Steinberg Wavelab Pro 9.0 User manual

Operation Manual

Cristina Bachmann, Heiko Bischoff, Christina Kaboth, Insa Mingers, Matthias Obrecht,

Sabine Pfeifer, Kevin

Quarshie, Benjamin Schütte

This PDF provides improved access for vision-impaired users. Please note that due to the

complexity and number of images in this document, it is not possible to include text

descriptions of images.

The information in this document is subject to change without notice and does not represent

a commitment on the part of Steinberg Media Technologies GmbH. The software described

by this document is subject to a License Agreement and may not be copied to other media

except as specifically allowed in the License Agreement. No part of this publication may be

copied, reproduced, or otherwise transmitted or recorded, for any purpose, without prior

written permission by Steinberg Media Technologies GmbH. Registered licensees of the

product described herein may print one copy of this document for their personal use.

All product and company names are ™ or ® trademarks of their respective holders. For more

information, please visit www.steinberg.net/trademarks.

3

Table of Contents

7 Introduction

7 Help System

8 About the Program Versions

8 Conventions

9 How You Can Reach Us

11 Setting Up Your System

11 Connecting Audio

11 Audio Cards and Background Playback

12 Latency

12 Defining VST Audio Connections

16 CD/DVD Recorders

16 Remote Devices

27 WaveLab Pro Concepts

27 General Editing Rules

27 Startup Dialog

29 Basic Window Handling

30 Selecting Audio

37 Sliders

38 Renaming Items in Tables

38 File Browser

40 Tab Groups

43 Peak Files

44 Companion Files

45 EBU Loudness Standard R-128

47 Workspace Window

47 Audio Editor

48 Audio Montage

48 Batch Processor

48 Podcast Editor

49 Basic Audio CD

49 DVD-Audio

49 Script Editor

49 Control Window

50 File Tab

53 Info Tab

54 Tool Windows

54 Meter Windows

55 Slide-Out Windows

55 Docking and Undocking Tool Windows and

Meter Windows

57 Command Bar

58 Status Bar

60 Context Menus

61 Time Ruler and Level Ruler

66 Managing Tabs

69 Activating Full Screen Mode

69 Log Window

70 Project Handling

70 Opening Files

71 WaveLab Projects

75 File Groups

77 Value Editing

77 Drag Operations

79 Undoing and Redoing Actions

81 Zooming

87 Presets

4

90 File Operations

90 Recently Used Files

92 Favorite Files

93 Save and Save As

96 Templates

100 File Renaming

101 Naming Schemes

103 Deleting Files

103 Temporary Files

103 Work Folders vs. Document Folders

106 Exporting to SoundCloud

106 Copying Audio Information to the Clipboard

107 Setting the Focus on the Current File

108 Playback

108 Transport Bar

121 Starting Playback From the Ruler

121 Using the Play Tool

122 Playback Scrubbing

123 Timecode Window

124 Jog/Shuttle Function

125 Scroll During Playback

126 Playback in the Audio Montage Window

127 Speaker Configuration

129 Audio File Editing

129 Wave Window

138 Audio Editor Tabs

151 File Handling in the Audio Editor

176 Changing the Audio Properties

177 Meta-Data

183 Snapshots

184 Silence Generator Dialog

186 Waveform Restoration with the Pen Tool

188 Audio Analysis

188 Error Detection and Correction

195 Global Analysis

205 Audio File Comparator

207 3D Frequency Analysis

210 Offline Processing

210 Applying Processing

210 Gain Dialog

211 Level Normalizer Dialog

212 Loudness Normalizer

214 Pan Normalizer Dialog

215 Envelope Dialog

217 Fades in Audio Files

218 Crossfades

219 Phase Inverting

220 Reversing Audio

220 DC Offset

221 Time Stretching

223 Pitch Shift

226 Pitch Quantizing Dialog

226 Pitch Bend

229 Resample

229 Effect Morphing

233 Audio Montage

233 Montage Window

237 Audio Montage Tabs

257 Signal Flow in the Audio Montage

258 Creating New Audio Montages

260 Audio Montage Duplicates

264 Creating an Audio Montage from an Audio

File

265 Import Options for Audio Montages

267 Missing Files in the Audio Montage Dialog

268 Assembling the Audio Montage

280 Rearranging Clips

287 Clip Editing

308 Audio Montages within Audio Montages

314 Managing Source Files of Clips

319 Track Activity Indicator

319 Envelopes for Clips

329 Fades and Crossfades in Audio Montages

339 Clip Time Stretching

340 Clip Pitch Shifting

340 Effects for Tracks, Clips, and the Montage

Output

357 About the CD Window

367 Snapshots

368 Mixing Down – The Render Function

370 Loudness Meta Normalizer

372 Navigator Window

373 Notes Window

373 Groups

375 Audio Montage Backups

377 Multichannel Operations in the Audio

Montage

388 XML Export and Import of Audio Montages

389 AES-31 Files Export and Import

5

392 Recording

392 Setting Up the Recording Dialog

393 Dropping Markers During Recording

394 Recording Dialog

400 Recording in the Audio Montage Window

402 Master Section

402 Master Section Window

424 Rendering

434 Recording From an ASIO Input

435 Smart Bypass

437 Saving a Master Section Preset

442 Monitoring Background Tasks

444 Dropouts

445 Markers

447 Markers Window

451 About Creating Markers

454 Deleting Markers

456 Moving Markers

456 Moving Multiple Markers

458 Navigating to Markers

458 Hiding Markers of a Specific Type

458 Converting Marker Types

460 Renaming Markers

460 Selecting Markers

461 Selecting the Audio Between Markers

461 Binding Markers to Clips in the Audio

Montage

462 Exporting the Markers List as Text

462 How Marker Information is Saved

464 Metering

464 Metering Window

464 Real-Time vs. Non-Real-Time

464 Metering Monitor Modes

465 Meter Settings

466 Multichannel Metering

466 Resetting the Meters

466 Using Presets in the Meter Windows

467 Level Meter

470 Loudness Meter

473 Phasescope

475 Spectroscope

475 Spectrometer

479 Bit Meter

480 Oscilloscope

481 Wavescope

483 Basic Audio CD

483 Basic Audio CD Window

486 CD Markers

487 Preparing a Basic Audio CD

489 Opening CD Tracks for Editing

489 Playing Back Files in the Track List

490 Saving Basic Audio CD Tracks as Separate

Files

491 Saving Basic Audio CD Tracks as One File

492 DVD-Audio

492 Structure of a DVD-Audio Project

493 DVD-Audio Formats

493 DVD-Audio Format Considerations

493 DVD-Audio Window

496 Preparing a DVD-Audio

498 Opening Audio Montages for Editing

498 Checking the DVD-Audio Conformity

499 Writing Operations

499 Write Audio CD or DDP Dialog

501 Erase Optical Media Dialog

502 About Writing Audio Files

505 About Writing Audio Montages

520 Write DVD-Audio Function

524 Data CD/DVD Projects

528 Audio CD Formats

533 Spectrum Editing

533 Spectrum Display

534 Surgical Processing

536 Master Section Processing

538 Defining a Region for Spectrum Editing

539 Processing Frequency Ranges via the

Master Section

539 Spectrum Editor Window

546 Auto Split

546 Auto Split in Audio Files

550 Auto Split in Audio Montages

553 Loops

553 Basic Looping

554 Refining Loops

562 Looping Audio Which Is Not Very Well

Suited for Looping

565 Sample Attributes

568 Generating Signals

568 Signal Generator

572 DTMF Generator

6

575 Importing Audio CD Tracks

575 Import Audio CD Dialog

579 Importing Audio CD Tracks

580 Searching Track Names on the Internet

580 Submitting Track Names to the Internet

581 Ultra-Safe Mode

581 Converting Audio CD Tracks to an Audio

Montage

581 Converting Audio CD Tracks to a Basic

Audio CD

583 WaveLab Exchange

583 WaveLab Pro as External Editor for Cubase

584 Cubase as External Editor for WaveLab Pro

586 Batch Processing

587 Batch Processor Window

596 Off-Line Processors

598 Working with the Batch Processor

607 Watch Folders

622 XML Files in Batch Processing

630 Batch Conversion

630 Batch Conversion Dialog

631 Batch Converting Files

632 Batch Renaming

632 Batch Renaming Dialogs

632 Batch Renaming Files

634 Batch Renaming Markers

636 Batch Renaming Clips

637 Renaming Operation Categories and Types

642 List of Renaming Operations

642 Preview Section

643 Range Parameters

645 Previewing and Performing All Renaming

Operations

645 Regular Expressions

649 Podcasts

649 Podcast Editor

654 Global Podcast Options

654 Creating a Podcast

655 Setting Up a FTP for Podcast Publishing

655 Publishing a Podcast

655 FTP Settings Dialog

657 Checking the Podcast

658 Customizing

658 Workspace Layout

660 Customizing the Wave Window and the

Montage Window

661 Customizing Shortcuts

668 Customizing Command Bars

668 Plug-in Organization

676 Variables and Text Snippets

679 Scripting

700 Configuring the Software

700 Global Preferences

706 Audio Files Preferences

713 Audio Montages Preferences

719 Settings Management

720 Multi-User Settings

721 External Tools

724 Plug-in Reference

724 Built-in Plug-ins

748 Steinberg VST 3 Plug-ins

809 Sonnox Restoration Toolkit

816 Legacy Plug-ins

816 Dithering Plug-ins

820 ASIO Plug-ins

822 Batch Processing Plug-ins

832 Index

7

Introduction

Help System

The detailed help system of WaveLab Pro enables you to look up interface features

and get information from within the program.

Accessing the Help System

There are several ways of accessing the help system.

• To open the WaveLab Pro help, select Help > Contents.

• To open the manual in PDF format, select Help > PDF Documentation.

• To show tooltips, move the mouse over an interface icon.

• To open the help for an active dialog, click the question mark icon on the title

bar (Windows) or in the dialog (Mac OS) to show the Help button, and then

click the Help button, or press [F1] (Windows) or [Command]-[?] (Mac OS).

• To use the menu help, move the mouse over a menu item.

• To see information on what kind of editing can be performed when using the

mouse and modifier keys in the Audio Montage window, move the mouse

over the montage window. The help text is displayed on the info line at the

bottom of the window.

To open the “What’s This” help, you have the following possibilities:

• In any window, press [Shift]-[F1] and move the mouse over an interface item,

or select Help > What’s This?.

• In a dialog, select the question mark icon on any title bar (Windows) or in the

dialog (Mac OS), and move the mouse over an interface item or a menu

option.

• Some “What’s this” tooltips include a link to a dedicated help topic.

RELATED LINKS

Info Line on page 282

Introduction

About the Program Versions

8

About the Program Versions

The documentation covers the operating systems Windows and Mac OS X.

Features and settings that are specific to one of these platforms are clearly

indicated. In all other cases, the descriptions and procedures in the documentation

are valid for Windows and Mac OS X.

Some points to consider:

• The screenshots are taken from a Windows operating system.

• Some functions that are available on the File menu on Windows operating

systems can be found in the program name menu on Mac OS X operating

systems.

Conventions

In our documentation, we use typographical elements and mark-ups to structure

information.

Typographical Elements

The following typographical elements mark the following purposes.

PREREQUISITE

Requires you to complete an action or to fulfill a condition before starting a

procedure.

PROCEDURE

Lists the steps that you must take to achieve a specific result.

IMPORTANT

Informs you about issues that might affect the system, the connected

hardware, or that might bring a risk of data loss.

NOTE

Informs you about issues that you should consider.

EXAMPLE

Provides you with an example.

RESULT

Shows the result of the procedure.

AFTER COMPLETING THIS TASK

Informs you about actions or tasks that you can undertake after completing

the procedure.

Introduction

How You Can Reach Us

9

RELATED LINKS

Lists related topics that you can find in this documentation.

Mark-Ups

Bold text indicates the name of a menu, option, function, dialog, window, etc.

EXAMPLE

To open the Layout Options pop-up menu, click Layout Options in the top right

corner of the Audio Editor.

If bold text is separated by a greater-than symbol, this indicates a sequence of

different menus to open.

EXAMPLE

Select File > Save As.

Key Commands

Many of the default key commands use modifier keys, some of which are different

depending on the operating system.

For example, the default key command for Undo is [Ctrl]-[Z] on Windows and

[Command]-[Z] on Mac OS X. When key commands with modifier keys are

described in this manual, they are shown with the Windows modifier key first, in the

following way:

• [Win modifier key]/[Mac modifier key]-[key]

EXAMPLE

[Ctrl]/[Command]-[Z] signifies: press [Ctrl] on Windows or [Command] on Mac OS

X, then press [Z].

Similarly, [Alt]/[Option]-[X] signifies: press [Alt] on Windows or [Option] on Mac OS

X, then press [X].

How You Can Reach Us

On the Help menu in WaveLab Pro, you find items linking to additional information.

Introduction

How You Can Reach Us

10

The menu contains links to various Steinberg web pages. Selecting a menu item

automatically launches your browser and opens the page. On these pages, you can

find support and compatibility information, answers to frequently asked questions,

information about updates and other Steinberg products, etc. This requires that you

have a web browser installed on your computer, and a working Internet connection.

11

Setting Up Your System

Before you start working, you need to make some settings.

IMPORTANTIMPORTANTIMPORTANTIMPORTANT

Make sure that all equipment is turned off before making any connections.

Connecting Audio

Your system setup depends on many different factors, for example, the kind of

project that you want to create, the external equipment that you want to use, or the

computer hardware available to you.

Audio Cards and Background Playback

When you activate playback or recording in WaveLab Pro, other applications

cannot access the audio card. Likewise, if another application uses the audio card,

WaveLab

Pro is unable to play back. The Windows MME driver is an exception from

this.

You can run WaveLab Pro together with other applications and always give the

active application access to the audio card.

PROCEDURE

1. Select File > Preferences > VST Audio Connections.

2. Select the Options tab.

3. Activate Release Driver.

4. Do one of the following:

• If you want to release the driver when WaveLab Pro is in the background,

activate When WaveLab Pro is in Background.

• If you want to release the driver only when Cubase is in the foreground, activate

When Cubase is in Foreground.

Setting Up Your System

Latency

12

Latency

Latency is the delay between when audio is sent from the program and when you

actually hear it. While a very low latency can be crucial in a real-time DAW

application such as Steinberg Nuendo or Cubase, this is not strictly the case with

WaveLab

Pro.

When working with WaveLab Pro, the important issues are optimum and stable

playback and editing precision.

The latency in an audio system depends on the audio hardware, its drivers, and

settings. In case of dropouts, crackles, or glitches during playback, raise the Buffer

Number setting on the Options tab in the VST Audio Connections, or increase

the buffer size in the ASIO control panel, specific to the audio card.

RELATED LINKS

VST Audio Connections Tab on page 13

Defining VST Audio Connections

To be able to play back and record audio in WaveLab Pro, you must specify how

the internal input and output channels in WaveLab

Pro are connected to your sound

card and which device you intend to use for audio playback and recording.

You can define the buffer settings for your device as well as set up connections to

external gear, such as external effects units. You should select at least two channels

for stereo playback and recording.

If you have no third-party audio card, you can select the Windows MME driver or

Built-in Audio (Mac) options. You can also use MME with most third party audio

cards, with the advantage that you can record and play at different sample rates.

However, Windows MME drivers do not allow audio monitoring in the Recording

dialog or multichannel operation, and other drivers generally offer better sound

quality and performance.

RELATED LINKS

VST Audio Connections Tab on page 13

Selecting an ASIO Driver

Audio Stream Input/Output (ASIO) is a computer device driver protocol for digital

audio specified by Steinberg. It provides a low-latency and high fidelity interface

between a software application and the soundcard of a computer.

PROCEDURE

1. Select File > Preferences > VST Audio Connections.

2. Open the Audio Device pop-up menu and select your ASIO driver.

The ASIO Plug-ins tab and the Control Panel button are activated.

Setting Up Your System

Defining VST Audio Connections

13

3. Optional: Click Control Panel and make your settings.

4. On the ASIO Plug-ins tab, select the audio ports that are used for recording

and monitor input of the ASIO plug-ins.

Selecting a Windows MME Driver

PROCEDURE

1. Select File > Options > VST Audio Connections.

2. Open the Audio Device pop-up menu and select Windows MME.

3. On the Playback tab, select the audio ports that are used for playback.

4. On the Recording tab, select the audio ports that used for recording and

monitor input.

VST Audio Connections Tab

This tab allows you to specify how the internal input and output channels in

WaveLab

Pro are connected to your sound card and which device you want to use

for audio playback and recording.

• To open the VST Audio Connections tab, select File > Options > VST

Audio Connections.

Global Settings

Audio Device

Allows you to select the audio device that you want to use for playback and

recording audio. If you do not have a third-party audio card, you can select the

Windows MME driver or Built-in Audio (Mac) options.

Control Panel

When you select an ASIO driver, the Control Panel button is activated. Click

the button to open the settings application of your sound card, which is

usually installed with the sound card. Depending on your sound card and

driver, this provides settings for buffer size, digital formats, additional I/O

connections, etc.

Refresh

This button causes audio devices to be evaluated again to reflect device

changes.

Setting Up Your System

Defining VST Audio Connections

14

Playback Tab

This tab allows you to select and name audio ports that are used for playback. If you

are monitoring on a surround system, specify your surround speaker outputs here.

You can also specify the Preferred Sample Rate for playback. Furthermore, you

can rename the channels and set up the Speaker Configuration to be able to

switch between different speakers.

Recording Tab

This tab allows you to select and name your audio ports that are used for recording

and input monitoring. The inputs that you define here are then available in the

Recording dialog. Furthermore, you can rename the channels and select the

Speaker Configuration.

Setting Up Your System

Defining VST Audio Connections

15

External Gear Tab

This tab allows you to select inputs from and outputs to external audio processing

equipment. The name of this tab corresponds to the installed driver, for example,

ASIO Plug-ins.

Options Tab

This tab allows you to specify the number of buffers and the control driver

functionality.

Buffer Number

Increasing this value improves the elasticity of audio streaming to avoid

dropouts.

MME Specific – Buffer Size

Increasing this value improves the elasticity of audio streaming to avoid

dropouts. This is only available when an MME driver is selected.

Initialize Streaming Engine at First Use

Initializes the audio streaming engine when playback or recording are used for

the first time. If this option is deactivated, the audio streaming engine is

initialized at program startup.

Reset Driver When Changing Sample Rate

Resets the driver when sample rate is changed. When playback or recording

must be set to a new sample rate, some audio device drivers must be fully

reset to work properly. This operation takes some time.

Perform Short Fade In/Out When Starting/Stopping Playback

Performs a short fade in when starting playback and a short fade out when

stopping playback. This avoids clicks that are caused by waveforms that are

not starting on a zero-crossing point.

Release Driver

Allows you to run WaveLab Pro together with other applications and always

give the active application access to the audio card.

•If When WaveLab Pro is in Background is activated, the driver is

released when WaveLab Pro is in the background.

Setting Up Your System

CD/DVD Recorders

16

•If When Cubase is in Foreground is activated, the driver is released

when Cubase is in the foreground.

CD/DVD Recorders

For general instructions on installing internal or connecting external recorders via

USB or Firewire, refer to the instruction manual for your computer or your recorder.

Make sure to have the latest firmware version installed on your recorder unit. For CD

recorders, the existing firmware must support disc-at-once mode. In addition,

running a unit with older firmware can prevent you from writing sub-index markers

into the tracks, for example.

Remote Devices

You can use remote devices to remote-control WaveLab Pro.

Several commands can be controlled with knobs and sliders of your remote control

device. For all commands that can be assigned to a keyboard shortcut, a MIDI

trigger can also be assigned.

Remote Devices Tab

This tab allows you to select a device to remote-control WaveLab Pro, and see and

edit the control map of MIDI control devices.

• To open the Remote Devices tab, select File > Preferences > Remote

Devices.

Setting Up Your System

Remote Devices

17

Device Editing Tab

This tab lets you select a MIDI control device, see the control map, assign

WaveLab

Pro commands to MIDI controls, and import/export control assignments.

Device Menu

Select the MIDI device to edit. Select MIDI Shortcuts for Menus to define

the MIDI input port that is used for MIDI shortcuts. The shortcuts can then be

assigned on the Shortcuts tab.

Select MIDI Control Device #1 – #10 to select a slot for a connected MIDI

control device. You can then assign a device by selecting a MIDI input port

and output port.

Active

Activates the selected device and scans the MIDI ports.

In-Port/Out-Port

Select the MIDI input/output ports of the device that you want to use.

Edit Map

Activates the edit mode of the MIDI control map for the selected device. To

leave the edit mode, click again.

Setting Up Your System

Remote Devices

18

Save

Saves the modifications that have been made to the MIDI control map.

Undo

Undoes the modifications that have been made to the MIDI control map.

Reset

If the map has a factory preset, clicking Reset resets all changes that have

been made to the map. If the map has no factory preset, the map is cleared.

Import

Opens the file browser where you can select a map definition file (XML file).

This kind of file can be supplied by a MIDI device manufacturer or another

WaveLab

Pro user, for example.

Export

Lets you export a map definition file (XML file). This file can be sent to another

WaveLab

Pro user, for example.

Name

Lets you enter a map name.

Only Display Assignments

If this option is activated, the control map only displays the parameters that

are associated with a remote control.

Expand/Collapse

Expands/collapses the folder tree of the control map.

WaveLab Pro Action List

This folder tree lists the parameters that you can remote-control. The top

folder represent contexts. The related parameters can only be controlled if the

context is active. For example, if an audio file is active.

A remote control can be used in several contexts if these are exclusive. For

example, parameters that can be used for an active audio file or an active

audio montage.

The Global folder contain the parameters that can always be controlled.

Control Editor – Save

If a control has been created or modified, click this button to save it.

Control Editor – Undo

If a control has been modified, click this button to undo the changes.

Control Editor – Clear

Erases the selected control’s definition.

Control Name

Lets you enter a name for the control. Each control must have a name.

Setting Up Your System

Remote Devices

19

Type

In the Type section, you can edit the type of the selected control.

When more than one type of control can be assigned to a parameter, you can

select a type from the first pop-up menu. You can choose between relative

and absolute editing for some parameters. For example, a Master Section

slider can be associated to a remote motorized fader (absolute editing), or to

an infinite knob (relative editing).

Several protocols are supported to interpret the MIDI messages. You can

select the protocol that you want to use from the second menu. The MIDI

Learn function can automatically change this protocol, according to the

received MIDI messages.

Remote controls send messages but can also receive messages from

WaveLab

Pro, to light up a button or move a motorized fader, for example. You

can select the mode to use from the third menu.

Message

Activates the MIDI Learn function. If this option is activated, you can use the

control (knob, fader, etc.) on your MIDI controller. When MIDI messages are

received, they are analyzed after the MIDI activity stops for several

milliseconds. The result is displayed in the Message field. The result is then

used by WaveLab

Pro as the control identifier.

Clear

Erases the MIDI event that identifies the control.

Conditions

A modifier is a WaveLab Pro parameter that can be activated by a MIDI

control (for example, a foot switch) or a computer key ([Ctrl]/[Command],

[Shift], etc.). By associating a remote control with one or two modifiers, you

can use a single remote control to edit different parameters.

Options Tab

This tab lets you use the MIDI Learn function to assign a control of a MIDI remote

control device to a function.

Emulate Mouse Wheel

If this option is activated, the AI knob of Steinberg controllers acts as a mouse

wheel in the WaveLab

Pro user interface, except for plug-ins.

Edit Focused Numeric Field

If this option is activated, the AI knob Steinberg controllers can be used to edit

the focused numeric field that you find in many WaveLab

Pro windows and

dialogs.

Setting Up Your System

Remote Devices

20

Selecting a MIDI Remote Control Device

PREREQUISITE

The MIDI remote control device is connected to your PC/Mac.

PROCEDURE

1. Select File > Preferences > Remote Devices.

2. On the Device Editing tab, select one of the MIDI control device slots or the

MIDI Shortcuts for Menus option from the pop-up menu at the top.

3. Select Active to activate the selected device.

4. From the In-Port and Out-Port pop-up menus, select a MIDI input port and

output port.

Assigning a MIDI Controller to a Parameter

If you are using a Steinberg remote control device, for example, the CC121, the

controls are already assigned to parameters. You can customize these default

settings.

PREREQUISITE

You have set up your MIDI remote control device.

PROCEDURE

1. Select File > Preferences > Remote Devices.

2. From the pop-up menu at the top of the dialog, select your MIDI control

device.

3. On the Device Editing tab, click the Edit Map button.

4. In the tree structure, click the parameter that you want to remote-control.

5. In the Control Editor section, enter a name in the Control Name field.

6. Select the type of control.

Depending on the type of control on the MIDI remote control device, you must select

a control with relative values (knob), trigger values (button), or absolute values (fader).

7. Click in the Message field, and on your MIDI remote control device, move the

control that you want to assign.

The name of the controller is displayed in the Message field.

8. Click Save to the right of the This Control is Modified message.

9. Click Save to the right of the Edit Map button.

RESULT

The MIDI controller is now assigned to the function.

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Steinberg Wavelab Pro 9.0 User manual

Steinberg Wavelab Pro 9.0 User manual

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