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Operation Manual
Cristina Bachmann, Heiko Bischoff, Christina Kaboth, Insa Mingers, Matthias Obrecht,
Sabine Pfeifer, Kevin
Quarshie, Benjamin Schütte
This PDF provides improved access for vision-impaired users. Please note that due to the
complexity and number of images in this document, it is not possible to include text
descriptions of images.
The information in this document is subject to change without notice and does not represent
a commitment on the part of Steinberg Media Technologies GmbH. The software described
by this document is subject to a License Agreement and may not be copied to other media
except as specifically allowed in the License Agreement. No part of this publication may be
copied, reproduced, or otherwise transmitted or recorded, for any purpose, without prior
written permission by Steinberg Media Technologies GmbH. Registered licensees of the
product described herein may print one copy of this document for their personal use.
All product and company names are ™ or ® trademarks of their respective holders. For more
information, please visit www.steinberg.net/trademarks.
© Steinberg Media Technologies GmbH, 2016.
All rights reserved.
3
Table of Contents
7 Introduction
7 Help System
8 About the Program Versions
8 Conventions
9 How You Can Reach Us
11 Setting Up Your System
11 Connecting Audio
11 Audio Cards and Background Playback
12 Latency
12 Defining VST Audio Connections
16 CD/DVD Recorders
16 Remote Devices
27 WaveLab Pro Concepts
27 General Editing Rules
27 Startup Dialog
29 Basic Window Handling
30 Selecting Audio
37 Sliders
38 Renaming Items in Tables
38 File Browser
40 Tab Groups
43 Peak Files
44 Companion Files
45 EBU Loudness Standard R-128
47 Workspace Window
47 Audio Editor
48 Audio Montage
48 Batch Processor
48 Podcast Editor
49 Basic Audio CD
49 DVD-Audio
49 Script Editor
49 Control Window
50 File Tab
53 Info Tab
54 Tool Windows
54 Meter Windows
55 Slide-Out Windows
55 Docking and Undocking Tool Windows and
Meter Windows
57 Command Bar
58 Status Bar
60 Context Menus
61 Time Ruler and Level Ruler
66 Managing Tabs
69 Activating Full Screen Mode
69 Log Window
70 Project Handling
70 Opening Files
71 WaveLab Projects
75 File Groups
77 Value Editing
77 Drag Operations
79 Undoing and Redoing Actions
81 Zooming
87 Presets
4
90 File Operations
90 Recently Used Files
92 Favorite Files
93 Save and Save As
96 Templates
100 File Renaming
101 Naming Schemes
103 Deleting Files
103 Temporary Files
103 Work Folders vs. Document Folders
106 Exporting to SoundCloud
106 Copying Audio Information to the Clipboard
107 Setting the Focus on the Current File
108 Playback
108 Transport Bar
121 Starting Playback From the Ruler
121 Using the Play Tool
122 Playback Scrubbing
123 Timecode Window
124 Jog/Shuttle Function
125 Scroll During Playback
126 Playback in the Audio Montage Window
127 Speaker Configuration
129 Audio File Editing
129 Wave Window
138 Audio Editor Tabs
151 File Handling in the Audio Editor
176 Changing the Audio Properties
177 Meta-Data
183 Snapshots
184 Silence Generator Dialog
186 Waveform Restoration with the Pen Tool
188 Audio Analysis
188 Error Detection and Correction
195 Global Analysis
205 Audio File Comparator
207 3D Frequency Analysis
210 Offline Processing
210 Applying Processing
210 Gain Dialog
211 Level Normalizer Dialog
212 Loudness Normalizer
214 Pan Normalizer Dialog
215 Envelope Dialog
217 Fades in Audio Files
218 Crossfades
219 Phase Inverting
220 Reversing Audio
220 DC Offset
221 Time Stretching
223 Pitch Shift
226 Pitch Quantizing Dialog
226 Pitch Bend
229 Resample
229 Effect Morphing
233 Audio Montage
233 Montage Window
237 Audio Montage Tabs
257 Signal Flow in the Audio Montage
258 Creating New Audio Montages
260 Audio Montage Duplicates
264 Creating an Audio Montage from an Audio
File
265 Import Options for Audio Montages
267 Missing Files in the Audio Montage Dialog
268 Assembling the Audio Montage
280 Rearranging Clips
287 Clip Editing
308 Audio Montages within Audio Montages
314 Managing Source Files of Clips
319 Track Activity Indicator
319 Envelopes for Clips
329 Fades and Crossfades in Audio Montages
339 Clip Time Stretching
340 Clip Pitch Shifting
340 Effects for Tracks, Clips, and the Montage
Output
357 About the CD Window
367 Snapshots
368 Mixing Down – The Render Function
370 Loudness Meta Normalizer
372 Navigator Window
373 Notes Window
373 Groups
375 Audio Montage Backups
377 Multichannel Operations in the Audio
Montage
388 XML Export and Import of Audio Montages
389 AES-31 Files Export and Import
5
392 Recording
392 Setting Up the Recording Dialog
393 Dropping Markers During Recording
394 Recording Dialog
400 Recording in the Audio Montage Window
402 Master Section
402 Master Section Window
424 Rendering
434 Recording From an ASIO Input
435 Smart Bypass
437 Saving a Master Section Preset
442 Monitoring Background Tasks
444 Dropouts
445 Markers
447 Markers Window
451 About Creating Markers
454 Deleting Markers
456 Moving Markers
456 Moving Multiple Markers
458 Navigating to Markers
458 Hiding Markers of a Specific Type
458 Converting Marker Types
460 Renaming Markers
460 Selecting Markers
461 Selecting the Audio Between Markers
461 Binding Markers to Clips in the Audio
Montage
462 Exporting the Markers List as Text
462 How Marker Information is Saved
464 Metering
464 Metering Window
464 Real-Time vs. Non-Real-Time
464 Metering Monitor Modes
465 Meter Settings
466 Multichannel Metering
466 Resetting the Meters
466 Using Presets in the Meter Windows
467 Level Meter
470 Loudness Meter
473 Phasescope
475 Spectroscope
475 Spectrometer
479 Bit Meter
480 Oscilloscope
481 Wavescope
483 Basic Audio CD
483 Basic Audio CD Window
486 CD Markers
487 Preparing a Basic Audio CD
489 Opening CD Tracks for Editing
489 Playing Back Files in the Track List
490 Saving Basic Audio CD Tracks as Separate
Files
491 Saving Basic Audio CD Tracks as One File
492 DVD-Audio
492 Structure of a DVD-Audio Project
493 DVD-Audio Formats
493 DVD-Audio Format Considerations
493 DVD-Audio Window
496 Preparing a DVD-Audio
498 Opening Audio Montages for Editing
498 Checking the DVD-Audio Conformity
499 Writing Operations
499 Write Audio CD or DDP Dialog
501 Erase Optical Media Dialog
502 About Writing Audio Files
505 About Writing Audio Montages
520 Write DVD-Audio Function
524 Data CD/DVD Projects
528 Audio CD Formats
533 Spectrum Editing
533 Spectrum Display
534 Surgical Processing
536 Master Section Processing
538 Defining a Region for Spectrum Editing
539 Processing Frequency Ranges via the
Master Section
539 Spectrum Editor Window
546 Auto Split
546 Auto Split in Audio Files
550 Auto Split in Audio Montages
553 Loops
553 Basic Looping
554 Refining Loops
562 Looping Audio Which Is Not Very Well
Suited for Looping
565 Sample Attributes
568 Generating Signals
568 Signal Generator
572 DTMF Generator
6
575 Importing Audio CD Tracks
575 Import Audio CD Dialog
579 Importing Audio CD Tracks
580 Searching Track Names on the Internet
580 Submitting Track Names to the Internet
581 Ultra-Safe Mode
581 Converting Audio CD Tracks to an Audio
Montage
581 Converting Audio CD Tracks to a Basic
Audio CD
583 WaveLab Exchange
583 WaveLab Pro as External Editor for Cubase
584 Cubase as External Editor for WaveLab Pro
586 Batch Processing
587 Batch Processor Window
596 Off-Line Processors
598 Working with the Batch Processor
607 Watch Folders
622 XML Files in Batch Processing
630 Batch Conversion
630 Batch Conversion Dialog
631 Batch Converting Files
632 Batch Renaming
632 Batch Renaming Dialogs
632 Batch Renaming Files
634 Batch Renaming Markers
636 Batch Renaming Clips
637 Renaming Operation Categories and Types
642 List of Renaming Operations
642 Preview Section
643 Range Parameters
645 Previewing and Performing All Renaming
Operations
645 Regular Expressions
649 Podcasts
649 Podcast Editor
654 Global Podcast Options
654 Creating a Podcast
655 Setting Up a FTP for Podcast Publishing
655 Publishing a Podcast
655 FTP Settings Dialog
657 Checking the Podcast
658 Customizing
658 Workspace Layout
660 Customizing the Wave Window and the
Montage Window
661 Customizing Shortcuts
668 Customizing Command Bars
668 Plug-in Organization
676 Variables and Text Snippets
679 Scripting
700 Configuring the Software
700 Global Preferences
706 Audio Files Preferences
713 Audio Montages Preferences
719 Settings Management
720 Multi-User Settings
721 External Tools
724 Plug-in Reference
724 Built-in Plug-ins
748 Steinberg VST 3 Plug-ins
809 Sonnox Restoration Toolkit
816 Legacy Plug-ins
816 Dithering Plug-ins
820 ASIO Plug-ins
822 Batch Processing Plug-ins
832 Index
7
Introduction
Help System
The detailed help system of WaveLab Pro enables you to look up interface features
and get information from within the program.
Accessing the Help System
There are several ways of accessing the help system.
• To open the WaveLab Pro help, select Help > Contents.
• To open the manual in PDF format, select Help > PDF Documentation.
• To show tooltips, move the mouse over an interface icon.
• To open the help for an active dialog, click the question mark icon on the title
bar (Windows) or in the dialog (Mac OS) to show the Help button, and then
click the Help button, or press [F1] (Windows) or [Command]-[?] (Mac OS).
• To use the menu help, move the mouse over a menu item.
• To see information on what kind of editing can be performed when using the
mouse and modifier keys in the Audio Montage window, move the mouse
over the montage window. The help text is displayed on the info line at the
bottom of the window.
To open the “What’s This” help, you have the following possibilities:
• In any window, press [Shift]-[F1] and move the mouse over an interface item,
or select Help > What’s This?.
• In a dialog, select the question mark icon on any title bar (Windows) or in the
dialog (Mac OS), and move the mouse over an interface item or a menu
option.
• Some “What’s this” tooltips include a link to a dedicated help topic.
RELATED LINKS
Info Line on page 282
Introduction
About the Program Versions
8
About the Program Versions
The documentation covers the operating systems Windows and Mac OS X.
Features and settings that are specific to one of these platforms are clearly
indicated. In all other cases, the descriptions and procedures in the documentation
are valid for Windows and Mac OS X.
Some points to consider:
• The screenshots are taken from a Windows operating system.
• Some functions that are available on the File menu on Windows operating
systems can be found in the program name menu on Mac OS X operating
systems.
Conventions
In our documentation, we use typographical elements and mark-ups to structure
information.
Typographical Elements
The following typographical elements mark the following purposes.
PREREQUISITE
Requires you to complete an action or to fulfill a condition before starting a
procedure.
PROCEDURE
Lists the steps that you must take to achieve a specific result.
IMPORTANT
Informs you about issues that might affect the system, the connected
hardware, or that might bring a risk of data loss.
NOTE
Informs you about issues that you should consider.
EXAMPLE
Provides you with an example.
RESULT
Shows the result of the procedure.
AFTER COMPLETING THIS TASK
Informs you about actions or tasks that you can undertake after completing
the procedure.
Introduction
How You Can Reach Us
9
RELATED LINKS
Lists related topics that you can find in this documentation.
Mark-Ups
Bold text indicates the name of a menu, option, function, dialog, window, etc.
EXAMPLE
To open the Layout Options pop-up menu, click Layout Options in the top right
corner of the Audio Editor.
If bold text is separated by a greater-than symbol, this indicates a sequence of
different menus to open.
EXAMPLE
Select File > Save As.
Key Commands
Many of the default key commands use modifier keys, some of which are different
depending on the operating system.
For example, the default key command for Undo is [Ctrl]-[Z] on Windows and
[Command]-[Z] on Mac OS X. When key commands with modifier keys are
described in this manual, they are shown with the Windows modifier key first, in the
following way:
• [Win modifier key]/[Mac modifier key]-[key]
EXAMPLE
[Ctrl]/[Command]-[Z] signifies: press [Ctrl] on Windows or [Command] on Mac OS
X, then press [Z].
Similarly, [Alt]/[Option]-[X] signifies: press [Alt] on Windows or [Option] on Mac OS
X, then press [X].
How You Can Reach Us
On the Help menu in WaveLab Pro, you find items linking to additional information.
Introduction
How You Can Reach Us
10
The menu contains links to various Steinberg web pages. Selecting a menu item
automatically launches your browser and opens the page. On these pages, you can
find support and compatibility information, answers to frequently asked questions,
information about updates and other Steinberg products, etc. This requires that you
have a web browser installed on your computer, and a working Internet connection.
11
Setting Up Your System
Before you start working, you need to make some settings.
IMPORTANTIMPORTANTIMPORTANTIMPORTANT
Make sure that all equipment is turned off before making any connections.
Connecting Audio
Your system setup depends on many different factors, for example, the kind of
project that you want to create, the external equipment that you want to use, or the
computer hardware available to you.
Audio Cards and Background Playback
When you activate playback or recording in WaveLab Pro, other applications
cannot access the audio card. Likewise, if another application uses the audio card,
WaveLab
Pro is unable to play back. The Windows MME driver is an exception from
this.
You can run WaveLab Pro together with other applications and always give the
active application access to the audio card.
PROCEDURE
1. Select File > Preferences > VST Audio Connections.
2. Select the Options tab.
3. Activate Release Driver.
4. Do one of the following:
• If you want to release the driver when WaveLab Pro is in the background,
activate When WaveLab Pro is in Background.
• If you want to release the driver only when Cubase is in the foreground, activate
When Cubase is in Foreground.
Setting Up Your System
Latency
12
Latency
Latency is the delay between when audio is sent from the program and when you
actually hear it. While a very low latency can be crucial in a real-time DAW
application such as Steinberg Nuendo or Cubase, this is not strictly the case with
WaveLab
Pro.
When working with WaveLab Pro, the important issues are optimum and stable
playback and editing precision.
The latency in an audio system depends on the audio hardware, its drivers, and
settings. In case of dropouts, crackles, or glitches during playback, raise the Buffer
Number setting on the Options tab in the VST Audio Connections, or increase
the buffer size in the ASIO control panel, specific to the audio card.
RELATED LINKS
VST Audio Connections Tab on page 13
Defining VST Audio Connections
To be able to play back and record audio in WaveLab Pro, you must specify how
the internal input and output channels in WaveLab
Pro are connected to your sound
card and which device you intend to use for audio playback and recording.
You can define the buffer settings for your device as well as set up connections to
external gear, such as external effects units. You should select at least two channels
for stereo playback and recording.
If you have no third-party audio card, you can select the Windows MME driver or
Built-in Audio (Mac) options. You can also use MME with most third party audio
cards, with the advantage that you can record and play at different sample rates.
However, Windows MME drivers do not allow audio monitoring in the Recording
dialog or multichannel operation, and other drivers generally offer better sound
quality and performance.
RELATED LINKS
VST Audio Connections Tab on page 13
Selecting an ASIO Driver
Audio Stream Input/Output (ASIO) is a computer device driver protocol for digital
audio specified by Steinberg. It provides a low-latency and high fidelity interface
between a software application and the soundcard of a computer.
PROCEDURE
1. Select File > Preferences > VST Audio Connections.
2. Open the Audio Device pop-up menu and select your ASIO driver.
The ASIO Plug-ins tab and the Control Panel button are activated.
Setting Up Your System
Defining VST Audio Connections
13
3. Optional: Click Control Panel and make your settings.
4. On the ASIO Plug-ins tab, select the audio ports that are used for recording
and monitor input of the ASIO plug-ins.
Selecting a Windows MME Driver
PROCEDURE
1. Select File > Options > VST Audio Connections.
2. Open the Audio Device pop-up menu and select Windows MME.
3. On the Playback tab, select the audio ports that are used for playback.
4. On the Recording tab, select the audio ports that used for recording and
monitor input.
VST Audio Connections Tab
This tab allows you to specify how the internal input and output channels in
WaveLab
Pro are connected to your sound card and which device you want to use
for audio playback and recording.
• To open the VST Audio Connections tab, select File > Options > VST
Audio Connections.
Global Settings
Audio Device
Allows you to select the audio device that you want to use for playback and
recording audio. If you do not have a third-party audio card, you can select the
Windows MME driver or Built-in Audio (Mac) options.
Control Panel
When you select an ASIO driver, the Control Panel button is activated. Click
the button to open the settings application of your sound card, which is
usually installed with the sound card. Depending on your sound card and
driver, this provides settings for buffer size, digital formats, additional I/O
connections, etc.
Refresh
This button causes audio devices to be evaluated again to reflect device
changes.
Setting Up Your System
Defining VST Audio Connections
14
Playback Tab
This tab allows you to select and name audio ports that are used for playback. If you
are monitoring on a surround system, specify your surround speaker outputs here.
You can also specify the Preferred Sample Rate for playback. Furthermore, you
can rename the channels and set up the Speaker Configuration to be able to
switch between different speakers.
Recording Tab
This tab allows you to select and name your audio ports that are used for recording
and input monitoring. The inputs that you define here are then available in the
Recording dialog. Furthermore, you can rename the channels and select the
Speaker Configuration.
Setting Up Your System
Defining VST Audio Connections
15
External Gear Tab
This tab allows you to select inputs from and outputs to external audio processing
equipment. The name of this tab corresponds to the installed driver, for example,
ASIO Plug-ins.
Options Tab
This tab allows you to specify the number of buffers and the control driver
functionality.
Buffer Number
Increasing this value improves the elasticity of audio streaming to avoid
dropouts.
MME Specific – Buffer Size
Increasing this value improves the elasticity of audio streaming to avoid
dropouts. This is only available when an MME driver is selected.
Initialize Streaming Engine at First Use
Initializes the audio streaming engine when playback or recording are used for
the first time. If this option is deactivated, the audio streaming engine is
initialized at program startup.
Reset Driver When Changing Sample Rate
Resets the driver when sample rate is changed. When playback or recording
must be set to a new sample rate, some audio device drivers must be fully
reset to work properly. This operation takes some time.
Perform Short Fade In/Out When Starting/Stopping Playback
Performs a short fade in when starting playback and a short fade out when
stopping playback. This avoids clicks that are caused by waveforms that are
not starting on a zero-crossing point.
Release Driver
Allows you to run WaveLab Pro together with other applications and always
give the active application access to the audio card.
•If When WaveLab Pro is in Background is activated, the driver is
released when WaveLab Pro is in the background.
Setting Up Your System
CD/DVD Recorders
16
•If When Cubase is in Foreground is activated, the driver is released
when Cubase is in the foreground.
CD/DVD Recorders
For general instructions on installing internal or connecting external recorders via
USB or Firewire, refer to the instruction manual for your computer or your recorder.
Make sure to have the latest firmware version installed on your recorder unit. For CD
recorders, the existing firmware must support disc-at-once mode. In addition,
running a unit with older firmware can prevent you from writing sub-index markers
into the tracks, for example.
Remote Devices
You can use remote devices to remote-control WaveLab Pro.
Several commands can be controlled with knobs and sliders of your remote control
device. For all commands that can be assigned to a keyboard shortcut, a MIDI
trigger can also be assigned.
Remote Devices Tab
This tab allows you to select a device to remote-control WaveLab Pro, and see and
edit the control map of MIDI control devices.
• To open the Remote Devices tab, select File > Preferences > Remote
Devices.
Setting Up Your System
Remote Devices
17
Device Editing Tab
This tab lets you select a MIDI control device, see the control map, assign
WaveLab
Pro commands to MIDI controls, and import/export control assignments.
Device Menu
Select the MIDI device to edit. Select MIDI Shortcuts for Menus to define
the MIDI input port that is used for MIDI shortcuts. The shortcuts can then be
assigned on the Shortcuts tab.
Select MIDI Control Device #1 – #10 to select a slot for a connected MIDI
control device. You can then assign a device by selecting a MIDI input port
and output port.
Active
Activates the selected device and scans the MIDI ports.
In-Port/Out-Port
Select the MIDI input/output ports of the device that you want to use.
Edit Map
Activates the edit mode of the MIDI control map for the selected device. To
leave the edit mode, click again.
Setting Up Your System
Remote Devices
18
Save
Saves the modifications that have been made to the MIDI control map.
Undo
Undoes the modifications that have been made to the MIDI control map.
Reset
If the map has a factory preset, clicking Reset resets all changes that have
been made to the map. If the map has no factory preset, the map is cleared.
Import
Opens the file browser where you can select a map definition file (XML file).
This kind of file can be supplied by a MIDI device manufacturer or another
WaveLab
Pro user, for example.
Export
Lets you export a map definition file (XML file). This file can be sent to another
WaveLab
Pro user, for example.
Name
Lets you enter a map name.
Only Display Assignments
If this option is activated, the control map only displays the parameters that
are associated with a remote control.
Expand/Collapse
Expands/collapses the folder tree of the control map.
WaveLab Pro Action List
This folder tree lists the parameters that you can remote-control. The top
folder represent contexts. The related parameters can only be controlled if the
context is active. For example, if an audio file is active.
A remote control can be used in several contexts if these are exclusive. For
example, parameters that can be used for an active audio file or an active
audio montage.
The Global folder contain the parameters that can always be controlled.
Control Editor – Save
If a control has been created or modified, click this button to save it.
Control Editor – Undo
If a control has been modified, click this button to undo the changes.
Control Editor – Clear
Erases the selected control’s definition.
Control Name
Lets you enter a name for the control. Each control must have a name.
Setting Up Your System
Remote Devices
19
Type
In the Type section, you can edit the type of the selected control.
When more than one type of control can be assigned to a parameter, you can
select a type from the first pop-up menu. You can choose between relative
and absolute editing for some parameters. For example, a Master Section
slider can be associated to a remote motorized fader (absolute editing), or to
an infinite knob (relative editing).
Several protocols are supported to interpret the MIDI messages. You can
select the protocol that you want to use from the second menu. The MIDI
Learn function can automatically change this protocol, according to the
received MIDI messages.
Remote controls send messages but can also receive messages from
WaveLab
Pro, to light up a button or move a motorized fader, for example. You
can select the mode to use from the third menu.
Message
Activates the MIDI Learn function. If this option is activated, you can use the
control (knob, fader, etc.) on your MIDI controller. When MIDI messages are
received, they are analyzed after the MIDI activity stops for several
milliseconds. The result is displayed in the Message field. The result is then
used by WaveLab
Pro as the control identifier.
Clear
Erases the MIDI event that identifies the control.
Conditions
A modifier is a WaveLab Pro parameter that can be activated by a MIDI
control (for example, a foot switch) or a computer key ([Ctrl]/[Command],
[Shift], etc.). By associating a remote control with one or two modifiers, you
can use a single remote control to edit different parameters.
Options Tab
This tab lets you use the MIDI Learn function to assign a control of a MIDI remote
control device to a function.
Emulate Mouse Wheel
If this option is activated, the AI knob of Steinberg controllers acts as a mouse
wheel in the WaveLab
Pro user interface, except for plug-ins.
Edit Focused Numeric Field
If this option is activated, the AI knob Steinberg controllers can be used to edit
the focused numeric field that you find in many WaveLab
Pro windows and
dialogs.
Setting Up Your System
Remote Devices
20
Selecting a MIDI Remote Control Device
PREREQUISITE
The MIDI remote control device is connected to your PC/Mac.
PROCEDURE
1. Select File > Preferences > Remote Devices.
2. On the Device Editing tab, select one of the MIDI control device slots or the
MIDI Shortcuts for Menus option from the pop-up menu at the top.
3. Select Active to activate the selected device.
4. From the In-Port and Out-Port pop-up menus, select a MIDI input port and
output port.
Assigning a MIDI Controller to a Parameter
If you are using a Steinberg remote control device, for example, the CC121, the
controls are already assigned to parameters. You can customize these default
settings.
PREREQUISITE
You have set up your MIDI remote control device.
PROCEDURE
1. Select File > Preferences > Remote Devices.
2. From the pop-up menu at the top of the dialog, select your MIDI control
device.
3. On the Device Editing tab, click the Edit Map button.
4. In the tree structure, click the parameter that you want to remote-control.
5. In the Control Editor section, enter a name in the Control Name field.
6. Select the type of control.
Depending on the type of control on the MIDI remote control device, you must select
a control with relative values (knob), trigger values (button), or absolute values (fader).
7. Click in the Message field, and on your MIDI remote control device, move the
control that you want to assign.
The name of the controller is displayed in the Message field.
8. Click Save to the right of the This Control is Modified message.
9. Click Save to the right of the Edit Map button.
RESULT
The MIDI controller is now assigned to the function.
/
