values. Turning a dial

clockwise increases the corresponding value; turning it

counterclockwise decreases it. The dials have a built-in

dynamic response feature. If you turn the control slowly,

the value changes very smoothly, too. If you turn it

faster, it accelerates as well. This gives you the chance

of adjusting the whole value range in just one turn

without losing accurate control when necessary.

Editing Parameter Controls

The basic sound programming of the Pulse 2 is done via

the so-called Parameter Matrix f which has all im-

portant parameters silkscreened on the machine´s front

panel. Changing the parameters is done with the six

endless Parameter Matrix dials i. Changing the edit

level is done with the five Parameter Matrix buttons

g. This sounds more complex than it is. With a simple

example you will understand the structure of the Pulse 2

handling easily.

Would you like to change the Cutoff of the Pulse filter?

Please proceed as follows:

+ To access a specific panel parameter:

1. Locate the section that contains the desired

parameter on the front panel. For example, if

you want to change Cutoff, refer to the VCF

section. To do this please press the VCF Pa-

rameter Matrix button until the LED lights

up.

2. With the first endless dial you can now chan-

ge Cutoff parameter.

3. Whenever you change a parameter by mo-

ving a dial, the display shows the edited pa-

rameter and its current value.

w Keep in mind that based on the selected Oscilla-

tor Shape some parameters are not accessible.

This will be remarked in the further sections of

this manual.

Basic Operation

Pulse 2 User Manual 16

Storing Sounds

After you have finished editing a sound, you must store

it if you intend to use it again. Any of the Pulse 2 memo-

ry locations are available for this purpose.

+ To store a sound program:

1. Press the Shift h + Store buttons to activate

the Store page.

2. Use the Selection dial c to select the desti-

nation program number. The default value is

the currently selected sound but you may

want to store your edits in a different lo-

cation.

3. Edit the sound name (if wished). First press

the right Selection button to navigate to the

naming function. A sound name can use up

to 14 characters. Use the Selection dial to

change the setting of the first character. Use

the six Parameter Matrix buttons to change

the next six characters. Use the right

Selection button to switch to the next seven

characters. Here you can use the same con-

trols as for the first seven characters.

4. Now you can select the category class of

your sound. It is strongly recommended to

select an appropriate category class for your

sound program. This helps you finding your

sound later. Use the right Selection button

to switch to the class selection. With the

Selection dial you can choose the corres-

ponding class.

5. Finally press Shift + Store to store the sound

to the selected location.

6. By pressing any button before performing the

step 5, you can discard the storing process at

any time

m Whenever you store a sound, the selected memo-

ry location is overwritten. Therefore, any pre-

viously stored sound at this location will be era-

sed and there is no way to get it back. So, you

17 Pulse 2 User Manual

should do backups of the sounds regularly. If you

want to restore the factory presets, you can

download them as a Standard MIDI File from our

website.

w Use the Store function also if you want to copy

sounds. There is no need to edit a sound before

storing it. When receiving individual sounds

through sysex transfer, they must be store ma-

nually in the Pulse 2.

Sound Parameter

Pulse 2 User Manual 18

Sound Parameter

Overview of Functions

The Waldorf Pulse 2 consists of numerous sound-

shaping components

w Is the Pulse 2 your first synthesizer? Are you curi-

ous about sound synthesis? If so, we recommend

to read the chapter "Sound Synthesis Basics" in

this manual.

You should know that the Pulse 2 consists of two diffe-

rent types of components for sound generation and

sound shaping:

• Sound Synthesis: Oscillators, Filter, Amplifier with

saturation: These modules represent the audio signal

flow. Sound generation actually occurs within the

Oscillators and and the Noise generator. These pro-

duce various waves as for example square and

sawtooth. The Filter then shapes the sound by ampli-

fying (boosting) or attenuating (dampening) certain

frequencies. The Amplifier is located at the end of

the signal chain. It sets the overall volume of the si-

gnal and can add some saturation.

• Modulators: The Modulators are designed to mani-

pulate or modulate the sound generating compo-

nents to add dynamics to the sound. The Low-

frequency Oscillators (LFO) are designed for pe-

riodic or recurring modulations while the Envelopes

are normally used for modulations that occur once.

Sound Parameter

19 Pulse 2 User Manual

The Oscillator Section (OSC 1-3)

The Pulse 2 offers three oscillators that nearly use similar

parameters for editing.

All controls of the oscillators can be found in the OSC

parameter matrix.

+ Selecting an Oscillator

Choose the desired oscillator with the button. The LED

of the corresponding Oscillator will light up.

w A detailled introduction of the oscillators can be

found in the chapter "Sound Synthesis Basics".

w Keep in mind that based on the selected Oscilla-

tor Shape some parameters are not accessible.

This will be remarked in the further sections!

Shape diverse

Sets the type of waveform to be generated by the Oscil-

lator.

w Keep in mind: Some shapes are not available for

all of the three oscillators.

The following shapes are currently available:

• PWM (only OSC 1 and OSC 2) selects the pulse

waveform. This waveform produces a hollow / me-

tallic sound. If the PWM waveform is selected, the

parameter Pulsewidth is used to change the pul-

sewidth of the waveform.

• SQR (only OSC 3) selects a square wave with a fix

pulsewidth of 50%.

• SAW selects the sawtooth waveform. A Sawtooth

wave has all the harmonics of the fundamental

frequency in descending magnitude.

• TRI selects the triangular waveform. The triangle

mainly consists of the odd harmonics with very

low magnitudes and sounds close to a sine wave.

• APW (only OSC 1) means "Alternate Pulse Wave".

The positive effect is that you get PWM like sounds

Sound Parameter

Pulse 2 User Manual 20

but with constant energy, at the cost of having to

tolerate a subharmonic one octave below.

• UNISON M (only OSC 1) creates an unison in

mono mode by using a cluster of eight pulse oscil-

lators at once. So if you play a single note, all eight

oscillators play this note, slightly detuned to enrich

the sound. Detuning (UNISON DETUNE) can be

controlled with Keytrack.

• UNISON P (only OSC 1) creates an unison in po-

lyphonic mode by using a cluster of eight pulse

oscillators. If you trigger one note only, all eight

oscillators will be played with the same root pitch.

If you trigger eight different notes, every oscillators

plays its own pitch. Detuning (UNI-DETUNE) can

be controlled with the Keytrack parameter.

• UNIAPW M (only OSC 1) creates an unison in

mono mode (same as UNISON M) by using a

cluster of eight APW oscillators at once.

• UNIAPW P (only OSC 1) creates an unison in

polyphonic mode (same as UNISON P) by using a

cluster of eight APW oscillators at once.

w Keep in mind: If one of the Unison shapes is

selected, the Keytrack parameter controls the

detuning of the poly pulse oscillators.

w If one of the Unison modes is selected as Shape,

you cannot use OSC 2 and OSC 3. Both oscilla-

tors are not accessible then.

• Para-8 (only OSC 1) creates a special paraphonic

mode where all eight PWM oscillators sound with

frequencies according to the held notes. So if you

play a chord with up to eight notes, that chord is

played by the oscillators. In this special case, the

the Keytrack parameter controls the fading of the

pulsewidth modulation. The rate also depends on

Attack and Release of the amplifier envelope ENV

A.

w Keep in mind: If Para-8 is selected as Shape, you

cannot use OSC 2 and OSC 3. Both oscillators

are not accessible then.

w Keep also in mind: The signal path of the Pulse 2

is mono. All eight voices need to use one VCF

and one VCA.

Sound Parameter

21 Pulse 2 User Manual

• Para-4 (only OSC 1) ist he same as Para-8. But two

oscillators per note are used. This will reduce the

polyphony to four voices. You can set up pulse-

width, pitch and fade individually.

w Keep in mind: When Para-4 is selected as Shape

you cannot use OSC 3. This oscillator is not ac-

cessible then.

• X3-PWM (only OSC 2) creates a PWM crossmodu-

lation. Crossmodulation is a XOR combination of

the waveshapes of OSC 2 and OSC 3 which can

be used for creating very complex sounds with un-

harmonic frequency proportions.

• X1-PWM (only OSC 2) creates a PWM crossmo-

dulation. Crossmodulation is a XOR combination

of the waveshapes of OSC 2 and OSC 1 which

can be used for creating very complex sounds with

unharmonic frequency proportions.

w Although Oscillator 1's or 3's square waveshape

is used for crossmodulation, it does not mean that

this square waveshape must be used as the

source signal. Because the crossmodulation is pu-

rely internal, you can select another waveshape

for Oscillator 1 or 3 if you so desire. Please note

that you can also modulate Oscillator 2's pulse-

width at any time. Additionally, you can switch

synchronization on and off independently.

• EXT (only OSC 3) switches off OSC 3 and enables

the external audio input for routing its signal

through the Pulse 2 synthesis path.

w Please keep in mind, that an incoming signal can

get to the output section only when the VCA en-

velope is triggered or the VCA is open. This

means that the volume envelope ENV A has to

be started by an MIDI note. This can be achieved

by playing on a keyboard or by activating the

built-in arpeggiator.

• FB (only OSC 3) creates a feedback from the drive

output back to the mixer. Depending on the filter

settings this can create interesting resonance ef-

fects that cannot be realized with the regular Re-

sonance parameter.

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Waldorf pulse 2 User manual

Waldorf pulse 2 User manual

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