Elenco EDU61003 Owner's manual

Type
Owner's manual

Elenco EDU61003 is a snap-together kit that allows you to build a working model of Leonardo da Vinci’s Swing Bridge. The kit includes all of the necessary parts to build the bridge, as well as detailed instructions. Once assembled, the bridge can be operated by hand to swing it open and closed. The EDU61003 is a great way to learn about the principles of engineering and physics, and it is also a fun and challenging project to build.

Elenco EDU61003 is a snap-together kit that allows you to build a working model of Leonardo da Vinci’s Swing Bridge. The kit includes all of the necessary parts to build the bridge, as well as detailed instructions. Once assembled, the bridge can be operated by hand to swing it open and closed. The EDU61003 is a great way to learn about the principles of engineering and physics, and it is also a fun and challenging project to build.

Swing Bridge
Instruction manual
Genius is Timeless
AGES 8+
i
Contents
About Leonardo Da Vinci
Da Vinci’s Notebooks
The Bridges of Leonardo da Vinci
Revolving Bridge
Components
How To Assemble
How to Operate the Swing Bridge
• Da Vinci Series Kit
P. 1
P. 4
P. 6
P. 7
P. 8
P. 9
P. 11
P.12
1
“Iron rusts from disuse; stagnant water
loses its purity and in cold weather becomes frozen;
even so does inaction sap the vigor of the mind.”
(April 15, 1452 - May 2, 1519)
Leonardo
Leonardo da Vinci
was born April 15, 1452 in Vinci, Italy. Da Vinci was
an artist, scientist, mathematician, engineer, inventor, anatomist, sculptor,
architect, botanist, musician and writer. He has often been described as a perfect
example of a Renaissance man, a man whose unquenchable curiosity was equaled
only by his powers of invention and observation. Da Vinci is widely considered
to be one of the greatest painters of all time and perhaps the most diversely
talented person to have ever lived.
At an early age, Da Vinci’s talent for drawing became evident, and his father
apprenticed his young son to a noted period artist, Andrea del Verrocchio.
Through the coming years, the young Leonardo learned much from his mentor and
at the age of thirty, Da Vinci left Florence and settled in Milan and established
a workshop of his own. During the following years, he earned his living painting
commissioned pieces. He soon came to the conclusion that it was not possible for
him to earn steady income doing this and began his search for employment.
He began by writing a letter to the Duchy of Milan, Duke Ludovico Sforza,
known by the nickname, the Moor. In this correspondence, Da Vinci stated that
he had studied machines of war and had come up with improvements that would
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strengthen the Moor’s position in battles. The letter hinted at inventions that
included portable lightweight bridges and improved designs for bombards, mortars,
catapults, covered assault vehicles and weapons. The Moor eventually became
Da Vinci’s patron and kept him busy with everything from designing a heating
system to painting portraits, to overseeing production of cannons and even
decorating the vaulted ceilings in his castle.
It was during this time that Da Vinci began writing and drawing in his journals.
These volumes became repositories of the outflow of Leonardo’s gifted mind.
He was a voracious student of the universe and his observations led to magnificent
plans and concepts. Da Vinci’s notebooks consist of more than 20,000 sketches,
copious notes and detailed drawings. Some of his conceptual designs led to the
greatest inventions of his day, while others came to fruition hundreds of years after
his initial concepts were penned, simply because the machinery needed to build
and power them were not yet invented. Leonardo’s notebooks clearly illustrate his
genius of not only improving upon existing inventions, but also
conceiving a myriad of new ideas and designs.
Ultimately, the Moor was captured by the French and
Da Vinci left Milan in search of a new patron. He traveled
through Italy for more than a decade, working for several
Dukes and rulers, including Cesare Borgia, a General
intent on conquering central Italy. Leonardo traveled with
Borgia as a military engineer, designing weapons, fortresses
and artillery, but became disillusioned and quickly left his
service with the General. It seems that despite Da Vinci’s
design for artillery and weaponry, he was actually a
pacifist and detested war and its destruction.
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The Mona Lisa (circa 1503) The Last Supper (circa 1498)
Virtruvian Man (circa 1487)
Da Vinci later took positions with King Louis XII and Pope Leo X and ultimately
with the King of France, Francis I. It was the King who offered Da Vinci the title,
Premier Painter and Engineer and Architect of the King. Francis I valued
Da Vinci’s great mind and his sole function was to engage in conversations about
Renaissance culture and art with the benevolent royal.
ARTISTIC MASTERPIECES OF LEONARDO DA VINCI
It is important to remember that Da Vinci is not only
and great inventor, but is considered to be one of the
most acclaimed artists to ever have lived, creating
such masterpieces as The Last Supper (c.1498) and the
Mona Lisa (c.1503). Leonardo's drawing of the
Vitruvian Man is also regarded as a masterpiece.
Unfortunately, only a small number of Da Vinci’s
paintings have survived. Leonardo experimented with
new techniques, most of which did not yield
long-lasting results. The master painter was also somewhat of a perfectionist
with fastidious attention to detail. It is believed that when painting the Mona
Lisa, the artist spent ten years perfecting the lips of this masterpiece.
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Da Vinci’s notebooks are now more than 500 years old.
They are not bound the way a typical book would be
today, but rather comprised of loose sheets of paper
gathered into collections and wrapped with fabric.
Paper was scarce in Da Vinci’s time, so he used
every available space in a page for drawings,
observations, even recipes and shopping lists, making
them somewhat difficult to interpret. Adding to the
difficulty in deciphering his works was the fact that
Da Vinci’s scripted notes were written backwards, or in
a mirror image, and read from right to left. His reason for
this remains a mystery, but it is thought that Leonardo’s
theories sometimes went against church teachings and his secret writing could
have been a way to avoid scrutiny. Da Vinci also might have feared that someone
would steal his designs and publish them under
their own name. Ironically, Da Vinci addressed
an imaginary readership in the margins of his
notebooks urging the reader to make sure his work
was printed into a proper book. It is presumed that
he meant for the notebooks
to be published after
his death.
Da Vinci’s Notebooks
5
Several common themes recur in the now fragile
notebooks: Nature, Technology (including gears,
cogwheels, screws and pulleys), aviation and vision,
to name a few. Upon the death of Leonardo Da
Vinci, the notebooks were given to his long-time
friend, Count Francesco Melzi. Melzi did not fully comprehend the value of the
information and published only a portion of the volumes. He placed the notebooks
in his home where they were viewed by guests who sometimes took pages with
them as souvenirs.After Melzi’s death, an additional 13 Da Vinci notebooks
disappeared and soon pages were scattered across Europe. Da Vinci’s notebook
In his drawings, Leonardo strived for
saper vedere or “knowing how to see.”
Da Vinci’s illustrations are unparalleled
and some experts believe that no one has
since been better.
extracts were published in 1883 and about half of
them have not yet resurfaced so far. It is easy to
imagine that had the notebooks been published
earlier, the history of science might have been
completely changed.
6
The Bridges of Leonardo da Vinci
I have plans for bridges, very light and strong and suitable for carrying very easily,
with which to pursue and at times defeat the enemy; and others solid and
indestructible by fire or assault, easy and convenient to carry and place in position.
And plans for burning and destroying those of the enemy.
Bridges have always been important to
societies as a means of crossing waterways
and offering safe reliable transportation to
benefit trade. The bridges designed by
Leonardo Da Vinci were designed to be
constructed easily, using readily available
local materials. This allowed armies to
construct them on-site and allow military
units to surprise enemies by quickly crossing a river or moat unexpectedly.
Da Vinci had a lot of ideas for designs that prompted him to write to the Duke
of Milan:
Temporary Rotating Bridge (c. 1485-1490)
7
Da Vinci designed a revolving bridge for Duke Sforza, of Milan. The bridge would
swing across a stream or moat and set down on the other side so that soldiers
could pass with little trouble. Da Vinci designed this revolving bridge using light
materials, affixed to a rolling rope-and-pulley system that would allow an army
to pick up and go at a moment's notice.
Da Vinci’s also designed bridges to guard against advancing enemies. One of his
bridge designs lets the span swing around a piling separating it form the shore to
prevent opposing military units from crossing the river.
Leonardo drew plans for a single-span bridge, but never saw it built in his lifetime.
At the time, no one believed his bridge could work especially without the usual
support piers to hold up the center. In 1781, Thomas Pin exhibited a model in
Benjamin Franklin’s garden. He too, did not convince his observers that the bridge
would work.
Da Vinci also illustrated that triangular truss bridges would resist tension better
than the older box structures and proposed a two-level truss bridge with the bottom
for vehicles and transportation and the top for pedestrians.
Da Vinci’s plans for the Gold Horn Bridge, designed for Sultan Bajazet II of
Constantinople (Istanbul) were resurrected by a Norwegian artist five centuries
after they were drawn. The artist undertook the project to build the bridge,
as homage to Da Vinci. The span is situated in Norway and opened to foot and
bicycle traffic on October 31, 2001. The artist, Vebjørn Sand, is currently
considering several sites in the United States for the next Leonardo Bridge Project.
DID YOU KNOW?
Revolving Bridge
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How to Assemble
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How to Assemble
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How to Assemble
How to Operate the Swing Bridge
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Aerial Screw
The Aerial Screw design is a precursor
of the modern day helicopter.
The drawing of Da Vinci’s concept
illustrated the compression of air that
was intended to lift the device off the ground.
Edu-Science Da Vinci Series Kits
Mechanical Drum
Leonardo da Vinci’s mechanical drum was
designed as a cart equipped with an amply
sized drum. When pulled by its handle,
the gears turn the two lateral drums,
which are fitted with pegs. The pegs move
a total of ten drumsticks that cause
them to beat the large drum.
The scientific genius of Leonardo Da Vinci is brought to life through
articulated models offered by Edu-Science. The inventions that inspired
these snap-together replicas are taken from the pages of Da Vinci’s
priceless and awe-inspiring notebooks.
DV001
DV002
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Swing Bridge
The Swing Bridge was a portable,
lightweight bridge intended to span a body
of water for armies to cross, and then quickly
disassemble in order to tow away. Equipped with
a rope and wheels, the lightweight bridge
was designed for easy transport.
Printing Press
Leonardo da Vinci studied the Guttenberg
printing press and finely-tuned it for greater
efficiency. In his design, he used a hand press
with an automatic system that moved
the type-saddle forward and back along
a tilted surface, making printing faster and easier.
Multi-barreled Canon
The 12-barreled gun carriage was developed to give
the traditional canon additional firepower and was
a potentially effective weapon against a line
of advancing troops.
Armored Car
A precursor to the modern-day tank,
the armored car was capable of multi-directional
movement and was equipped with
cannons arranged in a 360-degree
firing range around its circumference.
DV003
DV005
DV006
DV007
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Paddleboat
In Da Vinci’s time, nautical expedition was
the most expedient method of communicating
with the world and his design for a boat
with large wheel-shaped paddles that
would propel it through water offered a faster
and easier method of water transportation.
Self-Propelled Cart
Da Vinci’s self-propelled cart was the first
to be capable of moving without being
pushed or pulled manually. This precursor to
the automobile was one of the many inventions
that Leonardo created dealing with locomotion and
transportation.
Catapult
Improvements were made to the age-old military
launching device called a catapult.
The new design employed a hand-crank that
caused tension on the throw arm.
The spring design produced a large amount
of energy in order to propel stone projectiles or
incendiary materials over great distances.
Bombard
This improved cannon was designed to
include projectiles that contained a quantity
of mini gunpowder shots packed into petal-shaped
iron pieces that formed a ball.
The device exploded into fragments that had greater
range and impact than a single cannonball.
DV008
DV009
DV010
DV011
Notes
Notes
The Aerial Screw
Instruction manual
Genius is Timeless
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Swing Bridge
Instruction manual
Genius is Timeless
P38-DV003-81001000
Printed in China
Interpretation of the original Leonardo da Vinci’s design/
copyright by Leonardo 3 - www.leonardo3.net - All rights reserved
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Elenco EDU61003 Owner's manual

Type
Owner's manual

Elenco EDU61003 is a snap-together kit that allows you to build a working model of Leonardo da Vinci’s Swing Bridge. The kit includes all of the necessary parts to build the bridge, as well as detailed instructions. Once assembled, the bridge can be operated by hand to swing it open and closed. The EDU61003 is a great way to learn about the principles of engineering and physics, and it is also a fun and challenging project to build.

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