Millennia NSEQ-HF User guide

Category
Audio equalizers
Type
User guide
Millennia
Millennia Media, SPC.
6411 Capitol Avenue
Diamond Springs, CA 95619
http://www.mil-media.com
tech@mil-media.com
(530) 647-0750
Music & Media Systems
NSEQ HF User Guide
revised 061922js
Protecting Against Electrostatic
Discharge Static electricity can harm
delicate components on the HV-35 board. To
prevent static damage, discharge static
electricity from your body before you touch
any jumpers or switches with the cover
removed. You can do so by touching an
unpainted metal surface on the API rack’s
chassis.
Do not install or remove the
module until the rack’s power is
off.
Compatible Racks The NSEQ HF is
designed to work in an API 500VPR or Lunch
box rack. If you are using another brand, be
sure it meets or exceeds the API spec.
The NSEQ HF power consumption is
+210mA with all LEDs on.
EQ IN places EQ in the signal path.
Hardwired relay bypass when out.
Frequency Select Switch selects fixed
high frequencies.
Peak/Shelf Select When LED is on, EQ is
shelving at 6 dB per octave. When LED is off,
EQ is peaking with a fixed "Q" of 1.0.
Balanced/Unbalanced Input
Unbalanced increases gain by 6dB to
compensate for possible signal loss when
balanced and unbalanced equipment is
used in the same signal path.
Gain Range +/- 18dB or when LED is
on, +/- 9dB
Boost/Cut Control +18(9) dB of
boost and -18(9) dB of cut. Boost/Cut
potentiometer has 21 detented positions
for accurate repeatability and session
logging.
The graph below shows maximum cut
and boost at 8 kHz for peaking and
shelving settings
NSEQ-HF
High Frequency EQ 500 Rack
Module
Specifications
Filter Shape Shelving at 6 dB per octave. When LED is off, EQ
is peaking with a fixed "Q" of 1.0
Maximum Output Level + 21 dBu
Maximum Input Level (EQ Flat) + 20 dBu Balanced, +14 dBu unbalanced
Maximum Input Level (EQ Full
Boost) + 17 dBu
Frequency Response
+0 / -3 dB sub 2 Hz to beyond 300 kHz
Maximum Cut/Boost (21 Step
Detented) +/-18 dB (+/-9 dB with range switch in)
Frequency Centers – (Peak/Shelf
Selectable) 4.8 k, 5.8 k, 8.0 k, 10 k, 16 k, 21 k
THD + Noise
20 Hz - 30 kHz, All EQ Bands
Switched In < .009%, typ < .003 %
Common Mode Rejection Ratio
10 Hz - 20 kHz, 100 mV C.M. > 60 dB, Typ > 80 dB
Slew Rate, +21 dBu Out > 50 volts per microsecond
Hard-wire Bypass Switch? Yes
Input Impedance 25 kilohms
Minimum Output Load Impedance 50 ohms
Recommended Load > 500 ohms
Output Impedance 5 ohms
EQ Amplifiers Pure Class-A Discrete J-FETs
Power Power consumption is +210mA with all LEDs on
Reviews & Awards
“Since adding the NSEQ-2 to our mastering rack, about 90% of our customers have preferred it
against all other parametric equalizers in our mastering chain.“
Denny Purcell, Georgetown Masters, Nashville
“The NSEQ-2 joins the ranks of the world’s premiere
equalizers.”
Bob Ludwig, Gateway Mastering
“IT’S SIMPLY FANTASTIC! We in studio are astonished about the transparency of the sound
comes out! We have a xxxx in one room with xxxx and in the other room we have xxxx xxx, your
EQ is second to none!”
Fabrizio De Carolis, Reference Mastering Studios,
Rome, Italy
“Using the Millennia NSEQ-2 has made me completely re-think how I use EQ. Where I used to
avoid using EQ at all, the NSEQ-2 has been employed to put just the right touch in a recording.
The NSEQ- 2’s transparency and musicality is stunning! I don’t know of an EQ, digital or analog,
that could approach its qualities.”
Michael Bishop, Telarc International
“The most transparent equalizer I’ve heard to date.”
Tom Jung, DMP Records
“...the transparency of the signal path is remarkable, and the smooth musicality of the EQ bands
as they are adjusted is something special... both [vacuum tube and solid state topologies] are
astonishingly clean.“
Richard Foister, Studio Sound Magazine, UK
“...this is an excellent machine capable of very fine results irrespective of the of the technology
in the amplification. Although, like most sane people, I would normally find it difficult to enthuse
about a simple equalizer, this really is something very special and I have only come across one
other similar device which I found as audibly exciting. I would expect [the NSEQ-2] to become a
very common entry in the equipment inventory of most mastering houses and top-end studios
over here once the word gets out.
Hugh Robjohns, Sound On Sound Magazine, UK
“I believe the NSEQ is, audibly, the most perfect analog equalizer I have ever had the pleasure to
use.”
Dr. Fred Bashour, Pro Audio Review
“The bottom line: For mission critical EQ applications where transparency is a paramount
necessity, the NSEQ-2 is king. Prepare to be thrilled.”
Michael Cooper, Mix Magazine , Feature Review
"You've heard of the mythical 'straight wire with gain.' Well, the NSEQ-2 is as close to an analog
'straight wire with gain' as I have heard in 27 years of audiophile and professional engineering
work."
Bob Katz, Chief Engineer, Digital Domain Mastering, Florida
"You've made a believer of me, and redefined the concept of "neutral" Eq. The clarity and
transparency of your EQs is much greater than the AD/DA converted DAT sources that comprise
the bulk of our work today. It's truly a breakthrough product, and redefines clean, neutral tonal
control in the analog domain."
Dave Davis, QCA Mastering / Ultrainteractive.
Millennia Media, SPC.
6411 Capitol Avenue
Diamond Springs, CA 95619
http://www.mil-media.com
tech@mil-media.com
(530) 647-0750
World Wide Warranty
We will repair our products, free of
charge, in the event of defect of
materials or workmanship for two (2)
years following date of purchase.
This limited warranty covers failures due
only to defects in materials and
workmanship which occur during normal,
intended use and does not cover damage
which occurs in shipment or failures
which are caused by products not
supplied by Millennia Media.
This limited warranty does not cover
failures which arise from accident,
misuse, abuse, neglect, mishandling,
misapplication, faulty installation,
improper adjustment, alteration or
modification of product, incompatibilities,
line-power surges, acts of God, or
service performed by anyone other than
Millennia Media or its authorized agent.
Limits and Exclusions There are no
express warranties except as listed
above. Millennia shall not be liable for
special, subsequent, incidental,
consequential, or punitive damages,
including, but not limited to: damage to
recordings, broadcasts, microphones,
mixing consoles, or any associated
equipment, downtime costs, loss of
goodwill, or claims of any party dealing
with purchaser for such damages
resulting from the use of this product.
All warranties express and implied,
including the warranties of
merchantability and fitness for a
particular purpose are limited to the
applicable warranty period set forth
above.
Vacuum tube and bulb failures are not
covered under warranty. Shipping
costs to/from factory are not covered
under this warranty. International
warranty law may vary from country
to country, and Millennia will abide by
the law of each country from which
the product was initially sold.
For North American repairs and
service, contact Millennia (tech@mil-
media.com) to obtain a Return
Authorization number. Please include
your shipping address, daytime phone
number and description of the
problem. Outside of North America,
please contact your local Millennia
Distributor.
Discarding Units
In the event that any Millennia
equipment manufactured after July
1, 2006 needs to be discarded, you
must return it to Millennia, at our
headquarters in California, USA.
Please contact the distributor in your
country or Millennia directly for
instructions. We will make
arrangements to have the equipment
shipped to us at no cost to you, and
we will dispose of it in a manner that
complies with whatever regulations
are in existence at that time.
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Millennia NSEQ-HF User guide

Category
Audio equalizers
Type
User guide

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